Alien (1979)

Director:

Ridley Scott

Writers (WGA):

Dan O'Bannon (story) and
Ronald Shusett (story) ...
(more)

Release Date:

25 May 1979 (USA)

Genre:

Horror | Sci-Fi | Thriller

Tagline:

In space no one can hear you scream.

Plot:

A mining ship, investigating a suspected SOS, lands on a distant planet. The crew discovers some strange creatures and investigates.

Plot Keywords:

Alien | Spaceship | Egg | Parasite | Creature

Awards:

Won Oscar. Another 11 wins & 18 nominations

Cast

Tom Skerritt	...	Dallas
Sigourney Weaver	...	Ripley
Veronica Cartwright	...	Lambert
Harry Dean Stanton	...	Brett
John Hurt	...	Kane
Ian Holm	...	Ash
Yaphet Kotto	...	Parker
Bolaji Badejo	...	Alien
Helen Horton	...	Mother (voice)
rest of cast listed alphabetically:
Eddie Powell	...	Alien (uncredited)

Directed by
Ridley Scott

Writing credits (WGA)
Dan O'Bannon		(story) and
Ronald Shusett		(story)
Dan O'Bannon		(screenplay)

Produced by
Gordon Carroll	....	producer
David Giler	....	producer
Walter Hill	....	producer
Ivor Powell	....	associate producer
Ronald Shusett	....	executive producer

Original Music by
Jerry Goldsmith

Cinematography by
Derek Vanlint

Film Editing by
David Crowther		(director's cut)
Terry Rawlings
Peter Weatherley

Production Design by
Michael Seymour
Roger Christian		(uncredited)

Art Direction by
Roger Christian
Leslie Dilley		(as Les Dilley)

Set Decoration by
Ian Whittaker

Costume Design by
John Mollo

Makeup Department
Pat Hay	....	makeup artist
Tommie Manderson	....	makeup designer (as Tommy Manderson)
Sarah Monzani	....	hair stylist

Production Management
Garth Thomas	....	production manager

Second Unit Director or Assistant Director
Raymond Becket	....	assistant director
Steve Harding	....	assistant director
Paul Ibbetson	....	first assistant director
Bob Jordan	....	trainee assistant director

Art Department
José María Alarcón	....	assistant set decorator
Jonathan Amberston	....	assistant art director
Ron Cobb	....	concept artist
John Davey	....	head painter
Benjamín Fernández	....	assistant art director
Chris Foss	....	concept artist
Jean Giraud	....	concept artist (as Jean 'Moebius' Giraud)
George Gunning	....	head carpenter
Dave Jordan	....	property master
Dan O'Bannon	....	visual design consultant
Jill Quertier	....	production buyer
Bert Rodwell	....	head plasterer
Bill Welch	....	construction manager
Gari Bacon	....	props (uncredited)
John Chisholm	....	prop man (uncredited)
Paul James	....	plasterer (uncredited)
Stuart Rose	....	draughtsman (uncredited)
Keith Short	....	sculptor (uncredited)

Sound Department
Max Bell	....	stereo sound consultant: Dolby
Andrew I. King	....	sound re-recording mixer: director's cut
Derrick Leather	....	production sound mixer
Ray Merrin	....	sound re-recording assistant
Bill Rowe	....	sound re-recording mixer
Jim Shields	....	sound editor
Bryan Tilling	....	dialogue editor

Special Effects by
Nick Allder	....	special effects supervisor
Alan Bryce	....	floor effects supervisor (as Allan Bryce)
Clinton Cavers	....	alien effects coordinator
Carlo De Marchis	....	additional alien mechanics
Roger Dicken	....	small alien forms co-designer and maker
Guy Hudson	....	special effects technician
Brian Johnson	....	special effects supervisor
Phil Knowles	....	special effects technician
Dennis Lowe	....	special effects technician
Roger Nichols	....	special effects technician
Carlo Rambaldi	....	alien head effects
Neil Swan	....	special effects technician
David H. Watkins	....	special effects technician (as David Watkins)
Dr. David Watling	....	additional alien mechanics
Anton Furst	....	special effects (uncredited)
Philip Sharpe	....	special effects technician (uncredited)

Visual Effects by
Denys Ayling	....	director of photography: miniature effects
Martin Bower	....	supervising model maker: miniature effects
Eddie Butler	....	modeller
Ray Caple	....	matte artist
Shirley Denny	....	modeller
Dick Hewitt	....	electronics and video coordinator
David Litchfield	....	operator: miniature effects
Bernard Lodge	....	special graphic effects
Terry Pearce	....	focus: miniature effects
Bill Pearson	....	supervising model maker: miniature effects
Patti Rodgers	....	modeller
Peter Voysey	....	supervising modeller
Peter Woods	....	key grip: miniature effects
Alan Buchan	....	visual effects (uncredited)
Rick Cortes	....	Inferno artist (2003 director's cut re-release) (uncredited)
Bob Keen	....	modeller (uncredited)
Jon Sorensen	....	visual effects miniatures (uncredited)

