Life After Oil, a film festival that deals specifically with the environment and human rights on an international level, celebrates an important milestone: its 10th edition. A journey that began in 2014 under the sign of cinema seen not only as artistic expression, but also as a tool for knowledge and information on topics that should concern everyone. For the third consecutive year, the collaboration with the municipality of Villanovaforru, a town in the province of South Sardinia that will host the event from June 6 to 10, is confirmed.
“In spite of all the logistical and organizational difficulties that are encountered and that seem to be increasing instead of decreasing,” highlights artistic director Massimiliano Mazzotta, “the need to make a clean change in the system is so tangible that we want to continue in our intent of popularization through cinema in all its facets, with the hope of reaching an ever-wider audience.
“In spite of all the logistical and organizational difficulties that are encountered and that seem to be increasing instead of decreasing,” highlights artistic director Massimiliano Mazzotta, “the need to make a clean change in the system is so tangible that we want to continue in our intent of popularization through cinema in all its facets, with the hope of reaching an ever-wider audience.
- 5/26/2023
- by Adriana Rosati
- AsianMoviePulse
A new year means a new New Directors/New Films lineup.
The 2023 festival, presented by the Museum of Modern Art and Film at Lincoln Center, is set to take place from March 29 through April 9 and boasts films from 41 directors. The 52nd edition of the festival kicks off with Savannah Leaf’s A24 drama “Earth Mama” and concludes with Vuk Lungulov-Klotz’s trans coming-of-age story “Mutt.” Both premiered at Sundance to acclaim.
In total, the festival boasts 27 features and 11 short films, with screenings taking place at theaters both at MoMA and Flc. Nations represented range from Argentina to Angola, Nigeria to Ukraine.
“This geographically diverse lineup brings together new directors from all over the world presenting works that make bold and creative statements on everything from identity and family to political repression and postcolonial discourse,” MoMA film curator and 2023 Nd/Nf co-chair La Frances Hui said in a press statement. “The...
The 2023 festival, presented by the Museum of Modern Art and Film at Lincoln Center, is set to take place from March 29 through April 9 and boasts films from 41 directors. The 52nd edition of the festival kicks off with Savannah Leaf’s A24 drama “Earth Mama” and concludes with Vuk Lungulov-Klotz’s trans coming-of-age story “Mutt.” Both premiered at Sundance to acclaim.
In total, the festival boasts 27 features and 11 short films, with screenings taking place at theaters both at MoMA and Flc. Nations represented range from Argentina to Angola, Nigeria to Ukraine.
“This geographically diverse lineup brings together new directors from all over the world presenting works that make bold and creative statements on everything from identity and family to political repression and postcolonial discourse,” MoMA film curator and 2023 Nd/Nf co-chair La Frances Hui said in a press statement. “The...
- 2/28/2023
- by Samantha Bergeson
- Indiewire
Film at Lincoln Center and the Museum of Modern Art have set Savanah Leaf’s Earth Mama and Vuk Lungulov-Klotz’s Sundance Special Jury Award winner Mutt, both debut features, as opening and closing film at the 52st edition of their collaboration, New Directors/New Films, running March 29–April 9 in NYC.
The festival will introduce will showcase 27 features and 11 shorts from 41 directors at theaters in both venues.
Mutt star Lio Mehial was awarded a U.S. Special Jury Award for acting at Sundance Film festival for their portrayal of Feña, a twentysomething trans man contending with an onslaught of aggravation, surprise encounters and emotional choices over the course of a single hectic day in New York City. “We were charmed, seduced, and compelled by this fresh new performer as we watched them navigating the intimate complexities of their everyday life and relationships in his search for acceptance,” the jury citation said.
The festival will introduce will showcase 27 features and 11 shorts from 41 directors at theaters in both venues.
Mutt star Lio Mehial was awarded a U.S. Special Jury Award for acting at Sundance Film festival for their portrayal of Feña, a twentysomething trans man contending with an onslaught of aggravation, surprise encounters and emotional choices over the course of a single hectic day in New York City. “We were charmed, seduced, and compelled by this fresh new performer as we watched them navigating the intimate complexities of their everyday life and relationships in his search for acceptance,” the jury citation said.
- 2/28/2023
- by Jill Goldsmith
- Deadline Film + TV
The annual Palm Springs International Film Festival in California is always an opportunity to catch up on many of the contenders for the Best International Feature — née Best Foreign-Language — Film Academy Award. Now in its 31st edition, the festival this year has 51 of them, from favorite-to-beat “Parasite” from South Korea and Senegal’s “Atlantics,” to other films quietly making strides in the race: Czech Republic’s “The Painted Bird,” Sweden’s “And Then We Danced,” Russia’s “Beanpole,” Romania’s “The Whistlers,” North Macedonia’s documentary contender “Honeyland,” Norway’s “Out Stealing Horses,” and many more.
