Crimes of the Heart (1986) Poster

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5/10
Simple, easy and enjoyable.
Rockwell_Cronenberg28 March 2012
Honestly, there's not a lot to say about this film. Sissy Spacek, Diane Keaton and Jessica Lange star as three Southern sisters who reunite when one (Spacek) shoots her husband. The sisters are, of course, incredibly different and their personalities collide over the course of a few days, dealing with what Spacek's character has done while old feuds come to the surface. Clearly based on a play, most of the action takes place in the same house and the film puts everything on the shoulders of the three central women.

Keaton plays Lenny, the matriarch of the trio (both of their parents are deceased and their grandfather who raised them is in the hospital) who is socially inept and often gets stepped on by her siblings. Lange is Meg, the popular and outgoing wild girl, man-eater and failed actress. Spacek rounds it out as the potentially insane and murderous Babe. Tess Harper steals her few scenes as Chick Boyle, who lives next door to the house, but the whole thing is centered around the three sisters and that's what makes it work. The film never takes itself too seriously, despite it's morbid themes and narrative, and the women all do a marvelous job of bringing the laughs mostly without overdoing it.

Crimes of the Heart is a film that on paper doesn't appeal to my tastes at all, but I often found myself cracking up at the ridiculousness of these characters. The women play the characters as straight as possible, approaching them as characters rather than jokes, and this helps make it an enjoyable experience as opposed to a grating one, although Keaton does overdo it at times. The characters are erratic and very large, which opens itself up to potential disaster, but in selecting the proper actresses for each role they were able to make it an entertaining little movie. It's a simple, light and enjoyable film; certainly nothing memorable and I'm sure I won't be thinking about it at all in a few days, but a nice experience while it lasts.
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7/10
Love this film.
jerricastanton9 May 2006
Crimes of the Heart We all have crimes of the heart.....sad, true, and blissful....at times...this film covers all the territory. Based on the successful play this film gathered an ensemble of some of the most talented actors and actresses of our time, which includes Sissy Spacek, Sam Shepard, Tess Harper, Diane Keaton, and Jessica Lange. Taking place in the south, we follow the story of a family's relationship and how they are dealing with their sister shooting her husband. With the strong female cast we can't help but to feel their pain through their emotions, relationship with each other, and how they deal with life. Great strong character choices, yet sisters with something even greater in common....love of family, and loyalty. There are many lessons to learn in this film and one of the most important is you can't turn your back on your family, even when you run away they will be there for you. The acting is superb, the honesty is great and in all a wonderful film to see. A true classic!! When family gathers....everything comes out.
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5/10
Meandering Hearts Aflight
daoldiges1 March 2021
This solid cast of Keaton, Spacek, Lang, and Shepherd kind of sets the film up to certain expectation. Some of them are certainly met, while others certainly are not. I actually think the entire cast is good and that the three lead actresses played off of one another quite well. They all really seemed to be having fun with this project and each other. The down side is the story, it just seems to be missing. It's very meandering and doesn't seem to be going anywhere, like totally lost. The final result is very disappointing.
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The McGrath sisters sure have a way with men!
MickeyTo21 October 1999
Putting three powerful actresses into one film isn't necessarily a guarantee that the project will work, however, this is one of those rare exceptions.

Beth Henley's play about three eccentric sisters in the south is adapted well to the screen, thanks in part to the careful direction of Bruce Beresford. Diane Keaton plays Lennie, the eldest sister, who's feelings of awkwardness prevent her from being happy. Jessica Lange is Meg, the fast-moving middle sister who packed up and left town for the big lights of Hollywood, only to be disappointed. And Sissy Spacek is Babe, the kooky youngest sister, recently charged with shooting her husband.

The sisters are tormented by their cousin and neighbor, Chick, played by Tess Harper. Her own desire to be an upstanding member of the ladies league, combined with her desire to outshine and belittle her cousins, make her the villain in this story.

The sisters are reunited when Babe shoots her husband. As she says, she 'didn't like his stinkin' looks.' Babe is slightly unbalanced. After shooting him in the stomach she went out and made herself a pitcher of lemonade. What was most bizarre was that she then had the nerve to offer him a glass!

Over the course of several days the sisters confront the demons that have been troubling them. Lennie has 'shrunken ovaries' and therefore cannot have children. She believes that this is keeping her from getting a man. Meg is tortured by her own selfishness. The rumors about her convincing Doc Porter (played by Sam Sheppard) to hang around in during a hurricane, only to suffer a life altering leg injury, are all true.