Stunts
Eddie Powell	....	stunts
Roy Scammell	....	stunt coordinator
Monty Jordan	....	assistant stunt coordinator (uncredited)

Camera and Electrical Department
Adrian Biddle	....	camera focus
Colin Davidson	....	camera focus
Ray Evans	....	gaffer
Bob Penn	....	still photographer
Jimmy Walters	....	key grip
Wick Finch	....	electrician (uncredited)
David Johnson	....	second assistant camera (uncredited)
Micky Wilson	....	electrician (uncredited)

Casting Department
Mary Goldberg	....	casting: USA
Mary Selway	....	casting: UK

Costume and Wardrobe Department
Tiny Nicholls	....	wardrobe supervisor

Editorial Department
Peter Baldock	....	assistant film editor
Peter Culverwell	....	assistant film editor
Les Healey	....	first assistant editor
Maureen Lyndon	....	assistant film editor
Bridget Reiss	....	assistant film editor
Brian Q. Kelley	....	editor: additional material for special edition (uncredited)

Music Department
Robert Hathaway	....	music editor (as Bob Hathaway)
Lionel Newman	....	conductor
Percy Edwards	....	alien vocalizator (uncredited)
Arthur Morton	....	orchestrator (uncredited)

Other crew
Stanley Bielecki	....	advertising and publicity consultant
Lori Covel	....	assistant to producers
Valerie Craig	....	production assistant
Brian Doyle	....	unit publicist
Kay Fenton	....	continuity
Bill Finch	....	production accountant
H.R. Giger	....	alien designer
Mark Haggard	....	production executive
Alice Harmon	....	assistant to producers
Charles Lippincott	....	advertising and publicity consultant
Sandy Molloy	....	assistant to director
Saul Bass	....	title designer (uncredited)
Robert H. Lemer	....	associate to producer (uncredited)
Jake Scott	....	stand-in (uncredited)

Production Companies

• Brandywine Productions
• Twentieth Century-Fox Productions

Distributors

• Twentieth Century-Fox Film Corporation (1979) (USA) (theatrical)
• 20th Century Fox Italia (2003) (Italy) (theatrical)
• 20th Century Fox (Japan) (theatrical)
• 20th Century Fox of Germany (1979) (West Germany) (theatrical)
• 20th Century Fox of Germany (2003) (Germany) (theatrical) (director's cut)
• Columbia-Fox (1980) (Greece) (theatrical)
• Netherlands Fox Film Corporation (2003) (Netherlands) (theatrical) (director's cut)
• 20th Century Fox Home Entertainment (Brazil) (DVD)
• 20th Century Fox Home Entertainment (Brazil) (VHS)
• 20th Century Fox Home Entertainment (2004) (USA) (DVD)
• 20th Century Fox de Argentina (2004) (Argentina) (all media) (re-release)
• 20th Century Fox of Germany (1997) (Germany) (VHS)
• 20th Century Fox of Germany (2000) (Germany) (DVD)
• Abril Vídeo (Brazil) (VHS) (as "Alien - O Oitavo Passageiro")
• American Broadcasting Company (ABC) (1984) (USA) (TV) (broadcast premiere)
• CBS / Fox Video (1987) (Greece) (VHS)
• CBS/Fox Home Video (????) (New Zealand) (VHS) (original video release)
• CBS/Fox (VHS)
• CBS/Fox (laserdisc)
• Fox Video (video)
• Gativideo (2004) (Argentina) (DVD)
• Gativideo (2004) (Argentina) (VHS) (re-release)
• Odeon (2004) (Greece) (DVD) (director's cut)
• Twentieth Century Fox Home Entertainment (200?) (Netherlands) (video) (director's cut)

Special Effects

• Filmfex Animation Services (special optical effects)

Other Companies

• Steve Frankfurt Communications  title design
• R/Greenberg Associates  title design (as R. Greenberg Associates)
• Tony Silver Films  title design
• Animals Unlimited  Jones trained by
• Dolby Laboratories  sound post-production (as Dolby Stereo)
• Panavision  filmed in
• DeLuxe Laboratories  prints by (as DeLuxe)
• Lee Lighting  lighting (as Lee Electrics)
• Sony U.K. Ltd.  video equipment
• Shepperton Studios  made at (as Shepperton Studio Centre, England)
• J.R. Bray Studios  made at
• Anvil Recording Studios  music recorded at (as Anvil Recording Studios, Denham England)
• E.M.I. Elstree Studios  post-production (as E.M.I. Elstree Studios, England)
• Intrada  soundtrack (complete score) (uncredited)

