1-20 of 28 items from 2015 « Prev | Next »
When the most recent Sight & Sound Top 100 list came out in 2012, there weren’t many surprises beyond the headline-ready replacement of Citizen Kane by Vertigo at the #1 spot. There was a brief, furious flash of articles contemplating what it really meant to be the best movie ever made and whether Hitchcock’s story of obsession masquerading as love really qualified. Being called the greatest makes you an easy target. Landon and I worked our way through the first fifty films on the list, exploring the Holden Caulfield of Paris, the secret gay agenda of Some Like it Hot, the unfathomable history of Shoah, a silent superhero movie, the bleakest movies about childhood and many, many more. It took us two years, and that was at least partially aided by the fact that I’d seen almost all of them already (Landon may have already seen all fifty). Finding something “new” was a rare treat, a »
- Scott Beggs
BBC Culture has this week unveiled a new list of the top 100 American films, as voted for by a pool of international film critics from across the globe. The format of the poll was that any film that would make the list had to have recieved funding from a Us source, and the directors of the films did not need to be from the USA, nor did the films voted for need to be filmed in the Us.
Critics were asked to submit their top 10 lists, which would try to find the top 100 American films that while “not necessarily the most important, but the greatest on an emotional level”. The list, as you may have guessed, is very different to the lists curated by say the BFI or AFI over the years, so there are certainly a few surprises on here, with Steve McQueen’s 12 Years A Slave (2013), Terrence Malick »
- Scott J. Davis
First off, let's make one thing clear. We're not scratching our heads at Spike Lee's "Do The Right Thing" making the BBC's 100 greatest American films. That movie, of which an image accompanies this post, not only made the list, but ranked appropriately at no. 25. It's the rest of the selections that have us scratching and, yes, shaking our heads in disbelief. A wonderful page view driver, these sorts of lists make great fodder for passionate movie fans no matter what their age or part of the world they hail from. There is nothing more entertaining than watching two critics from opposite ends of the globe try to debate whether "The Dark Knight" should have been nominated for best picture or make a list like this. Even in this age of short form content where Vines, Shapchats and Instagram videos have captured viewers attention, movies will continue to inspire because »
- Gregory Ellwood
Leave it to the Brits to compile a list of the best American films of all-time. BBC Culture has published a list of what it calls "The 100 Greatest American Films", as selected by 62 international film critics in order to "get a global perspective on American film." As BBC Culture notes, the critics polled represent a combination of broadcasters, book authors and reviewers at various newspapers and magazines across the world. As for what makes an American filmc "Any movie that received funding from a U.S. source," BBC Culture's publication states, which is to say the terminology was quite loose, but the list contains a majority of the staples you'd expect to see. Citizen Kane -- what elsec -- comes in at #1, and in typical fashion The Godfather follows at #2. Vertigo, which in 2012 topped Sight & Sound's list of the greatest films of all-time, comes in at #3 on BBC Culture's list. »
- Jordan Benesh
Every now and then a major publication or news organisation comes up with a top fifty or one hundred films of all time list - a list which always stirs up debate, discussion and often interesting arguments about the justifications of the list's inclusions, ordering and notable exclusions.
Today it's the turn of BBC Culture who consulted sixty-two international film critics including print reviews, bloggers, broadcasters and film academics to come up with what they consider the one-hundred greatest American films of all time. To qualify, the film had to be made by a U.S. studio or mostly funded by American money.
Usually when a list of this type is done it is by institutes or publications within the United States asking American critics their favourites. This time it's non-American critics born outside the culture what they think are the best representations of that culture. Specifically they were asked »
- Garth Franklin
How do you make a compelling documentary about a deceased subject for whom little archival material exists, without overegging textbook techniques like talking heads and zooming in on old photographs? It’s a challenge Gillian Armstrong has taken on before.
When the veteran film-maker set out to document the colourful life of Florence Broadhurst – a Queensland-born socialite and designer famous for her beautiful hand-printed wallpaper, whose 1977 murder remains a mystery – there wasn’t much pre-existing material to work with.
Continue reading »
- Luke Buckmaster
This is a golden era for Australian feature documentaries as typified by the five critically-acclaimed titles in contention for the best feature doc prize at the fifth Australian Academy of Cinema and Television Arts Awards.
The Aacta Awards will be presented in Sydney in December, with the Seven Network telecasting the major awards on December 9.
Also revealed today were the nominees for best short animation and best short fiction film. In the running for the former are Adam Elliot.s Ernie Biscuit, Joe Brumm.s The Meek, Mikey Hill.s The Orchestra and Janette Goodey and John Lewis. The Story of Percival Pilts.
