The infamous story of Benjamin Barker, aka Sweeney Todd, who sets up a barber shop in London which is the basis for a sinister partnership with his fellow tenant, Mrs. Lovett.
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Director:
Tim Burton
Stars:
Johnny Depp,
Christina Ricci,
Miranda Richardson
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Director:
Gore Verbinski
Stars:
Johnny Depp,
Orlando Bloom,
Keira Knightley
Jack Sparrow races to recover the heart of Davy Jones to avoid enslaving his soul to Jones' service, as other friends and foes seek the heart for their own agenda as well.
Director:
Gore Verbinski
Stars:
Johnny Depp,
Orlando Bloom,
Keira Knightley
In the Victorian London, the barber Benjamin Barker is married to the gorgeous Lucy and they have a lovely child, Johanna. The beauty of Lucy attracts the attention of the corrupt Judge Turpin, who falsely accuses the barber of a crime that he did not commit and abuses Lucy later after gaining custody of her. After fifteen years in exile, Benjamin returns to London under the new identity of Sweeney Todd, seeking revenge against Turpin. He meets the widow Mrs. Lovett who is the owner of a meat pie shop who tells him that Lucy swallowed arsenic many years ago, and Turpin assigned himself tutor of Johanna. He opens a barber shop above her store, initiating a crime rampage against those who made him suffer and lose his beloved family.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Sweeney's appearance in the film bears a striking resemblance to that of Dave Vanian, singer of the gothic rock band The Damned. Vanian sported a similar hairstyle and attire for much of the eighties and nineties. See more »
Goofs
Johanna is seen packing stuff neatly into a suitcase, she puts the last item into her suitcase neatly, but when Judge Turpin opens her door we see the item hanging over the side as if it was hastily thrown in. See more »
Quotes
[first lines]
Anthony Hope:
I have sailed the world, beheld its wonders, from the Dardanelles to the mountains of Peru. But there's no place like London.
Sweeney Todd:
No, there's no place like London.
Anthony Hope:
[spoken]
Mr. Todd?
Sweeney Todd:
You are young. Life has been kind to you. You will learn.
See more »
Alternate Versions
The final act in the US version uses different angles than the International version of the film during some extra violent deaths. The different angles focus more Sweeney instead of the immense amounts of blood that can be seen more vividly in the International cut. All in all it only amounts to around 3-5 seconds that are actually different and were needed in order to get the R-Rated in the US. See more »
I approached Sweeney Todd with trepidation, having been underwhelmed with most of Tim Burton's recent output and every screen musical of the last decade. The biggest problem I have with Burton's films is that his screenplays rarely manage to pull their disparate elements into a satisfying whole. Here, despite adapting the material to his own sensibilities and shortening the play by an hour, he adheres closely to Sondheim's book, resulting in the most dramatically satisfying film Burton has ever made.
I liked the adaptation of the off-off Broadway Hedwig and the Angry Inch, but have been left underwhelmed by all the recent big budget film musicals, so I'm glad to say that Sweeney Todd, wipes the floor with every major screen musical of the last decade, including the likable if over extended Hairspary. Most surprising is how shockingly gruesome the the film becomes in the second half. This must be the most blood drenched film since Shogun Assassin, with arteries spurting blood like like fountains as throats are cut, with the violence escalating towards the end leading towards a climax that is exhilarating, heartbreaking and satisfyingly bleak.
Unlike the dreary dirges Danny Elfman supplied for Burton's stop frame musicals, Sondheim's score is a joy to listen to from beginning to end, its dark romanticism sometimes reminding me of Bernhard Herrmann, perfectly fitting what is both a musical and a horror film in equal measures.
Depp and Bonham Carter are both excellent and it's down to their performances that I never quite lost sympathy with them in their descent into madness, blood lust and cannibalism.
Musical haters may not be converted as 75% percent of the dialogue is sung, but this completely dispatches any notion of cloying sentimentally the genre is often associated with.
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I approached Sweeney Todd with trepidation, having been underwhelmed with most of Tim Burton's recent output and every screen musical of the last decade. The biggest problem I have with Burton's films is that his screenplays rarely manage to pull their disparate elements into a satisfying whole. Here, despite adapting the material to his own sensibilities and shortening the play by an hour, he adheres closely to Sondheim's book, resulting in the most dramatically satisfying film Burton has ever made.
I liked the adaptation of the off-off Broadway Hedwig and the Angry Inch, but have been left underwhelmed by all the recent big budget film musicals, so I'm glad to say that Sweeney Todd, wipes the floor with every major screen musical of the last decade, including the likable if over extended Hairspary. Most surprising is how shockingly gruesome the the film becomes in the second half. This must be the most blood drenched film since Shogun Assassin, with arteries spurting blood like like fountains as throats are cut, with the violence escalating towards the end leading towards a climax that is exhilarating, heartbreaking and satisfyingly bleak.
Unlike the dreary dirges Danny Elfman supplied for Burton's stop frame musicals, Sondheim's score is a joy to listen to from beginning to end, its dark romanticism sometimes reminding me of Bernhard Herrmann, perfectly fitting what is both a musical and a horror film in equal measures.
Depp and Bonham Carter are both excellent and it's down to their performances that I never quite lost sympathy with them in their descent into madness, blood lust and cannibalism.
Musical haters may not be converted as 75% percent of the dialogue is sung, but this completely dispatches any notion of cloying sentimentally the genre is often associated with.