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| Sat. July 18 | 12:30 PM | MyNetwork | more |
| Tom Skerritt | ... | Dallas | |
| Sigourney Weaver | ... | Ripley | |
| Veronica Cartwright | ... | Lambert | |
| Harry Dean Stanton | ... | Brett | |
| John Hurt | ... | Kane | |
| Ian Holm | ... | Ash | |
| Yaphet Kotto | ... | Parker | |
| Bolaji Badejo | ... | Alien | |
| Helen Horton | ... | Mother (voice) | |
| rest of cast listed alphabetically: | |||
| Eddie Powell | ... | Alien (uncredited) | |
Directed by | |||
| Ridley Scott | |||
Writing credits(WGA) | ||
| Dan O'Bannon | (story) and | |
| Ronald Shusett | (story) | |
| Dan O'Bannon | (screenplay) | |
Produced by | |||
| Gordon Carroll | .... | producer | |
| David Giler | .... | producer | |
| Walter Hill | .... | producer | |
| Ivor Powell | .... | associate producer | |
| Ronald Shusett | .... | executive producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Derek Vanlint | |||
Film Editing by | |||
| David Crowther | (director's cut) | ||
| Terry Rawlings | |||
| Peter Weatherley | |||
Production Design by | |||
| Michael Seymour | |||
| Roger Christian | (uncredited) | ||
Art Direction by | |||
| Roger Christian | |||
| Leslie Dilley | (as Les Dilley) | ||
Set Decoration by | |||
| Ian Whittaker | |||
Costume Design by | |||
| John Mollo | |||
Makeup Department | |||
| Pat Hay | .... | makeup artist | |
| Tommie Manderson | .... | makeup designer (as Tommy Manderson) | |
| Sarah Monzani | .... | hair stylist | |
Production Management | |||
| Garth Thomas | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Raymond Becket | .... | assistant director | |
| Steve Harding | .... | assistant director | |
| Paul Ibbetson | .... | first assistant director | |
| Bob Jordan | .... | trainee assistant director | |
Art Department | |||
| José María Alarcón | .... | assistant set decorator | |
| Jonathan Amberston | .... | assistant art director | |
| Ron Cobb | .... | concept artist | |
| John Davey | .... | head painter | |
| Benjamín Fernández | .... | assistant art director | |
| Chris Foss | .... | concept artist | |
| Jean Giraud | .... | concept artist (as Jean 'Moebius' Giraud) | |
| George Gunning | .... | head carpenter | |
| Dave Jordan | .... | property master | |
| Dan O'Bannon | .... | visual design consultant | |
| Jill Quertier | .... | production buyer | |
| Bert Rodwell | .... | head plasterer | |
| Bill Welch | .... | construction manager | |
| Gari Bacon | .... | props (uncredited) | |
| John Chisholm | .... | prop man (uncredited) | |
| Paul James | .... | plasterer (uncredited) | |
| Stuart Rose | .... | draughtsman (uncredited) | |
| Keith Short | .... | sculptor (uncredited) | |
Sound Department | |||
| Max Bell | .... | stereo sound consultant: Dolby | |
| Andrew I. King | .... | sound re-recording mixer: director's cut | |
| Derrick Leather | .... | production sound mixer | |
| Ray Merrin | .... | sound re-recording assistant | |
| Bill Rowe | .... | sound re-recording mixer | |
| Jim Shields | .... | sound editor | |
| Bryan Tilling | .... | dialogue editor | |
Special Effects by | |||
| Nick Allder | .... | special effects supervisor | |
| Alan Bryce | .... | floor effects supervisor (as Allan Bryce) | |
| Clinton Cavers | .... | alien effects coordinator | |
| Carlo De Marchis | .... | additional alien mechanics | |
| Roger Dicken | .... | small alien forms co-designer and maker | |
| H.R. Giger | .... | alien designer | |
| Guy Hudson | .... | special effects technician | |
| Brian Johnson | .... | special effects supervisor | |
| Phil Knowles | .... | special effects technician | |
| Dennis Lowe | .... | special effects technician | |
| Roger Nichols | .... | special effects technician | |
| Carlo Rambaldi | .... | alien head effects | |
| Neil Swan | .... | special effects technician | |
| David H. Watkins | .... | special effects technician (as David Watkins) | |
| Dr. David Watling | .... | additional alien mechanics | |
| Anton Furst | .... | special effects (uncredited) | |
| Bob Keen | .... | modeller (uncredited) | |
Visual Effects by | |||
| Denys Ayling | .... | director of photography: miniature effects | |
| Martin Bower | .... | supervising model maker: miniature effects | |
| Eddie Butler | .... | modelmaker | |
| Ray Caple | .... | matte artist | |
| Shirley Denny | .... | modelmaker | |
| David Litchfield | .... | operator: miniature effects | |
| Bernard Lodge | .... | special graphic effects | |
| Terry Pearce | .... | focus: miniature effects | |
| Bill Pearson | .... | supervising model maker: miniature effects | |
| Patti Rodgers | .... | modelmaker | |
| Peter Voysey | .... | modelmaker supervisor | |