- Don Groves
Warner Bros.’ Archive Collection has been doing quite the job giving genre and non-genre fans an extensive amount of DVD and Bluray releases of classic horror, crime noir and comedy films, some of which are available for the first time. Sure there are Quite a lot of new genre films to keep us busy for ages, but it does feel good to sit back and watch classic films that not only inspired today’s film-making, but paved the way for a lot of recent films.
We thought it would be nice to write a bit about some of our favorite releases from WB’s Archive Collection, thanks to the gang over there for sending a few titles my way to check out. Read on!
The story of a series of murders being investigated by a detective and his new partner (Albert Finney and the absolutely gorgeous Diane Venora), Wolfen suffered, »
- Jerry Smith
The Seven Year Itch, 1955.
Directed by Billy Wilder.
Married man, Sherman, has to contend with the gorgeous woman upstairs when his family are away over the summer.
That shot. A train whirrs past beneath the vent and wind blows her dress up as she struggles to hold it down. She doesn’t move away from the revealing situation and instead tells he male companion, “isn’t it delicious?”. Her white, pleated dress design and platinum blonde hair means that this is Marilyn Monroe. A crowd had gathered, between 52nd and 53rd Street in New York City. Billy Wilder is in production of The Seven Year Itch, and photographer Sam Shaw is snapping the icon of the 1950’s. This became the moment that became a 26ft tall statue by Seward Johnson in Chicago, California and New Jersey, in Forever Marilyn. It is also the unforgettable, »
- Simon Columb
The Misfits, 1961.
Directed by John Huston.
Roslyn – wounded, shivering and cynical after her divorce – meets experienced cowboy Gay and move in with him. Harm to innocent creatures is a recurring theme as Roslyn becomes increasingly distressed by the masculine aspects of Gay’s lifestyle, and is evident when Gay’s friend Perce is injured in a brutal rodeo.
Marilyn Monroe, Montgomery Clift and Clark Gable seem to exist in an era, whereby Hollywood is all glitz and glamour. Studio stars dress impeccably and look perfect. The iconic Monroe of Some Like it Hot; the cheeky charm of Gable in Gone with the Wind; the boyish sincerity of Clift in From Here to Eternity. The extended run of The Misfits at the BFI puts all three together in a different dusty landscape, at a point whereby their stars were beginning to fall and tragically, »
- Simon Columb
Quite a few, apparently, from the identity of her birth father, to the nature of her fatal overdose at age 36 -- was it suicide, accident, or murder? In 2012, on the 50th anniversary of her death, Moviefone previously published "25 Things You Didn't Know About Marilyn Monroe." Turns out that list barely scratched the surface. Here, then, are 25 more.
1. Monroe's birth certificate from 1926 lists her birth name as Norma Jeane Mortenson. The last name was a misspelling of the surname of her mother's second husband, Martin Mortensen, who separated from Gladys before she became pregnant. Soon after, she reverted to her first married name, Baker, and gave that name to her daughter.
2. Gladys later told Norma Jeane that her father was Gladys' boss, Charles Gifford, who looked like »
- Gary Susman
Kim Kardashian is having an epic Marilyn Monroe moment. No, she's not nearly suffering a windy wardrobe malfunction on the streets of Beverly Hills, but is instead channeling the curvaceous icon on the cover of Vogue Brazil, which sees the E! beauty sporting platinum blond locks—a la the Some Like It Hot star. Flaunting her killer cleavage, big lips and Hollywood pin-up curls, Kanye West's missus looks absolutely gorgeous while cementing her status as a fashion icon. This cover marks the third time she has covered the style bible (she previously covered Vogue Australia's February issue as well as the U.S. cover in 2014). Photos: Kim's 33 best looks »
Some Like It Hot! Kim Kardashian put her platinum blonde hair phase to good use and channeled Marilyn Monroe for a shoot with Vogue Brazil. The E! reality star’s two covers for the magazine’s June 2015 body issue were released on Tuesday, May 26. On one cover, Kanye West’s wife, who shocked the Internet when she went bright blonde this past March, dons a pair of sexy black leather gloves while reclining on a leopard blanket, showing off her ample cleavage a la the 1960s sex icon. The [...] »
Movie tourism is a big deal for a lot of cinema fans, with people making trips all over the world just to visit shooting locations and landmarks seen in their favorite films. Sometimes they can get some help from a map or an app or an official tour. When a spot used for a set is a hotel, that makes the stay so much easier. From California's Hotel del Coronado of Some Like It Hot to Connecticut's Yankee Peddler Inn of The Innkeepers, there are plenty of places you can stay the night and feel like you're in the actual movie filmed there. Now we can add the Juvet Landscape Hotel, which is seen in the new sci-fi movie Ex Machina as Oscar Isaac's character's secluded residence and A.I. research lab. Built in 2009 and located in the Vallstad valley of...