The film reads like the play from which is came from. The scenes are often long. The dialogue marches on from subject to subject. The characters are well fleshed out, however most of the information we get comes from suggestions and flashbacks made by the characters. One must listen to the dialogue in this film in order to truly follow the story.

The acting is first rate by all four leads. Sissy Spacek and Tess Harper are definate standouts. They each received nominations at the Oscars that year. Lange and Keaton play their parts well. The cast works as an ensemble, with no upstaging, but rather opportunities for everyone to shine.

Crimes of the Heart is a first rate piece that may not be appropriate for all movie goers, simply because it requires the viewer to pay attention to detail. The action is slow moving, making room for some wonderful dialogue.

Enjoy this film as it offers some great acting with a pretty decent script.
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7/10
Confused
donnalasssie11 August 2006
mrsjcc0312 decided that she would say this: ================================================================ (mrsjcc0312)GREAT little movie for somebody who will actually pay attention to it. Personally, I really enjoyed the story line of this movie. Kinda like "Steele Magnolias", "Bigger", "Rosewood", "The Color Purple" (just name a few) combined all into a certain type of setting. It just went to show the ignorance of our pasts. Each actress played an excellent role, and whoever chose them did a wonderful job of doing so. Got MY thumbs up!! ================================================================ (me) Now that was a great review. Then for some reason it went off on a weird tangent. For instance, she says "To those of you who rated it low, SHAME ON YOU!" Why exactly is it her job to change people's opinions? ========================================================== (mrsjcc0312)To those of you who rated it low, SHAME ON YOU! Too Bad this measly little housewife can give a better review that you can. TRADE ME jobs! You can come here to my house and make sure the kids are taken care of, the military husband is cared for and the bills are paid, and I'LL go to sit and watch movies and get paid for it. Even Siskel and Ebert sucked at what they did!! Why do we even listen to you?

========================================================== (me)Then suddenly she went off on a different tangent again. Talking about her home life. Maybe she was drunk. Maybe she is angry with her husband. Maybe she should get off the computer and take care of her family and her husband is a control freak and she doesn't keep the house clean like he likes it and she burns the mac and cheese and everyone is angry and she has no one to blame.

I am not sure what mrsjcc0312 does in her life, but I just wanted to read the comments about this movie. I have never read any of these and was curious. Odd the first one I read happens to be hers.

Good luck in your life mrsjcc0312, I hope you get your life together. I liked Siskel and Ebert btw.

================================================================
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7/10
Comedy, character studies, and tragedy mesh uncomfortably
aromatic-24 June 2000
I saw this on Broadway, and that production somehow manoeuvered the tightrope between three worlds in a way that even Beresford could not duplicate. The acting, of course, is excellent, but the mix comes off just enough off-kilter to rob it of any serious impact, and leaves the viewer wanting to rent Steel Magnolias instead.
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6/10
incongruous tone with dark material
SnoopyStyle3 June 2018
Faltering singing star Meg Magrath (Jessica Lange) return home to Hazlehurst, Mississippi for a visit. Her sister Rebecca "Babe" (Sissy Spacek) had just been arrested for shooting her overbearing husband. Her other spinster sister Lenny (Diane Keaton) has been caring for their elderly grandfather who raised the girls after their mother's suicide. The grandfather is in the hospital on his death bed as the court case against Babe moves ahead. Chick Boyle (Tess Harper) is the nosy cousin and Doc Porter (Sam Shepard) is the dashing neighbor.

There is an incongruity between the slapstick wacky comedic tone and the darkness of the material. They work together seamlessly in the great black comedies. In this case, I am conflicted about the shooting incident. The carefree attitude about the case seems out of touch with the seriousness of the charge. The simple fix should be that Babe only fires a warning shot. The husband can still over-reach by demanding attempted murder charges but the girls would be well within their rights to take the case lightly. Anyways, the mother's suicide provides plenty of dark material all by itself. The lax attitude is a cause of annoyance to me. Otherwise, these are great actresses and I do love their chemistry. They have easy sisterly relationships and their back-and-forth are great. I just dislike the careless attitude towards shooting the husband.
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3/10
Unpleasant dark comedy about three eccentric sisters
roghache19 April 2006
This is a black comedy and despite the famous cast, definitely not my cup of tea. The talents of the three famous actresses were wasted on this depressing bit of drivel. I prefer comedies of the heartwarming, romantic, light hearted, or zany school.

