The 46th César Awards, France’s top film honors, have been handed out in Paris, with Dominik Moll’s crime thriller The Night of the 12th winning the best picture trophy.
Moll’s The Night of the 12th, which premiered in Cannes last year, scored 10 César noms coming into the awards show, just behind Louis Garrel’s The Innocent, which picked up 11 nominations. Moll also won for best director, and Bouli Lanners earned the best supporting actor trophy for his performance in The Night of the 12th.
Cédric Klapisch’s Rise, about a ballet dancer (Marion Barbeau) who, after an injury, seeks a new future in contemporary dance, was up for 9 Césars, as was Albert Serra’s Pacifiction, a thriller featuring Benoît Magimel as a morally-challenged Haut-Commissaire on an island in French Polynesia.
Valeria Bruni Tedeschi’s dramedy Forever Young, Cedric Jimenez’s terrorism drama November, Eric Gravel’s family...
Moll’s The Night of the 12th, which premiered in Cannes last year, scored 10 César noms coming into the awards show, just behind Louis Garrel’s The Innocent, which picked up 11 nominations. Moll also won for best director, and Bouli Lanners earned the best supporting actor trophy for his performance in The Night of the 12th.
Cédric Klapisch’s Rise, about a ballet dancer (Marion Barbeau) who, after an injury, seeks a new future in contemporary dance, was up for 9 Césars, as was Albert Serra’s Pacifiction, a thriller featuring Benoît Magimel as a morally-challenged Haut-Commissaire on an island in French Polynesia.
Valeria Bruni Tedeschi’s dramedy Forever Young, Cedric Jimenez’s terrorism drama November, Eric Gravel’s family...
- 2/24/2023
- by Scott Roxborough and Etan Vlessing
- The Hollywood Reporter - Movie News
French-Italian actress Valeria Bruni-Tedeschi has denounced media reports revealing that actor Sofiane Bennacer is under investigation following allegations of rape and violence, saying he is the victim of a “media lynching”.
Bennacer starred in Bruni-Tedeschi’s Cannes 2022 Palme d’Or contender Forever Young, a semi-autobiographical drama inspired by her experiences as a student at the Les Amandiers theatre school in Nanterre in the 1980s.
French media reported earlier this week that Bennacer had been placed under judicial control in October.
The measure prevents him from entering the Paris region as well as contacting accusers and witnesses in the affair. Bruni-Tedeschi has been named as one of the witnesses.
The news broke just days after Bennacer was announced on November 16 as being among the 32 young actors selected for the 2023 edition of France’s César Academy Revelations talent showcase.
The body announced on Tuesday it had removed him from the list following...
Bennacer starred in Bruni-Tedeschi’s Cannes 2022 Palme d’Or contender Forever Young, a semi-autobiographical drama inspired by her experiences as a student at the Les Amandiers theatre school in Nanterre in the 1980s.
French media reported earlier this week that Bennacer had been placed under judicial control in October.
The measure prevents him from entering the Paris region as well as contacting accusers and witnesses in the affair. Bruni-Tedeschi has been named as one of the witnesses.
The news broke just days after Bennacer was announced on November 16 as being among the 32 young actors selected for the 2023 edition of France’s César Academy Revelations talent showcase.
The body announced on Tuesday it had removed him from the list following...
- 11/25/2022
- by Melanie Goodfellow
- Deadline Film + TV
Is there a better way to prove the virtue of the cinematic experience than to get 5,000 people on their feet giving a film a standing ovation?
Cannes Film Festival chief Thierry Fremaux did just that on the opening night of his 14th Lumière Film Festival in Lyon with Louis Garrel’s romantic comedy “The Innocent.”
The movie played in the jam-packed Halle Tony Garnier before a star-studded crowd, including Garrel and his cast, Noémie Merlant and Roschdy Zem, as well as Sebastián Lelio, Costa Gavras, Leila Bekhti, Marina Fois, Lee Chang-dong, Nicole Garcia, Sabine Azema and Damien Bonnard.
