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Find all of our Cannes 2024 coverage here.Illustrations by Maddie Fischer.This year at Cannes, we invited a number of attendees to share their impressions from the festival across various categories. We had a few ideas for what those categories might be, but they had many more, and the results are somewhere between a critics’ grid and a yearbook superlatives page. We're glad we asked.Mark AschGiovanni Marchini CamiaJordan CronkJon DieringerFlavia DimaLeonardo GoiEric HynesDaniel KasmanJessica KiangElena LazicManuela LazicSavina PetkovaAndréa PicardAdam PironCaitlin QuinlanVadim RizovRafa Sales RossDavid Schwartz (independent programmer)Pedro Segura (independent programmer and critic)Öykü SofuoğluHannah StrongFind all of our Cannes 2024 coverage here.Back to top.Back to top.Back to top.Back to top.Back to top.Back to top.Back to top.Back to top.Back to top.Back to top.
- 6/11/2024
- MUBI
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Illustrations by Maddie Fischer.Throughout the 2024 Cannes Film Festival, we'll be publishing a wide variety of interviews, dispatches, capsules, ballots, and lists. Subscribe to the Weekly Edit newsletter for exclusive contributions from filmmakers, critics, and programmers on the Croisette.Interviews“A Whole World: A Conversation with Andrea Arnold” by Caitlin QuinlanThe Carrosse d’Or–winner describes her raw, lived-in films as cinematic jigsaw puzzles.Dispatches“The Center Will Not Hold” by Leonardo GoiWhile the festival maintained its routine ostrich-like stance, some of the most intriguing films dove right into our troubled times.“Final Warnings” by Daniel KasmanQuentin Dupieux’s latest and Jean-Luc Godard’s last interrogate the death and life of great cinema.“Let There Be Light” by Leonardo GoiBeyond works by established filmmakers, some of the festival’s most singular titles were films from new and emerging voices.Capsules“First Impressions” by Giovanni Marchini Camia, Jordan Cronk, Beatrice Loayza,...
- 5/28/2024
- MUBI
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Illustrations by Maddie Fischer.As part of our Cannes 2024 coverage, we invited critics, filmmakers, and programmers to give their first impressions of the festival. Sign up for the Weekly Edit to receive exclusive reports from the Croisette straight to your inbox.Giovanni Marchini CamiaThe reconstruction of Napoléon, as seen by Abel Gance, was the first film to play at this year’s festival—after the Berlinale’s TinyHouse, this is symbolism at its most ready-made. Impossible to watch this inordinately glorious, inordinately chauvinistic film at Cannes without thinking of Thierry Frémaux, the festival world’s very own Napoleon, the man everyone loves to hate. As rumors of an impending labor strike and #MeToo bombshell crescendoed ahead of that evening’s opening ceremony, no image could have been more fitting than Napoleon braving a furious storm on a rickety fishing boat, a French flag fashioned into a sail as his only lifeline.
- 5/17/2024
- MUBI
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Below you will find the results of Notebook's critics' poll for the best films of the Cannes Film Festival, as well as an index of our coverage of the festival.Awardstop 101. Fallen Leaves (Aki Kaurismäki)2. The Zone of Interest (Jonathan Glazer)3. May December (Todd Haynes)4. Anatomy of a Fall (Justine Triet)5. Close Your Eyes (Víctor Erice)6. Killers of the Flower Moon (Martin Scorsese)7. La chimera (Alice Rohrwacher)8. The Pot-au-feu (Tràn Anh Hùng)9. A Prince (Pierre Creton)10. Last Summer (Catherine Breillat)(Poll contributors: Pedro Emilio Segura Bernal, Anna Bogutskaya, Jordan Cronk, Flavia Dima, Lawrence Garcia, Leonardo Goi, Daniel Kasman, Jessica Kiang, Roger Koza, Elena Lazic, Beatrice Loayza, Guy Lodge, Łukasz Mańkowski, Savina Petkova, Caitlin Quinlan, Vadim Rizov, Christopher Small, Öykü Sofuoğlu, Blake Williams)DISPATCHESThe Obscenity of EvilLeonardo Goi on The Zone of Interest (Jonathan Glazer), The Sweet East (Sean Price Williams), Eureka (Lisandro Alonso), and Killers of the Flower Moon...
- 6/14/2023
- MUBI
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Triangle of Sadness.Below you will find an index of our coverage from the Cannes Film Festival, Directors' Fortnight, and Critics' Week in 2022, as well as our favorite films.Awardstop 101. Pacifiction (Albert Serra)2. Showing Up (Kelly Reichardt)3. Crimes of the Future (David Cronenberg)4. De Humani Corporis Fabrica (Véréna Paravel & Lucien Castaing-Taylor) & One Fine Morning (Mia Hansen-Løve)6. Triangle of Sadness (Ruben Östlund)7. Decision to Leave (Park Chan-wook)8. Stars at Noon (Claire Denis)9. Eo (Jerzy Skolimowski)10. Diary of a Fleeting Affair (Emmanuel Mouret)(Poll contributors: Pedro Emilio Segura Bernal, Jordan Cronk, Flavia Dima, Daniel Fairfax, Lawrence Garcia, Leonardo Goi, Daniel Kasman, Łukasz Mańkowski, Caitlin Quinlan, Savina Petkova)Correspondences#1 Daniel Kasman previews the festival | Read#2 Leonardo Goi on Scarlet (Pietro Marcello), Alma Viva (Cristèle Alves Meira), God's Creatures (Saela Davis & Anna Rose Holmer) | Read#3 Lawrence Garcia on The Mother and the Whore (Jean Eustache), Corsage (Marie Kreutzer), One Fine Morning (Mia Hansen-Løve) | Read...
