An American grandson of the infamous scientist, struggling to prove that his grandfather was not as insane as people believe, is invited to Transylvania, where he discovers the process that reanimates a dead body.
On the peaceful planet Druidia, King Roland attempts to marry his daughter Princess Vespa to Prince Valium, but Vespa and her loyal droid Dot Matrix escape during her wedding. After wasting the fresh air on the distant planet Spaceball, the good-for-nothing President Skroob orders the archvillain henchman Dark Helmet to kidnap Princess Vespa to force King Roland to provide them with the code to Druidia's atmosphere. Under those circumstances, the seasoned mercenary Lone Starr and his trusty half-human, half-canine sidekick Barf will attempt to save the Princess in distress, while at the same time, the ruthless loan-shark Pizza the Hutt is after them. But in the end, only he who can harness the mystical and mighty force known only as "The Schwartz" will be able to save the day.Written by
Every time Dark Helmet has his face covered, his voice is lower and more basal, similar to James Earl Jones when he played Darth Vader. He also speaks with an African accent. In the DVD commentary, Mel Brooks says that the idea of Dark Helmet's voice changing whenever his face was covered was actually Rick Moranis' idea. Curiously, Moranis' Dark Helmet voice bears resemblance to actor and stuntman David Prowse's actual voice, who physically portrayed Darth Vader in the original Star Wars trilogy. See more »
When Lone Starr, Princess Vespa, Dot Matrix and Barf walk toward the statue of Yogurt, Vespa takes hold of Lone Starr and Dot's hands twice, both before and after Barf's "Temple of Doom" remark. See more »
Performed by Berlin
Produced by Robert Ezrin (as Bob Ezrin)
Courtesy of Geffen Records and PolyGram International Music BV
By Arrangement with Warner Special Products See more »
Mel Brooks at His Shameless, Unrestrained Best
A classic remnant from the tail end of Mel Brooks's manic, pun-drenched peak. It may not be as smart as The Producers or as complete as Blazing Saddles, but it's every bit as funny as anything he's ever made and that's saying something. Its light-handed approach to storytelling, where the jokes come first and the plot developments are a distant second, is actually very similar to 1981's History of the World, Part I - which should be no surprise, as they're back-to-back in his sequential catalog. Rick Moranis, Bill Pullman and John Candy really come to life in their roles as not-so-subtle parodies of Darth Vader, Han Solo and Chewbacca, respectively, with Moranis in particular somehow getting deep laughs out of lines so cheesy a Taco Bell nacho would flinch. As dumb comedies go it's a heavyweight champion, so infinitely quotable that my buddies and I had to enforce a strict "one Spaceballs reference per day" policy back in school to keep things from getting out of hand. Absurdly stupid fun.
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