Industry players also turned up, notably MK2 Films’ co-CEOs Nathanael and Elisha Karmitz, Series Mania’s director Laurence Herszberg, Ad Vitam co-founder Alexandra Henochsberg, the Annecy Film Festival head Mickaël Marin, and “The Innocent” producer, Anne-Dominique Toussaint. The opening night event was held in the city’s historic 5,000-seat Tony Garnier concert...
Cannes Film Festival chief Thierry Fremaux did just that on the opening night of his 14th Lumière Film Festival in Lyon with Louis Garrel’s romantic comedy “The Innocent.”
The movie played in the jam-packed Halle Tony Garnier before a star-studded crowd, including Garrel and his cast, Noémie Merlant and Roschdy Zem, as well as Sebastián Lelio, Costa Gavras, Leila Bekhti, Marina Fois, Lee Chang-dong, Nicole Garcia, Sabine Azema and Damien Bonnard.
Industry players also turned up, notably MK2 Films’ co-CEOs Nathanael and Elisha Karmitz, Series Mania’s director Laurence Herszberg, Ad Vitam co-founder Alexandra Henochsberg, the Annecy Film Festival head Mickaël Marin, and “The Innocent” producer, Anne-Dominique Toussaint. The opening night event was held in the city’s historic 5,000-seat Tony Garnier concert...
- 10/16/2022
- by Elsa Keslassy and Lise Pedersen
- Variety Film + TV
Neon has acquired the North American distribution rights to Alice Rohrwacher’s “La Chimera,” starring Josh O’Connor and Isabella Rossellini.
Written and directed by Rohrwacher, the film is set in the 1980s in the clandestine world of the tombaroli (tomb robbers) and tells the story of a young English archaeologist (O’Connor) who gets caught up in the illegal trafficking of ancient finds.
The cast also includes Carol Duarte, Alba Rohrwacher and Vincenzo Nemolato. The film has wrapped phase one of production in Tarquinia and southern Tuscany and will continue in August and September in central Italy and Switzerland.
The film is produced, as all of Rohrwacher’s previous films, by Carlo Cresto-Dina with his company Tempesta and long-time backers Rai Cinema, in co-production with Neon, Amka Films (Switzerland) and Ad Vitam Production (France), and in partnership with Arte France Cinema, Canal+, Ciné+, Rsi/Ssr Srg (Switzerland) and French distributor Ad Vitam.
Written and directed by Rohrwacher, the film is set in the 1980s in the clandestine world of the tombaroli (tomb robbers) and tells the story of a young English archaeologist (O’Connor) who gets caught up in the illegal trafficking of ancient finds.
The cast also includes Carol Duarte, Alba Rohrwacher and Vincenzo Nemolato. The film has wrapped phase one of production in Tarquinia and southern Tuscany and will continue in August and September in central Italy and Switzerland.
The film is produced, as all of Rohrwacher’s previous films, by Carlo Cresto-Dina with his company Tempesta and long-time backers Rai Cinema, in co-production with Neon, Amka Films (Switzerland) and Ad Vitam Production (France), and in partnership with Arte France Cinema, Canal+, Ciné+, Rsi/Ssr Srg (Switzerland) and French distributor Ad Vitam.
- 5/20/2022
- by Manori Ravindran
- Variety Film + TV
Neon is continuing its acquisition spree and has acquired the North American distribution rights to “La Chimera,” the next film from Italian auteur Alice Rohrwacher that stars “The Crown” actor Josh O’Connor and Isabella Rossellini.
Written and directed by Rohrwacher, “La Chimera” is set in the 1980s in the clandestine world of the tombaroli, or tomb robbers and tells the story of a young English archaeologist (O’Connor) caught up in the illegal trafficking of ancient finds. Carol Duarte, Alba Rohrwacher and Vincenzo Nemolato also co-star.
