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Amazon has a number of great DVD/Blu-ray deals and I’ve grabbed the highlights and linked them below. As always, only limited quantities available so act fast. Details below. Marilyn Monroe: Classic 9 Film Collection [Blu-Ray] - $34.99 (83% off) - The eight film collection includes Bus Stop, Niagara, Gentlemen Prefer Blondes, How to Marry a Millionaire, River of No Return, There's No Business Like Show Business, The Seven Year Itch, Some Like it Hot and The Misfits. Up to 70% Off Ken Burns Documentaries like Prohibition, The War, Jazz, The Central Park Five, Baseball, and many more Up to 60% Off HBO Gift Sets like Deadwood, Six Feet Under, The Sopranos, and more Get Smart - The Complete Series Gift Set - $49.99 (60% off) Breaking Bad: The Complete Series – $70.99 (56% off) Seinfeld: The Complete Series – $59.49 (60% off) Marvel Cinematic Universe: Phase One – Avengers Assembled (10-Disc Limited Edition Six-Movie Collector’s Set) [Blu-ray] – $119.99 (45% off) The Godfather Collection »
- Steve 'Frosty' Weintraub
Amazon has a number of great DVD/Blu-ray deals and I’ve grabbed the highlights and linked them below. As always, only limited quantities available so act fast. Details below. Marilyn Monroe: Classic 9 Film Collection [Blu-Ray] - $34.99 (83% off) - The eight film collection includes Bus Stop, Niagara, Gentlemen Prefer Blondes, How to Marry a Millionaire, River of No Return, There's No Business Like Show Business, The Seven Year Itch, Some Like it Hot and The Misfits. Up to 70% Off Ken Burns Documentaries like Prohibition, The War, Jazz, The Central Park Five, Baseball, and many more Up to 60% Off HBO Gift Sets like Deadwood, Six Feet Under, The Sopranos, and more Get Smart - The Complete Series Gift Set - $49.99 (60% off) Anchorman 2: The Legend Continues (Blu-ray + DVD + Digital HD) – $9.99 (76% off) Breaking Bad: The Complete Series – $70.99 (56% off) Seinfeld: The Complete Series – $59.49 (60% off) Marvel Cinematic Universe: Phase One – Avengers Assembled (10-Disc »
- Steve 'Frosty' Weintraub
While the #CinephilePhoto trend on Twitter is highlighting a lot of favorite shots from filmmakers and fans alike, CineFix has decided to collect what they they are the 100 Most Iconic Shots of All-Time. They start all the way in the past with some of the earliest motion pictures, moving through iconic silent films very quickly until things move very quickly beginning with Citizen Kane. Now this isn't entirely meant to be definitive, though it strives for some objectivity by including well-regarded films of history like North by Northwest and The Wizard of Oz as well as pop culture icons like Raiders of the Lost Ark and more. Here's CineFix's picks for the 100 Most Iconic Shots of All-Time (via Movies.com): While I'm not sure I entirely agree with inclusions like Pretty Woman, The Notebook or Some Like It Hot, despite the timeless nature of the latter comedy in cinema's history, »
- Ethan Anderton
Throughout the summer, an admin on the r/movies subreddit has been leading Reddit users in a poll of the best movies from every year for the last 100 years called 100 Years of Yearly Cinema. The poll concluded three days ago, and the list of every movie from 1914 to 2013 has been published today.
