Heaven Knows, Mr. Allison (1957) Poster

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8/10
The story of how two people learn the true meaning of love
Nazi_Fighter_David8 April 2007
Warning: Spoilers
"Heaven knows Mr. Allison" is a story of love and war on a South Pacific island swarming with Japanese troops in the second World War…

A man and a woman, the only ones to live through a storm, find each other at a deserted church…

There were few words when such people met; there was sympathy, but the sympathy was not expressed in words…

Together, they share many dangers… Out of their trials grows a love which bring to each a new closeness to God…

Robert Mitchum plays a United States Marine in serious trouble… With an ordinary girl or woman, he would have just taken charge of her and he would have begun at once to do what he could for both of them… But a woman in holy orders was a great mystery to him… A nun was something outside his experience…

He had believed that nuns were delicate creatures, living far from the roughness of the world… Nuns were strange, mysterious beings, behind the walls of secret, quiet, holy places… But here he was one of them alone in the jungle, in the middle of war and danger… And she apparently believed that he, Private Henry Allison had been brought here by God's hand just for the purpose of helping her…

Deborah Kerr plays Sister Angela, the nun who was expecting someone when Mr. Allison came… Her face, almost hidden by the white head-dress, looked surprising young… There were shadows of worry under her eyes, but the eyes themselves were almost like a child's…

To her, there was no importance in the fact that Allison was a man… Her faith, her years of religious training, the high purposes of her life, all placed her above and beyond the things of the earth…

To Allison she appeared sexless in the sense that she was beyond her sex… To him she was a being who ate and drank and slept and had to be protected… In other ways, she was a complete mystery…

The adventure, beautifully filmed in the West Indies, is a touching story of unrequited love and an expert acting duet by two legendary stars
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8/10
Magnificent and Adorable Movie
claudio_carvalho27 January 2008
In 1944, in South Pacific, the castaway Marine Corporal Allison (Robert Mitchum) drifts in a raft to the Tuasiva Island, where he meets Sister Angela (Deborah Kerr). She tells him that she is the only person in the island and was left behind by the runaway boat to Fiji Island while seeking the local priest. Stranded in the island, but with water, fish and fruits, their paradisiacal life ends when the Japanese arrive to build a base, forcing Allison and the nun to hide in a cave. The crude marine provides the necessary supply for their survival and falls in love for the nun.

"Heaven Knows, Mr. Allison" is not a masterpiece, but it is one of my favorite movies ever. The beautiful story is a kind of Robison Crusoe in times of World War II, without Friday, cannibals or pirates, but a hardened marine, a gorgeous nun and Japanese. The story has war, adventure, romance and drama, and is supported by the awesome direction of John Huston and the stunning performances of Robert Mitchum and Deborah Kerr in the roles of endearing characters. Deborah Kerr deserved her nomination to the Oscar, but Robert Mitchum was forgotten by the Academy in spite of having a top-notch performance. My vote is eight.

Title (Brazil): "O Céu Por Testemunha" ("The Heaven as Witness")
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8/10
Who would have thought Kerr and Mitchum would have such chemistry?
AlsExGal8 September 2017
Marvelous WW II film, set in the South Pacific in 1944, on an island three hundred miles from Fiji. Mr. Allison (Mitchum), sole survivor of from his submarine, washes up on an island. He meets Sister Angela (Kerr), who was left behind when the ship that was supposed to take her from the island left without her. A Japanese plane flies over while on a reconnaissance mission. I'll let you watch and see where the film takes it from there.

Mitchum and and Kerr (she was nominated for an Oscar) are both excellent and have chemistry, as the film gradually turns into a love story/comedy. Mitchum's encounter with a turtle and Kerr's introduction to sushi are especially memorable. On paper, you would think this teaming would never work - Kerr playing one of her various governess/nun personalities, Mitchum being one of his various hard guy types with a soul, but they play off of each other marvelously and are paired in three more films after this, the last one being in the 1980s.

Oswald Morris did the fine cinematography. John Huston wrote the Oscar nominated screenplay, and four different composers were responsible for the musical score, which verges on being cute. Very worthwhile.
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Huston's treasure island.
dbdumonteil31 December 2002
One of Huston's buried treasures,this offbeat tale of a nun and a marine stuck on an island.They say it was to be directed by Wyler,but he turned it down and went to make "desperate hours".