Phase one of production on “La Chimera” has already been completed in Tarquinia and Southern Tuscany, and the film will continue shooting across central Italy and Switzerland between August and September.
Also Read:
Neon Ups Jeff Deutchman to President of Acquisitions and Production
The film is produced, as all of Rohrwacher’s previous films, by Carlo Cresto-Dina with his company tempesta and long-time backers Rai Cinema,...
Written and directed by Rohrwacher, “La Chimera” is set in the 1980s in the clandestine world of the tombaroli, or tomb robbers and tells the story of a young English archaeologist (O’Connor) caught up in the illegal trafficking of ancient finds. Carol Duarte, Alba Rohrwacher and Vincenzo Nemolato also co-star.
Phase one of production on “La Chimera” has already been completed in Tarquinia and Southern Tuscany, and the film will continue shooting across central Italy and Switzerland between August and September.
Also Read:
Neon Ups Jeff Deutchman to President of Acquisitions and Production
The film is produced, as all of Rohrwacher’s previous films, by Carlo Cresto-Dina with his company tempesta and long-time backers Rai Cinema,...
- 5/20/2022
- by Brian Welk
- The Wrap
Films from Africa and the Middle East have enjoyed significant festival presence this year – such as Mati Diop’s French-Senegalese pic “Atlantics,” which won the Grand Jury Prize at the Cannes Film Festival. “In 2019 we saw a new generation of filmmakers emerging on the scene,” says Rémi Bonhomme program manager of Critics’ Week in Cannes and the coordinator of the Atlas Workshops, which run Dec. 3-6 at the Marrakech Film Festival.
At Cannes, in addition to Diop’s prize, Palestinian filmmaker Elia Suleiman won a Jury Special Mention award for his satire “It Must Be Heaven,” and seven African and Arab films screened in the different competitive sections. At Locarno, Senegalese writer-director Mamadou Dia’s won best first feature for “Nafi’s Father” and Algerian helmer Hassen Ferhani won best emerging director award for his documentary “143 Rue du Désert,” which won a postproduction prize at the 2018 Atlas Workshops. At Venice,...
At Cannes, in addition to Diop’s prize, Palestinian filmmaker Elia Suleiman won a Jury Special Mention award for his satire “It Must Be Heaven,” and seven African and Arab films screened in the different competitive sections. At Locarno, Senegalese writer-director Mamadou Dia’s won best first feature for “Nafi’s Father” and Algerian helmer Hassen Ferhani won best emerging director award for his documentary “143 Rue du Désert,” which won a postproduction prize at the 2018 Atlas Workshops. At Venice,...
- 11/25/2019
- by Martin Dale
- Variety Film + TV
Sony Pictures Classics has picked up the North American, Latin American, Scandinavian, Australian and New Zealand rights to Marco Bellocchio’s mob drama “The Traitor,” or “Il traditore,” following its premiere at the Cannes Film Festival on Thursday.
Bellocchio also wrote the script with Ludovica Rampoldi, Valia Santela, and Francesco Piccolo. “The Traitor” is produced by Beppe Caschetto, Michael Weber, Viola Fugen, Simone Gattoni, Caio Gullane, Fabiano Gullane and Alexandra Henochsberg, while Paula Cosenza and Thiago Mascarenhas are serving as executive producers.
The drama follows the real life of Tommaso Buscetta, a Sicilian Mafia boss who became an informant for authorities in Sicily during the 1980s. Pierfrancesco Favino, Maria Fernanda Candido and Luigi Lo Cascio star.
Also Read: 'The Traitor' Film Review: Sturdy Mafia Biopic Loses Something in Translation
“The Traitor” is a co-production between Ibc Movie, Rai Cinema, Kavac Film, Gullane Productions, Ad Vitam Production, and Match Factory Productions.