Users were asked to nominate films from a given year and up-vote their favorite nominees. The full list includes the outright winner along with the first two runners-up from each year. The list is mostly a predictable assortment of IMDb favorites and certified classics, but a few surprise gems have also risen to the top of the crust, including the early experimental documentary Man With a Movie Camera in 1929, Abel Gance’s J’Accuse! in 1919, the Fred Astaire film Top Hat over Alfred Hitchcock’s The 39 Steps in 1935, and Stanley Kubrick’s The Killing over John Ford’s »
- Brian Welk
Bill Hader has come a long way since his stint on Saturday Night Live, creating many popular characters and impersonations such as Stefon, Vincent Price and CNN’s Jack Cafferty. He is one of the highlights in such films as Adventureland, Knocked Up, Superbad and Pineapple Express, and so it is easy to see why author Mike Sacks interviewed him for his new book Poking A Dead Frog. In it, Hader talks about his career and he also lists 200 essential movies every comedy writer should see. Xo Jane recently published the list for those of us who haven’t had a chance to read the book yet. There are a ton of great recommendations and plenty I haven’t yet seen, but sadly my favourite comedy of all time isn’t mentioned. That would be Some Like It Hot. Still, it really is a great list with a mix of old and new. »
Some like it hot! Jamie Chung, 31, spills out her purse for Us Weekly. "I can't live without my Tabasco," says Chung, who plays a silent assassin in Sin City: A Dame to Kill For (out August 22). "If I'm at a fancy steak restaurant, I'll whip a bottle out of my bag when no one is looking." Actor fiance Bryan Greenberg, 36, can take the heat too. "He's like, 'Jamie, give me some!'" she says, laughing. Find out what else is tucked in her Coach [...] »
“Twenty five years. Makes a girl think.” So said Marilyn Monroe in Some Like it Hot, and she was rarely wrong about anything, except maybe her taste in husbands. Cinematically, an awful lot can happen in 25 years and Hollywood as we know it today, emerged from seismic developments that took place a quarter of a century ago. 1989 was a game-changer; an absolutely pivotal year in the evolution of 21st century Hollywood. Chances are, whatever you watch at the multiplex this weekend will be genetically traceable to that dark, iPad-less, internetless, Jedwardless time. For those of us who are not going gentle into the dark night of their forties, the specific date of this Big Bang was August 11th 1989. That was the day that Batman finally opened in the UK.
I had never seen a line of people actually queuing around the block, except in vintage documentaries about Star Wars, but »
- Cai Ross
The Sundance Film Festival has entered into a partnership with Poznan’s Transatlantyk Film Festival to present a selection of its titles at the forthcoming fourth edition running from August 8-14.
The new sidebar, Sundance at Transatlantyk, will screen such films as Fishing Without Nets, The Green Prince, Watchers Of The Sky, 52 Tuesdays, Difret and A Most Wanted Man, and invite the films’ creators to meet with the audience for Q&As after the screenings.
Transatlantyk was founded in 2011 by the Oscar-wining musician and composer Jan A.P. Kaczmarek as ¨a new artistic platform aimed at building a stronger relationship between society, art and the environment through music and movies¨ as well as inspiring discussion on social issues.
Another innovation is the introduction of the new section Cinema of the Third Age targetted at maturer audiences with screenings in early afternoon slots during the weekdays. Films selected for this first edition include Philomena, Gloria and [link »
- email@example.com (Martin Blaney)
Playwright and screenwriter Terence Rattigan was an indubitable influence on mid-century British cinema. He authored several of the era’s most notable titles, including The Browning Version (1951), Lean’s The Sound Barrier (1952) Olivier’s troubled The Prince and the Showgirl (1957) and Anatole Litvak’s The Deep Blue Sea (1952), which was recently remade by Terrence Davies in 2011. But it would be a 1958 American adaptation of his play, Separate Tables, from director Delbert Mann that would prove to be his most critically lauded work, nominated for seven Academy Awards, and snagging two (Best Actor and Best Supporting Actress). By today’s standards, it’s a film that feels painstakingly melodramatic. Reconsidered within the framework of Rattigan’s own impressive oeuvre, the material hasn’t aged well, and as time has gone on, its cramped exploration of sexual dysfunction now plays like a euthanized product crippled by censorship of the author’s own »
- Nicholas Bell
Some Like It Hot, 1959.
Directed by Billy Wilder.
