From a new Alfredo Castro movie to fresh titles by “Case 63” writer Julio Rojas and “A Fantastic Woman” scribe Gonzalo Maza — plus the debut of Cannes Cinéfondation winner Diego Céspedes — here are titles from seven Chilean production companies whose presence at Cannes is backed by Chile’s ministry of culture.
“Bitter Gold,”
In a defunct North Chilean mining community, a teenage girl battles patriarchal forces to save her family’s business in this empowering neo-Western. Lead-produced by Juntos Films in co-production with La Santé (Chile), Whisky Content (México). Intl. Sales: Patra Spanou Films.
“Después de Elena” (Shawn Garry)
Alfredo Castro stars in a dark comedy as widower Roberto, who seeks solace but faces family dysfunction and lies. Produced by Gabriela Sandoval at Cine Matriz, Magma Cine and Zoe Films.
“Epílogo para un otoño,” (David Belmar)
This Lucho Films drama follows 85-year-old Gabriel, who feels death looming. He fails in his...
“Bitter Gold,”
In a defunct North Chilean mining community, a teenage girl battles patriarchal forces to save her family’s business in this empowering neo-Western. Lead-produced by Juntos Films in co-production with La Santé (Chile), Whisky Content (México). Intl. Sales: Patra Spanou Films.
“Después de Elena” (Shawn Garry)
Alfredo Castro stars in a dark comedy as widower Roberto, who seeks solace but faces family dysfunction and lies. Produced by Gabriela Sandoval at Cine Matriz, Magma Cine and Zoe Films.
“Epílogo para un otoño,” (David Belmar)
This Lucho Films drama follows 85-year-old Gabriel, who feels death looming. He fails in his...
- 5/14/2024
- by Anna Marie de la Fuente
- Variety Film + TV
In a notable prestige project package from Chile, Gonzalo Maza, co-writer of Sebastian Lelio’s Academy Award-winning “A Fantastic Woman,” has boarded “I Don’t Know How to Say Goodbye,” a drama thriller non-fiction series to be directed by Carola Fuentes and produced by Rafael Valdeavellano, re-teaming after their collaboration as co-writers and directors on the admired “Chicago Boys,” (2015) and “Breaking the Brick” (2022).
Both doc features were nuanced studies of the impact of Chicago school of Neoliberal thought on standard economic policy in Augusto Pinochet’s Chile. “Goodbye” turns on another often deleterious mindset, the highly codified and often cruel power dynamics seen in the online representation of fellow high school students.
Set up at the partners’ La Ventana Cine in Santiago de Chile, “I Don’t Want to Say Goodbye,” now in development, is executive produced by director Marcela Said, who has helmed episodes of “Gangs of London,” (2022), “Lupin...
Both doc features were nuanced studies of the impact of Chicago school of Neoliberal thought on standard economic policy in Augusto Pinochet’s Chile. “Goodbye” turns on another often deleterious mindset, the highly codified and often cruel power dynamics seen in the online representation of fellow high school students.
Set up at the partners’ La Ventana Cine in Santiago de Chile, “I Don’t Want to Say Goodbye,” now in development, is executive produced by director Marcela Said, who has helmed episodes of “Gangs of London,” (2022), “Lupin...
- 11/27/2023
- by John Hopewell
- Variety Film + TV
Focusing on Chile’s large cinematic prowess, Sanfic’s Chilean Film Competition is set to hone in on national filmmaking and a few promising co-productions from budding and established Latin American talent.
Efforts backed by industry leaders Roberto Doveris, Alicia Scherson and Mexico’s Inti Cordera illustrate that Chilean filmmakers are pulling in further support by relaying poignant, far-reaching narratives.
The Chilean Film Competition was announced by the Sanfic 18, Santiago International Film Festival which will run Aug. 14-21 as a hybrid event.
Highly-anticipated projects include “Villa Olímpica,” produced, in part, by Cordera, who’s previously partnered with the likes of National Geographic and Discovery to bring engaging documentary series to the fore, and fantasy feature “Piedra Noche,” which reunites ingenious Argentine filmmaking duo Santiago Loza (“Extraño”) and Iván Fund (“Hoy No Me Tuve Miedo”)
Young talents bowing their first feature attempts are also represented in projects like Fernando Saldivia Yañez...
