Directed by
| Norman Taurog | ||
Writing Credits
| Walter DeLeon | ... | (screenplay) & |
| Francis Martin | ... | (screenplay) & |
| Ralph Spence | ... | (screenplay) |
| David Boehm | ... | (contributor to treatment) (uncredited) |
| Julius J. Epstein | ... | (contributor to treatment) (uncredited) |
| Mary Flannery | ... | (contributor to treatment) (uncredited) |
| Grant Garett | ... | (contributor to special sequences) (uncredited) |
| Bert Hanlon | ... | (contributor to treatment) (uncredited) |
| George Marion Jr. | ... | (contributor to treatment) (uncredited) |
| J.P. McEvoy | ... | (contributor to treatment) (uncredited) |
| John P. Medbury | ... | (contributor to treatment) (uncredited) |
| Paul Finder Moss | ... | (contributor to treatment) (uncredited) |
| Henry Myers | ... | (contributor to treatment) (uncredited) |
| S.J. Perelman | ... | (contributor to treatment) (uncredited) |
| Harry Ruskin | ... | (contributor to special sequences) (uncredited) |
| Jane Storm | ... | (contributor to treatment) (uncredited) |
| Eddie Welch | ... | (contributor to special sequences) (uncredited) |
Cast (in credits order)
Produced by
| Benjamin Glazer | ... | producer |
| Henry Herzbrun | ... | executive producer (uncredited) |
Music by
| John Leipold | ... | (uncredited) |
Cinematography by
| Leo Tover | ... | (photographed by) |
Editing by
| Ellsworth Hoagland | ||
Art Direction by
| Hans Dreier | ||
| Robert Usher | ||
Makeup Department
| Carmen Dirigo | ... | hair stylist (uncredited) |
| Bernard Ponedel | ... | makeup artist (uncredited) |
Second Unit Director or Assistant Director
| Arthur Jacobson | ... | assistant director (uncredited) |
| Edward Montagne | ... | second assistant director (uncredited) |
Art Department
| Stanley Goldsmith | ... | props (uncredited) |
| Bertram C. Granger | ... | set dresser (uncredited) |
| Al Hurley | ... | props (uncredited) |
| Joe Keller | ... | props (uncredited) |
Sound Department
| John Cope | ... | sound recordist (as J.N. Cope) |
| Gene Merritt | ... | sound recordist (as E.P. Merritt) / sound mixer (uncredited) |
| Frank Pheney | ... | sound recordist (uncredited) |
| Lou Pitt | ... | stage engineer (uncredited) |
| John Smirch | ... | mike grip (uncredited) |
Visual Effects by
| Farciot Edouart | ... | special photographic effects |
| Gordon Jennings | ... | special photographic effects |
Camera and Electrical Department
| Andrew J. Durkus | ... | grip (uncredited) |
| Harry Hallenberger | ... | second camera operator (uncredited) |
| F.T. Hoffman | ... | electrician (uncredited) |
| Jim Hunter | ... | company grip (uncredited) |
| Art Lane | ... | assistant camera (uncredited) |
| Henry Schuster | ... | gaffer (uncredited) |
| James Tait | ... | set lighting assistant (uncredited) |
| Richard Walling | ... | still photographer (uncredited) |
| Stanley Williams | ... | set lighting foreman (uncredited) |
Costume and Wardrobe Department
| Ray Camp | ... | wardrobe: men |
| Hazel Hegarty | ... | wardrobe: women |
Editorial Department
| Alma Macrorie | ... | assistant editor (uncredited) |
Music Department
| Nat W. Finston | ... | musical director (as Nathaniel Finston) |
| George Stoll | ... | musician: violin accompaniment, Bing Crosby's specialty number (uncredited) |
Script and Continuity Department
| Jack Mintz | ... | continuity |
| Claire Behnke | ... | script clerk (uncredited) |
Additional Crew
| LeRoy Prinz | ... | stager: dance ensembles |
| Adolph Zukor | ... | presenter |
| Roland Asher | ... | business manager (uncredited) |
| Shirley Hughes | ... | stand-in: Wendy Barrie (uncredited) |
| Ralph Huston | ... | publicist (uncredited) |
| Theodore Reed | ... | assistant to the producer (uncredited) |
