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Some Like It Hot (1959)

 -  Comedy  -  29 March 1959 (USA)
8.3
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Ratings: 8.3/10 from 139,778 users  
Reviews: 333 user | 169 critic

When two musicians witness a mob hit, they flee the state in an all female band disguised as women, but further complications set in.

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Writers:

(screenplay), (screenplay), 2 more credits »
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Title: Some Like It Hot (1959)

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Top 250 #100 | Won 1 Oscar. Another 13 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Joe
...
...
...
...
...
Joan Shawlee ...
Billy Gray ...
...
Dave Barry ...
...
Spats' Henchman
Harry Wilson ...
Spats' Henchman
Beverly Wills ...
Dolores
Barbara Drew ...
Nellie
Edit

Storyline

When two Chicago musicians, Joe and Jerry, witness the the St. Valentine's Day massacre, they want to get out of town and get away from the gangster responsible, Spats Colombo. They're desperate to get a gig out of town but the only job they know of is in an all-girl band heading to Florida. They show up at the train station as Josephine and Daphne, the replacement saxophone and bass players. They certainly enjoy being around the girls, especially Sugar Kane Kowalczyk who sings and plays the ukulele. Joe in particular sets out to woo her while Jerry/Daphne is wooed by a millionaire, Osgood Fielding III. Mayhem ensues as the two men try to keep their true identities hidden and Spats Colombo and his crew show up for a meeting with several other crime lords. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

Marilyn Monroe and her bosom companions See more »

Genres:

Comedy

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

29 March 1959 (USA)  »

Also Known As:

Not Tonight, Josephine!  »

Box Office

Budget:

$2,883,848 (estimated)

Gross:

$25,000,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

In the French post-synchronized version of the film, the actors are dubbed by: Claire Guibert (Marilyn Monroe); Jean-Claude Michel (Tony Curtis); Michel Roux (Jack Lemmon); Jean Martinelli (George Raft), Fred Pasquali (Joe E. Brown), Danièle Roy (Joan Shawlee) and Raymonde Devarennes (Barbara Drew). See more »

Goofs

At the speakeasy, Joe and Jerry continue to talk instead of resuming play with the rest of the band after the banjo solo ends. See more »

Quotes

[first lines]
Mulligan: All right, Charlie; that the joint?
Toothpick Charlie: Yes, sir.
Mulligan: Who runs it?
Toothpick Charlie: I already told you.
Mulligan: Refresh my memory.
Toothpick Charlie: Spats Columbo.
Mulligan: That's very refreshing; what's the password?
Toothpick Charlie: "I've come to Grandma's funeral." Here's your admission card.
[he gives Mulligan a mourning armband]
[...]
See more »


Soundtracks

Sugar Blues - Runnin' Wild
(uncredited)
Written by A.H. Gibbs and Clyde McCoy
Performed by Matty Malneck & His Orchestra;
George 'Red' Callender, bass; Gene Cipriano, tenor sax for Tony Curtis; Jack Dumont, reeds; Al Hendrickson, ukulele for Marilyn Monroe; Barney Kessel, electric guitar; Shelly Manne, drums; Dave Pell, tenor sax , saxophone coach for Tony Curtis; Art Pepper, alto sax; Leroy Vinnegar, bass; John Williams, piano.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

As hot as it gets
20 April 1999 | by (United States) – See all my reviews

A Comedy that has it all, and lacks absolutely nothing. "Nobody's perfect" may be an inherent truism, but "Some Like it Hot" is a definite somebody in the universe of cinema, thus it IS perfect in every sense. Swing, sex and slapstick, (three words that immediately come to mind when trying to describe it) , are a mix so delicious, so fruitful in its possibilities that one cannot imagine a film which can live up to them, and yet this one does. Marilyn, her trademark, displeasingly infantile voice aside, is a bombshell of thermonuclear dimensions, whose powers of titillation will not expire so long as there are hormones and/or Viagra. The sexual content, for socio-historical reasons cannot be as explicit as we've come to expect, but there's still plenty of it, from Monroe's see-through outfit to the double entendre worthy of the Farelli Brothers ("What do I do if it's an emergency ? - Pull the emergency break!" ), including overtly gay themes that have a cult following of their own. The Lemmon/Curtis duo operates with gleeful, unrestrained vitality that can only be likened to Chaplin in his heyday. Though not a Musical, the combustive energy of this movie is so stimulating it almost makes you get up and dance.


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