Damien the Antichrist, now thirteen years old, finally learns of his destiny under the guidance of an unholy disciple of Satan. Meanwhile dark forces begin to eliminate all those who suspect the child's true identity.
A young couple move into an apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
Carrie White is shy and outcast 17-year old girl who is sheltered by her domineering, religious mother, and unleashes her telekinetic powers after being humiliated by her classmates for the last time at her senior prom.
Several people are hunted by a cruel serial killer who kills his victims in their dreams. When the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
Robert and Katherine Thorn seem to have it all. They are happily married and he is the US Ambassador to Great Britain, but they want more than to have children. When Katharine has a stillborn child, Robert is approached by a priest at the hospital who suggests that they take a healthy newborn whose mother has just died in childbirth. Without telling his wife he agrees. After relocating to London, strange events - and the ominous warnings of a priest - lead him to believe that the child he took from that Italian hospital is evil incarnate. Written by
A great supernatural thriller, undeservedly bashed over the years
"The Omen" was included in a recent book I read of THE 1000 MOVIES YOU MUST SEE BEFORE YOU DIE! - ironic since fellow IMDb user Theo Robertson claims it was included as an entry in a similar book titled THE 50 WORST FILMS OF ALL TIME.
I've always really liked "The Omen" and, like Theo, think it is superior to "The Exorcist." It's more chilling and freaky and subtle. There isn't any fake pea soup here, either. Which isn't to say that "The Exorcist" isn't any good - but it hasn't fared as well over the years.
"The Omen" is just really good. It was released the same year as Exorcist if I'm not mistaken and Gregory Peck gives a fine performance. The part where a character's head is lopped off and rolls across a street in slow-motion, and then director Richard Donner cuts to a whole new sequence, is really chilling and bizarre.
It's that sort of eerie unexplained stuff that makes this, in my opinion, superior to a lot of the other stuff out there - i.e. many other trashy supernatural flicks that don't hold anything against this.
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