- 5/31/2022
- MUBI
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Our annual tradition of Fantasy Double Features asks the year's Notebook contributors to pair something new with something old, with the only requirement being the films have to have been freshly seen this year.Part diary of memorable viewing during 2021, part creative prompt to think about how cinema's present speaks to its past (and vice versa), the 14th edition of our end of year poll weaves between theater-going and home-viewing so seamlessly as to suggest that early pandemic impediments from last year are now quite normal. Yet clearly that hasn't stopped us from watching, being delighted by, and thinking about movies, and the wonderful combinations below are testaments to the dynamic, idiosyncratic, and interactive vitality of moviegoing wherever and however its being practiced.CONTRIBUTORSJett Allen | Paul Attard | Jennifer Lynde Barker | Susana Bessa | Michael M. Bilandic | Ela Bittencourt | Johannes Black | Joshua Bogatin | Alex Broadwell | Celluloid Liberation Front | Lillian Crawford | Adrian Curry...
- 1/13/2022
- MUBI
Below you will find an index of our coverage from the Cannes Film Festival, Directors' Fortnight, and Critics' Week in 2019, as well as our favorite films.Awardstop 101. Parasite (Bong Joon-ho)2. Liberté (Albert Serra)3. Jeanne4. Bacurau5. Atlantics (Mati Diop)6. Zombi Child (Bertrand Bonello)7. A Hidden Life (Terrence Malick)8. Portrait of a Lady on Fire (Céline Sciamma)9. The Whistlers (Corneliu Porumboiu)10. Once Upon a Time in... Hollywood (Quentin Tarantino)
(Contributors: Pedro Emilio Segura Bernal, Ela Bittencourt, Annabel Ivy Brady-Brown, Giovanni Marchini Camia, Jordan Cronk, Jesse Cumming, Flavia Dima, Leonardo Goi, Daniel Kasman, Roger Koza, Boris Nelepo, Blake Williams)Correspondences#1 Daniel Kasman previews the festival | Read#2 Leonardo Goi reviews The Dead Don't Die (Jim Jarmusch), Deerskin (Quentin Dupieux) | Read#3 Daniel Kasman reviews Bacurau, Beanpole (Kantemir Balagov), Atlantics (Mati Diop) | Read#4 Leonardo Goi reviews Sorry We Missed You (Ken Loach), Les misérables (Ladj Ly), A White, White Day (Hlynur Pálmason) | Read#5 Daniel Kasman reviews...
(Contributors: Pedro Emilio Segura Bernal, Ela Bittencourt, Annabel Ivy Brady-Brown, Giovanni Marchini Camia, Jordan Cronk, Jesse Cumming, Flavia Dima, Leonardo Goi, Daniel Kasman, Roger Koza, Boris Nelepo, Blake Williams)Correspondences#1 Daniel Kasman previews the festival | Read#2 Leonardo Goi reviews The Dead Don't Die (Jim Jarmusch), Deerskin (Quentin Dupieux) | Read#3 Daniel Kasman reviews Bacurau, Beanpole (Kantemir Balagov), Atlantics (Mati Diop) | Read#4 Leonardo Goi reviews Sorry We Missed You (Ken Loach), Les misérables (Ladj Ly), A White, White Day (Hlynur Pálmason) | Read#5 Daniel Kasman reviews...
- 5/28/2019
- MUBI
Since 2012, IndieWire has lent its support to the Locarno Critics Academy, a workshop developed as part of the Summer Academy initiative at the Locarno Film Festival designed to foster aspiring film critics. This year’s participants will contribute essays on the 71st edition of the festival, currently underway in Switzerland. Here’s an overview of their backgrounds and interests.
Name: Pedro Emilio Segura Bernal
Age: 28
Twitter Handle: @PedroEmilioSB / @LAOLACine
Home: Mexico City
Cinematic Area of Expertise: I can’t say I have expertise in anything… I can confess certain predilection for “non-traditional” narratives.
Best You’ve Seen in 2018: “Le Livre d’Image” (“The Image Book”) – Jlg
Movie You’re Most Looking Forward to Seeing At Locarno: It’s a tie between Mariano Llinas’ “La Flor” and “Gangbyeon Hotel” by Hong Sang Soo
Favorite Book or Piece of Writing About Film: The poem-essay used and composed by Godard as a...
Name: Pedro Emilio Segura Bernal
Age: 28
Twitter Handle: @PedroEmilioSB / @LAOLACine
Home: Mexico City
Cinematic Area of Expertise: I can’t say I have expertise in anything… I can confess certain predilection for “non-traditional” narratives.
Best You’ve Seen in 2018: “Le Livre d’Image” (“The Image Book”) – Jlg
Movie You’re Most Looking Forward to Seeing At Locarno: It’s a tie between Mariano Llinas’ “La Flor” and “Gangbyeon Hotel” by Hong Sang Soo
Favorite Book or Piece of Writing About Film: The poem-essay used and composed by Godard as a...
- 8/4/2018
- by Eric Kohn
- Indiewire
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