Three sisters with quite different personalities and lives reunite when the youngest of them, Babe, has just shot her husband. The oldest sister, Lenny, takes care of their grandfather and ... See full summary »
Gilbert Ivy and his wife Jewell are farmers. They seem to be working against the odds, producing no financial surplus. Gilbert has lost hope of ever becoming prosperous, but his wife ... See full summary »
A mother of two sons finds life considerably difficult on her own after the death of her beloved husband. Due to debt she must move them to Baltimore, and deal with the hardships and all ... See full summary »
Oregon, 1980: Jane, Elaine and Louise are all feeling the effects of inflation and cannot afford, as the title states, the high cost of living. Jane cannot afford a babysitter or get ... See full summary »
Susan Saint James,
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Three sisters with quite different personalities and lives reunite when the youngest of them, Babe, has just shot her husband. The oldest sister, Lenny, takes care of their grandfather and is turning into an old maid, while Meg, who tries to make it in Hollywood as a singer/actress, has had a wild life filled with many men. Their reunion causes much joy, but also many tensions. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
The original Broadway production of "Crimes of the Heart" by Beth Henley opened at the John Golden Theater in New York on 4th November 1981, after 13 previews starting on 23rd October the previous month, and ran for 535 performances, until the play closed on 13th February 1983. The play was nominated for four Tony Awards in 1982 including Best Play. Henley also wrote the screen play for this movie. See more »
The damage to the spinal column's not yet been determined. But his breathing's stabilized and his liver's been saved.
Lennora Josephine 'Lenny' Magrath:
Oh, well, that's good news.
None of this is good news Lennie Magrath! It's all a grueling nightmare and you mark my word those resposible will pay dearly!
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An entertaining outrageous black comedy, it is supported by three excellent leading performances, although Sissy Spacek is by far the best, and the camera-work from Dante Spinotti is excellent, with creative camera angles and good use of panning. The film tries to bring in a nostalgic sense too though, and does not quite succeed, and the drama of the material does not mix well with the comedy. The choices of music are not too good either, and Tess Harper comes across as very annoying in an over-the-top way, but the virtues of the film are better than its shortcomings. The film comes across as rather lightweight with its black comedy treatment, but it certainly raises some issues with families and coping with one's past, among other ideas. It is not however a film to watch for its messages, but one to simply enjoy for its amusing parts and cinematic virtues, which include some good sound recording too.
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