| Photos (See all 46 | slideshow) | Videos (see all 9) |
| Gregory Peck | ... | Robert Thorn | |
| Lee Remick | ... | Katherine Thorn | |
| David Warner | ... | Jennings | |
| Billie Whitelaw | ... | Mrs. Baylock | |
| Harvey Stephens | ... | Damien | |
| Patrick Troughton | ... | Father Brennan | |
| Martin Benson | ... | Father Spiletto | |
| Robert Rietty | ... | Monk | |
| Tommy Duggan | ... | Priest | |
| John Stride | ... | The Psychiatrist | |
| Anthony Nicholls | ... | Dr. Becker | |
| Holly Palance | ... | Nanny | |
| Roy Boyd | ... | Reporter | |
| Freda Dowie | ... | Nun | |
| Sheila Raynor | ... | Mrs. Horton | |
| Robert MacLeod | ... | Horton | |
| Bruce Boa | ... | Thorn's Aide | |
| Don Fellows | ... | Thorn's Second Aide | |
| Patrick McAlinney | ... | Photographer | |
| Dawn Perllman | ... | Chambermaid | |
| Nancy Mannigham | ... | Nurse (as Nancy Manningham) | |
| Miki Iveria | ... | First Nun | |
| Betty McDowall | ... | American Secretary | |
| Nicholas Campbell | ... | Marine | |
| Burnell Tucker | ... | Secret Service Man | |
| Ronald Leigh-Hunt | ... | Gentleman at Rugby Match | |
| Guglielmo Spoletini | ... | Italian Taxi Driver | |
| Ya'ackov Banai | ... | Arab (as Yakov Banai) | |
| rest of cast listed alphabetically: | |||
| Harvey Bernhard | ... | Man walking across street (uncredited) | |
| Leo McKern | ... | Carl Bugenhagen (uncredited) | |
| Bill Reimbold | ... | General (uncredited) | |
| Christine Spooner | ... | Funeral mourner (uncredited) | |
| Damian John Spooner | ... | Boy at top of slide (uncredited) | |
Directed by | |||
| Richard Donner | |||
Writing credits | ||
| David Seltzer | (written by) | |
Produced by | |||
| Harvey Bernhard | .... | producer | |
| Mace Neufeld | .... | executive producer | |
| Charles Orme | .... | associate producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Gilbert Taylor | (director of photography) | ||
Film Editing by | |||
| Stuart Baird | |||
Casting by | |||
| Maude Spector | |||
Art Direction by | |||
| Carmen Dillon | |||
Makeup Department | |||
| Stuart Freeborn | .... | chief makeup artist | |
| Patricia McDermott | .... | hairdresser (as Pat McDermott) | |
Production Management | |||
| Claude Hudson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Steve Lanning | .... | second assistant director | |
| David Tomblin | .... | assistant director | |
| Stuart Baird | .... | second unit director (uncredited) | |
Art Department | |||
| George Ball | .... | property master | |
| Tessa Davies | .... | set dresser | |
| Reg Richards | .... | construction manager | |
| George Richardson | .... | assistant art director | |
| John Chisholm | .... | property master (uncredited) | |
| Tom Jung | .... | poster artist (uncredited) | |
| Tom Jung | .... | poster designer (uncredited) | |
Sound Department | |||
| Gordon Everett | .... | sound recordist | |
| Christopher Lancaster | .... | dialogue editor (as Chris Lancaster) | |
| Doug E. Turner | .... | dubbing mixer (as Doug Turner) | |
| Les Wiggins | .... | dubbing editor | |
| Charlie McFadden | .... | boom operator (uncredited) | |
Special Effects by | |||
| John Richardson | .... | special effects | |
| George Gibbs | .... | special effects (uncredited) | |
Visual Effects by | |||
| Roy Field | .... | optical effects (uncredited) | |
Stunts | |||
| Alf Joint | .... | stunt coordinator | |
| Vic Armstrong | .... | stunts (uncredited) | |
| Alf Joint | .... | stunt double: Lee Remick (uncredited) | |
| Wendy Leech | .... | stunt double: Holly Palance (uncredited) | |
Camera and Electrical Department | |||
| Gerry Anstiss | .... | camera operator | |
| Bob Penn | .... | stillsman (as Robert Penn) | |
| Ron Taberer | .... | chief electrician | |
| Peter Bloor | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Tiny Nicholls | .... | wardrobe supervisor (as G.W. Nicholls) | |
Editorial Department | |||
| Chris Ridsdale | .... | assistant editor | |
| Mark Nakamine | .... | colorist (digital color correction) (uncredited) | |
Music Department | |||
| Arthur Morton | .... | orchestrator (uncredited) | |
| Lionel Newman | .... | conductor (uncredited) | |
Other crew | |||
| Carolee Danz | .... | assistant to producer | |
| Jeanne Ferber | .... | production assistant/secretary | |
| Judy Friesen | .... | special assistant to director | |
| Bernard Hanson | .... | location manager | |
| Robert Munger | .... | religious adviser to producers | |
| Elaine Schreyeck | .... | continuity | |
| Don Williams | .... | religious adviser to producers (as Rev. Don Williams Ph.D) | |
| Ben Woodgate | .... | dogs owned and trained by | |
| Joan Woodgate | .... | dogs owned and trained by | |
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| The Omen | Omen III: The Final Conflict | The Order | Damien: Omen II | The Exorcism of Emily Rose |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
This movie appears in the book 50 Worst Movies Of All Time alongside such fare as ROBOT MONSTER . This is completely undeserved because i rate THE OMEN as one of the best horror movies from the 1970s , if not all time . The book in question makes a big deal of how young Damien's parents experience some ghastly going ons without realising something is seriously wrong , but this is churlish since the audience ( like in most horror movies ) are one step in front of the protagonists , we instantly know what's going on even if the characters on screen don't and this is what makes the narrative so suspenseful , we're waiting for Ambassador Robert Thorn to put two and two together . It should also be pointed out that these types of tradgedies do happen in life and there's a rational explanation with no supernatural causes involved
Comparisons with both THE OMEN and THE EXORCIST will be made but this is by much the better film I think . Both films deal with satanic powers and both are very dead pan but unlike THE EXORCIST the serious tone of this movie doesn't go against it , THE EXORCIST goes out of its way to shock the audience while THE OMEN keeps its discipline and is all the better for it . Richard Donner brings shock moments where it's needed like the revelation of the priest after the fire , the scene in the cemetery and the lorry accident at Megiddo and unlike the shock scenes in THE EXORCIST they're never unintentionally funny . Giving roles to well known Brit character actors like Patrick Troughton , Billie Whitelaw , Leo McKern and David Warner also helps the movie a lot
The only real criticism I have is that it's not as good as I originally remembered after seeing it for the first time , but that's a problem with a great number of movies I've seen , or that the biblical city of Megiddo is nowhere near the location described in the screenplay ( It is in fact a few short miles west of the border of the West Bank on the route to Jenin ) but that won't matter to 99.9% of the rest of the audience . If I ever write a book called 50 Best Horror Movies Of All Time THE OMEN will definitely feature in it