Deborah Kerr had already played a nun in Powell-Pressburger's excellent "Black narcissus",and the part was tailor-made for her.The same goes for Robert Mitchum as a crude,simple,but with a golden heart marine.People cannot help but be struck with the analogies between "heaven" and "African queen" :both feature an odd couple,in jeopardy;that's why the former is overlooked today which is totally unfair.

The two characters are extremely endearing and,when the movie is over,it seems we've always known Sister Angela and Corporal Allison.I dig the line:"it's a gourmet's dish" when the nun is eating turtle soup.I love the way the scenarists show the analogies between a nun's and a marine's lives.The Garden of Eden metaphor is obvious,but the story subtly progresses,and the Snake's temptation happens late in the movie.

The cinematography is splendid,with a superb use of cinemascope,and Georges Delerue's score deserves admiration.Yes "heaven knows..." is certainly one of Huston's sleepers.But I wonder what Luis Bunuel would have done with such a screenplay.
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7/10
Simple, methodical, darn good
marcslope26 October 2020
Robert Mitchum and Deborah Kerr adored working together; you can see their mutual regard in "The Sundowners," and you can see it here, in this straightforward, somewhat sanitized adaptation of a wartime novel. He's a capable but. not-very-bright marine who washes up on a deserted South Pacific island, she's an Irish nun who's been living there alone since the recent death of her aged priest, and their adventures in subverting the arriving Japanese make for a beguiling "African Queen"-esque narrative. The locations are eye-filling, John Huston's direction is careful and unshowy, and who doesn't love watching these two. It's a somewhat familiar role for her, but she creates a full character, with limited dialogue. He's flat-out wonderful, carefully navigating this likable jerk's journey through bafflement, affection, self-pity, and nobility. Not, as many posters have noted, a well-remembered movie, but a very pleasurable and satisfying one to re-encounter.
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9/10
Extremely impressive John Huston movie which - criminally - has been largely overlooked in recent times.
barnabyrudge4 November 2005
It's always interesting to hear what movie directors think of their own work, and John Huston once made a very insightful comment about this 1957 film which he made for 20th Century Fox:- "Allison is seldom referred to. But I think it was one of the best things I ever made". Huston has hit the nail squarely on the head with this comment. It is - just as he states - a film that has faded into obscurity as the years have passed. It is also paradoxically one of his great works. Perhaps The African Queen, The Red Badge Of Courage, The Asphalt Jungle and Treasure Of The Sierra Madre rank in the director's very top tier of work, but Heaven Knows, Mr. Allison is definitely among the front-runners in the second tier.

The story is extremely simple, but absorbing. American marine Allison (Robert Mitchum) is washed ashore on a Pacific island during WWII. The only other person on the island is a nun named Sister Angela (Deborah Kerr). Although they are totally different types of people - and in other circumstances might well have looked down their noses at each other - they find that their mutual plight draws them together and creates a very close friendship. Their situations worsens, however, when a Japanese force arrives and stations a garrison on the island. Allison and Sister Angela find themselves in genuinely grave danger now. Initially, they were merely shipwrecked.... but the arrival of the Japanese soldiers places them in the very midst of the enemy, with nowhere to run and almost nowhere to hide.

