The gig economy, and the food delivery industry in particular, are set for scrutiny in “Appetite,” an Australian short-form series that will debut next month at Canneseries, the TV festival that runs alongside the Mip-TV rights market (April 14-19).
“Appetite” is a mystery-comedy in which three penniless food delivery riders are brought together after their housemate mysteriously vanishes on the same night as a rider has a fatal roadside accident. They set out to discover the truth behind the accident and expose multinational food behemoth, Appetite.
“Appetite” was created by Mohini Herse (“Hair”) who wrote, directed and produced the series under her Fell Swoop Pictures banner. She worked with fellow writers Neilesh Verma (“Letters Home”) and Grace Tan (“Lucky Peach”), director Neil Sharma (“Heartbreak High”), and producer Karen Radzyner (“Paper Giants: The Birth of Cleo”).
The drama includes performances from rising stars Shirong Wu (“Neighbours”), Gabriel Alvarado (“The Winter’s Tale...
“Appetite” is a mystery-comedy in which three penniless food delivery riders are brought together after their housemate mysteriously vanishes on the same night as a rider has a fatal roadside accident. They set out to discover the truth behind the accident and expose multinational food behemoth, Appetite.
“Appetite” was created by Mohini Herse (“Hair”) who wrote, directed and produced the series under her Fell Swoop Pictures banner. She worked with fellow writers Neilesh Verma (“Letters Home”) and Grace Tan (“Lucky Peach”), director Neil Sharma (“Heartbreak High”), and producer Karen Radzyner (“Paper Giants: The Birth of Cleo”).
The drama includes performances from rising stars Shirong Wu (“Neighbours”), Gabriel Alvarado (“The Winter’s Tale...
- 3/28/2023
- by Patrick Frater
- Variety Film + TV
Exclusive: Bridgerton season two star Charithra Chandran has landed the lead in Olivia Hetreed drama Song of the Sun God, Deadline can reveal.
Chandran, who broke out as Edwina Sharma in the second season of Shonda Rhimes smash Netflix regency drama and starred in Prime Video’s Alex Rider, will also associate produce the six-parter, which is based on Shankari Chandran’s novel and is being produced by The Cry indie Synchronicity Films and Australia’s Photoplay Films. Cineflix Rights has boarded as creative and financing partner, with first option on exclusive worldwide distribution.
Girl With the Pearl Earring writer Hetreed’s adaptation follows the love, lies and misdemeanours of a Sri Lankan family across three generations in the UK, Australia and Sri Lanka. Chandran will play Leela, a young Australian woman living her life in London, largely disconnected from her own culture and unaware of long-held family secrets. But...
Chandran, who broke out as Edwina Sharma in the second season of Shonda Rhimes smash Netflix regency drama and starred in Prime Video’s Alex Rider, will also associate produce the six-parter, which is based on Shankari Chandran’s novel and is being produced by The Cry indie Synchronicity Films and Australia’s Photoplay Films. Cineflix Rights has boarded as creative and financing partner, with first option on exclusive worldwide distribution.
Girl With the Pearl Earring writer Hetreed’s adaptation follows the love, lies and misdemeanours of a Sri Lankan family across three generations in the UK, Australia and Sri Lanka. Chandran will play Leela, a young Australian woman living her life in London, largely disconnected from her own culture and unaware of long-held family secrets. But...
- 9/29/2022
- by Max Goldbart
- Deadline Film + TV
Australian independent production house Photoplay has appointed Karen Radzyner as its head of development. The company is the only Australian firm to have a show selected for MipTV’s CanneSeries.
Radzyner joins Photoplay from Dragonet Films. She previously produced two award-winning TV mini-series – Australian Broadcasting Corporation’s “Paper Giants: The Birth of Cleo” (with Southern Star in 2011) and Nine’s genre anthology “Two Twisted.” She also held roles at Scott Free Films in London, as part of a Screen Australia fellowship, Australian public broadcaster Sbs, federal funding body Screen Australia and regional arts agency Create Nsw.
She will work alongside head of scripted, Linda Micsko, to spearhead the company’s recently established longform arm Photoplay Film+TV.
Radzyner also brings with her a significant slate including: “Appetite”; a co-production with Synchronicity Films and development partner Cineflix Rights with support from Screen Australia; an ABCMe YA action-adventure with development co-funded by...
Radzyner joins Photoplay from Dragonet Films. She previously produced two award-winning TV mini-series – Australian Broadcasting Corporation’s “Paper Giants: The Birth of Cleo” (with Southern Star in 2011) and Nine’s genre anthology “Two Twisted.” She also held roles at Scott Free Films in London, as part of a Screen Australia fellowship, Australian public broadcaster Sbs, federal funding body Screen Australia and regional arts agency Create Nsw.
She will work alongside head of scripted, Linda Micsko, to spearhead the company’s recently established longform arm Photoplay Film+TV.
Radzyner also brings with her a significant slate including: “Appetite”; a co-production with Synchronicity Films and development partner Cineflix Rights with support from Screen Australia; an ABCMe YA action-adventure with development co-funded by...
