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John Alton(1901-1996)

  • Cinematographer
  • Camera and Electrical Department
  • Director
IMDbProStarmeterSee rank
John Alton
Starting out in 1924 as a lab technician at MGM, John Alton left there for Paramount to become a cameraman. He traveled to France and then to South America, where he wrote, photographed and directed several Spanish-language films. Returning to Hollywood in 1937, he soon achieved a reputation as one of the industry's most accomplished cinematographers. In 1951, he and Alfred Gilks won an Academy Award for color photography for Un Américain à Paris (1951).
BornOctober 5, 1901
DiedJune 2, 1996(94)
BornOctober 5, 1901
DiedJune 2, 1996(94)
IMDbProStarmeterSee rank
  • Won 1 Oscar
    • 3 wins & 2 nominations total

Known for:

Un Américain à Paris (1951)
Un Américain à Paris
7.2
  • Camera and Electrical Department
  • 1951
Sacrifice de mère (1939)
Sacrifice de mère
6.2
  • Cinematographer
  • 1939
El hijo de papá
  • Cinematographer
  • 1934
Les Frères Karamazov (1958)
Les Frères Karamazov
6.7
  • Cinematographer
  • 1958

Credits

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IMDbPro

Cinematographer

  • Leonard Nimoy, Lesley Ann Warren, Peter Graves, Peter Lupus, and Greg Morris in Mission impossible (1966)
    Mission impossible
    7.9
    TV Series
    • Cinematographer
    • 1966
  • Le prisonnier d'Alcatraz (1962)
    Le prisonnier d'Alcatraz
    7.8
    • Cinematographer (uncredited)
    • 1962
  • 12 to the Moon (1960)
    12 to the Moon
    3.3
    • director of photography
    • 1960
  • Elmer Gantry, le charlatan (1960)
    Elmer Gantry, le charlatan
    7.7
    • Cinematographer (photographed by)
    • 1960
  • Montgomery Clift, Myrna Loy, Dolores Hart, and Robert Ryan in Lonelyhearts (1958)
    Lonelyhearts
    6.6
    • director of photography
    • 1958
  • Les Frères Karamazov (1958)
    Les Frères Karamazov
    6.7
    • director of photography
    • 1958
  • La femme modèle (1957)
    La femme modèle
    6.7
    • director of photography
    • 1957
  • Marlon Brando, Glenn Ford, and Machiko Kyô in La petite maison de thé (1956)
    La petite maison de thé
    6.7
    • director of photography
    • 1956
  • Thé et sympathie (1956)
    Thé et sympathie
    7.3
    • director of photography
    • 1956
  • Un mariage du tonnerre (1956)
    Un mariage du tonnerre
    7.4
    • director of photography
    • 1956
  • Arlene Dahl and Rhonda Fleming in Deux rouquines dans la bagarre (1956)
    Deux rouquines dans la bagarre
    6.5
    • director of photography
    • 1956
  • Le mariage est pour demain (1955)
    Le mariage est pour demain
    6.4
    • director of photography
    • 1955
  • Les perles sanglantes (1955)
    Les perles sanglantes
    5.3
    • director of photography
    • 1955
  • Barbara Stanwyck and Robert Ryan in Les rubis du prince birman (1955)
    Les rubis du prince birman
    5.5
    • director of photography
    • 1955
  • Richard Conte, Cornel Wilde, and Jean Wallace in Association criminelle (1955)
    Association criminelle
    7.3
    • director of photography
    • 1955

Camera and Electrical Department

  • Gene Kelly, Debbie Reynolds, and Donald O'Connor in Chantons sous la pluie (1952)
    Chantons sous la pluie
    8.3
    • additional photographer (uncredited)
    • 1952
  • Un Américain à Paris (1951)
    Un Américain à Paris
    7.2
    • ballet photographer
    • 1951
  • Julie Bishop, Nancy Kelly, William Marshall, Vera Ralston, Ann Rutherford, and Helen Walker in Meurtre au music-hall (1946)
    Meurtre au music-hall
    6.2
    • cinematographer: ice skating numbers
    • 1946
  • Leo Carrillo, Tito Guízar, Constance Moore, and Estelita Rodriguez in Mexicana (1945)
    Mexicana
    5.7
    • assistant camera (uncredited)
    • 1945
  • Der Mann, der den Mord beging (1931)
    Der Mann, der den Mord beging
    6.7
    • cinematographer: Constantinople footage
    • 1931
  • Le Chant de la flamme (1930)
    Le Chant de la flamme
    5.5
    • cinematographer: Paris footage (uncredited)
    • 1930
  • Vieil Heidelberg (1927)
    Vieil Heidelberg
    7.6
    • cinematographer: German footage (uncredited)
    • 1927

Director

  • Sacrifice de mère (1939)
    Sacrifice de mère
    6.2
    • Director
    • 1939
  • El hijo de papá
    • Director
    • 1934
  • Luis Arata, Luis Sandrini, and Luisa Vehil in Los tres Berretines (1933)
    Los tres Berretines
    6.8
    • Director (uncredited)
    • 1933

Personal details

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  • Born
    • October 5, 1901
    • Sopron, Austria-Hungary [now Hungary]
  • Died
    • June 2, 1996
    • Santa Monica, California, USA(undisclosed)
  • Spouse
    • Rozalia Kiss? - 1987 (her death)
  • Other works
    Book: "Painting with Light".
  • Publicity listings
    • 1 Biographical Movie
    • 5 Articles

Did you know

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  • Trivia
    In 1960, following his work on Elmer Gantry, le charlatan (1960), he quit the movie business. He returned briefly in 1966 to direct photography for the pilot episode of the TV series Mission impossible (1966). Afterwards, he virtually disappeared. For years, even his closest friends did not know his whereabouts. In 1984, his work was honored at the Telluride Film Festival in Colorado, with a tribute entitled, "Where is John Alton?" In 1993, at the age of 92, Alton heard about Visions of Light (1992), a documentary about cinematographers that included some of his movie work. He contacted the film's producer, Todd McCarthy, and asked to attend the premiere. McCarthy, who had hoped to include an interview with Alton in the film, was astonished to hear from him. Afterwards, Alton insisted that there was nothing mysterious in his disappearance, that he and his wife had simply decided to give up the movie business and travel a bit. They had lived in France, Germany, and Argentina, and had a great time. He died in 1996 at the age of 95.
  • Quotes
    I stopped because I wanted to live. That was no life, to work at the studio, get up at six every morning and fight the producers. I had enough. I looked at my bank book and I said, 'That's it!'

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