Bellocchio also wrote the script with Ludovica Rampoldi, Valia Santela, and Francesco Piccolo. “The Traitor” is produced by Beppe Caschetto, Michael Weber, Viola Fugen, Simone Gattoni, Caio Gullane, Fabiano Gullane and Alexandra Henochsberg, while Paula Cosenza and Thiago Mascarenhas are serving as executive producers.
The drama follows the real life of Tommaso Buscetta, a Sicilian Mafia boss who became an informant for authorities in Sicily during the 1980s. Pierfrancesco Favino, Maria Fernanda Candido and Luigi Lo Cascio star.
Also Read: 'The Traitor' Film Review: Sturdy Mafia Biopic Loses Something in Translation
“The Traitor” is a co-production between Ibc Movie, Rai Cinema, Kavac Film, Gullane Productions, Ad Vitam Production, and Match Factory Productions.
- 5/24/2019
- by Beatrice Verhoeven
- The Wrap
The Match Factory announces territory sales on The Traitor.
Sony Pictures Classics has picked up worldwide rights excluding France and German-speaking Europe to Michael Angelo Covino’s comedy and Un Certain Regard selection The Climb.
The distributor additionally confirmed on Friday (24) that it had acquired Marco Bellocchio’s Competition entry The Traitor from Match Factory, which announced a string of territory sales.
Covino and Kyle Marvin wrote The Climb based on their own experiences. The story tells of best friends and cycling enthusiasts whose close bond is strained when one sleeps with the other’s girlfriend. Covino and Marvin star alongside Gayle Rankin,...
Sony Pictures Classics has picked up worldwide rights excluding France and German-speaking Europe to Michael Angelo Covino’s comedy and Un Certain Regard selection The Climb.
The distributor additionally confirmed on Friday (24) that it had acquired Marco Bellocchio’s Competition entry The Traitor from Match Factory, which announced a string of territory sales.
Covino and Kyle Marvin wrote The Climb based on their own experiences. The story tells of best friends and cycling enthusiasts whose close bond is strained when one sleeps with the other’s girlfriend. Covino and Marvin star alongside Gayle Rankin,...
- 5/24/2019
- by Jeremy Kay
- ScreenDaily
After Triumphant Cannes Premiere, ‘The Traitor (Il Traditore)’ Is Acquired By Sony Pictures Classics
Exclusive: Following its Cannes premiere Thursday evening, The Traitor’ (Il traditore) is being acquired for North American distribution by Sony Pictures Classics, sources said. The Marco Bellocchio-directed drama chronicled the takedown of organized crime seen through the eyes of Tommaso Buscetta (Pierfrancesco Favino), a key mob figure who turned state’s evidence in a move that led others to do the same, crumbling the omerta code that allowed the gangsters to operate unfettered. A slew of killers and drug traffickers ended up in prison as a result.
The drama unfolds in 1980, when the game grew from old-style crime with decorum to a more bloodthirsty business. Buscetta’s decision to turn “rat” leads to the arrest of all the mafia chieftains, who face off against Buscetta in a “maxi trial” that was shocking because no one at his level of criminal prominence had done such a thing. To the star witness,...
The drama unfolds in 1980, when the game grew from old-style crime with decorum to a more bloodthirsty business. Buscetta’s decision to turn “rat” leads to the arrest of all the mafia chieftains, who face off against Buscetta in a “maxi trial” that was shocking because no one at his level of criminal prominence had done such a thing. To the star witness,...
- 5/23/2019
- by Mike Fleming Jr
- Deadline Film + TV
The Traitor
Italian auteur Marco Bellocchio, whose radical early works were a seminal part of 1960s and 1970s Italian cinema, embarks on his latest feature The Traitor, a biopic of Cosa Nostra member Tommaso Buscetta, the first high ranking official of the mafia organization to break their code of silence. Pierfrancesco Favino stars as Buscetta, joined by Brazilian actress Maria Fernando Candido, Luigi Lo Cascio, Fabrizio Ferracane and Fausto Russo Alesi. Oscar winning composer Nicola Piovani of 1998’s Life is Beautiful is writing the score and Vladan Radovic will serve as Dp. The feature is a four-country co-pro financed through Italy’s Ibc Movie, Kavac Film and Rai Cinema, while France’s Ad Vitam, Arte France Cinema and Canal Plus are also joined by Brazil’s Gullane and Germany’s Match Factory.…...