As it was made in 1957, the filming was fraught with difficulties, because at that time the Catholic church imposed strict censorship laws on films dealing with religious situations or characters. In the original Charles Shaw book which provided the inspiration for the film, the marine and the nun fell in love.... but it would have been deemed offensive if that were to happen in a 1957 film, so Huston had to create a revised resolution in which the marine and nun gain strength, hope and determination from each other without ever physically consummating their relationship. The performances are meticulous, with Mitchum showing what depth and sensitivity he could bring to a part when asked to do more than his usual man-of-action thing. Kerr is, if anything, even better and earned a thoroughly worthy Oscar nomination (she was eventually beaten - probably undeservedly - by Joanne Woodward). Oswald Morris shoots the film splendidly, ensuring that it is always pleasing to the eye, while Huston expertly juggles the suspense and the sensitivity. Heaven Knows, Mr. Allison is a really first-rate film and how sad it is that such a likable motion picture has become virtually forgotten.
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7/10
underrated Huston classic
tolbs10106 February 2005
This film shows the depth of feeling that John Huston was capable of as a director. It also shows how wonderfully he handled actors, eliciting great performances from both Mitchum and Kerr. Though it doesn't have the humor of The African Queen, it shows a similar since of dignity to the characters. It also shows respect for the audience in that it doesn't feel the need to resort to romantic over-indulgences or tear-jerking death scenes to win us over. Both characters remain intact physically and spiritually at the end. Also worth mentioning is Oswald Morris's beautiful location photography on the island of Tobago. Fox did a wonderful job on the DVD transfer.
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9/10
one of the reasons i love "old" cinema
tenthousandtattoos4 June 2007
Warning: Spoilers
Picture a film like this made today. For starters it wouldn't be called Heaven Knows, Mr Allison! Possibly just Heaven Knows...but even that's a stretch. The characters would be cardboard, impossibly-beautiful celebrities. There'd be a bad nun joke. There'd be tacked-on, unnecessary action scenes, lots and lots of sexual innuendo, and to top it off a run-of-the-mill love scene...oh and before I forget, the two leads would have gotten together in the end, no doubt about that.

This film is one of the reasons I love old cinema (by old I mean from 1930 to say, 1980 (was born in '79). This is a fun movie to relax with on a cold Sunday night. The camera lingers on scenery and the performers, we're never in any real "hurry" to get to the big climactic showdown. The relationship between the two leads goes so far beyond today's "ooh she's HOT...ooh he's HOT" kind of thing, it is REAL, and dramatic on its own terms without the need for a heavy musical score or "insert emotion here" film-making. Well done movie I can watch over and over, which to me is the sign of movie magic.
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7/10
Agreeable and attractive film with awesome performances from Robert Mitchum and Deborah Kerr
ma-cortes17 June 2021
During WWW II in a Pacific tropical island that might be a paradise in other circunstances , there a ship-wrecked , two-fisted American soldier : Robert Mitchum and a nun : Deborah Kerr's favourite film make an unlikely friendship and eventually falling in love . But then the island is invaded , appearing a Japanese detachment overrun the lonely place and the duo hide out during the day and forage for food by night , gradually revealing their pasts to each other . Meanwhile , they struggle to stay alive until USA forces invade the island.

Terrific double studio character on two interesting roles finds a tough soldier , and a sensitive nun , along the way he falls hard while she resists his advances . An enjoyable and good movie with plenty of action , entertainment , high pathos, excitement and tenderness . Perfectly cast Deborah Kerr as kind nun and Robert Mitchum as Marine Sergeant Allison , both of whom providing top-notch interpretations . Based on the novel by Charles Shaw and cleverly written script from John Lee Mahin and John Huston himself . It follows in the wake of The African Queen , instead of a riverboat skipper : Bogart and a missionary : Hepburn here there is a soldier and a nun , delivering virtually duologue between the two .

It packs colorful cinematography by Oswald Morris , providing the exquisite , humid and lush atmosphere of a small tropical island. As well as rousing and stirring musical score by George Auric. This decently made picture results to be one of John Huston's best . Being skillfully made by conveying a moving drama , adventure and battles to hold the interest enough . Huston made films of all kinds of genres , directing some masterpieces , outstanding the following ones : The Maltese Falcon , Key Largo, The Treasure of the Sierra Madre , Moulin Rouge , Beat the Devil, Moby Dick , The Unforgiven, The Misfits , Freud, The Night of the Iguana , Fat City , Roy Bean , Victory , Wise Blood , Under the Volcano , and his last feature film : The Dead . Rating : 7.5/10 . Better than average . The movie will appeal to Robert Mitchum and Deborah Kerr fans .
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10/10
Only Robert Mitchum could do this movie.
twbratton20 August 2002
First off, Bob Mitchum is the most under-rated actor of all time. He put everything he had into every role and made it look natural. This movie was no exception. He became "Mr. Allison" and made us believe he had been ship wrecked like this before. Having been a combat Marine myself there were so many details I noticed that he was able to incorporate naturally into his part. This allowed viewers of any knowledge level to enjoy the most authentic portrayal of this character. This is one of my favorite movies of all time. It is a real treasure and a good indicator of Bob Mitchum's work.
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7/10
Corporal Allison and Sister Angela - Fantastic.
sauce19777 April 2006
I caught this film on AMC and found myself drawn into watching it to the conclusion.