The story revolves around three troubled sisters in a Southern town, who reunite when the youngest, Babe (rather a bizarre character), gets herself in a jam after shooting her husband. The oldest sister, Lenny, is an awkward spinster who has stayed home throughout the years caring for her father. The alcoholic, chain smoking middle sister, Meg, left home early in the hopes of making it as a singer & actress in Hollywood. There's also a jealous & snoopy cousin, Chick, who's basically the villain of the piece.

It has a stellar cast, especially its three leading ladies in the roles of the neurotic sisters, who are all coping in their individual ways following the trauma of their mother's suicide by hanging. Diane Keaton plays the shy, insecure, stammering spinsterish Lenny, who feels herself inadequate to attract a man because of her inability to bear children (due to shrunken ovaries). Jessica Lange is cast as the wild sister, Meg, who hates her father and has had a string of failed relationships with men...including a current love interest, Doc Porter (played by Sam Shepherd). Sissy Spacek is the kooky younger sister, Babe, who married at a young age an abusive man.

Presumably well crafted with great performances, but the tale of the personal demons troubling the three eccentric sisters simply doesn't make for humour, as I see it. When Babe shoots her husband, then goes into the kitchen to make a pitcher of lemonade, and offers him a glass...well, it's not something I find hilarious or entertaining to watch. It's set in the South, and for me the best part of the film is the wonderful old Victorian family home where the sisters reunite. Otherwise, I'll stick to the Steel Magnolias type when I feel like a movie interweaving the tales of a group of women.
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9/10
Delightful
Ralpho31 July 2002
Usually when I sense that the actors had a great time making a movie, the result isn't particularly noteworthy. ("Cannonball Run" comes to mind.) But "Crimes of the Heart" is an exception. If Jessica Lange, Diane Keaton and Sissy Spacek weren't absolutely delighted to tackle the lead roles in this film, they are much better actors than I thought.

The material is reminiscent of Flannery O'Connor, who wrote some of the most humorous, offbeat Southern fiction extant.

The three sisters are so controlled by their visceral reactions that one wonders if any of them have ever had an intellectual moment. Although it would be maddening to have such people for friends, they're great instruments for movie comedy.

One final note: If anyone thinks Sissy Spacek is goofy-looking (as I used to), they will change their mind when they see her in this. She is absolutely gorgeous here.
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7/10
intriguing
jlj9675-11 September 2014
I basically enjoyed this film although it certainly could be considered a downer. The acting was superb by the entire cast and entirely believable despite the eccentricity of the characters. I found myself wanting to analyze them and being grateful for the blessings in my life so that I don't feel the need for such drama on an everyday basis. I wonder if anyone else noticed the seeming familiarity of the background music in several places? It seemed to resemble what was heard in the film Steel Magnolias if I'm not mistaken; that same soft instrumentation that evokes slow easy living in small southern towns the fellowship of large clans of folks. As for that house the girls lived in, that's my dream house and I'd love to go see it in person!
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3/10
Three of Hollywood's best actresses in one hysterical movie
DomiMMHS2 April 1999
But you may easily be disappointed, if you see Jessica Lange's performance here, whom I had so much respect for (well, there are few moments when she actually is believable, but most of the time she's just too fake, would-be cool and high above), and even worse, Diane Keaton's pathetic and unbelievable acting. And she was so good in so many other movies, what a shame...

What does make the movie worthwhile are the performances of a nasty Tess Harper and, before all, a wonderful Sissy Spacek. All in all, Lange, Keaton and Spacek don't deserve this film and it doesn't deserve them, nor can they save it. Oh yea, and the characters have rather stupid names and act in a too hysterical way. Though hardly enjoyable, Spacek and the better part of the story raise my personal rating to 4 out of 10.
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9/10
Although this film is 15 years old now, it accurately depicts the psychological damage that generally occurs within in families as a result of depression and suicide.
res0owwh10 December 2001
Warning: Spoilers
POSSIBLE SPOILERS.

This movie is classified as a "comedy" but depicts real-life behaviours of people when subjected to suicide of a parent.

The three main characters, sisters, each deal with their childhood issues in their individualistic manners.

One is withdrawn, shy, and non-assertive as an adult, believes she is defective because of the ignorance of her grandfather in regard to a minor medical problem, and afraid of relationships with men.

