A British multinational seeks to overthrow a vicious dictator in central Africa. It hires a band of (largely aged) mercenaries in London and sends them in to save the virtuous but ... See full summary »
Andrew V. McLaglen
Set during the grand, sweeping Napoleonic age, an officer in the French army insults another officer and sets off a life-long enmity. The two officers, D'Hubert and Feraud, cross swords ... See full summary »
Beau, John, and Digby Geste are three inseparable, adventurous brothers who haven been adopted into the wealthy household of Lady Brandon. When money in the uppercrust household grows tight... See full summary »
After losing his bride in a Luftwaffe air raid, bomber pilot Forrester becomes a solitary killing machine, who doesn't care whether he dies. The reckless Canadian pilot is both admired and ... See full summary »
In 1944, in South Pacific, the castaway Marine Corporal Allison drifts in a raft to the Tuasiva Island, where he meets Sister Angela. She tells him that she is the only person in the island and was left behind by the runaway boat to Fiji Island while seeking the local priest. Stranded in the island, but with water, fish and fruits, their paradisiacal life ends when the Japanese arrive to build a base, forcing Allison and the nun to hide in a cave. The crude marine provides the necessary supply for their survival and falls in love for the nun. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
While in the cave during the Navy shelling, Allison says the four Japanese 105's are "hid real good". In fact, as is clear when Allison takes action against the "big rifles," they are quite exposed, without overhead protection, and would be highly vulnerable to the shelling, although hard to see from aircraft due to the camouflage netting (which had been blown away at one site). The Navy would have concentrated its preparatory fire on the landing beach, where the 105's were, although there would have been no assurance all could have been knocked out. See more »
This film shows the depth of feeling that John Huston was capable of as a director. It also shows how wonderfully he handled actors, eliciting great performances from both Mitchum and Kerr. Though it doesn't have the humor of The African Queen, it shows a similar since of dignity to the characters. It also shows respect for the audience in that it doesn't feel the need to resort to romantic over-indulgences or tear-jerking death scenes to win us over. Both characters remain intact physically and spiritually at the end. Also worth mentioning is Oswald Morris's beautiful location photography on the island of Tobago. Fox did a wonderful job on the DVD transfer.
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