Everything you need to know is set rather early in the film. From there, plot complications help move the story to a solid finish.

There's a great parallel between the Corporal and the Sister. Each dedicated themselves to their respective vocations. Corporal Allison dedicated his life to the Marines. Sister Angela dedicated her life to her religion.

The two face questions of their individual perseverance and continued dedication.

Mitchum and Kerr played their roles well. The film looks and plays fantastic in 2006. Huston's WW2-era film is a precise and efficient gem.
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8/10
It Might Be Paradise If It Wasn't For The Japanese
bkoganbing10 August 2006
One of the great injustices of Hollywood history is the fact that Deborah Kerr was nominated for Best Actress while Robert Mitchum got nary a mention for Best Actor in Heaven Knows, Mr. Allison. Kerr had several nominations, but never came up a winner. Mitchum was nominated once at the beginning of his career in the Best Supporting Actor category in The Story of GI Joe and then never again.

In Mitchum's case I think that some of his irreverent comments offended a few people. Sometimes Bob was a bit too candid about what he thought of the film industry and his chosen profession. Otherwise he might well have gotten nominations for this, Night of the Hunter, Cape Fear, Ryan's Daughter, The Sundowners, The Friends of Eddie Coyle and a few others.

This film is always and rightly compared to The African Queen with a female in the religious missionary profession and a hell-raising outsider thrown together in war time. The African Queen was in World War I and this film is set on a backwater Pacific island in World War II.

Corporal Allison, USMC arrives on a rubber raft after the Japanese opened fire on a submarine he was on. The only other person on the island is a nun who has seen all the others die or flee the island. It's a small island, but apparently strategically located.

The film is about these two mismatched people thrown together and what they have to do to survive. Deborah Kerr is a nun who hasn't yet taken her final vows and being alone on the island with Mitchum is a temptation no doubt.

Mitchum though has his own code. He's a foundling kid who took the name of Allison because that was the street in Milwaukee he was dropped off on. He was a juvenile delinquent until he joined the Marines and they gave his life a meaning. The Marine Corps manual is his Bible as much as the Scripture is Kerr's.

I can identify with that because in fact I had a cousin who was in the Marines who did in fact straighten him out. He was a hell raising kid in his youth and he became if not a solid citizen after his service, at least a respectable one.

John Huston got unforgettable performances out of his credited cast of two. Heaven Knows, Mr. Allison has not dated one single bit since its release.

We all need something to believe in to get us through in this world.
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7/10
Temptation
sol-20 February 2016
Stranded on a Pacific island together, a marine and a nun plan to wait out the end of World War II, but their platonic friendship is tested when forced to hide out in a cave after Japanese soldiers take over the island in this solemn drama starring Robert Mitchum and Deborah Kerr. The romantic tension to come is obvious from the get-go, but the film does well outlining similarities between soldiers and nuns, bringing to a light a bond between them that is far less predictable. Most pointedly, the characters draw a comparison between leaving the convent and deserting a unit, but other similarities include firm commitment and a shared belief that they act for the greater good. Despite all these attempts to equate the characters with one another, Mitchum still comes across as more open to temptation (whereas in theory they should both be equally as hesitant yet tempted). The film also does not milk the potential danger of being spotted by the Japanese for all that it is worth, save for one great sequence in which Mitchum spies on the Japanese from a building's rat-infested wings. The film still resonates though as a tale of unlikely companionship and the gradual bond that builds up between the pair is undeniable. The project also benefits greatly from Oswald Morris behind the camera; the early shots that glide over the seemingly empty island building (and a gravestone) are quite haunting, and the isolated nature of the island constantly shines throughout, highlighting how important being mutually cut off from the world is to the protagonists' gradual friendship.
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4/10
Boring
AAdaSC10 October 2009
Cpl Allison (Robert Mitchum) washes ashore on an island in the South Pacific inhabited only by Sister Angela (Deborah Kerr). It is World War 2 and the Americans are fighting the Japanese. Will they survive capture when the Japanese land on the island?.......and will they fall in love....?