After witnessing a murder, two musicians flee Chicago to join an all-female band on their way to Florida…
Some Like It Hot is not known for its mob ties. Jack Lemmon and Tony Curtis, carrying their awkwardly-shaped bass-case and sax-box, dressed in drag, is the memorable image. It would be easy to watch the opening first ten minutes and not even realise what the film is as we see gangsters with tommy-guns, shoot through a hearse revealing the liquor inside. Remember the funeral parlour that doubles as a speakeasy with the appropriate knock? Or the dancing girls and jazz music that echoes out onto the street while drinkers order their “coffee”? Oh, and then the camera subtly moves to introduce Gerald (Lemmon) and Joe (Curtis). They look bored playing their up-beat music. »
- Simon Columb
As far as pulpy vintage courtroom dramas go, Billy Wilder’s 1957 adaptation of Agatha Christie’s famed play, Witness for the Prosecution, is hard to beat. By today’s standards, the twists and turns of its once inventive surprise ending has the potential for quaintness, perhaps because it’s something we’ve come to expect from the genre. However, one can’t deny the power of its superb screenplay and a pair of electric performances that make everything wholly unrealistic yet oh-so-watchable. In the pantheon of Wilder’s legacy, it’s not his strongest title, but it stands out, though perhaps for reasons not apparent upon its initial release.
When a wealthy widow (Eleanor Audley) is found murdered, the married man that had been wooing her, Leonard Vole (Tyrone Power) is arrested for the crime considering he had recently been named benefactor in a revised will. Vole’s solicitor seeks »
- Nicholas Bell
Regularly voted one of the best comedies of all time, Some Like It Hot proves that men dressed up as women is a gag that never gets old, but apart from what Tony Curtis and Jack Lemmon are hiding up their skirts, there's more to this 1959 classic than meets the eye.
Essentially, it's a film about sex, made just before America lost its innocence, fuelled by frustration and littered with double-entendres, all delivered with elegance, taste and impeccable timing by writer/director Billy Wilder.
Curtis and Lemmon in high heels offer a rib-tickling demonstration of everything opposite to that, at least in the beginning when they're forced on the run after witnessing the Saint Valentine's Day Massacre in Chicago, 1929, and its bloody fall-out.
They play their way into a touring all-girl band where Marilyn is up front and showing a lot of it, too, in plunging necklines. She makes love »
★★★★★"Story of my life, I always get the fuzzy end of the lollipop,"is just one of the many sublime, double-edged lines that Marilyn Monroe delivers in Billy Wilder's gender-bending comedy Some Like It Hot (1959), which this year celebrates its 55th anniversary. The note of that line is pitch perfect, the sensual, iconic actress allowing it to drop off her lips with comic finesse, whilst simultaneously echoing the tragedy of her own life. Monroe, who died just three years after Some Like It Hot, shares the limelight with two of the finest comedic actors of their generation, Tony Curtis (who, according to Hollywood legend, was sleeping with the actress during the production) and Jack Lemmon (who would star in The Apartment).
- CineVue UK
It is not too shabby in what the Northeast (New England) part of the United States has produced in terms of past and present actors/actresses making their show business dreams come true. Film careers can be a lot like ice cubes–they start out solid and cool but if you sit around in stagnation your efforts and hard work can melt away before one’s very eyes. Certainly no one can accuse this talented crop of thespians of being one-hit wonders on the big screen. After all, one does not become a recipient of an Academy Award by just sheer luck and charitable fortune.
As a native Bostonian and life long New Englander, I felt compelled to spotlight those Massachusetts-born and bred actors from the same region that had ultimate success on the big screen in winning the Oscar for their acting achievement and contribution to the motion picture industry. »
- Frank Ochieng
If the final line of Some Like It Hot is anything to go by, “Nobody’s perfect.” And that doesn’t just go for the average schmuck off the streets, either: it goes for some of the world’s most acclaimed directors, who – just like you – are capable of turning in what might as well be branded “a load of old crap.” Okay, so perhaps that’s a little harsh, but there’s certainly some truth to such an observation: even the filmmakers who we hold in the highest esteem – and have created some of the best motion pictures of all-time – have turned in some inferior products.