Italian auteur Marco Bellocchio, whose radical early works were a seminal part of 1960s and 1970s Italian cinema, embarks on his latest feature The Traitor, a biopic of Cosa Nostra member Tommaso Buscetta, the first high ranking official of the mafia organization to break their code of silence. Pierfrancesco Favino stars as Buscetta, joined by Brazilian actress Maria Fernando Candido, Luigi Lo Cascio, Fabrizio Ferracane and Fausto Russo Alesi. Oscar winning composer Nicola Piovani of 1998’s Life is Beautiful is writing the score and Vladan Radovic will serve as Dp. The feature is a four-country co-pro financed through Italy’s Ibc Movie, Kavac Film and Rai Cinema, while France’s Ad Vitam, Arte France Cinema and Canal Plus are also joined by Brazil’s Gullane and Germany’s Match Factory.…...
- 1/7/2019
- by Nicholas Bell
- IONCINEMA.com
Netflix has bought North American and Latin American rights to a pair of awards winners at the Cannes Film Festival — “Happy as Lazzaro” and “Girl.”
The streaming service made the announcement Saturday, the closing day of the 71st edition of the world’s most glamorous film festival. The festival created a stir in April, by announcing that Netflix movies wouldn’t be eligible for in-competition slots — which prompted Netflix to pull all of its titles for consideration, including out-of-competition screenings.
Variety reported on May 7, the day before the festival opened, that Netflix executives had expressed interest in acquiring Asghar Farhadi’s “Everybody Knows,” the opening night film. On May 11, Netflix closed a deal for the animated robot movie “Next Gen” at Cannes. The deals for “Happy as Lazzaro” and “Girl” were handled by The Match Factory.
“Happy as Lazzaro” premiered in competition and was awarded best screenplay for Alice Rohrwacher...
The streaming service made the announcement Saturday, the closing day of the 71st edition of the world’s most glamorous film festival. The festival created a stir in April, by announcing that Netflix movies wouldn’t be eligible for in-competition slots — which prompted Netflix to pull all of its titles for consideration, including out-of-competition screenings.
Variety reported on May 7, the day before the festival opened, that Netflix executives had expressed interest in acquiring Asghar Farhadi’s “Everybody Knows,” the opening night film. On May 11, Netflix closed a deal for the animated robot movie “Next Gen” at Cannes. The deals for “Happy as Lazzaro” and “Girl” were handled by The Match Factory.
“Happy as Lazzaro” premiered in competition and was awarded best screenplay for Alice Rohrwacher...
- 5/19/2018
- by Dave McNary
- Variety Film + TV
Netflix has acquired Cannes Film Festival award winners “Happy as Lazzaro” and “Girl.”
Just ahead of Cannes, the streaming service had closed a $30 million worldwide deal for the animated film “Next Gen.”
Below are the official descriptions and all of the relevant details for Netflix’s newest acquisitions and the latest Cannes sales.
Also Read: 'Shoplifters' Wins Palme d'Or at 2018 Cannes Film Festival
“Happy as Lazzaro” (pictured above)
Alice Rohrwacher was awarded Best Screenplay for “Happy as Lazzaro” (in a tie with Nader Saeivar for ‘3 Faces”)
Synopsis: This is the tale of a meeting between Lazzaro, a young peasant so good that he is often mistaken for simple-minded, and Tancredi, a young nobleman cursed by his imagination. Life in their isolated pastoral village Inviolata is dominated by the terrible Marchesa Alfonsina de Luna, the queen of cigarettes. A loyal bond is sealed when Tancredi asks Lazzaro to help him orchestrate his own kidnapping.
