| Photos (See all 95 | slideshow) | Videos (see all 13) |
| Marilyn Monroe | ... | Sugar Kane Kowalczyk | |
| Tony Curtis | ... | Joe | |
| Jack Lemmon | ... | Jerry | |
| George Raft | ... | Spats Colombo | |
| Pat O'Brien | ... | Det. Mulligan | |
| Joe E. Brown | ... | Osgood Fielding III | |
| Nehemiah Persoff | ... | Little Bonaparte | |
| Joan Shawlee | ... | Sweet Sue | |
| Billy Gray | ... | Sig Poliakoff | |
| George E. Stone | ... | Toothpick Charlie | |
| Dave Barry | ... | Beinstock | |
| Mike Mazurki | ... | Spats' Henchman | |
| Harry Wilson | ... | Spats' Henchman | |
| Beverly Wills | ... | Dolores | |
| Barbara Drew | ... | Nellie | |
| Edward G. Robinson Jr. | ... | Johnny Paradise | |
| rest of cast listed alphabetically: | |||
| Sam Bagley | ... | Extra (uncredited) | |
| Al Breneman | ... | Bellhop (uncredited) | |
| Ted Christy | ... | Small Role (uncredited) | |
| Marian Collier | ... | Olga (uncredited) | |
| Pat Comiskey | ... | Spats' Henchman (uncredited) | |
| James Dime | ... | Gangster Convention Greeter (uncredited) | |
| Joan Fields | ... | Band Member (uncredited) | |
| Duke Fishman | ... | Gangster at Convention (uncredited) | |
| Mary Foley | ... | Band Member (uncredited) | |
| Paul Frees | ... | Funeral Director / Speakeasy Waiter (voice) (uncredited) | |
| Jack Gordon | ... | Gangster with Charlie (uncredited) | |
| Joe Gray | ... | Mobster at Banquet (uncredited) | |
| Harold 'Tommy' Hart | ... | Official #2 (uncredited) | |
| Ted Hook | ... | Official #1 (uncredited) | |
| John Indrisano | ... | Waiter (uncredited) | |
| Tom Kennedy | ... | Bouncer (uncredited) | |
| George Lake | ... | Small Role (uncredited) | |
| John Logan | ... | Small Role (uncredited) | |
| Tiger Joe Marsh | ... | Small Role (uncredited) | |
| Jack Mather | ... | Small Role (uncredited) | |
| Jack McClure | ... | Spats' Henchman (uncredited) | |
| Penny McGuiggan | ... | Trumpet Player (uncredited) | |
| Laurie Mitchell | ... | Small Role (uncredited) | |
| Colleen O'Sullivan | ... | Band Member (uncredited) | |
| Joe Palma | ... | Small Role (uncredited) | |
| Helen Perry | ... | Rosella (uncredited) | |
| Danny Richards Jr. | ... | Fresh Bellboy (uncredited) | |
| Scott Seaton | ... | Old Man (uncredited) | |
| Fred Sherman | ... | Drunk (uncredited) | |
| Carl Sklover | ... | Small Role (uncredited) | |
| Bert Stevens | ... | Speakeasy Patron (uncredited) | |
| Arthur Tovey | ... | Speakeasy Patron (uncredited) | |
| Ralph Volkie | ... | Small Role (uncredited) | |
| Tito Vuolo | ... | Mozzarella (uncredited) | |
| Sandra Warner | ... | Emily (uncredited) | |
| Billy Wayne | ... | Small Role (uncredited) | |
| Grace Lee Whitney | ... | Band Member (uncredited) | |
Directed by | |||
| Billy Wilder | |||
Writing credits | ||
| Billy Wilder | (screenplay) and | |
| I.A.L. Diamond | (screenplay) | |
| Robert Thoeren | (suggested by a story by) (as R. Thoeren) and | |
| Michael Logan | (suggested by a story by) (as M. Logan) | |
Produced by | |||
| I.A.L. Diamond | .... | associate producer | |
| Doane Harrison | .... | associate producer | |
| Billy Wilder | .... | producer | |
Original Music by | |||
| Adolph Deutsch | (background score) | ||
Cinematography by | |||
| Charles Lang | (director of photography) (as Charles Lang Jr.) | ||
Film Editing by | |||
| Arthur P. Schmidt | (film editor) | ||
Casting by | |||
| Phil Benjamin | (uncredited) | ||
Art Direction by | |||
| Ted Haworth | |||
Set Decoration by | |||
| Edward G. Boyle | |||
Makeup Department | |||
| Agnes Flanagan | .... | hair stylist | |
| Emile LaVigne | .... | makeup artist | |
| Alice Monte | .... | hair stylist | |