- Christopher Campbell
Grace Lee Whitney, who played the loyal Janice Rand, the personal assistant who served Captain James T. Kirk (William Shatner) aboard the USS Enterprise during the first season of Star Trek, has died. She was 85. Whitney, who reprised her role as Rand in four Star Trek films and in a 1996 episode of Star Trek: Voyager, died Friday at her home in Coarsegold, Calif., her son told The Fresno Bee. The attractive blond also appeared in two Billy Wilder films that starred Jack Lemmon: 1959’s Some Like It Hot (as one of the members of the all-
- Mike Barnes
Here's a nifty way to get audiences back in movie theaters that actually works: build one underground. The Underground Film Club will host a series of screenings at Charing Cross, the abandoned tube station where big action set pieces for Bond films including "Skyfall" and "Die Another Day" unfolded. Moviegoing Londoners will be treated to subterranean viewings of "Blade Runner," "Some Like It Hot," "Strangers on a Train," "Breakfast at Tiffany's," "Casablanca," "Cinema Paradiso" and "Paddington," which also shot in the station, closed since 1999. Supported by the British Film Institute and organized by Rooftop Film Club, the pop-up cinema heralds London's upcoming all-night tube service expected to begin on September 12. Other events include behind-the-scenes tours and a photography exhibit at Westminster station. Check out a gallery of photos inside the theater here, and more from Mashable »
- Ryan Lattanzio
All week long our writers will debate: Which was the greatest film year of the past half century. Click here for a complete list of our essays. 1982 is the Best Movie Year Ever. How do I know this? Well, it's not just that it contains an absolutely perfect comedy with the name "My Favorite Year." It's that it contains so many different movies that you could consider the best ever of their particular type. In "E.T.," it has the best kids movie ever (and perhaps Steven Spielberg's best movie ever, depending on your preferred flavor of Spielberg). In "Tootsie," it has perhaps the best movie comedy ever (the AFI ranked "Some Like It Hot" one spot higher in its top 100 comedies list, but since this year also has "Victor/Victoria," I say you combine the two gender-benders to outmuscle Jack Lemmon and Tony Curtis). In "Diner," it has the »
- Alan Sepinwall
Cinema Retro has received the following press release:
Details: Friday April 24th, 7pm at the Joslyn Art Museum 2200 Dodge. St. Omaha Ne. 68102
Some Like It Hot was listed the #1 greatest film comedy of all time on the AFI "100 years, 100 Laughs" poll.
Tickets are $23 at all Omaha Hy Vee food stores customer service counters and go on sale beginning April 1st.
A benefit for the Omaha Parks Foundation for more information please call 402-926-8299
and www.omahafilmevent.com »
- email@example.com (Cinema Retro)
Kiss Me, Stupid
Directed by Billy Wilder
How good was Billy Wilder? So good that this film, Kiss Me, Stupid—largely entertaining, frequently witty, beautifully shot, and with at least two noteworthy performances—probably wouldn’t figure in most lists of his top 10 movies. Yet it is a good Billy Wilder film, if not a great one.
Starting in Las Vegas, we are introduced to Dino, a womanizer, a drunk, an accomplished singer, and a clever jokester. Dean Martin, in a bit of curiously inspired and rather daring casting, plays the rapscallion; not surprisingly, he does so very well. On his way to Los Angeles, he stops in Climax, Nevada (with all the sexual innuendo built into this film, the town’s name almost seems the least obvious). There he encounters Orville (Ray Walston), a nebbish piano teacher and amateur songwriter who »
- Jeremy Carr
It's been a strange couple of weeks of films with the boys. First, we had a period of almost three weeks where I didn't get to see them because of all sorts of different scheduling issues. The hardest part of adjusting to life as a divided family is making my peace with the very different way the kids and I spend time together now. I've gone from having hours with them every day to having a handful of hours every couple of weeks. It makes time feel much more precious, but it can add a layer of stress, as well, because I'm constantly aware of the ticking clock. I know the boys feel it, too. We talk when I don't see them, but it's not the same. You try having a serious conversation on the phone with a seven-year-old. It's just not satisfying, no matter what. Kids today don't really »
- Drew McWeeny
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