
Devil's Doorway (1950)
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- Approved
- 1h 24min
- Action, Drama
- 15 Sep 1950 (USA)
- Movie
- 2 nominations.
- See more »
Photos and Videos
Cast verified as complete
Robert Taylor | ... |
Lance Poole
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Louis Calhern | ... |
Verne Coolan
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Paula Raymond | ... |
Orrie Masters
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Marshall Thompson | ... |
Rod MacDougall
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James Mitchell | ... |
Red Rock
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Edgar Buchanan | ... |
Zeke Carmody
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Rhys Williams | ... |
Scotty MacDougall
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Spring Byington | ... |
Mrs. Masters
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James Millican | ... |
Ike Stapleton
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Bruce Cowling | ... |
Lt. Grimes
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Fritz Leiber | ... |
Mr. Poole
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Harry Antrim | ... |
Dr. C.O. MacQuillan
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Chief John Big Tree | ... |
Thundercloud
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Rest of cast listed alphabetically: | |||
William Bailey | ... |
Posse Member (uncredited)
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Rudy Bowman | ... |
Townsman (uncredited)
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Vivian Brown | ... |
Mrs. Campbell (uncredited)
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Roy Butler | ... |
Posse Member (uncredited)
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Bertha Cody | ... |
Mary (uncredited)
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Cecil Combs | ... |
Posse Member (uncredited)
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Frank Conlan | ... |
Telegrapher (uncredited)
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Frank Cordell | ... |
Townsman (uncredited)
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Harold A. Deane | ... |
Surveyor (uncredited)
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Billy Engle | ... |
Townsman (uncredited)
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Tom Fadden | ... |
Bob Trammell (uncredited)
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Dan Foster | ... |
Rancher (uncredited)
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Dabbs Greer | ... |
Spud Keith (uncredited)
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Herman Hack | ... |
Townsman (uncredited)
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Al Haskell | ... |
Townsman (uncredited)
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Whitey Hughes | ... |
Posse Member (uncredited)
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Jack Kenny | ... |
Townsman (uncredited)
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Henry Marco | ... |
Jimmy (uncredited)
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Frank Matts | ... |
Posse Member (uncredited)
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John Maxwell | ... |
Posse Member (uncredited)
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Kermit Maynard | ... |
Barfly (uncredited)
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Merrill McCormick | ... |
Homesteader (uncredited)
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Philo McCullough | ... |
Posse Member (uncredited)
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Frank McGrath | ... |
Posse Member (uncredited)
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Buddy Messinger | ... |
Barfly (uncredited)
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Lee Phelps | ... |
Posse Member (uncredited)
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William 'Bill' Phillips | ... |
Ed's Pal (uncredited)
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Buddy Roosevelt | ... |
Townsman (uncredited)
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Phil Schumacher | ... |
Townsman (uncredited)
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George Sky Eagle | ... |
Lone Bear (uncredited)
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Cecil Smith | ... |
Indian (uncredited)
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Titus Spencer | ... |
Painter (uncredited)
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Harry Tenbrook | ... |
Townsman (uncredited)
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Directed by
Anthony Mann |
Written by
Guy Trosper | ... | (written by) |
Produced by
Nicholas Nayfack | ... | producer |
Music by
Daniele Amfitheatrof |
Cinematography by
John Alton | ... | director of photography |
Editing by
Conrad A. Nervig |
Art Direction by
Cedric Gibbons | ||
Leonid Vasian |
Set Decoration by
Edwin B. Willis |
Costume Design by
Walter Plunkett |
Makeup Department
Jack Dawn | ... | makeup creator |
Sydney Guilaroff | ... | hair styles designer |
Second Unit Director or Assistant Director
Ridgeway Callow | ... | assistant director (uncredited) |
Yakima Canutt | ... | second unit director (uncredited) |
Art Department
Alfred E. Spencer | ... | associate set decorator |
Sound Department
Douglas Shearer | ... | recording supervisor |
Special Effects by
A. Arnold Gillespie | ... | special effects |
Bob McDonald | ... | special effects (uncredited) |
Stunts