Another is a chain-smoking alcoholic who hated her father, probably for more reasons than were depicted in the movie, has a long string of men whom she never allows herself to become genuinely close with, and suffers a temporary mental breakdown.

The third sister married a controlling and abusive man at her age 18 years, suffers from loneliness and suicidal ideologies, and finally snaps enough to shoot her husband due to his abusiveness.

The movie is a triumph in its illustration of accurate human behaviours and reactions to traumatic events and depicts the seriousness of those situations with humour. Additionally, it accurately depicts denial in operation.
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7/10
CRIMES OF THE HEART - ***1/2 out of *****
unclejeff17 March 2024
This is a movie most to be appreciated as a rare opportunity to watch three actresses at the top of their game share the silver screen with one another. It's based on a Pulitzer Prize winning play by Beth Henley, and it does admittedly feel somewhat stagey. It's filled with monologues and dialogue that feels better suited for the stage than the screen. That being said, I still find it a highly entertaining piece that showcases the fine talents of two of the three leading ladies. Unfortunately, Keaton tends to go over the top and doesn't seem on the same wavelength as her co-stars. Lange and Spacek feel more at home with the Southern feel of the picture and create a true feeling of sisterhood. Watching it 35 years later, I admit it feels a bit dated, particularly a subplot involving Spacek's affair with a young African American man. I'm not sure it would fly in today's political atmosphere. But there's lots to appreciate here and an ending that will undoubtedly put a smile on your face. Those who appreciate movies about the eccentricities of the South will probably enjoy this more than others.
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2/10
Didn't do much for me
katsismax16 May 2005
One viewer stated that this move addressed some issue, one being racism, the relationship between an older white southern women and a younger under age black man? I believe the issue here is pedophilia. If this had been presented as a man of Sissy Spacek's characters age and a 15 year old girl, everyone would be calling this child molesting, pedophilia, crime of the heart? No this crime is what it is, child molestation and they move tried to present it as a tender touching moment between a lonely older woman and a younger man, he was a child. Enough said, besides that issue this movie did not do much for me, depressing and lacked a point for me. Not one of Jessica Lange's better films.
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What a wonderful pitcher of lemonade
parsifalssister11 August 2010
Warning: Spoilers
This is the south, true and simply amazingly illuminating. The three sisters, each unique in their own quirky way, adore each other as they resent each other. But the beauty is their coming together in those family moments when nothing is as good as kin.

So much sunshine lights on the faces and expressions of the actresses, and the tension, though slow, makes for a more interesting look into the inner life of Lenny, Babe and Meg.

The supporting case all did fine jobs, and although short lived, the interaction between Lange & Shepard magnified their personal connection.

Harper, the harpy, uppity cousin, was as typical as a cousin could get in a small town with know-it-all manners and nothing much to offer but spite. She played it for all it was worth, and then some, and get a head's up from the Academy.

Babe's character played by Sissy Spacek, was perhaps the central figure in the triumvirate, but Keaton and Lange held their own throughout.

A most worthy southern tale to laugh at, cry with and relate to with ease.
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4/10
Cheeseball excuse for a movie...
moonspinner5522 September 2001
Beth Henley's award-winning play about 'family' (her favorite topic) gets a cheeky, somewhat condescending screen-adaptation, with very little sensitivity or subtlety but a lot of Southern brawling. The story concerns three idiosyncratic sisters, and the trio of fine actresses in these roles are almost pitilessly miscast. Diane Keaton is the spinsterish one (though she's too young for the part), Jessica Lange is the sultry one (though she's too old for the part), and Sissy Spacek is the troubled one (though she's too sane for the part). I can't think of one thing that looks right, sounds right, or goes right in this picture. The production budget seems low and the script feels half-baked. The whole thing left me thinking, maybe "Steel Magnolias" wasn't so bad after all! *1/2 from ****
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10/10
as sane as anyone walkin the streets of hazelhurst MS
sheela_na_gigs13 May 2005
Warning: Spoilers
i LOVE COTH. i know some of Henley's relatives & as hilarious as this movie (and play) are, the characters are true-to-life Southern eccentrics. living out of MS when i saw the play and the movie, i felt right at home. maybe one has to be US Southern to really understand the wackiness and schizophrenia of this part of the country. Henley writes about her own life and relatives and people of her community. Just as Slingblade is not so much movie as documentary, COTH is a memoir. When my mother watched Slingblade with me, she said, "Isnt this supposed to be 'film?" Didn't Mr Thornton win some award? Hell, he just went home to a family reunion and set up a video camera and let it roll. You know all those people; my God, we're kin to half of 'em." So it is with Henley's marvelous memoir, when eccentrics "are just as sane as anyone else walking down the streets of Hazlehurst MS."
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2/10
Never saw this now I know why
moviemom2324 December 2020
I thought Score! Free movie with Diane Keaton, Sissy Spacek, AND Jessica Lange? Yes, please.

