In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind.
In Boston of 1691, a warlock is sentenced to death, but escapes magically into the future (our present), followed doggedly by the witch hunter. There he is searching for the three parts of the Devil's Bible, trailed by the witch hunter and the woman whose house he landed in. They must stop him, as the book contains the true name of God, which he can use to un-create the world. Written by
Ed Sutton <email@example.com>
The film was originally completed in late 1988 and was one of the last films completed by distributor New World Pictures when they filed for Chapter 11 bankruptcy. The film's trailer was actually shown before early 1989 theatrical releases. Instead of going direct to video, Warlock was picked up and released in theatres by Trimark Pictures in 1991. Its box office success lead to a sequel, "Warlock: The Armageddon" in which Trimark also released theatrically. See more »
After the Warlock is transported to the present, the back of Kassandra's Corvair can be seen outside the diner. In the next shot it is outside Chas's house as the tornado appears. See more »
A fun, rather than frightening, late-80s horror film.
An evil warlock (Julian Sands) travels from the 17th century to modern times, in search of the pages of the Grand Grimoire (the Devil's bible), which, when assembled together, will reveal God's true name and allow creation to be undone. Hot on his heels is a witch-hunter, Giles Redferne (Richard E. Grant), who enlists the help of Kassandra (Lori Singer), a pretty girl who has been cursed by the warlock (for every day that passes, she ages 20 years).
Written by David Twohy (Pitch Black) and directed by Steve Miner (Friday the 13th Part 2 and 3, House), Warlock is a fun, if unexceptional, slice of supernatural horror.Twohy has obviously done his homework and fills the script with interesting little snippets of witch lore: Redferne uses a witch compass to track his foe, uses salt as a weapon (witches hate the stuff) and creates a potion (from the boiled fat of a boy!) to enable him to fly. Miner's direction is similar in style to his earlier movie, House, with the emphasis on fun rather than fear. The film is workmanlike but not particularly memorable visually, and is unfortunately let down by some poor special effects.
Warlock is diverting enough entertainment while it lasts and worth checking out if you're a fan of all things 'witchy'. Just don't expect anything exceptional.
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