Just ahead of Cannes, the streaming service had closed a $30 million worldwide deal for the animated film “Next Gen.”
Below are the official descriptions and all of the relevant details for Netflix’s newest acquisitions and the latest Cannes sales.
Also Read: 'Shoplifters' Wins Palme d'Or at 2018 Cannes Film Festival
“Happy as Lazzaro” (pictured above)
Alice Rohrwacher was awarded Best Screenplay for “Happy as Lazzaro” (in a tie with Nader Saeivar for ‘3 Faces”)
Synopsis: This is the tale of a meeting between Lazzaro, a young peasant so good that he is often mistaken for simple-minded, and Tancredi, a young nobleman cursed by his imagination. Life in their isolated pastoral village Inviolata is dominated by the terrible Marchesa Alfonsina de Luna, the queen of cigarettes. A loyal bond is sealed when Tancredi asks Lazzaro to help him orchestrate his own kidnapping.
- 5/19/2018
- by Tony Maglio
- The Wrap
Netflix has acquired the rights to Cannes Film Festival award-winners Happy As Lazzaro and Girl for North America and Latin America.
Happy as Lazzaro premiered in competition and was awarded Best Screenplay for Alice Rohrwacher. The Camera d’Or for best first film was awarded to Lukas Dhont for Girl, which premiered in Un Certain Regard at the Cannes Film Festival and was awarded Best Actor for Victor Polster,
Happy as Lazzaro is the tale of a meeting between Lazzaro, a young peasant so good that he is often mistaken for simple-minded, and Tancredi, a young nobleman cursed by his imagination. Life in their isolated pastoral village Inviolata is dominated by the terrible Marchesa Alfonsina de Luna, the queen of cigarettes. A loyal bond is sealed when Tancredi asks Lazzaro to help him orchestrate his own kidnapping. This strange and improbable alliance is a revelation for Lazzaro. A friendship so...
Happy as Lazzaro premiered in competition and was awarded Best Screenplay for Alice Rohrwacher. The Camera d’Or for best first film was awarded to Lukas Dhont for Girl, which premiered in Un Certain Regard at the Cannes Film Festival and was awarded Best Actor for Victor Polster,
Happy as Lazzaro is the tale of a meeting between Lazzaro, a young peasant so good that he is often mistaken for simple-minded, and Tancredi, a young nobleman cursed by his imagination. Life in their isolated pastoral village Inviolata is dominated by the terrible Marchesa Alfonsina de Luna, the queen of cigarettes. A loyal bond is sealed when Tancredi asks Lazzaro to help him orchestrate his own kidnapping. This strange and improbable alliance is a revelation for Lazzaro. A friendship so...
- 5/19/2018
- by Bruce Haring
- Deadline Film + TV
Red carpet protest highlighted fact only 82 women have been honoured in Official Selection over 71 editions of festival.
Cate Blanchett and Agnes Varda led 82 female industry figures in a silent ascent of the red carpet at the Cannes Film Festival on Saturday protesting the lack of female representation at the event over its 71 editions.
Moving, historic, 82 women from all countries and professions in cinema have just made the red carpet entrance for Les Filles Du Soleil (Girls Of The Sun) by Eva Husson. #Cannes2018 #Competition pic.twitter.com/0YY9SNbRqg
— Festival de Cannes (@Festival_Cannes) May 12, 2018
Other stars joining the protest...
Cate Blanchett and Agnes Varda led 82 female industry figures in a silent ascent of the red carpet at the Cannes Film Festival on Saturday protesting the lack of female representation at the event over its 71 editions.
