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Devil's Doorway (1950)

Approved  |   |  Western  |  15 September 1950 (USA)
7.3
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Ratings: 7.3/10 from 834 users  
Reviews: 28 user | 19 critic

Lance Poole, an Indian who won a Medal of Honor fighting at Gettysburg, returns to his tribal lands intent on peaceful cattle ranching. But white sheep farmers want his fertile grass range ... See full summary »

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Title: Devil's Doorway (1950)

Devil's Doorway (1950) on IMDb 7.3/10

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Cast

Complete credited cast:
...
...
Verne Coolan
Paula Raymond ...
Orrie Masters
...
Rod MacDougall
...
Red Rock
...
Zeke Carmody
...
Scotty MacDougall
...
Mrs. Masters
James Millican ...
Ike Stapleton
Bruce Cowling ...
Lt. Grimes
Fritz Leiber ...
Mr. Poole
Harry Antrim ...
Dr. C.O. MacQuillan
...
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Storyline

Lance Poole, an Indian who won a Medal of Honor fighting at Gettysburg, returns to his tribal lands intent on peaceful cattle ranching. But white sheep farmers want his fertile grass range and manage to turn the ostensibly civilized white population against the tribes, with tragic results. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Taglines:

M.G.M. presents a Great Drama of Flaming Frontiers !

Genres:

Western

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

15 September 1950 (USA)  »

Also Known As:

Fluch des Blutes  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

After an unsuccessful May 1950 press preview, Metro shelved the film. The grim movie was superbly made, but its uncompromising, downbeat story seemed to spell box-office disaster. After the release of the more mainstream "Broken Arrow," the following fall, it did get some bottom-of-the-bill bookings in neighborhood grind houses but little business and has remained little seen. See more »

Quotes

Lance Poole: I envy you, ma'am., you being a lawyer.
Orrie Masters: Well, I...
Lance Poole: You got a faith, something to go by... like a religion. With you it's the law.
Orrie Masters: My father wanted me to study law. It means a great deal to me.
Lance Poole: Yes, it must. I've always wanted something like that. Something to tell me what's right or wrong.
Orrie Masters: I'm glad you feel the way you do.
Lance Poole: Because then you don't have to bother about your conscience. It's written out for you to follow... no matter what it does to people. It's the law. And changing the law is ...
See more »

Soundtracks

Indian Lament
(uncredited)
Music by André Previn
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User Reviews

another under-appreciated classic
2 October 2002 | by (United States) – See all my reviews

Your one other comment on this film so far (Under the Arch) sums up my feelings entirely. Why this masterpiece of a film is not mentioned in the same historical discussions of great westerns as Stagecoach, The Oxbow Incident, High Noon, Treasure of the Sierra Madre, etc. is beyond me. But of course it was made by Anthony Mann and that says it all. Those little known episodes in our nation's history in which greedy white men dispossessed cooperative and non-violent native Americans can never be re-told often enough; such as when Andrew Jackson, despite a Supreme Court decision to the contrary, conspired in the 1820s with the land robbers so as to allow those white men to exploit the state's mineral wealth in the 1820s. The peaceful and civil Cherokees were driven out of their Carolina homelands and into concentration camps. (Hitler had nothing on Andrew Jackson.) From there the Cherokees were driven into Florida and then on to Oklahoma via the "Trail of Tears." And the Devil's Doorway is such a classic tale of land-grabbing, ethnic cleansing, bigotry, and high-handed discriminatory bureaucracy as to make your flesh creep. See it.

PS I recently (2009) saw Anthony Mann's Cimarron (1960, his last Western) for the first time and read all the many reviews of it. Many went into great depth as to Mann and his career, listing and evaluating many of his previous films. Not one of them mentioned this film, perhaps his greatest! So even among Mann aficionados one of his greatest accomplishments has fallen by the wayside and into the memory hole! What can be done about this to bring back such a classic and restore it to its rightful place in film history?


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