A warlock flees from the 17th to the 20th century, with a witch-hunter in hot pursuit.
Director:
Writer:
Awards:
- 1 win & 8 nominations.
- See more »
Photos and Videos
Cast verified as complete
Julian Sands | ... |
Warlock
|
|
Lori Singer | ... |
Kassandra
|
|
Richard E. Grant | ... |
Giles Redferne
|
|
Mary Woronov | ... |
Channeler
|
|
Kevin O'Brien | ... |
Chas
|
|
Richard Kuss | ... |
Mennonite
|
|
Allan Miller | ... |
Detective
|
|
Anna Thomson | ... |
Pastor's Wife
(as Anna Levine)
|
|
David Carpenter | ... |
Pastor
|
|
Kay E. Kuter | ... |
Proctor
|
|
Ian Abercrombie | ... |
Magistrate #1
|
|
Kenneth Danziger | ... |
Magistrate #2
|
|
![]() |
Art Smith | ... |
Scribe
|
![]() |
Robert Breeze | ... |
Jailor
|
Frank Renzulli | ... |
Cabbie
|
|
Brandon Call | ... |
Little Boy
|
|
Nancy Fox | ... |
Boy's Mother
|
|
Harry Johnson | ... |
Farmer
|
|
![]() |
Juli Burkhart | ... |
Daughter-in-Law
|
Rob Paulsen | ... |
Gas Station Attendant
|
|
Peter Sherayko | ... |
Cop
|
|
![]() |
Gyl Roland | ... |
Ticket Agent
|
![]() |
Meta King | ... |
Flight Attendant
|
![]() |
Bill Dunnam | ... |
Railroad Employee
|
Wendy Feiner | ... |
Passenger
|
Directed by
Steve Miner | ... | (directed by) |
Written by
David Twohy | ... | (written by) (as D.T. Twohy) |
Produced by
Darla K. Anderson | ... | executive producer |
Michael Fottrell | ... | associate producer (as Morgan Michael Fottrell) |
Arnold Kopelson | ... | executive producer |
Steve Miner | ... | producer (produced by) |
Brian Yuzna | ... | executive producer (1991 version for Trimark Pictures) |
Music by
Jerry Goldsmith | ... | (music by) |
Cinematography by
David Eggby | ... | director of photography |
Editing by
David Finfer | ... | film editor |
Editorial Department
Gary Burritt | ... | negative cutter |
Casting By
Melissa Skoff | ... | (casting by) |
Production Design by
Roy Forge Smith |
Art Direction by
Jon Gary Steele |
Set Decoration by
Jennifer Williams |
Costume Design by
Louise Frogley |
Makeup Department
Leslie Ann Anderson | ... | hair stylist |
Carl Fullerton | ... | visual makeup effects |
Pat Gerhardt | ... | makeup artist |
Neal Martz | ... | visual makeup effects |
Peter Montagna | ... | assistant makeup artist / special makeup effects artist |
Dan Platt | ... | special makeup effects artist |
Tom Woodruff Jr. | ... | special makeup effects artist |
Production Management
Michael Fottrell | ... | unit production manager (as Morgan Michael Fottrell) |
Ann Wycoff | ... | post-production supervisor |
Second Unit Director or Assistant Director
Matt Earl Beesley | ... | first assistant director |
Frank Capra III | ... | second assistant director |
David R. Ellis | ... | second unit director |
Frank Kostenko Jr. | ... | production assistant |
Art Department
Craig B. Ayers Sr. | ... | greensman |
Edwin M. Brewer | ... | property master |
Jo Brown | ... | head scenic |
Kelly Deco | ... | scenic paint foreman |
Joe Del Monte | ... | carpenter |
Doug Lefler | ... | storyboard artist |
Claire Levinson-Gendler | ... | set dresser (as Claire Levinson) |
Marc Meisels | ... | set dresser |
Josh Olson | ... | art department coordinator |
Leon Ranch Jr. | ... | set construction manager |
Mitch Turnbull | ... | set dresser (as Michelle Turnbull) |
Tal Wallace | ... | mason foreman |
W. Wayne Walser | ... | construction coordinator |
Everett D. Wilson | ... | scenic artist |
Gary Wissner | ... | assistant art director |
Clark Acton | ... | model maker (uncredited) / model maker: prop thumb cuffs (uncredited) |
Christopher Gilman | ... | props (uncredited) |
Sound Department
Martha Atwell | ... | apprentice sound editor |
Ken Beauchene | ... | boom man (as Ken Beauchane) |
G.W. Brown | ... | adr editor |
David E. Campbell | ... | re-recording mixer (as Dave Campbell) |
