When you think of HBO's classic mid-'00s series "The Wire," it's the characters that come to mind first -- people like McNulty (Dominic West), D'Angelo, Kima (Sonja Sohn), or Stringer Bell (Idris Elba). All of them have their place in the show's vast tapestry, but their stories never feel manufactured or inauthentic. Their major failures and small triumphs echo and clash against those of others, comprising the major drama of the show. And Stringer, the ambitious climber at the top of the show's Barksdale criminal empire, had some of the show's most engaging material. Of course, it helped that he was played by a future movie star.
While you can now see him on the big screen fighting monstrous lions in "Beast" or playing a romantic Djinn in a George Miller film, Idris Elba's work in "The Wire" some 20 years earlier was much more low-key. Stringer is nothing like the typical fantasy gangster.
While you can now see him on the big screen fighting monstrous lions in "Beast" or playing a romantic Djinn in a George Miller film, Idris Elba's work in "The Wire" some 20 years earlier was much more low-key. Stringer is nothing like the typical fantasy gangster.
- 9/18/2022
- by Anthony Crislip
- Slash Film
Few facets of Chile’s Sanfic Industria are as keenly tracked as its Works in Progress. This is the section, after all, which introduced the industry to Sebastián Lelio’s “Gloria,” which went on to win best actress at Berlin for Paulina García and see a successful remake by Lelio himself with Juliane Moore in the title.
Sundance winners “Violeta Went To Heaven,” from Andrés Wood, Marialy Rivas’ “Young & Wild” and Alejandro Fernández Almendras’ “To Kill a Man” all made auspicious debuts at Sanfic as movies in post-production.
Sanfic Industria has now released the full list of Works in Progress set to screen onsite and online over Oct 27-Nov 5. A strong jury takes in Estrella Araiza, director of Mexico’s Guadalajara Film Festival, Busan Film Festival programmer Karen Park and Anabelle Aramburu, co-ordinator of the Mafiz industry umbrella at Spain’s Malaga Festival. They will select four titles which...
Sundance winners “Violeta Went To Heaven,” from Andrés Wood, Marialy Rivas’ “Young & Wild” and Alejandro Fernández Almendras’ “To Kill a Man” all made auspicious debuts at Sanfic as movies in post-production.
Sanfic Industria has now released the full list of Works in Progress set to screen onsite and online over Oct 27-Nov 5. A strong jury takes in Estrella Araiza, director of Mexico’s Guadalajara Film Festival, Busan Film Festival programmer Karen Park and Anabelle Aramburu, co-ordinator of the Mafiz industry umbrella at Spain’s Malaga Festival. They will select four titles which...
- 10/26/2021
- by JD Linville
- Variety Film + TV
Sundance Institute has announced its latest class of fellows, a group of 10 young filmmakers selected for the yearlong Sundance Ignite x Adobe fellowship. They’ll participate in a year of mentorship, workshops, and receive other support and will have their films screened at Sundance Film Festival: London in August.
The fellows, who hail from around the world and are between the ages of 18-25, submitted 1- to 15-minute short films as part of their applications, which totaled a record high of 1,600. The fellows kicked off their fellowship year on Monday with the Sundance Ignite Digital Filmmakers Lab on Sundance Co//ab. The week-long lab prepares the fellows for the year ahead, with focuses on presenting one’s artistic self, pitching projects, case studies, and goal-setting.
Earlier this month, Sundance announced a series of layoffs and consolidations in reaction to the financial hits endured during the pandemic. While the organization announce...
The fellows, who hail from around the world and are between the ages of 18-25, submitted 1- to 15-minute short films as part of their applications, which totaled a record high of 1,600. The fellows kicked off their fellowship year on Monday with the Sundance Ignite Digital Filmmakers Lab on Sundance Co//ab. The week-long lab prepares the fellows for the year ahead, with focuses on presenting one’s artistic self, pitching projects, case studies, and goal-setting.
Earlier this month, Sundance announced a series of layoffs and consolidations in reaction to the financial hits endured during the pandemic. While the organization announce...
