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Some Like It Hot (1959)

Not Rated  |   |  Comedy  |  29 March 1959 (USA)
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Ratings: 8.3/10 from 162,761 users  
Reviews: 342 user | 179 critic

When two musicians witness a mob hit, they flee the state in an all female band disguised as women, but further complications set in.



(screenplay), (screenplay), 2 more credits »
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Top Rated Movies #110 | Won 1 Oscar. Another 9 wins & 13 nominations. See more awards »



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Cast overview, first billed only:
Billy Gray ...
Dave Barry ...
Harry Wilson ...
Beverly Wills ...
Barbara Drew ...


When two Chicago musicians, Joe and Jerry, witness the the St. Valentine's Day massacre, they want to get out of town and get away from the gangster responsible, Spats Colombo. They're desperate to get a gig out of town but the only job they know of is in an all-girl band heading to Florida. They show up at the train station as Josephine and Daphne, the replacement saxophone and bass players. They certainly enjoy being around the girls, especially Sugar Kane Kowalczyk who sings and plays the ukulele. Joe in particular sets out to woo her while Jerry/Daphne is wooed by a millionaire, Osgood Fielding III. Mayhem ensues as the two men try to keep their true identities hidden and Spats Colombo and his crew show up for a meeting with several other crime lords. Written by garykmcd

Plot Summary | Plot Synopsis


Marilyn Monroe and her bosom companions See more »




Not Rated | See all certifications »

Parents Guide:





Release Date:

29 March 1959 (USA)  »

Also Known As:

Not Tonight, Josephine!  »

Box Office


$2,883,848 (estimated)


$25,000,000 (USA)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.66 : 1
See  »

Did You Know?


A preview audience laughed so hard after Daphne's announcement of the engagement to Osgood, that a lot of the dialogue was missed. It was re-shot with pauses (and the maraca gimmick) added to allow for this. See more »


During "I'm Thru With Love," a bass is heard even though Daphne is absent. See more »


[first lines]
Mulligan: All right, Charlie; that the joint?
Toothpick Charlie: Yes, sir.
Mulligan: Who runs it?
Toothpick Charlie: I already told you.
Mulligan: Refresh my memory.
Toothpick Charlie: Spats Columbo.
Mulligan: That's very refreshing; what's the password?
Toothpick Charlie: "I've come to Grandma's funeral." Here's your admission card.
[he gives Mulligan a mourning armband]
See more »


Featured in Best in Film: The Greatest Movies of Our Time (2011) See more »


Sugar Blues - Runnin' Wild
Written by A.H. Gibbs and Clyde McCoy
Performed by Matty Malneck & His Orchestra;
George 'Red' Callender, bass; Gene Cipriano, tenor sax for Tony Curtis; Jack Dumont, reeds; Al Hendrickson, ukulele for Marilyn Monroe; Barney Kessel, electric guitar; Shelly Manne, drums; Dave Pell, tenor sax , saxophone coach for Tony Curtis; Art Pepper, alto sax; Leroy Vinnegar, bass; John Williams, piano.
See more »

Frequently Asked Questions

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User Reviews

A gender-bending comedy ahead of its time
30 April 2004 | by (Troutdale, OR) – See all my reviews

What Jack Lemmon and Tony Curtis do in "Some Like it Hot" would be par for the course in modern movies – every other month, similar fish-out-of-water movies premiere with men posing as women ("Tootsie"), women posing as men ("The Associate"), black people posing as white people ("White Chicks"), and on and on. What makes "Some Like it Hot" different is two things: the strength of its comedy, and the presence of Marilyn Monroe, then at the height of stardom.

Lemmon and Curtis turn in admirable performances both as Joe and Jerry, and as Josephine and Daphne. Tony Curtis does Lemmon one better by creating a third identity, "Junior", in order to woo Sugar Kane (Monroe).

Tying the pair's story into the Chicago Valentine's Day Massacre, where a gang war spilled over into a parking garage, leaving a number of people lined up against the wall and shot, is a deft touch (though the serious tone of these gang sequences contrasts sharply with the bulk of the movie).

The movie does an excellent job building the far-fetched stakes of the movie ever-higher, from their finding refuge from vengeful gangs in a women's jazz band, to their showdown in the Florida hotel, to the eventual revealing of Curtis' and Lemmon's identities. The movie's surprisingly suggestive and risque content is at odds with the time frame of the movie, and even with the period of the movie's creation. The many smart double-entendres and plays on words are very well-written, and alternate between lowbrow and highbrow comedy,

The films only fault might be a couple of overlong musical numbers, performed either by the whole band or soloed by Sugar Kane. Though to be expected in a Marilyn Monroe film, these musical acts are literal "show stoppers" that bring the comedic momentum of the film to a screeching halt. However, it is easy to over look these minor defects in the movie as a whole, because by and large it is quite funny – no wonder it s considered a classic – and after all, "nobody's perfect".

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