Efforts backed by industry leaders Roberto Doveris, Alicia Scherson and Mexico’s Inti Cordera illustrate that Chilean filmmakers are pulling in further support by relaying poignant, far-reaching narratives.
The Chilean Film Competition was announced by the Sanfic 18, Santiago International Film Festival which will run Aug. 14-21 as a hybrid event.
Highly-anticipated projects include “Villa Olímpica,” produced, in part, by Cordera, who’s previously partnered with the likes of National Geographic and Discovery to bring engaging documentary series to the fore, and fantasy feature “Piedra Noche,” which reunites ingenious Argentine filmmaking duo Santiago Loza (“Extraño”) and Iván Fund (“Hoy No Me Tuve Miedo”)
Young talents bowing their first feature attempts are also represented in projects like Fernando Saldivia Yañez...
- 7/29/2022
- by Holly Jones
- Variety Film + TV
Cognizant of the ever-raw emotion elicited by monumental civil unrest, Chilean producer-directors Carola Fuentes and Rafael Valdeavellano glimpse boldly into the Neoliberal structures that seemingly divided and destroyed a nation’s prosperity.
With a lens on the uphill battle to achieve a semblance of peace amidst a global pandemic, a country makes an historic and eager leap towards progress, a new constitution and leader at the fore.
“Breaking The Brick” dutifully follows the pair’s 2015 feature-length documentary, “Chicago Boys,” which interviewed authors in charge of drafting El Ladrillo, a Neoliberal free market text-turned economic model influenced by Milton Friedman and instituted by the Pinochet dictatorship. Though touted as a miraculous way to bring prosperity to Chile, the system eventually drew criticism when the public saw wealth disparities spiral.
The film begins with a delicate yet forceful metaphor that equates the populace to the cells within a caterpillar that have to...
With a lens on the uphill battle to achieve a semblance of peace amidst a global pandemic, a country makes an historic and eager leap towards progress, a new constitution and leader at the fore.
“Breaking The Brick” dutifully follows the pair’s 2015 feature-length documentary, “Chicago Boys,” which interviewed authors in charge of drafting El Ladrillo, a Neoliberal free market text-turned economic model influenced by Milton Friedman and instituted by the Pinochet dictatorship. Though touted as a miraculous way to bring prosperity to Chile, the system eventually drew criticism when the public saw wealth disparities spiral.
The film begins with a delicate yet forceful metaphor that equates the populace to the cells within a caterpillar that have to...
- 4/30/2022
- by Holly Jones
- Variety Film + TV
Hot Docs’ market events remain online in 2022 to maximize interactions between feature-doc teams, financiers, and other decision-makers, but its three-day, in-person industry conference is mingling hot topics, first looks (works-in-progress screenings), and networking ops (lounges and lunches) to facilitate what the festival’s industry program director Elizabeth Radshaw calls “moments of serendipity.”
Hot Docs Industry Live unfolds April 30 to May 2 in the TIFF Bell Lightbox and nearby Art Gallery of Ontario, repositioning the industry hub in Toronto’s downtown business and entertainment district—familiar ground to many international industry reps—and allowing for deeper integration between Hot Docs’ public screening and industry components.
2022’s transitional, hybrid edition continues the market format of the past two years, online-only editions of the Forum—the festival’s marquee pitch event—and the one-on-one Dealmaker and Distribution Rendezvous meeting programs, which proved successful.
“We were able to bring in buyers that were too busy with Cannes to attend,...
Hot Docs Industry Live unfolds April 30 to May 2 in the TIFF Bell Lightbox and nearby Art Gallery of Ontario, repositioning the industry hub in Toronto’s downtown business and entertainment district—familiar ground to many international industry reps—and allowing for deeper integration between Hot Docs’ public screening and industry components.
2022’s transitional, hybrid edition continues the market format of the past two years, online-only editions of the Forum—the festival’s marquee pitch event—and the one-on-one Dealmaker and Distribution Rendezvous meeting programs, which proved successful.
“We were able to bring in buyers that were too busy with Cannes to attend,...
- 4/28/2022
- by Jennie Punter
- Variety Film + TV
Forty eight projects have been chosen for the online edition,
Projects on climate change movement Extinction Rebellion and the Saudi Arabia women’s football team are among those selected for Sheffield Doc/Fest’s 2020 online marketplace MeetMarket.