Mario Cardenas | ... | boom man: Boston |
Dane A. Davis | ... | supervising sound editor: Danetracks (as Dane Davis) |
Robert Deschaine | ... | adr/foley mixer |
Thom 'Coach' Ehle | ... | consultant: Dolby Stereo (as Thom Ehle) |
Tom Hammond | ... | foley editor |
John Kwiatkowski | ... | sound effects editor |
Mark Larry | ... | assistant sound editor |
Kimberly Ellen Lowe | ... | dialogue editor (as Kimberly Voigt) |
Colin McNab | ... | sound mixer: Boston (as Colin MacNab) |
John T. Reitz | ... | re-recording mixer (as John Reitz) |
Joan Rowe | ... | foley walker |
Gregg Rudloff | ... | re-recording mixer |
James M. Tanenbaum | ... | sound mixer |
Lee Tinkham | ... | adr/foley mixer |
Todd Toon | ... | assistant sound editor |
Tracy Toon | ... | assistant sound editor |
Jerry Trent | ... | foley walker |
Randell Vandegrift | ... | dialogue editor (as Randy Vandegrift) |
Lee Strosnider | ... | sound mixer (uncredited) |
Special Effects by
Ken Pepiot | ... | special effects coordinator |
Visual Effects by
Esther Barr | ... | effects animator: Perpetual Motion Pictures (as Ester Barr) |
Bronwen Barry | ... | effects assistant animator: Perpetual Motion Pictures |
Michael Bigelow | ... | motion control supervisor: DQI (as Mike Bigelow) |
Jeff Burks | ... | animation supervisor: DQI / effects animator: Perpetual Motion Pictures |
Dan Chaika | ... | effects assistant animator: Perpetual Motion Pictures (as Daniel Chaika) |
Nina Chierichetti | ... | rotoscope artist: Perpetual Motion Pictures |
Rene Clark | ... | production assistant: Perpetual Motion Pictures |
Lee Crowe | ... | effects assistant animator: Perpetual Motion Pictures (as Lee Sperling) |
C. Marie Davis | ... | visual effects editor: DQI (as Marie Davis) |
Isobel DeLuca | ... | administrative assistant: Perpetual Motion Pictures (as Isobel De Luca) |
Charles L. Finance | ... | production supervisor: Perpetual Motion Pictures |
Alex Funke | ... | blue screen photography: Perpetual Motion Pictures |
James Green | ... | matte photographer: DQI |
Fidel Gruber | ... | intern: Perpetual Motion Pictures |
Robert Habros | ... | visual effects supervisor: Perpetual Motion Pictures |
Patrick Read Johnson | ... | visual effects coordinator/miniature construction: Perpetual Motion Pictures |
Bill Knoll | ... | effects assistant animator: Perpetual Motion Pictures (as William Knoll) |
Kevin Kutchaver | ... | effects animator: Perpetual Motion Pictures |
Laine Liska | ... | stop-motion animator: Perpetual Motion Pictures |
George Lockwood | ... | optical camera operator: Perpetual Motion Pictures |
Richard Malzahn | ... | software programer: Perpetual Motion Pictures |
Mauro Maressa | ... | animation supervisor: Perpetual Motion Pictures |
Jeff Matakovich | ... | optical supervisor: DQI |
Barry Nolan | ... | plate photography supervisor: Perpetual Motion Pictures (as Barry A. Nolan) |
Don Nolan | ... | software programer: Perpetual Motion Pictures |
Patricia Peraza | ... | effects animator: Perpetual Motion Pictures (as Patty Peraza) |
Kathleen Quaife-Hodge | ... | effects animator: Perpetual Motion Pictures |
Robert Scifo | ... | matte artist: DQI (as Bob Scifo) |
Keith Shartle | ... | visual effects producer: DQI |
Ed Thompson | ... | effects inbetweener: Perpetual Motion Pictures |
James Valentine | ... | rotoscope supervisor: DQI |
Randy Weeks | ... | effects assistant animator: Perpetual Motion Pictures |
David S. Williams Jr. | ... | optical department supervisor: Perpetual Motion Pictures |
Megan Williams | ... | effects animator: Perpetual Motion Pictures |
James Balsam | ... | motion control camera operator: DQI (uncredited) |
George Muhs | ... | visual effects: DQI (uncredited) |
Stunts
Steve Chambers | ... | stunts |
Jeff Dashnaw | ... | stunts (as Jeffrey James Dashnaw) |
