One of Huston's buried treasures,this offbeat tale of a nun and a marine stuck on an island.They say it was to be directed by Wyler,but he turned it down and went to make "desperate hours".
Deborah Kerr had already played a nun in Powell-Pressburger's excellent "Black narcissus",and the part was tailor-made for her.The same goes for Robert Mitchum as a crude,simple,but with a golden heart marine.People cannot help but be struck with the analogies between "heaven" and "African queen" :both feature an odd couple,in jeopardy;that's why the former is overlooked today which is totally unfair.
The two characters are extremely endearing and,when the movie is over,it seems we've always known Sister Angela and Corporal Allison.I dig the line:"it's a gourmet's dish" when the nun is eating turtle soup.I love the way the scenarists show the analogies between a nun's and a marine's lives.The Garden of Eden metaphor is obvious,but the story subtly progresses,and the Snake's temptation happens late in the movie.
The cinematography is splendid,with a superb use of cinemascope,and Georges Delerue's score deserves admiration.Yes "heaven knows..." is certainly one of Huston's sleepers.But I wonder what Luis Bunuel would have done with such a screenplay.
Deborah Kerr had already played a nun in Powell-Pressburger's excellent "Black narcissus",and the part was tailor-made for her.The same goes for Robert Mitchum as a crude,simple,but with a golden heart marine.People cannot help but be struck with the analogies between "heaven" and "African queen" :both feature an odd couple,in jeopardy;that's why the former is overlooked today which is totally unfair.
The two characters are extremely endearing and,when the movie is over,it seems we've always known Sister Angela and Corporal Allison.I dig the line:"it's a gourmet's dish" when the nun is eating turtle soup.I love the way the scenarists show the analogies between a nun's and a marine's lives.The Garden of Eden metaphor is obvious,but the story subtly progresses,and the Snake's temptation happens late in the movie.
The cinematography is splendid,with a superb use of cinemascope,and Georges Delerue's score deserves admiration.Yes "heaven knows..." is certainly one of Huston's sleepers.But I wonder what Luis Bunuel would have done with such a screenplay.