Umm I couldn't even get through to see Sissy's appearance. Awful. It's not the datedness of it, that's OKI like 80s & 90s movies, love them. But I forgot about this Driving Miss Daisy-era where every actor had to have over-the-top bad southern accents and horribly dowdy clothing. Ugh. No bueno for me. It's a hard pass.
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8/10
Amazing movie!!
julieannerosner5 May 2006
Based on the successful play this film gathered an ensemble of some of the most talented actors and actresses of our time, which includes Sissy Spacek, Sam Shepard, Tess Harper, Diane Keaton, and Jessica Lange. Taking place in the south, we follow the story of a family's relationship and how they are dealing with their sister shooting her husband. With the strong female cast we can't help but to feel their pain through their emotions, relationship with each other, and how they deal with life. Great strong character choices, yet sisters with something even greater in common....love of family, and loyalty. There are many lessons to learn in this film and one of the most important is you can't turn your back on your family, even when you run away they will be there for you. The acting is superb, the honesty is great and in all a wonderful film to see. A true classic and if you haven't seen the play, read it or rented it.....do it now...you won't be disappointed.
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4/10
Well acted, poorly directed
MiguelM28 April 2001
It's quite a feat to take a really good play, give it a great cast, and still manage to make a bad movie. I've liked many of Bruce Beresford's movies, but this one just didn't work. He doesn't have any sense of comic timing, so a lot of the humor falls flat. And it's a real shame because the actresses are all wonderful. They play off of each other really well, and they really feel like sisters. It's worth seeing just for the acting.
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Playwright Beth Henley serves up her own southern-baked black comedy, which simmers instead of boils.
gbrumburgh3 May 2001
Mississippi-born Beth Henley adapted her Pulitzer-prize winning play to the screen and, for that reason alone, is worth a look-see especially if you haven't seen the theatre production. Directed here by Bruce Beresford, this is quintessential Henley -- her first work to be produced professionally -- offering the story of the three quirky, maladjusted Magrath sisters, who reunite following family misfortune to reflect on their unstable past, present and futures.

Lenny, the eldest sister, is the repressed 'plain Jane' self-imposed into early spinsterhood because of her barren condition. Considering herself damaged goods, she now conducts her life as such, tending to her garden and other non-romantic pursuits. Meg, in the middle, is the listless live wire, the capricious, hard-living beauty who fled the coop early to pursue an aimless career in Hollywood as a singer. The prodigal daughter finally returns, rather reluctantly, when serious trouble brews back home. Babe, the youngest and most susceptible to eccentric behavior, seems to take after their dead, self-destructive mother (a suicide) as she battles with manic depression and resorts to off-the-wall bits of craziness. In jail at the present for critically shooting her husband (she "didn't like his looks"), her bizarre action prompts this filial reunion.

As served up by a triune of powerhouse, Oscar-winning ladies, the star performances should have really cooked. Instead they seems unoriginal and pat. Diane Keaton and Jessica Lange are overtly mannered as the two older sisters Lenny and Meg. Keaton especially, easily the "Sandy Dennis of the 70s and 80s", has her neurotic fireworks on full display. The snorting laughter, the flailing gestures, the quizzical eye-rolling, the stammering speeches. What seemed delightfully offbeat in Woody Allen comedies has become old hat and irksome as the years roll on. Lange, too, has her patented affectations on all four burners. The far-away gaze, the slow, reflective speech patterns, the whimsical, lackadaisical laugh and edgy stance. Both of the actresses have represented themselves much better in other vehicles. Ironically, Sissy Spacek, whose character lends itself to be the most neurotic of the three, comes off more inspired and assured -- a complete departure, by the way, from her typical "Coal Miner's Daughter" money-maker. Good for her.