| Peter Woods | .... | key grip: miniature effects | |
| Alan Buchan | .... | visual effects (uncredited) | |
| Rick Cortes | .... | Inferno artist (2003 director's cut re-release) (uncredited) | |
| Bob Keen | .... | model maker (uncredited) | |
| Keith Short | .... | sculptor (uncredited) | |
| Jon Sorensen | .... | visual effects miniatures (uncredited) | |
Stunts | |||
| Eddie Powell | .... | stunts | |
| Roy Scammell | .... | stunt coordinator | |
| Monty Jordan | .... | assistant stunt coordinator (uncredited) | |
Camera and Electrical Department | |||
| Adrian Biddle | .... | camera focus | |
| Colin Davidson | .... | camera focus | |
| Ray Evans | .... | gaffer | |
| Bob Penn | .... | still photographer | |
| Jimmy Walters | .... | key grip | |
| Wick Finch | .... | electrician (uncredited) | |
| David Johnson | .... | second assistant camera (uncredited) | |
| Micky Wilson | .... | electrician (uncredited) | |
Casting Department | |||
| Mary Goldberg | .... | casting: USA | |
| Mary Selway | .... | casting: UK | |
Costume and Wardrobe Department | |||
| Tiny Nicholls | .... | wardrobe supervisor | |
Music Department | |||
| Robert Hathaway | .... | music editor (as Bob Hathaway) | |
| Lionel Newman | .... | conductor | |
| Percy Edwards | .... | alien vocalizator (uncredited) | |
| Arthur Morton | .... | orchestrator (uncredited) | |
Other crew | |||
| Stanley Bielecki | .... | advertising and publicity consultant | |
| Lori Covel | .... | assistant to producers | |
| Valerie Craig | .... | production assistant | |
| Brian Doyle | .... | unit publicist | |
| Kay Fenton | .... | continuity | |
| Bill Finch | .... | production accountant | |
| Mark Haggard | .... | production executive | |
| Alice Harmon | .... | assistant to producers | |
| Dick Hewitt | .... | electronics and video coordinator | |
| Charles Lippincott | .... | advertising and publicity consultant | |
| Sandy Molloy | .... | assistant to director | |
| Saul Bass | .... | title designer (uncredited) | |
| Robert H. Lemer | .... | associate to producer (uncredited) | |
| Jake Scott | .... | stand-in (uncredited) | |
| Philip Sharpe | .... | effects technician (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Horror section |
| IMDb UK section | Add this title to MyMovies |
ALIEN received mixed reviews when it debuted in 1979--largely from science fiction critics, who accused it of being little more than a sort of Friday the 13th in Outer Space, a blood-and-gore horror flick given a futuristic twist via special effects. But while these accusations have more than a little truth, it has been an incredibly influential film--and even today, in the wake of CGI effects, it still holds up extremely, extremely well.
The story is well known: the crew of an interstellar craft responds to what seems a distress signal, only to encounter a remarkably lethal alien life form that boards their ship and sets about picking them off one by one. Some of the special effects are weak (the alien spacecraft and the android "revival" are fairly notorious). There is little in the way of character development, the film has a fairly slow pace, and the story itself is predictable; you can usually guess who is going to die next.
BUT. The art designs are incredible: the entire look of the film, from the commercial nature of the spacecraft to the iconographic alien itself (brilliantly envisioned by Giger) is right on the money. Director Ridley Scott encouraged his cast to ad lib from the script, and the result is a shocking sense of realism--and the somewhat slow pace of the film and the predictability of the story gives it a sense of relentless and ever-mounting paranoia that is greatly enhanced by the tight sets and camera set-ups. With its odd mixture of womb-like organics and cold mechanics, ALIEN is a film calculated to send even the most slightly claustrophobic viewer into a fit of hysteria.
The entire cast, led by Tom Skerrit and Sigorney Weaver, is very, very good--and the film abounds with memorable images and scenes ranging from John Hurt's encounter with the alien egg to Skerrit's search of the ship air ducts to Weaver's terrifying race against time as the ship counts down to self-destruct. Seldom has any film been so consistent in design, cast, direction, and out-and-out fear factor, and although certain aspects of ALIEN are open to legitimate criticism the end result is powerful enough to bring it in at a full five stars. A word of warning, however: you'll need to send the kids to bed for this one. And you'll probably be up half the night afterward yourself! Recommended.
Gary F. Taylor, aka GFT, Amazon Reviewer