The film starts slowly and just doesn't get any faster. The first half hour is an attempt to build a relationship between the two main characters but is actually just a boring waste of time. Then the Japanese arrive and you begin to think that something exciting is going to happen. But it doesn't. Robert Mitchum talks like a Marine who just loves being a Marine (irritating) and Deborah Kerr is a nun who, very predictably, has an Irish accent (something she makes a complete mess of). While Mitchum convinces us that he wants to look after her on the island, there is no sexual chemistry between the two and so it seems rather contrived when Mitchum declares his love. Mitchum gives the audience a few laughs towards the end of the film while Kerr is insipid. I was disappointed in her performance, so, not surprisingly, she got an Oscar nomination! Nice scenery but it's a boring film.
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Subtle, bittersweet story of the bond forged between a tough but tender-hearted Marine and a young nun stranded on a Pacific island during WWII.
Rogue-1815 August 1999
Robert Mitchum and Deborah Kerr give beautiful performances in this touching study of a Marine and a young nun who find themselves stranded on a Pacific island during WWII. Their platonic relationship deepens when the Japanese return to occupy the island, and Cpl. Allison and Sister Angela take refuge in a cave, surviving by his wits, her prayers, and the saving grace of their mutual respect and affection. Mitchum gives one of the finest performances of his career as the proud Marine who finds himself falling in love with his companion, and Deborah Kerr is unaffectedly enchanting as Sister Angela. Quiet moments of compelling character study are interspersed with suspenseful action sequences set amid ruggedly beautiful scenery.
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6/10
Simple plot, complex characters...
Doylenf29 December 2006
HEAVEN KNOWS, MR. ALLISON is essentially a two-actor film and must have looked awfully good on paper whenever ROBERT MITCHUM and DEBORAH KERR read the script. They knew they had the right attributes to play the leads--a tough U.S. Marine and a ladylike nun stranded on a Pacific isle during World War II, threatened by nearby Japanese invaders--and must have instinctively known that under John Huston's direction they would get good guidance.

Well, they did. Both are at the height of their appeal as film actors, knowing their craft thoroughly enough to make both of them able to carry the story through to a satisfying conclusion. Huston had already done the same sort of thing with Hepburn and Bogart in the African jungle, although HEAVEN KNOWS, MR. ALLISON has an even tighter reign on the two actors as the main focus.

Kerr may have deserved her Best Actress Oscar nomination, but why did Hollywood always fail to recognize Robert Mitchum's contribution to a good film? Did they resent the way he talked about Hollywood phoniness and fakery in such blunt ways to the press that they were unable to view his performance with an uncritical eye? Mitchum gives every bit as good a performance as Kerr does--and that's a fact. In Marlon Brando's immortal words: "Mitch shoulda been a contender!"

Well worth seeing, especially if you're an admirer of the two stars.
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8/10
One of Huston's finest films
MOscarbradley21 April 2007
John Huston virtually remade "The African Queen" as a two-hander but set during the Second World War and on a Pacific island occupied by the Japanese and on which are hiding an American marine, (Robert Mitchum), and a nun, (Deborah Kerr), the only other sole occupants. Dextrously moving between scenes of genuine suspense, (will they be discovered), and real intimacy in which the comic as well as the dramatic potentials of the story are beautifully played out by both actors, Huston creates a film that works on a number of levels and shows real flair for the use of the widescreen imposed on him by 20th Century Fox. Indeed Kerr wears her habit as if to the manor born, (she's a much more relaxed nun than her Sister Clodagh in "Black Narcissus"), while Mitchum, with only Kerr to react to, has probably never been better. In this film he refined his laconic style to a fine art. Although popular with those who have seen it the film has never really acquired much of a reputation even if it is one of Huston's finest and certainly most undervalued films.
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7/10
human drama amid war
lee_eisenberg9 May 2016
What are the chances of two people from different backgrounds developing a friendship amid the horrors of war? That's the scenario depicted in John Huston's "Heaven Knows, Mr. Allison". Robert Mitchum is a cast-away hard-ass marine who lands on an island where a pious nun (Deborah Kerr) has taken up residence during World War II. I think that the movie would have been more interesting if the Japanese troops had gotten depicted as more than simply the empty antagonists. As an adventure story it works well, showing the corporal and the sister having to figure out things like catching a sea turtle. A particularly effective scene shows Mitchum hiding amid the rocks, using the waves as cover while the Japanese search the area.

