When Jacob discovers clues to a mystery that stretches across time, he finds Miss Peregrine's Home for Peculiar Children. But the danger deepens after he gets to know the residents and learns about their special powers.
Samuel L. Jackson
In the Victorian London, the barber Benjamin Barker is married to the gorgeous Lucy and they have a lovely child, Johanna. The beauty of Lucy attracts the attention of the corrupt Judge Turpin, who falsely accuses the barber of a crime that he did not commit and abuses Lucy later after gaining custody of her. After fifteen years in exile, Benjamin returns to London under the new identity of Sweeney Todd, seeking revenge against Turpin. He meets the widow Mrs. Lovett who is the owner of a meat pie shop who tells him that Lucy swallowed arsenic many years ago, and Turpin assigned himself tutor of Johanna. He opens a barber shop above her store, initiating a crime rampage against those who made him suffer and lose his beloved family.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The original Broadway production starring Angela Lansbury and Len Cariou opened at the Uris Theater on February 6, 1979, ran for 557 performances, and won the 1979 Tony Awards for the Best Musical, Book, and Score. See more »
The amount of shaving cream on Turpin's face changes between shots. See more »
I have sailed the world, beheld its wonders, from the Dardanelles to the mountains of Peru. But there's no place like London.
No, there's no place like London.
You are young. Life has been kind to you. You will learn.
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The final act in the US version uses different angles than the International version of the film during some extra violent deaths. The different angles focus more Sweeney instead of the immense amounts of blood that can be seen more vividly in the International cut. All in all it only amounts to around 3-5 seconds that are actually different and were needed in order to get the R-Rated in the US. See more »
Despite the grim expectations from the story synopsis, the film delivers gore in a surprisingly tasteful way. There are no screaming teenagers running from a lunatic; instead we get a somewhat British blend of satire, slapstick and just "wrong" humor. Although I'm not much of a Johnny Depp fan, I enjoyed his performance as well as Helena Bonham Carter's. Even the portrayal of the common clients was stunning.
Despite being generally familiar with the story, I fell into some traps expecting specific twists, yet something different (and better) being delivered. This is a model of how to do dark humor that filmmakers should and probably will follow. It is most refreshing. Don't read the story and don't read any spoilers until you've seen it.
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