- 7/15/2020
- by Chris Lindahl
- Indiewire
Santiago, Chile — Santiago-based production company Equeco have announced their involvement on a new feature project from director Bernardo Quesney, a dark-comedy revolving around a small-town theater troupe, a classic Chilean play and the recent influx in Haitian immigrants in Chile, titled “Break a Leg.”
Directing the play is the now-metropolitan Gioconda Millán, returned to her hometown to direct an adaptation of the classic Chilean poem “La Araucana” in order to save the cultural center that her sister manages. Among the hurdles she will encounter along the way are family that feel she’s abandoned them, a community disinterested in seeing a moldy old play, and a cast unwilling to do a show based on the native Mapuche people.
500 years of racism confronts the new, more subtle form facing Chile today, as a number of Haitian immigrants seek to be involved in the production. It’s much more than Gioconda ever expected to face.
Directing the play is the now-metropolitan Gioconda Millán, returned to her hometown to direct an adaptation of the classic Chilean poem “La Araucana” in order to save the cultural center that her sister manages. Among the hurdles she will encounter along the way are family that feel she’s abandoned them, a community disinterested in seeing a moldy old play, and a cast unwilling to do a show based on the native Mapuche people.
500 years of racism confronts the new, more subtle form facing Chile today, as a number of Haitian immigrants seek to be involved in the production. It’s much more than Gioconda ever expected to face.
- 8/26/2018
- by Jamie Lang
- Variety Film + TV
Chile’s Santiago-based international film festival, Sanfic, has shared with Variety its list of seven films set to participate in the 2018 Sanfic Industria Latin American Works in Progress section.
The films will compete for the following prizes: The Chemistry Award – $50,000 worth of post-production services towards color correction in HD or 2k resolution; the Avid Media Composer Licensing Software Award – a license for perpetual access to the Avid Media Composer post-production editing software valued at $1,800; Yagan Films Award – sound post-production services valued at $23,000; and the new-to-this-year Malaga Festival Award – guaranteed participation at the 2019 Malaga Festival to be held next March.
A highly-anticipated entry at this year’s Wip is the latest from Chile’s Alejandro Fernández Almendras. Produced by Jirafa Films in Chile, one of the country’s very top film outfits, Paris-based Arizona Films and Film & Roll in the Czech Republic, “Hra” (“The Play”) tells the tale of a small-town Czech playwright,...
The films will compete for the following prizes: The Chemistry Award – $50,000 worth of post-production services towards color correction in HD or 2k resolution; the Avid Media Composer Licensing Software Award – a license for perpetual access to the Avid Media Composer post-production editing software valued at $1,800; Yagan Films Award – sound post-production services valued at $23,000; and the new-to-this-year Malaga Festival Award – guaranteed participation at the 2019 Malaga Festival to be held next March.
A highly-anticipated entry at this year’s Wip is the latest from Chile’s Alejandro Fernández Almendras. Produced by Jirafa Films in Chile, one of the country’s very top film outfits, Paris-based Arizona Films and Film & Roll in the Czech Republic, “Hra” (“The Play”) tells the tale of a small-town Czech playwright,...
- 7/31/2018
- by Jamie Lang
- Variety Film + TV
Lacey Schwartz's "Little White Lie" is now streaming on Netflix, after an international film festival run... When I was growing up, a lot of kids would ask each other: “What are you mixed with?,” especially when they saw someone who couldn’t be easily placed into the categories of white, black, Latino, Asian, etc. The question, particularly among my black peers, would become as common as asking someone their name. My peers would spout off racial and cultural groups- Indian, Creole, black. Yet, in a society so defined by racial identification, what happens when a child who is clearly “mixed” to others, is...
- 7/1/2015
- by Nijla Mumin
- ShadowAndAct
Review: ‘Little White Lie' Is an Engrossing Look Into One Family's Silence, Secrets & Denial of Race
Lacey Schwartz's "Little White Lie" is now available on home video platforms, after an international film festival run... When I was growing up, a lot of kids would ask each other: “What are you mixed with?,” especially when they saw someone who couldn’t be easily placed into the categories of white, black, Latino, Asian, etc. The question, particularly among my black peers, would become as common as asking someone their name. My peers would spout off racial and cultural groups- Indian, Creole, black. Yet, in a society so defined by racial identification, what happens when a child who is clearly “mixed” to...
