When an open-minded Jewish librarian and his son become victims of the Holocaust, he uses a perfect mixture of will, humor, and imagination to protect his son from the dangers around their camp.
In German-occupied Poland during World War II, industrialist Oskar Schindler gradually becomes concerned for his Jewish workforce after witnessing their persecution by the Nazis.
The presidencies of Kennedy and Johnson, the events of Vietnam, Watergate, and other history unfold through the perspective of an Alabama man with an IQ of 75.
A young F.B.I. cadet must receive the help of an incarcerated and manipulative cannibal killer to help catch another serial killer, a madman who skins his victims.
Director:
Jonathan Demme
Stars:
Jodie Foster,
Anthony Hopkins,
Lawrence A. Bonney
Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. An unusual relationship forms as she becomes his protégée and learns the assassin's trade.
In 1930s Italy, a carefree Jewish book keeper named Guido starts a fairy tale life by courting and marrying a lovely woman from a nearby city. Guido and his wife have a son and live happily together until the occupation of Italy by German forces. In an attempt to hold his family together and help his son survive the horrors of a Jewish Concentration Camp, Guido imagines that the Holocaust is a game and that the grand prize for winning is a tank.Written by
Anthony Hughes <husnock31@hotmail.com>
The screenplay by Roberto Benigni and Vincenzo Cerami was published in Italy in 1998. The published version featured a few more scenes that were not in the final movie, most notably a scene in which Guido inadvertently witnesses a mass execution of Partisans, spotting his friend Ferruccio among them. See more »
Goofs
When Giosuè comes out of hiding, he walks towards (and stares at) a visible spot on the ground. He stops right on top of the spot which indicates that it was his "mark" for the shot. See more »
Quotes
[first lines]
Giosué Orefice:
[narrating as an adult]
This is a simple story... but not an easy one to tell.
See more »
Alternate Versions
An English dubbed version of the film has been released in the USA by Miramax on August 28, 1999. See more »
Belle nuit (Barcarolle)
(1881)
from the opera "Les contes d'Hoffmann"
Music by Jacques Offenbach
Libretto by Jules Barbier (uncredited)
Performed by Montserrat Caballé (as M. Caballé), soprano and Shirley Verrett (as S. Verret), mezzo-soprano
Recorded by RCA Victor
New Philharmonia Orchestra (uncredited)
Conducted by Anton Guadagno (uncredited) See more »
I typically don't care much for sub-titled movies. Foreign films to me are slow and about nothing. So I naturally went to see Life is Beautiful with a chip on my shoulder. I wanted to hate it. I wanted it to be just another movie that Hollywood was praising to show that they were an intelligent bunch of people. Oh boy was I in for the surprise of my life. Not only is this film good, I honestly believe that it was the second best film of 98, next to Saving Private Ryan. The mere fact that Shakespeare in Love won best picture over not only Ryan but over this, is a joke. It's actually funny.
Benigni did everything in this film. He wrote, produced, directed and probably swept the floors at night. There is that much raw energy in this film. There really is. For someone to have that kind of vision is truly incredible. And not only is the film a terrific cinematic experience because of the importance and seriousness of the subject matter, but it is one of the funnier films I've ever seen. When Roberto is translating the German soldiers insructions to his son so that he isn't scared, it is at that moment that you realize you are under his spell. He's got you and no matter how much sceptisism you may have about the film you know you're witnessing a classic in every sense of the word.
I loved this film. Loved everything about it and I am so glad that I got to see it and cheer Benigni at the Oscars. He certainly deserved his best actor award and he should have gotten more.
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I typically don't care much for sub-titled movies. Foreign films to me are slow and about nothing. So I naturally went to see Life is Beautiful with a chip on my shoulder. I wanted to hate it. I wanted it to be just another movie that Hollywood was praising to show that they were an intelligent bunch of people. Oh boy was I in for the surprise of my life. Not only is this film good, I honestly believe that it was the second best film of 98, next to Saving Private Ryan. The mere fact that Shakespeare in Love won best picture over not only Ryan but over this, is a joke. It's actually funny.
Benigni did everything in this film. He wrote, produced, directed and probably swept the floors at night. There is that much raw energy in this film. There really is. For someone to have that kind of vision is truly incredible. And not only is the film a terrific cinematic experience because of the importance and seriousness of the subject matter, but it is one of the funnier films I've ever seen. When Roberto is translating the German soldiers insructions to his son so that he isn't scared, it is at that moment that you realize you are under his spell. He's got you and no matter how much sceptisism you may have about the film you know you're witnessing a classic in every sense of the word.
I loved this film. Loved everything about it and I am so glad that I got to see it and cheer Benigni at the Oscars. He certainly deserved his best actor award and he should have gotten more.