After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
A con man, Irving Rosenfeld, along with his seductive partner Sydney Prosser, is forced to work for a wild F.B.I. Agent, Richie DiMaso, who pushes them into a world of Jersey powerbrokers and the Mafia.
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Navy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
Joy has always been fascinated by creating things, This pursuit was always supported emotionally by her maternal grandmother, Mimi. Joy feels that lack of practical support has led to others making fortunes on ideas she came up with years ago but could not act upon manufacturing. Despite being broke, Joy is the person in her extended family to whom everyone has always turned, in the process forgoing her own life, including not having attended college to help see her parents through their divorce. She works in an unsatisfying job as an Eastern Airlines ticket clerk; and lives with her mother Terry who spends all day in bed watching soap operas; her ex-husband Tony, a less than successful aspiring Latino Tom Jones wannabe; and their two children. Added to this mix is her father Rudy, the owner of a failing heavy-duty garage, which is managed by Joy's older half-sister Peggy, with whom she has somewhat of a strained relationship, and for which Joy does the books. Sharon, Rudy's latest ...Written by
Drena De Niro had a small role in the film. See more »
The character mispronounced Lancaster, PA, the way it is pronounced in Pennsylvania. See more »
[TV soap opera scene]
It doesn't make sense, I don't understand how something like this happened. I don't know what I'm going to do. This has been my whole life, and now it's gone I don't know what I'm supposed to do. Pendleton Industries is all I've ever known, and now it's all been taken away.
When someone sees a weakness in me, I turn that weakness into a strength.
[holds up a gun]
Danica, you're so strong. I don't think I can do anything like this.
You can imagine changing your ...
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The 20th Century Fox fanfare abruptly cuts into the background music. See more »
Joy is a fine half a film. The performances all-around are strong, the story is uncommon enough to grab your attention, and keep you invested, and the direction is solid. With all that in mind, Joy still feels like a shallow version of what could have been. There is a reason why all the movie's Oscar buzz has all but dissipated in every category except a courtesy nod to Jennifer Lawrence as Best Actress; Why? You should read on.
Lawrence plays the titular character, a mother of two with a very complicated home life. Though divorced, her ex-husband (Ramirez) lives in the basement waiting for his singing career to take off. Though she has decidedly negative relationships with her parents, her shut-in mother (Madsen) lives with her and her father (De Niro) is a serial divorcée with a struggling auto repair shop. It's also the 1980's and she works the night shift for an Airline that's dramatically cutting back hours; yikes. The only thing she has going for her is she likes to tinker and has the work ethic to see a good idea through. So when she has a eureka moment after a failed excursion on her father's new girlfriend's boat, she quickly invents a household object that may just be her ticket out of systemic poverty.
I don't think I'm giving much away by saying the movie asks its audience to hinge their emotional cache on a mop. The self-wringing Miracle Mop to be exact, invented by honest-to-God real person Joy Mangano. Leave it to director David O. Russell to find a decent story in the life of a QVC luminary and keep it just this side of rational. The prologue of the film lovingly dedicates the movie to "daring women," which Joy certainly is but Russell wisely omits the last name to give the audience a universality. This too can be your story of success if you have grit and a good idea. It's a great theme sadly worth a much better movie.
Part of the problem is the pace. There are long stretches of improvisations that carry absolutely no emotional weight. Unlike American Hustle (2013) and Silver Linings Playbook (2012) where the rushed, overlapping dialogue and melodramatic mugging serves to highlight the immediacy of, say dealing with the mob, here there's nothing holding us to the characters and their goals...except Joy. Russell seems to be aware of his own style and juxtaposes the lives on screen with an 80's era soap opera which consumes the life of Joy's mother. The parallel is interesting in theory but the results deflate the proceedings.
Not usually the voice of hope, I really wanted to like this movie. A movie about the positives of hard work and entrepreneurship has not hit theaters since Pursuit of Happyiness (2006). Yet out of all modern directors working today, David O. Russell feels like a quixotic mouthpiece for such a hopeful theme. His movies always have an unabashed pessimism about human nature that undermines his characters with an almost Bunuelian sense of treachery. Even as far back as his Three Kings (1999) days there was a mercurial, bittersweet undercurrent to his work. Joy bares disappointment after disappointment to a breaking point most protagonists of this genre would buckle under. Then, as if to put a band-aid on an open gash, the movie ends with an epilogue that's pat to the point of flimflam.
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