The festival will screen 188 films from 81 countries, including 51 premieres, from January 2-13, 2020. The Awards Buzz section includes a special jury of international film critics, who will review these films to present the Fipresci Award for Best Foreign Language Film of the Year, as well as Best Actor, Best Actress, and Best Screenplay in this category.
The festival will screen 188 films from 81 countries, including 51 premieres, from January 2-13, 2020. The Awards Buzz section includes a special jury of international film critics, who will review these films to present the Fipresci Award for Best Foreign Language Film of the Year, as well as Best Actor, Best Actress, and Best Screenplay in this category.
- 12/10/2019
- by Ryan Lattanzio
- Indiewire
One hundred eighty-eight films films from 81 countries including 51 premieres highlight the lineup for the 31st annual Palm Springs International Film Festival, which kicks off January 2 with a star-studded gala that has become a must-stop during awards season for Oscar hopefuls. The festival, which runs through January 13, also is known for showcasing a large number of submissions in the Motion Picture Academy’s International Film (formerly Foreign Language) competition and will feature 51 of those entries.
The opening-night film on January 3 is the Italian farce An Almost Ordinary Summer, while the closer is director Peter Cattaneo’s heartwarming dramedy Military Wives in which Kristin Scott Thomas, Sharon Horgan and Jason Flemyng lead a superb ensemble cast. The film had its world premiere at September’s Toronto International Film Festival and became an instant crowd-pleaser. Bleecker Street releases it in 2020.
Among the previously announced honorees at the January 2 gala are Antonio Banderas, Renee Zellweger,...
The opening-night film on January 3 is the Italian farce An Almost Ordinary Summer, while the closer is director Peter Cattaneo’s heartwarming dramedy Military Wives in which Kristin Scott Thomas, Sharon Horgan and Jason Flemyng lead a superb ensemble cast. The film had its world premiere at September’s Toronto International Film Festival and became an instant crowd-pleaser. Bleecker Street releases it in 2020.
Among the previously announced honorees at the January 2 gala are Antonio Banderas, Renee Zellweger,...
- 12/10/2019
- by Pete Hammond
- Deadline Film + TV
This year, with some mighty titles from the Maghreb evaluated alongside the rest of continental Africa, the competitive potential of the Middle East lineup handicapped here may seem a tad diminished. Nevertheless, the territory boasts a possible short-list contender in Palestinian helmer Elia Suleiman’s wry travelog “It Must Be Heaven,” which nabbed the international critics award at 2019 Cannes.
Back in 2003, Suleiman’s second feature, “Divine Intervention,” marked the first of 12 submissions made by Palestine over the years. During that time, the entries resulted in two nominations, both for films helmed by Hany Abu-Assad: “Paradise Now” (2005) and “Omar” (2013). Now, Suleiman, like Abu-Assad, is recognized as an elder statesman of Palestinian filmmaking as well as an accomplished auteur whose films continue to bear witness to the surreal and the absurd in Palestinian life at home and abroad. Although his work is better-known in Europe than in the U.S., “It Must Be Heaven...
Back in 2003, Suleiman’s second feature, “Divine Intervention,” marked the first of 12 submissions made by Palestine over the years. During that time, the entries resulted in two nominations, both for films helmed by Hany Abu-Assad: “Paradise Now” (2005) and “Omar” (2013). Now, Suleiman, like Abu-Assad, is recognized as an elder statesman of Palestinian filmmaking as well as an accomplished auteur whose films continue to bear witness to the surreal and the absurd in Palestinian life at home and abroad. Although his work is better-known in Europe than in the U.S., “It Must Be Heaven...
- 12/5/2019
- by Alissa Simon
- Variety Film + TV
Every year since its creation in 1956, the Academy of Motion Picture Arts and Sciences (AMPAS) invites the film industries of various countries to submit their best film for the Academy Award for Best Foreign Language Film. The award is presented annually by the Academy to a feature-length motion picture produced outside the United States that contains primarily non-English dialogue and that was released theatrically in their respective countries between 1 October 2018 and 30 September 2019.
Here are the Asian Submissions for Best Foreign Language Film. There are some excellent movies in this bunch and we have seen and reviewed already some of them.
Afghanistan
“Hava, Maryam, Ayesha” by Sahraa Karimi
Hava, Maryam, Ayesha
Armenia
“Lengthy Night” by Edgar Baghdasaryan
Lenghty Night
Bangladesh
“Alpha” by Nasiruddin Yousuff
Alpha
Cambodia
“In The Life of Music” by Caylee So and Sok Visal
In The Life of Music
China
“Ne Zha” by Jiaozi
Ne Zha
Georgia
“Shindisi...
Here are the Asian Submissions for Best Foreign Language Film. There are some excellent movies in this bunch and we have seen and reviewed already some of them.
