| Photos (See all 50 | slideshow) | Videos (see all 5) |
| Max Schreck | ... | Graf Orlok / Nosferatu | |
| Gustav von Wangenheim | ... | Hutter (as Gustav v. Wangenheim) | |
| Greta Schröder | ... | Ellen Hutter - seine Frau (as Greta Schroeder) | |
| Alexander Granach | ... | Knock - ein Häusermakler | |
| Georg H. Schnell | ... | Harding - Hutters Freund (as G.H. Schnell) | |
| Ruth Landshoff | ... | Annie - Harding's Frau | |
| John Gottowt | ... | Professor Bulwer - ein Paracelsianer | |
| Gustav Botz | ... | Professor Sievers - der Stadtarzt | |
| Max Nemetz | ... | Kapitän der Demeter | |
| Wolfgang Heinz | ... | Zweiter Kapitän | |
| Albert Venohr | ... | Matrose 1 | |
| Eric van Viele | ... | Matrose 2 | |
| rest of cast listed alphabetically: | |||
| Karl Etlinger | ... | (uncredited) | |
| Guido Herzfeld | ... | Wirt (uncredited) | |
| Loni Nest | ... | Child at Window (uncredited) | |
| Fanny Schreck | ... | Krankenschwester im Hospital (uncredited) | |
| Hardy von Francois | ... | Arzt im Hospital (uncredited) | |
| Heinrich Witte | ... | Wärter im Irrenhaus (uncredited) | |
Directed by | |||
| F.W. Murnau | |||
Writing credits(in alphabetical order) | ||
| Henrik Galeen | screen play | |
| Bram Stoker | novel "Dracula" (uncredited) | |
Produced by | |||
| Enrico Dieckmann | .... | producer | |
| Albin Grau | .... | producer | |
Original Music by | |||
| James Bernard | (1997) | ||
| Hans Erdmann | |||
| Carlos U. Garza | (1998) | ||
| Timothy Howard | (1991) | ||
| Richard Marriott | (1989) (as Club Foot Orchestra) | ||
| Richard O'Meara | (2000) | ||
| Hans Posegga | (1989) | ||
| Peter Schirmann | (1969) | ||
| Bernardo Uzeda | (2006) | ||
| Bernd Wilden | (1998) | ||
Cinematography by | |||
| Fritz Arno Wagner | (photographed by) (as F.A. Wagner) | ||
| Günther Krampf | (uncredited) | ||
Costume Design by | |||
| Albin Grau | (costumes by) | ||
Art Department | |||
| Albin Grau | .... | art director: sets | |
Music Department | |||
| James Fitzpatrick | .... | music contractor (1997) | |
| Joanna Seaton | .... | vocalist (2002) | |
| Art Zoyd | .... | performer (1988) | |
Other crew | |||
| Robert Gray | .... | translator: English intertitles | |
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| Nosferatu the Vampyre | Dracula | Horror of Dracula | Dracula | Drácula |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Horror section |
| IMDb Germany section |
I despise most vampire stories. Not even Florence Stoker's dear departed husband could keep me occupied after the first act in Transylvania in "Dracula". The vampire has been so romanticized as an archetype (particularly during the '90s) that I can't but feel that most horror fans have forgotten exactly what made us afraid of these guys to begin with. Murnau's "Nosferatu" is just such a reminder and, because of that, is the only screen version of "Dracula" that I have ever loved.
Though Murnau, in the hopes of dodging the copyright bullet, took many liberties with the novel, he actually shot a great part of the film on location (an unusual practice for the time) in the historical Dracula's old stomping grounds: the Carpathian Mountains in Romania. The town, landscapes, and castles were all for real, not just some fancy studio backdrop. To me, it helps convey the tone of authenticity, as you can believe this story being told. As for Max Schreck, no charming, suave seducer is he. With his bald head, bushy eyebrows, rat-like teeth, pointed ears, nails as long as the fingers they are attached to, emaciated build, and stare that seems to come from the bottom of Hell itself, he is the primal, archetypal image of the vampire of legend.
While some could interpret this tale as a subtext to Nazism or anti-Semetism, at it's core, it's simply the tale of a monster, who brings ruin and death in his wake. That such a tale has managed to survive it's era, considering the obstacles that could have totally removed it from view, is the gain of all who have seen. Eat your heart out, Bela Lugosi.