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Nosferatu (1922)
"Nosferatu, eine Symphonie des Grauens" (original title)

 -  Horror  -  3 June 1929 (USA)
8.0
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Ratings: 8.0/10 from 48,437 users  
Reviews: 302 user | 157 critic

Vampire Count Orlok expresses interest in a new residence and real estate agent Hutter's wife. Silent classic based on the story "Dracula."

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Cast

Cast overview:
...
Gustav von Wangenheim ...
Hutter (as Gustav v. Wangenheim)
Greta Schröder ...
Ellen Hutter - seine Frau (as Greta Schroeder)
Alexander Granach ...
Georg H. Schnell ...
Harding - Hutters Freund (as G.H. Schnell)
Ruth Landshoff ...
Annie - Harding's Frau
John Gottowt ...
Professor Bulwer - ein Paracelsianer
Gustav Botz ...
Professor Sievers - der Stadtarzt
Max Nemetz ...
Kapitän der Demeter
Wolfgang Heinz ...
Zweiter Kapitän
Albert Venohr ...
Matrose 1
Eric van Viele ...
Matrose 2
Edit

Storyline

Wisbourg, Germany based estate agent Knock dispatches his associate, Hutter, to Count Orlok's castle in Transylvania as the Count wants to purchase a isolated house in Wisbourg. They plan on selling him the one across the way from Hutter's own home. Hutter leaves his innocent wife, Ellen, with some friends while he is away. Hutter's trek is an unusual one, with many locals not wanting to take him near the castle where strange events have been occurring. Once at the castle, Hutter does manage to sell the Count the house, but he also notices and feels unusual occurrences, primarily feeling like there is a dark shadow hanging over him, even in the daytime when the Count is unusually asleep. Hutter eventually sees the Count's sleeping chamber in a crypt, and based on a book he has recently read, believes the Count is really a vampire or Nosferatu. While Hutter is trapped in the castle, the Count, hiding in a shipment of coffins, makes his way to Wisbourg, causing death along his way, ... Written by Huggo

Plot Summary | Plot Synopsis

Genres:

Horror

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

3 June 1929 (USA)  »

Also Known As:

Nosferatu, a Symphony of Horror  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (VHS) | (DVD edition) | | (1997 restored) | (DVD)

Sound Mix:

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

Gustav von Wangenheim was not director F.W. Murnau's first or even his second choice, but his third one. See more »

Goofs

When Hutter is writing his letter to Ellen in Count Orlok's castle, the paper that he is meant to be writing on is clearly blank throughout the scene. See more »

Quotes

Knock, ein häusermakler: It will cost you sweat and tears, and perhaps... a little blood.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
"Is that your wife? What a lovely throat!"
18 March 2005 | by (the Draconian Swamp of Unholy Souls) – See all my reviews

As I'm sure it is the case for many cinema fans, my respect and admiration towards this production widely excels the enjoyment I had while watching it. "Nosferatu" is a milestone from every possible viewpoint and it's one of those very few movies I think everybody should view at least once (although it actually requires repeated viewings…) It is the very first version of Bram Stoker's legendary vampire tale and easily the most copied film in the history of cinema. I'm sure everyone is familiar with the story of young estate agent Jonathan Harker traveling to Transylvania where he acquaintances the eccentric count who feeds on blood and controls the ones he has bitten, but THIS is the original version. Shot by F.W. Murnau (who also made the equally essential titles "Faust" and "Der Januskopf") and made unforgettable by Max Schreck in his performance as the Count. And, even though this film is over 80 years old, Schreck's image is still as nightmarish as it can be. No visual or make-up effect could ever surpass the simple appearance of Max Schreck! The fact that this film is still very powerful therefore almost entirely depends on his unworldly character. "Nosferatu" is beautiful poetry, difficult to watch at times, but very rewarding. The sexual undertones as well as the shock-aspects have surely dated by now, but they're still present, and – as I mentioned before – they only increase my respect for Murnau and his crew. A definite must see, just make sure you're in the right mood.


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