| Allan Snyder | .... | makeup artist: Miss Monroe (uncredited) | |
Production Management | |||
| Allen K. Wood | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sam Nelson | .... | assistant director | |
| Hal W. Polaire | .... | assistant director (uncredited) | |
Art Department | |||
| Tom Plews | .... | property | |
Sound Department | |||
| Fred Lau | .... | sound | |
Special Effects by | |||
| Milt Rice | .... | special effects | |
| Daniel Hays | .... | special effects (uncredited) | |
Stunts | |||
| Paul Baxley | .... | stunt driver (uncredited) | |
| Paul Baxley | .... | stunts (uncredited) | |
| Polly Burson | .... | stunts (uncredited) | |
| Joe Gray | .... | stunts (uncredited) | |
| Carey Loftin | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Bernie Abramson | .... | still photographer (uncredited) | |
| Floyd McCarty | .... | still photographer (uncredited) | |
| Don Stott | .... | gaffer (uncredited) | |
Costume and Wardrobe Department | |||
| Bert Henrikson | .... | wardrobe | |
| Orry-Kelly | .... | gowns: Miss Monroe | |
| Joan Joseff | .... | costume jeweller (uncredited) | |
Music Department | |||
| Matty Malneck | .... | song supervisor | |
| Eve Newman | .... | music editor | |
| Jack Dumont | .... | musician (uncredited) | |
Other crew | |||
| John Franco | .... | script continuity | |
| Jack Cole | .... | choreographer (uncredited) | |
| Evelyn Moriarty | .... | stand-in: Marilyn Monroe (uncredited) | |
| Alpha Steinman | .... | production secretary (uncredited) | |
| Paula Strasberg | .... | dialogue coach (uncredited) | |
| John Veitch | .... | location manager (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Comedy section |
| IMDb USA section |
What Jack Lemmon and Tony Curtis do in "Some Like it Hot" would be par for the course in modern movies every other month, similar fish-out-of-water movies premiere with men posing as women ("Tootsie"), women posing as men ("The Associate"), black people posing as white people ("White Chicks"), and on and on. What makes "Some Like it Hot" different is two things: the strength of its comedy, and the presence of Marilyn Monroe, then at the height of stardom.
Lemmon and Curtis turn in admirable performances both as Joe and Jerry, and as Josephine and Daphne. Tony Curtis does Lemmon one better by creating a third identity, "Junior", in order to woo Sugar Kane (Monroe).
Tying the pair's story into the Chicago Valentine's Day Massacre, where a gang war spilled over into a parking garage, leaving a number of people lined up against the wall and shot, is a deft touch (though the serious tone of these gang sequences contrasts sharply with the bulk of the movie).
The movie does an excellent job building the far-fetched stakes of the movie ever-higher, from their finding refuge from vengeful gangs in a women's jazz band, to their showdown in the Florida hotel, to the eventual revealing of Curtis' and Lemmon's identities. The movie's surprisingly suggestive and risque content is at odds with the time frame of the movie, and even with the period of the movie's creation. The many smart double-entendres and plays on words are very well-written, and alternate between lowbrow and highbrow comedy,
The films only fault might be a couple of overlong musical numbers, performed either by the whole band or soloed by Sugar Kane. Though to be expected in a Marilyn Monroe film, these musical acts are literal "show stoppers" that bring the comedic momentum of the film to a screeching halt. However, it is easy to over look these minor defects in the movie as a whole, because by and large it is quite funny no wonder it s considered a classic and after all, "nobody's perfect".