So, I wouldn't go so far as to call this movie a masterpiece, but I did enjoy it. If anyone ever tells you that history is boring, use this movie to disprove that comment.
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8/10
A marine and a nun alone in a Pacific island
esteban174729 June 2003
This film is among the best of my collection, when I like to see a good film, this is always in the first line. Robert Mitchum acted here extremely well as a marine with a very poor, not to say vulgar, background in his life. He confessed he was born orphan, he never knew who were his parents, and after 14 years old he escaped from the orphanage and was put in jail several times. His life changed once he was recruited by the US Marine. The always brilliant Deborah Kerr is here a nun with a very character and humor, always able to understand the behavior of Mr. Allison (Mitchum). It is normal that when two persons of opposite sex are together some strange feelings may appear, the mariner obviously may some hints in his favor, but the nun politely said no. In conclusion, excellent film with an interesting plot and wonderful acting, a real good film forever.
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7/10
HEAVEN KNOWS, MR. ALLISON (John Huston, 1957) ***
Bunuel19766 September 2007
This is another John Huston title which has been a staple on Italian TV for years but which I'd never caught till now – thankfully, in its original English language version via Fox's R1 DVD edition. In essence, it is somewhat similar to the same director's THE African QUEEN (1951) – occurring a war later and in the Pacific rather than the Congo; the two leading characters are also virtually identical: an illiterate but rugged man-of-action and a religious woman (in this case, a nun as opposed to a missionary).

The two leads, Deborah Kerr and Robert Mitchum, are very well matched and, in fact, they were teamed again in THE SUNDOWNERS (1960) and THE GRASS IS GREENER (1960) – plus one other time, much later, for a TV movie. Kerr – who, of course had previously portrayed a nun in The Archers' breathtakingly beautiful BLACK NARCISSUS (1947) – was Oscar-nominated for her performance here (as were Huston and John Lee Mahin for their screenplay), but Mitchum's contribution is just as excellent and vital to the success of the film – especially one which, for the most part, involves just these two characters!

The narrative finds the two individually stranded on an island but, after living there for a while, they decide to make the dangerous trip by raft to nearby Fiji; before they can leave, however, the island is overrun with the Japanese forces and the couple are forced to hide in a cave for the duration, with Mitchum occasionally emerging to pilfer the enemy's food supplies. Combining action, adventure, comedy, drama and suspense, the end result is generally compelling, enjoyable, good-looking, even touching: marine Mitchum, whose past includes spells in an orphanage and a juvenile reformatory, can't understand how a beautiful woman could waste her life away by voluntarily joining a religious order, especially isolated the way they are and, at one point, drunkenly berates her for it – which leads to the nun falling seriously ill when his outspokenness drives her into the pouring rain for the night!
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8/10
Two perfect performances transcend the mismatched-couple-in-the-wilderness genre
imogensara_smith19 January 2007
Warning: Spoilers
I can't shake the feeling that I shouldn't like HEAVEN KNOWS, MR. ALLISON as much as I do. The premise—a marine and a nun are stranded together on a Pacific Island during WWII—is hokey and implausible; I'm no fan of organized religion or the military; and Cinemascope Technicolor adventure movies are not my cup of tea. But actually it's a small-scale movie about two people alone together—they are the entire cast, apart from some extras playing Japanese soldiers—and I find it as moving as any love story I can think of, though it's non-traditional: platonic on one side, unrequited on the other. The script and direction are good, but the success of the movie rests entirely on Robert Mitchum and Deborah Kerr, who give two of the most beautiful performances I've ever seen. The respect and affection they show for each other (they felt the same off screen) elevate it above all other mismatched-couple-in-the-wilderness movies.

Deborah Kerr is so expressive she could have been a star in the silent era, though she does an excellent Irish brogue here too. Every feeling and reaction shows vividly but naturally on her face—from her queasiness trying to eat raw fish to her delirious spasms during a fever, from her childlike delight at discovering food left behind by the Japanese to her anguish when she thinks her companion has been killed. Her character, Sister Angela, is brave, funny, sensible, warm and open: you never question the marine's devoted love for her. Running around the hillsides and beaches in her flowing white habit, she looks like a little girl trying to keep up with her big brother.