Doc Duhame | ... | stunts |
Annie Ellis | ... | stunts |
David R. Ellis | ... | stunt coordinator |
Richard M. Ellis | ... | stunts (as Richard Miller Ellis) |
Tracy Keehn-Dashnaw | ... | stunts (as Tracy Lyn Keehn) |
John Meier | ... | stunts (as John C. Meier) |
David Welch | ... | stunts |
Camera and Electrical Department
William D. Barber | ... | first assistant camera |
Michael Becker | ... | still photographer |
John T. Connor | ... | camera loader |
Skip Cook | ... | dolly grip |
Robert Driskell | ... | gaffer |
Scott Fuller | ... | second assistant camera |
Bill Greenberg | ... | electrician |
Rick Herrington | ... | best boy |
Stephen Les | ... | grip |
Walt Lloyd | ... | camera operator |
Roland Neveu | ... | special photographer |
Randy Nolen | ... | steadicam operator |
Bruce M. Pasternack | ... | camera operator |
Richard Ricci | ... | rigging gaffer |
Dylan Shephard | ... | key grip |
Cheryl Smith | ... | second assistant camera |
Michael Snyder | ... | best boy |
William M. Weberg | ... | grip |
D. Michael Wheeler | ... | first assistant camera |
Buddy Wilson | ... | electrician |
Casting Department
Barbara Harris | ... | voice casting |
Debi Manwiller | ... | casting associate |
Costume and Wardrobe Department
Carol Fisher-Mann | ... | seamstress |
Mary Law Weir | ... | costume supervisor |
Location Management
Craig Pointes | ... | location manager |
Daniel Veluzat | ... | location liaison (uncredited) |
Music Department
Robin Gray | ... | scoring engineer |
Kenneth Hall | ... | music editor (as Ken Hall) |
Arthur Morton | ... | orchestrator |
Victorian Philharmonic Orchestra | ... | music performed by |
Jerry Goldsmith | ... | conductor (uncredited) |
Yuri Worontschak | ... | keyboard programmer (uncredited) |
Script and Continuity Department
Tracey Weddle | ... | script supervisor |
Transportation Department
Lyle Christensen | ... | driver: camera car |
Eddie Lee Voelker | ... | transportation coordinator |
Additional Crew
Chris Bartlett | ... | looper |
Charles Bazaldua | ... | looper |
Rebecca Bennett | ... | publicist |
Lee Blaine | ... | production assistant |
Wally Burr | ... | looper |
Mitch Carter | ... | looper |
Bundy Chanock | ... | set medic |
Lynn K. D'Angona | ... | production assistant |
Judi M. Durand | ... | looper |
Ike Eisenmann | ... | looper |
Wendy Feiner | ... | stand-in |
Doris Hess | ... | looper |
Christina MacGregor | ... | looper |
Kenneth Mancebo | ... | production accountant |
David McCharen | ... | looper |
Eliot Sekuler | ... | unit publicist |
Fred Sherman | ... | production assistant |
Janet Lee Siegel | ... | production coordinator |
Charles Simmers | ... | stand-in |
Andy Spilkoman | ... | production assistant |
Brad Stephens | ... | publicist |
John Wildermuth | ... | production assistant (as John Wildermuth Jr.) |
Greg Williams | ... | looper |
Thanks
Tam Halling | ... | special thanks |
Brian May | ... | special thanks |
James Melkonian | ... | special thanks |
Margaret Rogers | ... | special thanks |
Debbie Sandy | ... | special thanks |
Production Companies
Distributors
- Medusa Communications and Marketing (1989) (United Kingdom) (theatrical)
- New World Pictures (1989) (United Kingdom) (theatrical)
- Kommunenes Filmcentral (KF) (1989) (Norway) (theatrical)
- Scotia International Filmverleih (1989) (West Germany) (theatrical)
- Hoyts Distribution (1989) (Australia) (theatrical)
- Medusa Communications and Marketing (1989) (United Kingdom) (VHS)
- Rainboworld Entertainment (1989) (Taiwan)
- United International Pictures (UIP) (1990) (Japan) (theatrical)
- RCA/Columbia-Hoyts Home Video (1990) (Australia) (VHS)
- UFA Video (1990) (Germany) (VHS)
- Artédis (1991) (France) (theatrical)
- Malofilm Distribution (1991) (Canada) (theatrical)