The documentary market will take place via virtual video-conferencing from June 8-10 June, with the Alternate Realities Talent Market running on the same dates.
Among the 48 projects from 500 applications selected for the MeetMarket is Xr Beyond The Emergency from the UK. Directed by Maia Kenworthy and Elena Sánchez Bellot and produced by Katrina Mansoor, it centres on the ordinary people who are devoting...
Projects on climate change movement Extinction Rebellion and the Saudi Arabia women’s football team are among those selected for Sheffield Doc/Fest’s 2020 online marketplace MeetMarket.
The documentary market will take place via virtual video-conferencing from June 8-10 June, with the Alternate Realities Talent Market running on the same dates.
Among the 48 projects from 500 applications selected for the MeetMarket is Xr Beyond The Emergency from the UK. Directed by Maia Kenworthy and Elena Sánchez Bellot and produced by Katrina Mansoor, it centres on the ordinary people who are devoting...
- 4/14/2020
- by 1101321¦Ben Dalton¦26¦
- ScreenDaily
Keep up with the always-hopping film festival world with our weekly Film Festival Roundup column. Check out last week’s Roundup right here.
Lineup Announcements
– Exclusive: The 12th Annual Sunscreen Film Festival announced its official selections for the 2017 event featuring films with Alec Baldwin, Dylan McDermott, John Cleese, Daphne Zuniga and more. Opening night will feature Michael Mailer’s newest film, “Blind,” a romantic-drama, starring Alec Baldwin, Demi Moore and Dylan McDermott. Closing night will wrap up the festival with “Albion: The Enchanted Stallion,” a family fantasy adventure, starring John Cleese, Debra Messing, Jennifer Morrison and Stephen Dorff.
Retrospective Screenings will include Daphne Zuniga appearance at the festival honoring the 30th anniversary of “Spaceballs.” Also in this category will be “The Greatest Show on Earth,” from 1952 directed by Cecile B. DeMille, which won the Oscar for Best Pictures and Best Writing in 1953. The screening will honor the closing of the Ringling Bros.
Lineup Announcements
– Exclusive: The 12th Annual Sunscreen Film Festival announced its official selections for the 2017 event featuring films with Alec Baldwin, Dylan McDermott, John Cleese, Daphne Zuniga and more. Opening night will feature Michael Mailer’s newest film, “Blind,” a romantic-drama, starring Alec Baldwin, Demi Moore and Dylan McDermott. Closing night will wrap up the festival with “Albion: The Enchanted Stallion,” a family fantasy adventure, starring John Cleese, Debra Messing, Jennifer Morrison and Stephen Dorff.
Retrospective Screenings will include Daphne Zuniga appearance at the festival honoring the 30th anniversary of “Spaceballs.” Also in this category will be “The Greatest Show on Earth,” from 1952 directed by Cecile B. DeMille, which won the Oscar for Best Pictures and Best Writing in 1953. The screening will honor the closing of the Ringling Bros.
- 3/30/2017
- by Kate Erbland
- Indiewire
★★☆☆☆ The subject matter of Carola Fuentes and Rafael Valdeavellano's Chicago Boys is certainly worthy of documentary coverage but its narrow scope and dull presentation mean it is unlikely to appeal to many viewers other than students of financial history. Under the tutelage of Milton Friedman and Arnold Harberger, from the mid-1950s onwards groups of economists from the Pontifical Catholic University in Santiago travelled to Chicago's School of Economics to learn better teaching methods in order that they be equipped with the means necessary to rescue their country from ruin.
- 6/19/2016
- by CineVue UK
- CineVue
The 2015 edition of the Santiago Festival Internacional de Cine (Sanfic) concluded this past weekend, and an international jury has announced their prize-winners in three competitive categories. More than 90 films from 20 countries screened during the festival, which is one of the key film events in Chile. During the awards ceremony, actor Michael Madsen presented a video he directed, featuring a compilation of images and poems from his collection. Then the awards were presented: International Competition Best Picture: The Wolfpack Best Director: Sebastian Schipper, for Victoria Honorable Mention: Elena Anaya as best actress for La Memoria del Agua Dolores Fonzi as best actress for Paulina Chilean Cinema Competition Best Picture: Surire (Bettina Perut and Ivan Osnovikoff) Best Director: Carola Fuentes and Rafael Valdeavellano for...
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- 9/1/2015
- Screen Anarchy
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