When Damien Chazelle’s “First Man” fell out of the Best Picture Oscar race, much of its crafts prestige slipped as well. And, after being shut out last weekend from both the Mpse and Cas awards for sound editing and mixing, “First Man’s” stunning sound work has drifted from favorite to underdog. It’s going to be very hard to beat the rock’n’roll force of “Bohemian Rhapsody,” which has all the momentum.
But, regardless of what happens on Sunday, the dramatic and complex sound editing and mixing of “First Man” ranks as one of the best achievements in recent years. The way it authentically recreates Neil Armstrong’s (Ryan Gosling) journey to the moon, from teeth-rattling and dangerous supersonic test flights and documentary-like Houston home life to rocket blasts into space, led by the “La La Land” team of Ai-Ling Lee and Mildred Iatrou achieved a tactile,...
But, regardless of what happens on Sunday, the dramatic and complex sound editing and mixing of “First Man” ranks as one of the best achievements in recent years. The way it authentically recreates Neil Armstrong’s (Ryan Gosling) journey to the moon, from teeth-rattling and dangerous supersonic test flights and documentary-like Houston home life to rocket blasts into space, led by the “La La Land” team of Ai-Ling Lee and Mildred Iatrou achieved a tactile,...
- 2/18/2019
- by Bill Desowitz
- Indiewire
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