Directed by
| Giulio Ricciarelli | ||
Writing Credits
| Elisabeth Burghardt | ... | (screenplay) (as Elisabeth Bartel) & |
| Giulio Ricciarelli | ... | (screenplay) |
| Elisabeth Burghardt | ... | (idea) (as Elisabeth Bartel) |
| Amelie Syberberg | ... | (collaboration on screenplay) |
Cast (in credits order) complete, awaiting verification
Produced by
| Jakob Claussen | ... | producer |
| Sabine Lamby | ... | producer |
| Jens Oberwetter | ... | executive producer |
| Ulrike Putz | ... | producer (as Uli Putz) |
Music by
| Sebastian Pille | ||
| Niki Reiser | ||
Cinematography by
| Martin Langer | ||
| Roman Osin | ||
Editing by
| Andrea Mertens | ||
Art Direction by
| Manfred Döring | ||
Set Decoration by
| Janina Jaensch | ||
Costume Design by
| Aenne Plaumann | ||
Makeup Department
| Judith Müller | ... | makeup artist |
| Verena Weißert | ... | makeup artist |
Second Unit Director or Assistant Director
| Hellmut Fulss | ... | first assistant director |
| Tobias Joosten | ... | second second assistant director / second unit director |
Art Department
| Sophie Pruzsinszky | ... | storyboard artist |
Sound Department
| Max Bauer | ... | foley artist |
| Normann Büttner | ... | foley recordist |
| Tschangis Chahrokh | ... | re-recording mixer |
| Friedrich M. Dosch | ... | sound designer |
| Monika Gussner | ... | adr editor |
| Magda Habernickel | ... | dialogue editor |
| Oliver Kepler | ... | sound assistant |
| Stefan Korte | ... | re-recording mixer |
| Fabien Loucheur | ... | boom operator |
| Bernhard Maurer | ... | sound re-recording mixer: foley |
| Simon Steinitz | ... | re-recording assistant |
| Daniel Vogl | ... | head of ARRI Sound |
| Frank Wiedmann | ... | adr recordist |
Visual Effects by
| Nina Knott | ... | visual effects producer |
| David Laubsch | ... | visual effects supervisor |
| Romana Sonntag | ... | junior 3d artist |
| Andreas Vincent Weber | ... | junior compositing artist |
Camera and Electrical Department
| Roman Asin | ... | key grip |
| Janosch Feucht | ... | second assistant camera: a camera |
| Hans Fischer | ... | lighting assistant |
| Nikolaj Georgiew | ... | camera operator: aerial footage |
| Daniel Goede | ... | data manager |
| Martin Lamin | ... | key grip |
| Johannes Pelzer | ... | video operator |
| Martin Rinderknecht | ... | aerial camera operator: aerial footage |
| Thomas Roßbach | ... | electrician |
| Fabian Rösler | ... | camera operator/steadicam operator |
| Heike Ulrich | ... | still photographer |
Casting Department
| Minona von Vietinghoff | ... | casting assistant |
Costume and Wardrobe Department
| Jürgen Knoll | ... | researcher: costumes |
Editorial Department
| Christopher Chaber | ... | digital intermediate editor |
| Julien Mazon | ... | trailer editor |
| Bianca Pieroth | ... | colorist |
| Hansjörg Weißbrich | ... | additional editor |
| Felix Zimmerman | ... | assistant editor |
Music Department
| Benjamin Gut | ... | score mixing assistant / score recordist |
| Carolin Heiß | ... | music consultant |
| David Klein | ... | orchestra contractor |
Script and Continuity Department
| Norbert Maass | ... | script consultant |
Additional Crew
| Josef Brandmaier | ... | funding: bbf |
| Manfred Burger | ... | funding: bbf |
| Elisabeth Burghardt | ... | researcher (as Elisabeth Bartel) |
| Jérémie Charrier | ... | press attaché: France |
| Raffael Comi | ... | set runner |
| Duc-Anh Dinh | ... | set runner |
| Nancy Dlusztus | ... | production coordinator |
| Philipp Graf | ... | production press |
| Doris Haller | ... | product placement |
| Mathilde Incerti | ... | press attaché: France |
| Bernard Mangiante | ... | french adaptation: original version with subtitles |
| Berit Norrenberg | ... | legal adviser |
| Peter H. Rutkat | ... | funding: bbf |
| Gerhard Wiese | ... | historical consultant |
Thanks
| Fritz Bauer | ... | dedicatee |
| Thomas Gnielka | ... | dedicatee |
| Joachim Kügler | ... | dedicatee |
| Georg Friedrich Vogel | ... | dedicatee |
| Gert Voss | ... | in memory of |
| Gerhard Wiese | ... | dedicatee |