- 4/1/2015
- by Nijla Mumin
- ShadowAndAct
When I was growing up, a lot of kids would ask each other: “What are you mixed with?,” especially when they saw someone who couldn’t be easily placed into the categories of white, black, Latino, Asian, etc. The question, particularly among my black peers, would become as common as asking someone their name. My peers would spout off racial and cultural groups- Indian, Creole, black. Yet, in a society so defined by racial identification, what happens when a child who is clearly “mixed” to others, is taught to identify as white? This question is thoroughly explored in Lacey Schwartz's feature documentary "Little White Lie," which follows her journey to uncover her...
- 2/13/2015
- by Nijla Mumin
- ShadowAndAct
Amy Berg's An Open Secret
While the world premiere of Marjorie Sturm's The Cult Of Jt Leroy joins Doc NYC, Amy Berg's An Open Secret is still up in the air.
Gracie Otto's The Last Impresario on Michael White, Andrea B. Scott's Florence, Arizona, Keva Rosenfeld's All American High Revisited, Thomas Wirthensohn's Homme Less, Dave Jannetta's Love And Terror On The Howling Plains Of Nowhere, Norah Shapiro's Miss Tibet: Beauty In Exile, Rich Hill by Tracy Droz Tragos, Little White Lie by Lacey Schwartz and Dan Rybicky and Aaron Wickenden's Almost There, connect with Richard Gere's performance in Oren Moverman's Time Out Of Mind, Marion Cotillard in Jean-Pierre Dardenne and Luc Dardenne's Two Days, One Night to Michael Keaton's Birdman in Alejandro González Iñárritu's Birdman Or The Unexpected Virtue Of Ignorance, turning questions of identity into passages of time.
While the world premiere of Marjorie Sturm's The Cult Of Jt Leroy joins Doc NYC, Amy Berg's An Open Secret is still up in the air.
Gracie Otto's The Last Impresario on Michael White, Andrea B. Scott's Florence, Arizona, Keva Rosenfeld's All American High Revisited, Thomas Wirthensohn's Homme Less, Dave Jannetta's Love And Terror On The Howling Plains Of Nowhere, Norah Shapiro's Miss Tibet: Beauty In Exile, Rich Hill by Tracy Droz Tragos, Little White Lie by Lacey Schwartz and Dan Rybicky and Aaron Wickenden's Almost There, connect with Richard Gere's performance in Oren Moverman's Time Out Of Mind, Marion Cotillard in Jean-Pierre Dardenne and Luc Dardenne's Two Days, One Night to Michael Keaton's Birdman in Alejandro González Iñárritu's Birdman Or The Unexpected Virtue Of Ignorance, turning questions of identity into passages of time.
- 11/12/2014
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The Third Annual St. Louis Black Film Festival will be September 6-14 2014 at the Mx Theater at 618 Washington Ave. in downtown Saint Louis. All the films screened will be new movies and not only will the fest feature feature-length films but music videos, short films, and short documentaries as well.
The St. Louis Black Film Festival provides the American Midwest with a forum for African American independent film and video, and also serves as an advocate for African American film and video production in the state of Missouri. The Festival seeks to introduce the best films and videos from the surrounding area to its culturally diverse, film-loving audiences Stlbff was initially established as a vehicle for exposing Black cinema. The event was green-lighted after recognition that though St. Louis is the largest city in Missouri, it did not have a viable Black film festival. Independent filmmakers with films featuring a Black,...
The St. Louis Black Film Festival provides the American Midwest with a forum for African American independent film and video, and also serves as an advocate for African American film and video production in the state of Missouri. The Festival seeks to introduce the best films and videos from the surrounding area to its culturally diverse, film-loving audiences Stlbff was initially established as a vehicle for exposing Black cinema. The event was green-lighted after recognition that though St. Louis is the largest city in Missouri, it did not have a viable Black film festival. Independent filmmakers with films featuring a Black,...
- 9/3/2014
- by Tom Stockman
- WeAreMovieGeeks.com
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