But good as she is, Mitchum's Cpl. Allison is the engine of the story; he's the one who breaks your heart. It's redundant to complain that Mitchum should have been nominated for an Oscar as Kerr was. The chance of the Academy honoring a man with Mitchum's bad-boy reputation was always slim, and how likely is it that he would win a "best actor" award when he never looks like he's acting? With most actors, no matter how good they are you remain aware that they're giving "a performance." But you never, ever have this feeling with Mitchum; you can never see any mechanism at work, any thought-out characterization. You could watch this and think he's just some big, dumb, good-hearted guy. (Try watching it back to back with CAPE FEAR, where you might think he's just some diabolical sleazeball.) He uses a generic Brooklyn, working-class guy accent (he's supposed to be from Milwaukee, but so what?) and touchingly addresses Sister Angela as "Ma'am"--she treats him with equal respect, always calling him, "Mr. Allison." He's gentle and protective; more than any other, this role demonstrates Mitchum's ability to be macho—overwhelmingly, coarsely masculine—and at the same time incredibly delicate, tender and sensitive. There's poetry in his gestures, as when he whittles a comb for Sister Angela and wraps it in a leaf with a hibiscus flower. In a way, his love for her doesn't seem sexual, but more like the love for an adopted child or a kid sister. When he proposes to her he says, "I want to look after you"; it gives him such pleasure to take care of her, to know she needs him. Mitchum didn't need to act when it came to expressing affection for Deborah Kerr, whom he always called his favorite actress. Once during the filming, after they had been standing on sharp rocks, he got down on his knees, unlaced her shoes, and massaged her feet.

Kerr never suggests that Sister Angela is sexually tempted (though heaven knows, most women sharing a cave with Mitchum would be!) but her platonic love for him, and her pain at being unable to return his love, opens a wider world for her. Their relationship is truly chaste, with no innuendo, no exploitation of the dirty jokes inherent in the situation; John Huston had to fight to make it this way, since studio bosses actually wanted something more suggestive. It's delicate and yet mature—and it's sexy too: when Mitchum takes off his shirt to keep her warm, and the way he strokes her forehead gently when she's sick, and when he needs to undress her he holds up a blanket and hides his face behind it. Somehow despite being such an earthy man, Mitchum makes Allison's restraint entirely credible. Even when he gets drunk and expresses his frustration, you know he wouldn't do anything to hurt her.

I forgot the mention that the Japanese invade, and then the Americans invade, and our heroes catch a sea turtle and so forth; the action is always peripheral to the development of the personal relationship. I don't really like the final "moral" of the story, because the marine and the nun, after having the opportunity to abandon their institutions in favor of personal ties, turn back to the institutions. I love Allison's drunken speech about how pointless it is for them to adhere to their jobs alone on the island: "What are you gonna do all day, pray? Yeah, and I'd drill. I can see you telling your beads, me doing the manual of arms, on opposite ends of the island….We don't belong to anything off this island, all we've got is it and each other. Like we were Adam and Eve, yeah, and this was the Garden of Eden!" But I can't say I'd want the film to end differently. The respect and chasteness and sense of duty are what make the characters so appealing. They say goodbye with heartbreaking politeness; you can tell that despite all the danger and discomfort, they're a little sorry to be rescued.
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6/10
"Why do you gotta have big blue eyes...and a beautiful smile...and freckles?"
thejcowboy229 February 2018
Warning: Spoilers
Some of the best love stories ever written or shown always have huge barriers or obstacles in the way. Whether it's interference from opposite families, or rivalry against the suitors. Screen writers John Lee Mahin and the legend of the cinema, John Huston let their imaginations go a bit further pitting an unpolished Marine Corporal and a Woman of the cloth alone on a deserted island in the South Pacific during the latter stages of World War II. A cast of only two, Robert Mitchum as Corporal Allison USMC and Deborah Kerr as Sister Angela are stranded. How they ended up on this island isn't very clear but the past isn't important. The present is more important for their survival. Apparently there's a vacated Japanese base situated on the island which provides shelter and a checker board or draughts to pass the time. Mitchum is a natural as the rough, good nature, survival tested Marine who's use of the English language would make an English professor cringe. On the other hand the glamorous refined and very British Deborah Kerr shines through her habit as the gruff Marine Corporal is falling for her yet the Allison character is forbearing toward the sweet respectful Sister. Not all is pleasant as the Japanese troops return putting the unlikely couple in a compromising situation. There is one scene I particularly enjoyed when Allison and Sister Angela are watching a night time battle on the beach. Just out of view are the battleships, yet you can see the bombs bursting as if it was a four of July celebration of fireworks. Allison does profess his love for Sister Angela, but the for the outcome of love and survival,. you'll have to watch this wartime love story. FYI One of four movies Mitchum and Kerr starred together. They had unparalleled chemistry . Second time Kerr plays a Nun. Kerr's earlier work in Black Narcissus.
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8/10
A lot better than I assumed it would be....in fact, it's very, very good
planktonrules20 March 2007
Warning: Spoilers
For years I avoided watching this film whenever it came on television. This was mostly due to my thinking that because it was the movie about a nun and marine trying to survive on a tropical island together during WWII so I assumed it would be filled with clichés and sappy dialog. I really expected it to be like the merging of THE SINGING NUN with FATHER GOOSE as well as a standard war film! However, after watching the film, I am very happy to report that the film was very intelligently written--and not at all what I had expected. It's one of the best films either of the leads (Robert Mitchum and Deborah Kerr) made.