Moving, historic, 82 women from all countries and professions in cinema have just made the red carpet entrance for Les Filles Du Soleil (Girls Of The Sun) by Eva Husson. #Cannes2018 #Competition pic.twitter.com/0YY9SNbRqg
— Festival de Cannes (@Festival_Cannes) May 12, 2018
Other stars joining the protest...
- 5/12/2018
- by Melanie Goodfellow
- ScreenDaily
Cannes will be tying up the line-up until late into the night, according to Frémaux’s recent book.
With less than 24 hours to go until the Cannes Film Festival unveils the Official Selection of its 70th edition (May 17-28) speculation is building.
The eve of the announcement is a decisive day for the festival as it ties-up the loose ends of it line-up.
Cannes delegate general Thierry Frémaux and the rest of his selection and press team will be lockdown at the festival’s rue Amélie offices in the shadow of the Eiffel Tower.
Frémaux describes today as the “day of all dangers”, in his recent book, Sélection Officielle (pictured, right), a blow-by-blow account of how the 2016 selection came together over the course of a year.
“There are still films to be seen and decisions to be taken, some will be delicate: establishing a selection is not an exact science,” writes Frémaux...
With less than 24 hours to go until the Cannes Film Festival unveils the Official Selection of its 70th edition (May 17-28) speculation is building.
The eve of the announcement is a decisive day for the festival as it ties-up the loose ends of it line-up.
Cannes delegate general Thierry Frémaux and the rest of his selection and press team will be lockdown at the festival’s rue Amélie offices in the shadow of the Eiffel Tower.
Frémaux describes today as the “day of all dangers”, in his recent book, Sélection Officielle (pictured, right), a blow-by-blow account of how the 2016 selection came together over the course of a year.
“There are still films to be seen and decisions to be taken, some will be delicate: establishing a selection is not an exact science,” writes Frémaux...
- 4/12/2017
- ScreenDaily
Cannes will be tying up the line-up until late into the night, according to Frémaux’s recent book.
With less than 24 hours to go until the Cannes Film Festival unveils the Official Selection of its 70th edition (May 17-28) speculation is building.
The eve of the announcement is a decisive day for the festival as it ties-up the loose ends of it line-up.
Cannes delegate general Thierry Frémaux and the rest of his selection and press team will be lockdown at the festival’s rue Amélie offices in the shadow of the Eiffel Tower.
Frémaux describes today as the “day of all dangers”, in his recent book, Sélection Officielle (pictured, right), a blow-by-blow account of how the 2016 selection came together over the course of a year.
“There are still films to be seen and decisions to be taken, some will be delicate: establishing a selection is not an exact science,” writes Frémaux...
With less than 24 hours to go until the Cannes Film Festival unveils the Official Selection of its 70th edition (May 17-28) speculation is building.
The eve of the announcement is a decisive day for the festival as it ties-up the loose ends of it line-up.
Cannes delegate general Thierry Frémaux and the rest of his selection and press team will be lockdown at the festival’s rue Amélie offices in the shadow of the Eiffel Tower.
Frémaux describes today as the “day of all dangers”, in his recent book, Sélection Officielle (pictured, right), a blow-by-blow account of how the 2016 selection came together over the course of a year.
“There are still films to be seen and decisions to be taken, some will be delicate: establishing a selection is not an exact science,” writes Frémaux...
- 4/12/2017
- ScreenDaily
Exclusive: Mustang producer CG Cinema and Son Of Saul distributor Ad Vitam launch Alma Cinema.
Oscar-nominated producer Charles Gillibert (Mustang) is joining forces with French distributor Ad Vitam to launch independent sales company Alma Cinema.
The partners have brought in sales and acquisition executive Sara May, formerly of TF1 and Embankment Films, to head up the new structure, which aims to handle some dozen titles a year.
“It will be in the vein of what the Americans and Brits call a ‘one-stop shop’ company, seeking out, financing and selling films under the same roof,” said May.
“Our aim is to create a structure offering producers support from the financing stage right through to its delivery, even if we don’t necessarily end up being involved in every stage.”
