Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X." After Alyce goes to London to meet a beau... See full summary »
Connie Ward is in seventh heaven when Gene Morrison's band rolls into town. She is swept off her feet by trumpeter Bill Abbot. After marrying him, she joins the bands tour and learns about ... See full summary »
Glamorous Lorry Jones, the toast of a Missouri military canteen, has become "engaged" to almost every serviceman she's signed her pin-up photo for. Now she's leaving home to go into ... See full summary »
Bill Raymond, a hotshot newspaper reporter will all the trappings, is following a story about and looking for the leaders of an alien smuggling gang. Along the way he gets the aid of a ... See full summary »
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »
The Big Broadcast of 1936 is an uneven, but still pretty entertaining, revue
In reviewing films featuring African-Americans in chronological order for Black History Month, we're back in 1935 when Paramount mounted another in The Big Broadcast revue series three years after the first one. Among the reasons I'm commenting on this entry for this occasion: dancers Harold and Fayard Nicholas as well as Bill "Bojangles" Robinson-all of whom are quite entertaining-not to mention The Dandridge Sisters-Dorothy, Vivian, and friend Etta Jones though I have to admit I didn't recognize them during their brief appearance. In summation, there's some hilarious comedy from George Burns and Gracie Allen but the actual plot of radio station owners Jack Oakie and Henry Wadsworth being involved with a couple of ladies isn't all that funny until the chase scene at the end. Then there's also some unrelated sketches involving Amos 'n' Andy (once again, Freeman Gosden and Charles Correll in burnt cork), Charlie Ruggles and Mary Boland, and a running gag of some men trying to build a house that were also highly amusing. And there's some pretty good musical instrumentals led by Ray Noble and Ina Ray Hutton (like me, a Chicago native) and just as good vocal spots from Bing Crosby and Ethel Merman with the latter doing a number originally meant for We're Not Dressing. So on that note, The Big Broadcast of 1936 is no great shakes but if you're curious about this sort of thing, it's worth a look.
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