The film begins with Mitchum being washed up on shore on a tiny Pacific island in 1944. The island is deserted except for a nun (Kerr) and although there is plenty to eat and drink on the island, they are worried that no one will ever find them, so they plan on taking a big risk and sailing 300-odd miles to civilization. However, there plans are changed when the island is bombed and then occupied by the Japanese. Much of the film was spent in hiding until a very exciting and nerve-racking conclusion.

The film wasn't the least bit preachy or silly, but dealt with the relationship between Kerr and Mitchum as well as the delicate subject of burgeoning sexual attraction between them. The way this was handled should neither offend anyone's religious sensibilities nor bore them with heavy-handed platitudes--a tough job for such a film but it managed to handle it very well. This made for a very interesting and realistic film--one of the better war films because it was so different and because of the excellent performances.
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7/10
Who says you need a lot of people to make a good movie? :)
gilligan196526 May 2015
Warning: Spoilers
Has Deborah Kerr ever made a bad movie? Has Robert Mitchum? NO! Neither has John Huston!

All are present in this great movie about two people from completely different backgrounds suddenly thrown together and working together to avoid or overcome the many dangers they encounter...to survive.

Deborah Kerr, the beautiful-yet-dainty lady of the 1950s, as a Catholic Nun, stuck on a Pacific island during World War 2 with Robert Mitchum, the tough-guy ladies-man of the same era, as a US Marine!?!?

Sister Angela (Kerr) is not only a devout 'almost' Nun, but, also a beautiful "LADY;" whereas Corporal Allison (Mitchum) is not only a devout and tough US Marine, but, also a studly "MAN."

I'm only happy that this movie was made in the 1950s (1957), because, if it was made in the late 1960s or later, some, or, many, improper and even, unsavory things may have happened that would have turned the potential 'hero' Marine into something much less honorable; and/or, the innocent 'celibate' Nun into something less pure. I felt the need to include this because, in reality...how many pairs of heteros are there in the world who could possibly find themselves in a situation like this and not have 'thoughts' and 'feelings?' ...and, how many of them wouldn't actually act upon them, especially after time goes on, and, on, and, on, and you continually find this 'good-looking opposite-sex' person as your 'only' companion, day-after-day, week-after-week, etc...and, they're so good to you!?!? It could either be like Job's devotion to God; or, like your natural devotion to nature and normalcy...even, love!?!?

However, Sister Angela is a Nun and a Proper Lady; and, Corporal Allison is all of a Gentleman.

Either way, this is a great movie that not all will find particularly realistic and/or believable, but, all will enjoy...without exception.
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3/10
Disappointing Huston movie!!
pierre-luthier10 April 2012
When you see that a movie has John Huston as a director, you want to see it.

I thought that was true till I saw Heaven knows Mr Allison. I was deeply disappointed and maybe angry after seeing it. I thought it was a cheap advertisement for US navy and for catholicism. I was doubting all movie long if it was ironical, because the nun and mitchum were so caricatured. Of course it is well filmed. Of course the actors are good, even brilliant.But the scenario has a toltal lack of impartiality. I m sorry but I can recommend this movie to no one unless you re a stubborn militar or a non-open minded catholic. PS: I am catholic
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