Born on February 10, 1929, Jerry Goldsmith studied piano with Jakob Gimpel and composition, theory, and counterpoint with Mario Castelnuovo-Tedesco. He also attended classes in film composition given by Miklós Rózsa at the Univeristy of Southern California. In 1950, he was employed as a clerk typist in the music department at CBS...See full bio »
1996Star Trek: First Contact
(writer: "Main Title / Locutus", "Main Title Star Trek: The Motion Picture" - uncredited, "Star Trek: The Next Generation - Main Title" - uncredited / performer: "Main Title / Locutus", "Main Title Star Trek: The Motion Picture" - uncredited)
1996The Ghost and the Darkness
(writer: "The Bridge" - uncredited, "Prepare for Battle" - uncredited / performer: "The Bridge" - uncredited, "Prepare for Battle" - uncredited)
1995Congo
(music: "Spirit Of Africa" / producer: "Spirit Of Africa")
1971Wild Rovers
(writer: "Ballad of the Wild Rovers" - uncredited / music: "Wild Rover")
1970The Ballad of Cable Hogue
(music: "Tomorrow is the Song I Sing Main Title", "Waiting" / arranger: "Wait for Me, Sunrise", "Butterfly Mornin's", "Wait for Me, Sunrise End Title")
I would have burned out a long time ago if I just took a job, the money and ran with it. There's still a challenge for me in scoring films. I'm willing to tackle an interesting project if it offers me a chance to do something I haven't done before. When I'm excited about something, the creativity just flows...
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Trivia:
For most of his career, he chose the late Arthur Morton to orchestrate his scores. Later, as Morton aged, he also added in Alexander Courage. After Courage retired, he used Mark McKenzie as his primary orchestrator.
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