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In 1944, in South Pacific, the castaway Marine Corporal Allison drifts in a raft to the Tuasiva Island, where he meets Sister Angela. She tells him that she is the only person in the island and was left behind by the runaway boat to Fiji Island while seeking the local priest. Stranded in the island, but with water, fish and fruits, their paradisiacal life ends when the Japanese arrive to build a base, forcing Allison and the nun to hide in a cave. The crude marine provides the necessary supply for their survival and falls in love for the nun. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The knife used by Cpl. Allison is a Ka-Bar. It is standard issue for the US Marines since 1942. See more »
While in the cave during the Navy shelling, Allison says the four Japanese 105's are "hid real good". In fact, as is clear when Allison takes action against the "big rifles," they are quite exposed, without overhead protection, and would be highly vulnerable to the shelling, although hard to see from aircraft due to the camouflage netting (which had been blown away at one site). The Navy would have concentrated its preparatory fire on the landing beach, where the 105's were, although there would have been no assurance all could have been knocked out. See more »
Walter Huston loved to film on location; all his great movies reflect this predilection. It helps too, that Mr. Huston and John Lee Mahin produced a great screen play and the bonus was the casting of the two stars. Since it's a two character film, the director couldn't gamble with any light weight actors and it pays tremendously by the incredible performances Mr. Huston got from them.
The story of the nun who is left behind in a Pacific island and the arrival of the shipwrecked Capt. Allison, brings two people together from such different backgrounds, that under another direction wouldn't have played so well as it does in this movie. There aren't any false moments in the film.
It is a credit to Mr. Huston the pairing of Deborah Kerr with Robert Mitchum, who are amazing in their roles. There's an aura of sex between both of the actors without it being obvious, or on your face. It's the subtlety that makes this film work they way it does. Both Ms. Kerr and Mr. Mitchum would appear not to be ideal for these two characters, but they have the right chemistry to make us care for these two people stranded in the Pacific.
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