In support, rangy actor/writer Sam Shepard, Lange's long-time off-camera squeeze, has little to do here but look longingly as Lange's on-camera squeeze. But Tess Harper goes way overboard as the overly-opiniated Chick, the snippy, mullet-haired cousin and next-door neighbor, who stereotypes the vicious down-home chatterbox to the nth degree. While her villainy (which kept jogging my memory of wonderful Madeleine Sherwood's Sister Woman portrayal in "Cat On a Hot Tin Roof") certainly enlivens the action as chief foil to the sisters, they tear down the walls of believability as well.

Despite some well-acted moments from this unarguably talented cast, the overbaked production cannot overcome its stagy origins, striving much too much to push the "black comedy" element down the viewer's throat. One wacky scene has Diane Keaton chasing Tess Harper out of her house and around the backyard with a broom, a bit that comes off just plain ridiculous even though it's meant to be a catalyst for liberating Keaton's Lenny character. I'm sorry, but broom-chasing went out with Marjorie Main's "Ma Kettle" character years ago. This and other eccentric scenes simply come off forced, as if the actors are playing the intention instead of the moment. Lange and Shepard's giddy dancing drunk scene, Spacek's over-sugared lemonade bit, and even Keaton's impromptu birthday cake segment are guilty of this felonious acting charge.

While definitely Tennessee Williams-influenced, the rather thin Henley story and characters pale in comparison. Working much better on stage, this movie remains, however, a curiosity item that somehow ended up on simmer instead of boil, despite the obvious potential.
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3/10
Poor script and bad casting
nicdar247 August 2018
I love films set in the small-town south (Steel Magnolias, Fried Green Tomatoes), but there isn't much to save this film. There is so much overacting and poorly conceived dialogue. It reminded me of a high school play where the amateur actors are trying their best, but are not yet skilled enough to make it believable or enjoyable. And who though it was a good idea to have Diane Keaton attempt a southern accent? Just awful!
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8/10
a wonderful movie with three wonderful actresses
disdressed1214 April 2009
i liked this movie quite a bit.i guess it's a chick flick,but i also think it was part dark comedy.at least there were elements of that here and there.either way,it was a good movie.it's basically about three sisters who have all grown up and gone their separate ways,who are then reunited under less than ideal circumstances.Diane Keaton,Jessica Lange ,and Sissy Spacek are three sisters that couldn't be more different.once they're brought together again,they form new bonds and learn about each other.the film is very poignant,very moving.this is no action movie,it's dialogue and character driven,so it may seem slow,and it's not for everyone.but in this case,it is the journey,not the destination that's important.watching the three woman as they react to a life changing event is fascinating.a word of caution.there are one or two scenes where a racial slur is uttered,which is disturbing.otherwise though,a wonderful movie with three wonderful actresses.for me,Crimes of the Heart is an 8/10
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4/10
Dull, pointless, irritating
grantss30 May 2015
Dull, pointless, irritating.

Crimes of the Heart had an interesting, though not overly original, start. Three sisters are reunited in their home town due to one of them being accused of shooting her husband. A fairly conventional plot device - an event brings an estranged family together, skeletons are revealed, wounds reopened, yadda yadda yadda, they reconcile.

However, here there is nothing intriguing at all about their relationship. There's no axes to grind, no skeletons in the closet, nothing to reconcile.

So instead of human drama, we just have a rambling, pointless story. Lack of a intriguing plot needn't be the end of it, the movie could be character-driven. Sadly, Crimes of the Heart fails in that regard too. One of the sisters (played by Jessica Lange) is selfish and unthinking, one (Sissy Spacek) is, well, nuts, and the other (Diane Keaton) is plain dull (and her saying "babe" all the time starts to grind very quickly).

So there is very little engagement with the characters.

Director Bruce Beresford tries to replace plot and character depth with quirkiness, but this just makes the movie irritating.

A decent cast undermined by a dull plot and listless direction.
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9/10
My brief review of the film
sol-18 November 2005
An entertaining outrageous black comedy, it is supported by three excellent leading performances, although Sissy Spacek is by far the best, and the camera-work from Dante Spinotti is excellent, with creative camera angles and good use of panning. The film tries to bring in a nostalgic sense too though, and does not quite succeed, and the drama of the material does not mix well with the comedy. The choices of music are not too good either, and Tess Harper comes across as very annoying in an over-the-top way, but the virtues of the film are better than its shortcomings. The film comes across as rather lightweight with its black comedy treatment, but it certainly raises some issues with families and coping with one's past, among other ideas. It is not however a film to watch for its messages, but one to simply enjoy for its amusing parts and cinematic virtues, which include some good sound recording too.
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