Afghanistan
“Hava, Maryam, Ayesha” by Sahraa Karimi
Hava, Maryam, Ayesha
Armenia
“Lengthy Night” by Edgar Baghdasaryan
Lenghty Night
Bangladesh
“Alpha” by Nasiruddin Yousuff
Alpha
Cambodia
“In The Life of Music” by Caylee So and Sok Visal
In The Life of Music
China
“Ne Zha” by Jiaozi
Ne Zha
Georgia
“Shindisi...
- 10/10/2019
- by Adriana Rosati
- AsianMoviePulse
A record 93 countries submitted entries in the International Feature Film race at the 2020 Oscars. That is up by six from last year,when the category was still called Best Foreign-Language Film, and eclipses the record 92 submissions in 2018. The nations represented ranged from A (Albania) to V (Vietnam). Predicting the eventual five Oscar nominees is made difficult by the two-step process.
First, the several hundred academy members of the Foreign-Language Film screening committee are required to watch a number of the submissions (upwards of a dozen) over a two-month period that ends in mid December. They will rate them from 6 to 10 and their top six vote-getters make it to the next round, as will three films added by the 20 members of the executive committee.
Those nine semi-finalists will be screened three per day beginning in early January by select committee members in Gotham, Hollywood, London and San Francisco. These 40 folks will...
First, the several hundred academy members of the Foreign-Language Film screening committee are required to watch a number of the submissions (upwards of a dozen) over a two-month period that ends in mid December. They will rate them from 6 to 10 and their top six vote-getters make it to the next round, as will three films added by the 20 members of the executive committee.
Those nine semi-finalists will be screened three per day beginning in early January by select committee members in Gotham, Hollywood, London and San Francisco. These 40 folks will...
- 10/7/2019
- by Paul Sheehan
- Gold Derby
Expanded shortlist of 10 films to be announced on December 16.
The Academy on Monday (7) confirmed that 93 countries have submitted films for consideration in the international feature film category for the 92nd Academy Awards.
Ghana, Nigeria and Uzbekistan are first-time entrants with Kwabena Gyansah’s Azali, Genevieve Nnaji’s Lionheart, and Umid Khamdamov’s Hot Bread, respectively.
Earlier this year, the Academy board voted to rename the category formerly known as foreign language film, and expand the shortlist from nine to 10 films.
The shortlist will be announced on December 16. Nominations for the 92nd Oscars will be unveiled on January 13, 2020, and the Oscars...
The Academy on Monday (7) confirmed that 93 countries have submitted films for consideration in the international feature film category for the 92nd Academy Awards.
Ghana, Nigeria and Uzbekistan are first-time entrants with Kwabena Gyansah’s Azali, Genevieve Nnaji’s Lionheart, and Umid Khamdamov’s Hot Bread, respectively.
Earlier this year, the Academy board voted to rename the category formerly known as foreign language film, and expand the shortlist from nine to 10 films.
The shortlist will be announced on December 16. Nominations for the 92nd Oscars will be unveiled on January 13, 2020, and the Oscars...
- 10/7/2019
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
The 2020 foreign-language Oscar nominees will come from submissions from 93 countries, up from last year’s 87, and breaking the record 92 from 2017. A contender for the renamed Best International Feature must be a feature-length motion picture (more than 40 minutes) produced outside the United States with a predominantly non-English dialogue track.
Ghana, Nigeria, and Uzbekistan are first-time entrants, but Uganda did not qualify. China (Yu Yang’s “Ne Zha”) and Senegal (Mati Diop’s “Atlantics”) submitted their films under the wire on the deadline of October 1.
Earlier this year, the Academy’s Board of Governors voted not only to rename the Foreign Language Film category, but to expand the shortlist from nine films to 10.
The 2019 submissions, listed in alphabetical order by country, are:
Albania, “The Delegation,” Bujar Alimani, director;
Algeria, “Papicha,” Mounia Meddour, director;
Argentina, “Heroic Losers,” Sebastián Borensztein, director;
Armenia, “Lengthy Night,” Edgar Baghdasaryan, director;
Australia, “Buoyancy,” Rodd Rathjen, director;
Austria, “Joy,...
Ghana, Nigeria, and Uzbekistan are first-time entrants, but Uganda did not qualify. China (Yu Yang’s “Ne Zha”) and Senegal (Mati Diop’s “Atlantics”) submitted their films under the wire on the deadline of October 1.
Earlier this year, the Academy’s Board of Governors voted not only to rename the Foreign Language Film category, but to expand the shortlist from nine films to 10.
The 2019 submissions, listed in alphabetical order by country, are:
Albania, “The Delegation,” Bujar Alimani, director;
Algeria, “Papicha,” Mounia Meddour, director;
Argentina, “Heroic Losers,” Sebastián Borensztein, director;
Armenia, “Lengthy Night,” Edgar Baghdasaryan, director;
Australia, “Buoyancy,” Rodd Rathjen, director;
Austria, “Joy,...