- Trimark Pictures (1991) (United States) (theatrical)
- Malofilm Home Video (1991) (Canada) (VHS)
- Ekaterinburg Art (EA) (1992) (Russia) (theatrical)
- FilmNet (1992) (Netherlands) (tv) (limited)
- Starmaker Entertainment (1992) (United States) (VHS)
- Veronica Omroep Organisatie (1994) (Netherlands) (tv)
- WGN (1994) (United States) (tv)
- United Visual Entertainment (1995) (Netherlands) (video) (VCD)
- Vidmark Entertainment (1992) (United States) (video) (laserdisc)
- Sirius Publishing (1997) (United States) (video) (Movie CD)
- Vidmark Entertainment (1991) (United States) (VHS)
- Trimark Home Video (1999) (United States) (DVD)
- 20th Century Fox Home Entertainment (2011) (United Kingdom) (DVD)
- NSM Records (2011) (Austria) (DVD)
- Second Sight Films (2011) (United Kingdom) (DVD)
- Soul Media (2012) (Netherlands) (Blu-ray)
- Soul Media (2012) (Netherlands) (DVD)
- NSM Records (2016) (Germany) (Blu-ray)
- Vestron Video (2017) (United States) (Blu-ray)
- Lionsgate (2020) (World-wide)
- Home Video Hellas (HVH) (1990) (Greece) (VHS)
- Paris Vídeo (Brazil) (VHS)
- Rizzoli Corriere della Sera Home Video (RCS) (Italy) (VHS)
Special Effects
Other Companies
- Allan Eaton Studios (engineered at)
- Cinema Research (Titles by)
- Danetracks (acknowledgement: Supervising Sound Editor)
- Danetracks (post-production sound services)
- Deluxe Entertainment Services (color by)
- Dolby Laboratories (acknowledgement: IN SELECTED THEATRES)
- Filmtrucks (locations equipped by)
- High Output (grip and lighting equipment)
- Inter-Ocean Film Sales (International Licensing services provided by)
- International Alliance of Theatrical Stage Employees (IATSE) (THIS PICTURE MADE UNDER THE JURISDICTION OF)
- Intrada (acknowledgement: Original Soundtrack on INTRADA Records & Compact Discs)
- Lion's Gate Sound (Post Production Facilities Furnished by)
- Lion's Gate Sound (Re-Recorded at)
- Lion's Gate Sound (acknowledgement)
- Lion's Gate Studios (Post Production Facilities Furnished by)
- Lion's Gate Studios (Re-Recorded at)
- Lion's Gate Studios (acknowledgement)
- Panavision (Lenses and Panaflex® Camera by)
- Technicolor (Manufactured by: 1992 VHS)
- Technicolor (acknowledgement: 1992 VHS)
- Technicolor (prints by)
- Visual Icon (exclusive clip and still licensing)
Storyline
Plot Summary |
In Boston of 1691, a warlock is sentenced to death, but escapes magically into the future (our present), followed doggedly by the witch hunter. There he is searching for the three parts of the Devil's Bible, trailed by the witch hunter and the woman whose house he landed in. They must stop him, as the book contains the true name of God, which he can use to un-create the world.
Written by Ed Sutton |
Plot Keywords | |
Taglines | Adventure See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
|
Additional Details
Also Known As |
|
Runtime |
|
Country | |
Language | |
Color | |
Aspect Ratio |
|
Sound Mix | |
Filming Locations |
Box Office
Budget | $7,000,000 (estimated) |
Opening Weekend United States | $780,360, 13 Jan 1991 |
Did You Know?
Trivia | The scene where the "witch" flies out of the cargo compartment on the airplane took several takes. The actor couldn't easily open the cargo door on the B707, so actual airline employees were used. See more » |
Goofs | Redfern asks if the farmer is Amish, and the farmer replies Mennonite. He wouldn't have known about either in Boston in 1691. See more » |
Movie Connections | Featured in Occult Killers (2011). See more » |
Soundtracks | CORAZONITA See more » |
Quotes |
Giles Redferne:
[admonishing Kassandra after stopping her crashing the car]
Let your attention lie before you, not beside you. Kassandra: Check this! Some guy from the seventeenth century telling ME how to drive. How quick they learn! See more » |