Also Known As:

Alien: The Director's Cut (USA) (director's cut)
Star Beast (USA) (working title)

MPAA:

Rated R for sci-fi violence/gore and language. (director's cut)

Runtime:

117 min | USA:116 min (director's cut)

Country:

UK | USA

Language:

English | Spanish

Color:

Color

Aspect Ratio:

2.20 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) | Dolby

Certification:

Canada:14 (Nova Scotia) (director's cut) (2003) | Canada:14A (Alberta/British Columbia) (director's cut) (2003) | Canada:18A (Manitoba) (director's cut) (2003) | Canada:PG (Ontario) (director's cut) (2003) | Canada:R (Manitoba/Nova Scotia/Ontario) (original rating) | New Zealand:M (re-release) | New Zealand:R16 (original rating) | Italy:T | Canada:14+ (Ontario) | Finland:K-18 (director's cut) (DVD rating) | USA:TV-14 (TV rating) | Portugal:M/16 (DVD rating) | South Korea:15 (re-rating) (2003) | South Korea:18 (original rating) | Philippines:R-18 | Brazil:14 | West Germany:16 (f) | Israel:16 | India:A | Czech Republic:18 | Argentina:13 | Australia:M | Canada:13+ (Quebec) | Chile:14 | Finland:K-16 | France:-12 | Hong Kong:IIB | Iceland:16 | Ireland:18 | Japan:PG-12 | Netherlands:12 | Norway:15 (director's cut) (2003) | Norway:16 (original rating) | Norway:18 | Peru:14 | Singapore:PG | Spain:13 | Sweden:15 | UK:15 (director's cut) | UK:18 (video rating) (1987) | UK:X (original rating) | USA:R (certificate #25541)

Filming Locations:

Shepperton Studios, Shepperton, Surrey, England, UK

Company:

Brandywine Productions

Trivia:

Ridley Scott cites three films as the shaping influences on his movie: Star Wars (1977) and 2001: A Space Odyssey (1968) for their depiction of outer space, and Tobe Hooper's The Texas Chain Saw Massacre (1974) (1974) for its treatment of horror.

Goofs:

Revealing mistakes: As Ripley blows the alien out of one of the lifeboat's aft nozzles, the engine exhaust is obviously water because it dribbles down the camera. Ridley Scott stated that they used water as a substitute for some sort of plasma. At any rate, there's no reason for the exhaust - whatever it is - to dribble down a camera glass that isn't supposed to be there.

Quotes:

[first lines]
Brett: This is the worst shit I've ever seen, man.
Parker: What you say? You got any biscuits over there?
Ripley: Here's some cornbread.
Parker: Cornbread. Yeah.
Lambert: I am cold.
Parker: Still with us, Brett?
Brett: Right.
Kane: Oh, I feel dead.
Parker: Anybody ever tell you you look dead, man?

Movie Connections:

Spoofed in Star Warp'd (2002) (V)

Soundtrack:

Excerpts from 'Symphony no. 2 (Romantic)'

Classic horror

The further we go in special effects, the more movies show us and ignore the unseen, the more people will return to dark horrors like this one.

It's hard to look at this film without considering the sequels and knowing the alien itself, however when made the alien was mostly unseen and a mystery. It's difficult to forget what you've seen, but it's important to approach this film first if possible rather than joining the series late.

It's amazing that this is over 20 years old - apart from the actors looking so young, the film doesn't feel dated at all. The sci-fi visions here are still bleak and futuristic as they were then - this is not the Star Trek vision of the future. The foreboding exists long before John Hurt spills his secret, Scott's direction is excellent throughout. Once the alien is "born" the tension is cranked up and the characters dispatched one by one (a formula we know oh-so well now!)

However here the characters are not merely alien-food but have some dimension to them. Weaver is excellent, while the support cast is full of great support actors (Stanton, Kotto, Hurt, Skerritt, Holm), but of course the real star is the one we see least of.

We barely see the alien in full detail, most of the time it is set in shadows, moving with deadly intent.The alien here is not simply a killing machine as seen in later films but is cruel with it. Witness the alien trap a female crew member and slowly rub up her leg, moving with slow seductive movements before moving with terrifying speed to kill another crew member sneaking up behind it. The slow movements betray the alien's pure cruelty.

The film is a study in terror. It may not be as action packed as the other films in the series but it brings the claustrophobia of being hunted to a new level.