- 3/17/2022
- by Patrick Frater
- Variety Film + TV
Sales
Vmi Worldwide has closed several major territory sales for western “Old Henry” from Shout! Studios and Hideout Pictures. Sales buzz reached its fever pitch as the film premiered at the Venice Film Festival on Tuesday evening.
So far, Vmi has closed deals in Italy (Blue Swan), the U.K. and Australia (Signature), France (Ace Entertainment), Germany (Koch), Benelux (Three Lines), the Middle East and Turkey (Phoenicia Pictures International) and South Korea (Jaye Entertainment).
“Old Henry” was written and directed by Potsy Ponciroli (“Still the King”) and produced by Shannon Houchins and Michael Hagerty. Starring Tim Blake Nelson (“The Ballad of Buster Scruggs”), Scott Haze (“Children of God”), Gavin Lewis (“Little Fires Everywhere”), Trace Adkins (“The Lincoln Lawyer”) and Stephen Dorff (“Blade”), the film turns on Henry, a farmer who helps an injured man with a bag of cash. Eventually, a gang shows up claiming to be the money’s rightful owners.
Vmi Worldwide has closed several major territory sales for western “Old Henry” from Shout! Studios and Hideout Pictures. Sales buzz reached its fever pitch as the film premiered at the Venice Film Festival on Tuesday evening.
So far, Vmi has closed deals in Italy (Blue Swan), the U.K. and Australia (Signature), France (Ace Entertainment), Germany (Koch), Benelux (Three Lines), the Middle East and Turkey (Phoenicia Pictures International) and South Korea (Jaye Entertainment).
“Old Henry” was written and directed by Potsy Ponciroli (“Still the King”) and produced by Shannon Houchins and Michael Hagerty. Starring Tim Blake Nelson (“The Ballad of Buster Scruggs”), Scott Haze (“Children of God”), Gavin Lewis (“Little Fires Everywhere”), Trace Adkins (“The Lincoln Lawyer”) and Stephen Dorff (“Blade”), the film turns on Henry, a farmer who helps an injured man with a bag of cash. Eventually, a gang shows up claiming to be the money’s rightful owners.
- 9/8/2021
- by Jamie Lang
- Variety Film + TV
Exclusive: Oscar-nominated Girl With A Pearl Earring writer Olivia Hetreed is to adapt Shankari Chandran’s debut novel Song Of The Sun God for Synchronicity Films, producer of Jenna Coleman-fronted BBC drama The Cry, and Australia’s Dragonet Films.
Hetreed is working on a six-part series based on the 2017 novel, which is a family saga that brings to light an untold story of the conflict in Sri Lanka during the country’s two-decade-long civil war.
The novel is set across three generations, beginning in 1948 when the country gained independence, and journeying to the present day. Hetreed’s adaptation will focus on the youngest generation through Leela, a young woman living in London, who is disconnected from her culture and long-held family secrets.
Set against the backdrop of the controversial Sri Lankan presidential election of Autumn 2019, Leela embarks on a quest to find her Aunt Dhara, a former frontline medic...
Hetreed is working on a six-part series based on the 2017 novel, which is a family saga that brings to light an untold story of the conflict in Sri Lanka during the country’s two-decade-long civil war.
The novel is set across three generations, beginning in 1948 when the country gained independence, and journeying to the present day. Hetreed’s adaptation will focus on the youngest generation through Leela, a young woman living in London, who is disconnected from her culture and long-held family secrets.
Set against the backdrop of the controversial Sri Lankan presidential election of Autumn 2019, Leela embarks on a quest to find her Aunt Dhara, a former frontline medic...
- 7/28/2020
- by Jake Kanter
- Deadline Film + TV
Robert Connolly.
Arenamedia and a broad coalition of industry players today called on the Federal Government to create an Innovation Fund to support new and emerging talent and diverse creative voices.
Managed by Screen Australia, the fund would also explore innovative approaches to creating and distributing new work for Australian and global audiences.
“Diversity would be a key guiding principle of this fund, addressing areas of our national storytelling that have been neglected on our screens and remain under-represented,” Arenamedia says in its submission to the government’s options paper review, co-signed by 13 production companies and distributors plus filmmakers Jub Clerc and Daniel Nettheim.
While there is no dollar figure attached to the initiative, it would be funded by a combination of increased government support and other funds proposed by the options paper.
Crucially, the submission envisions the fund would be freed from market-based decision making that attempts to anticipate what is commercial,...
Arenamedia and a broad coalition of industry players today called on the Federal Government to create an Innovation Fund to support new and emerging talent and diverse creative voices.
Managed by Screen Australia, the fund would also explore innovative approaches to creating and distributing new work for Australian and global audiences.
“Diversity would be a key guiding principle of this fund, addressing areas of our national storytelling that have been neglected on our screens and remain under-represented,” Arenamedia says in its submission to the government’s options paper review, co-signed by 13 production companies and distributors plus filmmakers Jub Clerc and Daniel Nettheim.
