| Photos (See all 96 | slideshow) | Videos (see all 12) |
| Marilyn Monroe | ... | Sugar Kane Kowalczyk | |
| Tony Curtis | ... | Joe | |
| Jack Lemmon | ... | Jerry | |
| George Raft | ... | Spats Colombo | |
| Pat O'Brien | ... | Det. Mulligan | |
| Joe E. Brown | ... | Osgood Fielding III | |
| Nehemiah Persoff | ... | Little Bonaparte | |
| Joan Shawlee | ... | Sweet Sue | |
| Billy Gray | ... | Sig Poliakoff | |
| George E. Stone | ... | Toothpick Charlie | |
| Dave Barry | ... | Beinstock | |
| Mike Mazurki | ... | Spats' Henchman | |
| Harry Wilson | ... | Spats' Henchman | |
| Beverly Wills | ... | Dolores | |
| Barbara Drew | ... | Nellie | |
| Edward G. Robinson Jr. | ... | Johnny Paradise | |
| rest of cast listed alphabetically: | |||
| Sam Bagley | ... | Extra (uncredited) | |
| Al Breneman | ... | Bellhop (uncredited) | |
| Ted Christy | ... | Small Role (uncredited) | |
| Marian Collier | ... | Olga (uncredited) | |
| Pat Comiskey | ... | Spats' Henchman (uncredited) | |
| James Dime | ... | Gangster Convention Greeter (uncredited) | |
| Joan Fields | ... | Band Member (uncredited) | |
| Mary Foley | ... | Band Member (uncredited) | |
| Paul Frees | ... | Funeral Director / Speakeasy Waiter (voice) (uncredited) | |
| Joe Gray | ... | Mobster at Banquet (uncredited) | |
| Harold 'Tommy' Hart | ... | Official #2 (uncredited) | |
| Ted Hook | ... | Official #1 (uncredited) | |
| John Indrisano | ... | Waiter (uncredited) | |
| Tom Kennedy | ... | Bouncer (uncredited) | |
| George Lake | ... | Small Role (uncredited) | |
| John Logan | ... | Small Role (uncredited) | |
| Tiger Joe Marsh | ... | Small Role (uncredited) | |
| Jack Mather | ... | Small Role (uncredited) | |
| Jack McClure | ... | Spats' Henchman (uncredited) | |
| Penny McGuiggan | ... | Trumpet Player (uncredited) | |
| Laurie Mitchell | ... | Small Role (uncredited) | |
| Colleen O'Sullivan | ... | Band Member (uncredited) | |
| Joe Palma | ... | Small Role (uncredited) | |
| Helen Perry | ... | Rosella (uncredited) | |
| Danny Richards Jr. | ... | Fresh Bellboy (uncredited) | |
| Fred Sherman | ... | Drunk (uncredited) | |
| Carl Sklover | ... | Small Role (uncredited) | |
| Bert Stevens | ... | Speakeasy Patron (uncredited) | |
| Arthur Tovey | ... | Speakeasy Patron (uncredited) | |
| Ralph Volkie | ... | Small Role (uncredited) | |
| Tito Vuolo | ... | Mozzarella (uncredited) | |
| Sandra Warner | ... | Emily (uncredited) | |
| Billy Wayne | ... | Small Role (uncredited) | |
| Grace Lee Whitney | ... | Band Member (uncredited) | |
Directed by | |||
| Billy Wilder | |||
Writing credits | ||
| Billy Wilder | (screenplay) and | |
| I.A.L. Diamond | (screenplay) | |
| Robert Thoeren | (suggested by a story by) (as R. Thoeren) and | |
| Michael Logan | (suggested by a story by) (as M. Logan) | |
Produced by | |||
| I.A.L. Diamond | .... | associate producer | |
| Doane Harrison | .... | associate producer | |
| Billy Wilder | .... | producer | |
Original Music by | |||
| Adolph Deutsch | (background score) | ||
Cinematography by | |||
| Charles Lang | (director of photography) (as Charles Lang Jr.) | ||
Film Editing by | |||
| Arthur P. Schmidt | (film editor) | ||
Casting by | |||
| Phil Benjamin | (uncredited) | ||
Art Direction by | |||
| Ted Haworth | |||
Set Decoration by | |||
| Edward G. Boyle | |||
Costume Design by | |||
| Orry-Kelly | (gowns: Miss Monroe's) | ||
Makeup Department | |||
| Agnes Flanagan | .... | hair styles | |
| Emile LaVigne | .... | makeup artist | |
| Alice Monte | .... | hair styles | |
| Allan Snyder | .... | makeup artist: Miss Monroe (uncredited) | |
Production Management | |||
| Allen K. Wood | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sam Nelson | .... | assistant director | |
| Hal W. Polaire | .... | assistant director (uncredited) | |
Art Department | |||
| Tom Plews | .... | property master | |
Sound Department | |||
| Fred Lau | .... | sound | |
Special Effects by | |||
| Milt Rice | .... | special effects | |
| Daniel Hays | .... | special effects (uncredited) | |
Stunts | |||
| Paul Baxley | .... | stunt driver (uncredited) | |
| Paul Baxley | .... | stunts (uncredited) | |
| Polly Burson | .... | stunts (uncredited) | |
| Joe Gray | .... | stunts (uncredited) | |
| Carey Loftin | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Bernie Abramson | .... | still photographer (uncredited) | |
| Floyd McCarty | .... | still photographer (uncredited) | |
| Don Stott | .... | gaffer (uncredited) | |
Costume and Wardrobe Department | |||
| Bert Henrikson | .... | wardrobe | |
| Joan Joseff | .... | costume jeweller (uncredited) | |
Music Department | |||
| Clyde McCoy and His Sugar Blues Orchestra | .... | performer: "Sugar Blues" | |
| Matty Malneck | .... | songs supervised by | |
| Eve Newman | .... | music editor | |
| Robert Wood | .... | composer: "I Wanna Be Loved By You" | |
Other crew | |||
| John Franco | .... | script continuity | |
| Jack Cole | .... | choreographer (uncredited) | |
| Evelyn Moriarty | .... | stand-in: Marilyn Monroe (uncredited) | |
| Alpha Steinman | .... | production secretary (uncredited) | |
| Paula Strasberg | .... | dialogue coach (uncredited) | |
| John Veitch | .... | location manager (uncredited) | |
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| Mr. & Mrs. Smith | Giant | The Best of Youth | Kings & Queen | Toto the Hero |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Comedy section |
| IMDb USA section |
A Comedy that has it all, and lacks absolutely nothing. "Nobody's perfect" may be an inherent truism, but "Some Like it Hot" is a definite somebody in the universe of cinema, thus it IS perfect in every sense. Swing, sex and slapstick, (three words that immediately come to mind when trying to describe it) , are a mix so delicious, so fruitful in its possibilities that one cannot imagine a film which can live up to them, and yet this one does. Marilyn, her trademark, displeasingly infantile voice aside, is a bombshell of thermonuclear dimensions, whose powers of titillation will not expire so long as there are hormones and/or Viagra. The sexual content, for socio-historical reasons cannot be as explicit as we've come to expect, but there's still plenty of it, from Monroe's see-through outfit to the double entendre worthy of the Farelli Brothers ("What do I do if it's an emergency ? - Pull the emergency break!" ), including overtly gay themes that have a cult following of their own. The Lemmon/Curtis duo operates with gleeful, unrestrained vitality that can only be likened to Chaplin in his heyday. Though not a Musical, the combustive energy of this movie is so stimulating it almost makes you get up and dance.