- 10/7/2019
- by Anne Thompson
- Thompson on Hollywood
The 2020 foreign-language Oscar nominees will come from submissions from 93 countries, up from last year’s 87, and breaking the record 92 from 2017. A contender for the renamed Best International Feature must be a feature-length motion picture (more than 40 minutes) produced outside the United States with a predominantly non-English dialogue track.
Ghana, Nigeria, and Uzbekistan are first-time entrants, but Uganda did not qualify. China (Yu Yang’s “Ne Zha”) and Senegal (Mati Diop’s “Atlantics”) submitted their films under the wire on the deadline of October 1.
Earlier this year, the Academy’s Board of Governors voted not only to rename the Foreign Language Film category, but to expand the shortlist from nine films to 10.
The 2019 submissions, listed in alphabetical order by country, are:
Albania, “The Delegation,” Bujar Alimani, director;
Algeria, “Papicha,” Mounia Meddour, director;
Argentina, “Heroic Losers,” Sebastián Borensztein, director;
Armenia, “Lengthy Night,” Edgar Baghdasaryan, director;
Australia, “Buoyancy,” Rodd Rathjen, director;
Austria, “Joy,...
Ghana, Nigeria, and Uzbekistan are first-time entrants, but Uganda did not qualify. China (Yu Yang’s “Ne Zha”) and Senegal (Mati Diop’s “Atlantics”) submitted their films under the wire on the deadline of October 1.
Earlier this year, the Academy’s Board of Governors voted not only to rename the Foreign Language Film category, but to expand the shortlist from nine films to 10.
The 2019 submissions, listed in alphabetical order by country, are:
Albania, “The Delegation,” Bujar Alimani, director;
Algeria, “Papicha,” Mounia Meddour, director;
Argentina, “Heroic Losers,” Sebastián Borensztein, director;
Armenia, “Lengthy Night,” Edgar Baghdasaryan, director;
Australia, “Buoyancy,” Rodd Rathjen, director;
Austria, “Joy,...
- 10/7/2019
- by Anne Thompson
- Indiewire
The Academy of Motion Picture Arts and Sciences has released the full list of countries that have submitted a pic for consideration for the new International Feature Film Oscar category.
Here are the 93 nations and their hopefuls, in alphabetical order:
Albania, The Delegation, Bujar Alimani, director;
Algeria, Papicha, Mounia Meddour, director;
Argentina, Heroic Losers, Sebastián Borensztein, director;
Armenia, Lengthy Night, Edgar Baghdasaryan, director;
Australia, Buoyancy, Rodd Rathjen, director;
Austria, Joy, Sudabeh Mortezai, director;
Bangladesh, Alpha, Nasiruddin Yousuff, director;
Belarus, Debut, Anastasiya Miroshnichenko, director;
Belgium, Our Mothers, César Díaz, director;
Bolivia, I Miss You, Rodrigo Bellott, director;
Bosnia and Herzegovina, The Son, Ines Tanovic, director;
Brazil, Invisible Life, Karim Aïnouz, director;
Bulgaria, Ága, Milko Lazarov, director;
Cambodia, In the Life of Music, Caylee So, Sok Visal, directors;
Canada, Antigone, Sophie Deraspe, director;
Chile, Spider, Andrés Wood, director;
China, Ne Zha, Yu Yang, director;
Colombia, Monos, Alejandro Landes, director;
Costa Rica, The Awakening of the Ants,...
Here are the 93 nations and their hopefuls, in alphabetical order:
Albania, The Delegation, Bujar Alimani, director;
Algeria, Papicha, Mounia Meddour, director;
Argentina, Heroic Losers, Sebastián Borensztein, director;
Armenia, Lengthy Night, Edgar Baghdasaryan, director;
Australia, Buoyancy, Rodd Rathjen, director;
Austria, Joy, Sudabeh Mortezai, director;
Bangladesh, Alpha, Nasiruddin Yousuff, director;
Belarus, Debut, Anastasiya Miroshnichenko, director;
Belgium, Our Mothers, César Díaz, director;
Bolivia, I Miss You, Rodrigo Bellott, director;
Bosnia and Herzegovina, The Son, Ines Tanovic, director;
Brazil, Invisible Life, Karim Aïnouz, director;
Bulgaria, Ága, Milko Lazarov, director;
Cambodia, In the Life of Music, Caylee So, Sok Visal, directors;
Canada, Antigone, Sophie Deraspe, director;
Chile, Spider, Andrés Wood, director;
China, Ne Zha, Yu Yang, director;
Colombia, Monos, Alejandro Landes, director;
Costa Rica, The Awakening of the Ants,...
- 10/7/2019
- by Erik Pedersen
- Deadline Film + TV
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