When this happens, of course, it can not only be disappointing, but surprisingly disheartening, too, resulting in strange feelings of being “let down” – a kind of embarrassment, even. Join us now, then, as we delve into the filmographies of 10 highly respected, world class filmmakers, »
- Sam Hill
Yesterday, Lgbt news outlet The Advocate put together a list of “The Top 175 Essential Films of All Time for Lgbt Viewers.” The exhaustive list is full of game-changing films with Lgbt characters, many of which have important places in pop culture. But it’s also rounded out with campy cult classics and gender-bending movies that don’t necessarily have Lgbt characters. Some Like it Hot, for instance, was a groundbreaking movie with no gay characters but plenty of cross-dressing.
The list is topped with more recent movies—Brokeback Mountain (2005) caps it at No. 1, with Milk (2008) coming in second—but contains movies from all time periods. »
- Jacob Shamsian
Exclusive: Icon Film Distribution (Ifd) has signed a deal with UK sales and distribution company Park Circus to represent the Ifd library for UK theatrical release.
The Ifd library comprises more than 200 titles including Mel Gibson’s The Passion Of The Christ, Nicolas Winding Refn’s Drive, John Hillcoat’s The Road, John Carney’s Once, Emilio Estevez’s The Way, and Tom Ford’s A Single Man.
Park Circus specialises in putting classic films back on the big screen and represents more than 20,000 titles from major studios and independent rights owners. This summer, it will handle the international re-release of Some Like It Hot, The Lady From Shanghai, The Deer Hunter and To Catch A Thief.
Ifd, which re-launched last September backed by New Sparta, recently released animated feature Postman Pat: The Movie, which has generated nearly £3m ($5m) at the UK box office after three weeks on release.
The independent »
- firstname.lastname@example.org (Michael Rosser)
“How many men, raised on a steady diet of Judd Apatow comedies in which the shlubby arrested adolescent always gets the girl, find that those happy endings constantly elude them and conclude, ‘It’s not fair’?” — Ann Hornaday “You know what? I respect women! I love women! I respect them so much that I completely stay away from them!” — Andy Stitzer, The 40-Year-Old Virgin 2005 wasn’t a terrible year to have a comedy in theaters. Wedding Crashers, Hitch and The 40-Year-Old Virgin all finished the year with record numbers, regardless of genre. Of the three, Virgin was the most shocking surprise. For Universal Studios. For Hollywood. At the time, Steve Carell (The Office had only been out for half a year to underwhelming ratings), Catherine Keener and the rest of the cast were seen as character actors and indie drama mainstays, not movie star leads. At the center of the low-budget film was Judd Apatow. A »
- Sean Hackett
Recently celebrating its 55th anniversary, Some Like It Hot is easily near the top of the pile when it comes Billy Wilder‘s many classics. Yes, it’s slotted highest on AFI’s best comedy list, nominated for a bevy of an Oscars (and won one), etc., but more importantly, it doesn’t take its audience for granted, unlike most […] »
- Jordan Raup
There are few superlatives that don’t belong on a Some Like It Hot poster, a granite-enshrined classic, but the good folk at Park Circus have let Billy Wilder’s masterpiece speak for itself with this promo for its theatrical re-release. No film is perfect, but Wilder’s comedy comes pretty darn close. Click on the image for a closer look. In case you haven’t seen Empire’s 80th greatest film of all time – and the date to circle in your diary is July 18, when it returns to the big screen – it’s a rich spoof of Hollywood gangster flicks, a screwball comedy and an off-beat romance (and bromance) all at the same time. The story follows Joe (Tony Curtis) and Jerry (Jack Lemmon), a pair of jazz musicians haplessly trying to escape the Mafia’s clutches when they unwittingly stumble upon the Saint Valentine's Day Massacre.Their journey takes them to Florida and, »
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