Bob Hoy | ... | stunts (uncredited) |
Frank McGrath | ... | stunts (uncredited) |
Terry Wilson | ... | stunts (uncredited) |
Music Department
Samuel Albert | ... | musician: violin (uncredited) |
Alex Alexander | ... | musician: cello (uncredited) |
Daniele Amfitheatrof | ... | conductor (uncredited) |
Gus Bivona | ... | musician: clarinet (uncredited) |
John Cave | ... | musician: french horn (uncredited) |
David Crocov | ... | musician: violin (uncredited) / violin (uncredited) |
Vincent de Rubertis | ... | musician: french horn (uncredited) |
Jakob Gimpel | ... | musician: piano (uncredited) |
Edgar Lustgarten | ... | musician: cello (uncredited) |
Arthur Maebe | ... | musician: violin (uncredited) |
Virginia Majewski | ... | musician: viola (uncredited) |
Jack Marshall | ... | musician: guitar (uncredited) |
Mel Pedesky | ... | musician: drums (uncredited) |
Uan Rasey | ... | musician: trumpet (uncredited) |
David Tamkin | ... | orchestrator (uncredited) |
Albert Vertchamp | ... | musician: violin (uncredited) |
Eunice Wennermark | ... | musician: violin (uncredited) |
Si Zentner | ... | musician: trombone (uncredited) |
Production Companies
- Metro-Goldwyn-Mayer (MGM) (controlled by Loew's Incorporated)
Distributors
- Metro-Goldwyn-Mayer (MGM) (1950) (United States) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1950) (United Kingdom) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1950) (Sweden) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1951) (Italy) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (France) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1951) (Belgium) (theatrical)
- Metro (1952) (Norway) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1954) (West Germany) (theatrical)
- Suevia Films - Cesáreo González (Spain) (theatrical)
- Metro-Goldwyn-Mayer (1954) (Austria) (theatrical)
- Internazionale Nembo Distribuzione Importazione Esportazione Film (INDIEF) (Italy) (theatrical) (reissue)
- Warner Archive Collection (2024) (United States) (Blu-ray)
- Warner Home Video (2010) (United States) (DVD)
Special Effects
Other Companies
- Western Electric (sound system)
Storyline
Plot Summary |
US Army Sgt.-Major Lance Poole, a Shoshone Indian, returns home from the Civil War a highly decorated war hero, his intention being to live a quiet life on the family farm outside Big Horn in the Wyoming Territory being a cattle rancher. His family has been able to live the dream of eking out a good life off the impoverished reserve where there is little hope of that good life, in the process, while still retaining their traditional ways, being admired by the locals who know him and his family. Things have changed during his time away, anti-Indian legislation enacted in the Territory which has brought many farmers, ranchers and others to the area to homestead, which they are able to do legally on the Pooles' land since the Pooles do not have official title. With lawyer Verne Coolan being an open bigot who would not help any Shoshone even if asked, Lance turns to the only other lawyer in the area for legal advice, he learning on their first meeting that "A. Masters" is Orrie Masters, a woman. In deciding whether to partner in this fight for Lance and the Pooles' rights, both Lance and Orrie will have to address their own prejudices. If she does decide to assist, Orrie will also have to come to grips with her pledge to work under whatever the law in her overall goal of peace and liberty for all. Regardless, Coolan seems intent on destroying Lance - the face to him of Indians in general - inside and outside the law, his seeming aim to incite a range war which would give those wanting to homestead license to kill Lance and his family if the Pooles do not cooperate. Written by Huggo |
Plot Keywords | |
Taglines | M.G.M. presents a Great Drama of Flaming Frontiers ! See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
Additional Details
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Box Office
Budget | $1,373,000 (estimated) |
Did You Know?
Trivia | After an unsuccessful May 1950 press preview, MGM shelved the film. The grim movie was superbly made, but its uncompromising, downbeat story seemed to spell box-office disaster. After the release of the more mainstream Broken Arrow (1950) the following fall, it did get some bottom-of-the-bill bookings in neighborhood grindhouses but did little business and has remained little seen. See more » |
Goofs | During a thunderstorm, the lightning and thunder don't always exactly coincide. This only happens when lightning is directly overhead, as light travels faster than sound. Usually, there is some lag time after the occurrence of lightning before you hear the thunder. See more » |
Movie Connections | Referenced in Apprenticing a Master - Neil Sinyard on the Tin Star (2024). See more » |
Soundtracks | Indian Lament See more » |
Quotes |
Lance Poole:
I envy you, ma'am., you being a lawyer. Orrie Masters: Well, I... Lance Poole: You got a faith, something to go by... like a religion. With you it's the law. Orrie Masters: My father wanted me to study law. It means a great deal to me. Lance Poole: Yes, it must. I've always wanted something like that. Something to tell me what's right or wrong. Orrie Masters: I'm glad you feel the way you do. Lance Poole: Because then you don't have to bother about your conscience. It's written out for you to follow... no matter what it does to people. It's the law. And changing the law is something you don't have to worry about. See more » |