Ravel: Concerto for Piano & Orchestra in G major; Concerto in D major for the Left Hand; Fauré: Ballade in F-sharp minor, Op. 19 Yuja Wang/Zurich Tonhalle Orchestra/Lionel Bringuier (Deutsche Grammophon) Complete Piano Works of Ravel: Sérénade grotesque; Menuet antique; Pavane pour une Infante défunte; Jeux d'eau; Sonatine; Miroirs; Gaspard de la nuit; Menuet sur le nom de Haydn; Valses Nobles et Sentimentales; Prélude; À la manière de…Borodine; À la manière de…Chabrier; Le Tombeau de Couperin; Menuet in C-sharp minor; La Valse; Casella: À la manière de…Ravel; Honegger: Hommage à Ravel; Briggs: Encore avec Ravel; Plate: Erinnerung au Maurice Ravel; Mason: Galoches en d'aoút Hinrich Alpers (Honens) Ravel: Miroirs; Pavane pour une infante defunte; Gaspard de la nuit Carlo Grante (Music & Arts)
The promo mailings have recently yielded a new crop of Ravel recordings. None displace my favorites, but all are interesting and worth discussing.
The promo mailings have recently yielded a new crop of Ravel recordings. None displace my favorites, but all are interesting and worth discussing.
- 11/27/2015
- by SteveHoltje
- www.culturecatch.com
In the wake of the terrible attacks in Paris, I found myself listening to a lot of French music and thinking about the Leonard Bernstein quote going around on Facebook: "This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before." This list came to seem like my natural response. A very small response, I know. This list is chronological and leaves off people I should probably include. The forty [note: now forty-one] composers listed below are merely a start.
Léonin Aka Leoninus (c.1135-c.1201)
The Cathedral of Notre Dame in Paris in the 1100s was a major musical center, and Léonin (the first named composer from whom we have notated polyphonic music) was a crucial figure for defining the liturgical use of organum, the first polyphony. Earlier organum was fairly simple, involving parallel intervals and later contrary motion, but the mid-12th century brought...
Léonin Aka Leoninus (c.1135-c.1201)
The Cathedral of Notre Dame in Paris in the 1100s was a major musical center, and Léonin (the first named composer from whom we have notated polyphonic music) was a crucial figure for defining the liturgical use of organum, the first polyphony. Earlier organum was fairly simple, involving parallel intervals and later contrary motion, but the mid-12th century brought...
- 11/15/2015
- by SteveHoltje
- www.culturecatch.com
Kate’s Classical Corner: Hannibal, Ep. 3.01, “Antipasto”
As a classical musician, I can’t help but be influenced in my interpretation of Hannibal by its amazing score and soundtrack, composed and compiled by music supervisor Brian Reitzell. I’ll be reviewing Hannibal season three for Sound on Sight and along with each review, I’ll be writing up a few notes (or this week—thanks to the sheer volume of music—many, many notes) on the episode’s scoring and soundtrack choices. This is not intended to be a definitive reading of Reitzell or Bryan Fuller’s intentions in regards to the music, but rather an exploration of how these choices affect my appreciation of the given episode. Read my thoughts on “Antipasto” here.
Prélude à l’après-midi d’un faune by Claude Debussy (1894): Gideon and Hannibal eat dinner, Hannibal tends his snails
Based on L’après-midi d’un...
As a classical musician, I can’t help but be influenced in my interpretation of Hannibal by its amazing score and soundtrack, composed and compiled by music supervisor Brian Reitzell. I’ll be reviewing Hannibal season three for Sound on Sight and along with each review, I’ll be writing up a few notes (or this week—thanks to the sheer volume of music—many, many notes) on the episode’s scoring and soundtrack choices. This is not intended to be a definitive reading of Reitzell or Bryan Fuller’s intentions in regards to the music, but rather an exploration of how these choices affect my appreciation of the given episode. Read my thoughts on “Antipasto” here.
Prélude à l’après-midi d’un faune by Claude Debussy (1894): Gideon and Hannibal eat dinner, Hannibal tends his snails
Based on L’après-midi d’un...
- 6/5/2015
- by Kate Kulzick
- SoundOnSight
This is a column for all you “I want to be a writer” writers out there.
The Xxii Olympics officially opened on Friday, February 8th, 2014 in Sochi, Russia.
Thirty years ago the Xiv Olympics took place in Sarajevo in what was Yugoslavia and is now Bosnia-Herzegovina, although the region is usually just called Bosnia. Thirty years later the Olympic village, the ice rink, the bobsled and luge tracks, the ski jump, the other sports facilities and hotels are gone, destroyed during the Bosnian war and the 44-months-long Siege of Sarajevo which killed nearly twelve thousand of the city’s residents.
Thirty years ago this week I watched and was swept away, like everyone else by Jayne Torvill and Christopher Dean’s romantically brilliant ice dance set to Ravel’s Boléro. (I just watched it again courtesy of YouTube, and it still captures my heart.) The routine set off a bit...
The Xxii Olympics officially opened on Friday, February 8th, 2014 in Sochi, Russia.
Thirty years ago the Xiv Olympics took place in Sarajevo in what was Yugoslavia and is now Bosnia-Herzegovina, although the region is usually just called Bosnia. Thirty years later the Olympic village, the ice rink, the bobsled and luge tracks, the ski jump, the other sports facilities and hotels are gone, destroyed during the Bosnian war and the 44-months-long Siege of Sarajevo which killed nearly twelve thousand of the city’s residents.
Thirty years ago this week I watched and was swept away, like everyone else by Jayne Torvill and Christopher Dean’s romantically brilliant ice dance set to Ravel’s Boléro. (I just watched it again courtesy of YouTube, and it still captures my heart.) The routine set off a bit...
- 2/10/2014
- by Mindy Newell
- Comicmix.com
Getty Stephen Sondheim in March 2011.
Composer and lyricist Stephen Sondheim has helped to create some of Broadway’s greatest stage shows. But he says the world of classical music is behind some of his deepest influences, including such composers as Sergei Rachmaninoff and Joseph-Maurice Ravel.
“It is aesthetically fulfilling to hear composers take my music seriously,” said Sondheim, who was interviewed briefly on stage this weekend during a concert of 17 compositions inspired by songs from his musicals “Sweeney Todd,” “Company,...
Composer and lyricist Stephen Sondheim has helped to create some of Broadway’s greatest stage shows. But he says the world of classical music is behind some of his deepest influences, including such composers as Sergei Rachmaninoff and Joseph-Maurice Ravel.
“It is aesthetically fulfilling to hear composers take my music seriously,” said Sondheim, who was interviewed briefly on stage this weekend during a concert of 17 compositions inspired by songs from his musicals “Sweeney Todd,” “Company,...
- 4/23/2012
- by Kathy Shwiff
- Speakeasy/Wall Street Journal
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