May will also be free to acquire films and projects unrelated to either CG Cinema and Ad Vitam’s activities for world sales.
Her first world...
Oscar-nominated producer Charles Gillibert (Mustang) is joining forces with French distributor Ad Vitam to launch independent sales company Alma Cinema.
The partners have brought in sales and acquisition executive Sara May, formerly of TF1 and Embankment Films, to head up the new structure, which aims to handle some dozen titles a year.
“It will be in the vein of what the Americans and Brits call a ‘one-stop shop’ company, seeking out, financing and selling films under the same roof,” said May.
“Our aim is to create a structure offering producers support from the financing stage right through to its delivery, even if we don’t necessarily end up being involved in every stage.”
May will also be free to acquire films and projects unrelated to either CG Cinema and Ad Vitam’s activities for world sales.
Her first world...
- 5/4/2016
- ScreenDaily
Breaking: The Match Factory is selling foreign at Toronto for the Kelly Reichardt-directed Night Moves, which stars Jesse Eisenberg, Dakota Fanning and Peter Sarsgaard as three radical environmentalists who come together to execute the most spectacular direct action event of their lives: the explosion of a hydroelectric dam — the very source and symbol of the energy-sucking, resource-devouring industrial culture they despise. Shooting begins next month and UTA Independent Film Group is handling domestic sales on the co-production of Maybach Film Productions, Rt Features and filmscience. Match Factory today closed a French rights deal with Paris-based Ad Vitam Distribution, with Ad Vitam’s Alexandra Henochsberg and Gregory Gajos making the deal with Match Factory’s Brigitte Suarez and Michael Weber. Reichardt, who last directed Meek’s Cutoff, wrote the script with Jon Raymond. Neil Kopp and Anish Savjani are producing with Chris Maybach, Saemi Kim and Rodrigo Teixeira. Saerom Kim,...
- 9/9/2012
- by MIKE FLEMING
- Deadline
Strand Releasing has acquired U.S. rights to Pablo Trapero's "Carancho," which recently screened in A Certain Regard at the Cannes Film Festival. The thriller, starring Ricardo Darin and Martina Gusman, will be released in early 2011.
The film focuses on an ambulance-chasing lawyer and an ER doctor who form an unlikely and symbiotic relationship that leads them into a dark world of corruption and murder.
Strand distributed Trapero’s previous film "Lion’s Den."
With a screenplay by Alejandro Fadel, Martin Mauregui, Santiago Mitre and Trapero, "Carancho" is a Matanza Cine production in association with Finecut, Patagonik, Ad Vitam and L90 Producciones. It was produced by Trapero with Martina Gusman serving as executive producer. Youngjoo Suh, Juan Pablo Galli, Alejandro Cacetta, Juan Vera, Alexandra Henochsberg, Gregory Gajos, Arthur Hallereau, Felipe Braun serve as co-producers.
The deal was negotiated between Fine Cut's Suh and Strand's Jon Gerrans.
The film focuses on an ambulance-chasing lawyer and an ER doctor who form an unlikely and symbiotic relationship that leads them into a dark world of corruption and murder.
Strand distributed Trapero’s previous film "Lion’s Den."
With a screenplay by Alejandro Fadel, Martin Mauregui, Santiago Mitre and Trapero, "Carancho" is a Matanza Cine production in association with Finecut, Patagonik, Ad Vitam and L90 Producciones. It was produced by Trapero with Martina Gusman serving as executive producer. Youngjoo Suh, Juan Pablo Galli, Alejandro Cacetta, Juan Vera, Alexandra Henochsberg, Gregory Gajos, Arthur Hallereau, Felipe Braun serve as co-producers.
The deal was negotiated between Fine Cut's Suh and Strand's Jon Gerrans.
- 6/1/2010
- by By Gregg Kilday
- The Hollywood Reporter - Movie News
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