While there is no dollar figure attached to the initiative, it would be funded by a combination of increased government support and other funds proposed by the options paper.
Crucially, the submission envisions the fund would be freed from market-based decision making that attempts to anticipate what is commercial,...
- 6/21/2020
- by The IF Team
- IF.com.au
Karen Radzyner.
Screen Nsw development and production executive Karen Radzyner is spearheading Screen Nsw.s new script development program, Amplifier. If gets the lowdown on how it differs from its predecessor.
Why the change from Aurora to Amplifier?
Amplifier will build on Aurora.s successes, this time with an individual focus on each project. We wanted to signal the change in the program to the industry. Giving it a new name and shape we hope will magnify Amplifier.s fresh approach.
What are the key differences?
The main difference is the bespoke nature of the program. Its defining factor is that it is customised to the individual projects. We will make the key decisions about how Amplifier: Adaptation can best nurture each project, only when we know those projects have been selected. In this way, we can work with the creative teams to make Screen Nsw's funding and relationships...
Screen Nsw development and production executive Karen Radzyner is spearheading Screen Nsw.s new script development program, Amplifier. If gets the lowdown on how it differs from its predecessor.
Why the change from Aurora to Amplifier?
Amplifier will build on Aurora.s successes, this time with an individual focus on each project. We wanted to signal the change in the program to the industry. Giving it a new name and shape we hope will magnify Amplifier.s fresh approach.
What are the key differences?
The main difference is the bespoke nature of the program. Its defining factor is that it is customised to the individual projects. We will make the key decisions about how Amplifier: Adaptation can best nurture each project, only when we know those projects have been selected. In this way, we can work with the creative teams to make Screen Nsw's funding and relationships...
- 8/7/2016
- by Harry Windsor
- IF.com.au
Sophia Zachariou.
Sophia Zachariou has been appointed Screen Nsw's new Head of Development and Production only three months after she became Screen Nsw Production and Development Executive.
Prior to that Zachariou was Deputy Head of Entertainment at ABC TV, where she developed iView comedy series Fresh Blood as well as.Canberra Al Desko with Annabel Crabb, and was the network Ep on Kitchen Cabinet with Annabel Crabb, Judith Lucy's Spiritual Journey, The Chaser's Media Circus, The Chaser.s War on Everything, Saturday Night Crack Up, Agony, The Checkout and At the Movies.
She replaces Mark Hamlyn, who has resigned to return to active production after four years in the post.
.Sophia has a brilliant film and television brain, a deep respect for screen creatives and a passion for innovation", said Screen Nsw CEO Courtney Gibson.
"She will bring tremendous energy to the work we do and we.re thrilled...
Sophia Zachariou has been appointed Screen Nsw's new Head of Development and Production only three months after she became Screen Nsw Production and Development Executive.
Prior to that Zachariou was Deputy Head of Entertainment at ABC TV, where she developed iView comedy series Fresh Blood as well as.Canberra Al Desko with Annabel Crabb, and was the network Ep on Kitchen Cabinet with Annabel Crabb, Judith Lucy's Spiritual Journey, The Chaser's Media Circus, The Chaser.s War on Everything, Saturday Night Crack Up, Agony, The Checkout and At the Movies.
She replaces Mark Hamlyn, who has resigned to return to active production after four years in the post.
.Sophia has a brilliant film and television brain, a deep respect for screen creatives and a passion for innovation", said Screen Nsw CEO Courtney Gibson.
"She will bring tremendous energy to the work we do and we.re thrilled...
- 5/24/2016
- by Staff Writer
- IF.com.au
Sophia Zachariou.
Sophia Zachariou has been appointed Screen Nsw's new Head of Development and Production only three months after she became Screen Nsw Production and Development Executive.
Prior to that Zachariou was Deputy Head of Entertainment at ABC TV, where she developed iView comedy series Fresh Blood as well as.Canberra Al Desko with Annabel Crabb, and was the network Ep on Kitchen Cabinet with Annabel Crabb, Judith Lucy's Spiritual Journey, The Chaser's Media Circus, The Chaser.s War on Everything, Saturday Night Crack Up, Agony, The Checkout and At the Movies.
She replaces Mark Hamlyn, who has resigned to return to active production after four years in the post.
.Sophia has a brilliant film and television brain, a deep respect for screen creatives and a passion for innovation", said Screen Nsw CEO Courtney Gibson.
"She will bring tremendous energy to the work we do and we.re thrilled...
Sophia Zachariou has been appointed Screen Nsw's new Head of Development and Production only three months after she became Screen Nsw Production and Development Executive.
Prior to that Zachariou was Deputy Head of Entertainment at ABC TV, where she developed iView comedy series Fresh Blood as well as.Canberra Al Desko with Annabel Crabb, and was the network Ep on Kitchen Cabinet with Annabel Crabb, Judith Lucy's Spiritual Journey, The Chaser's Media Circus, The Chaser.s War on Everything, Saturday Night Crack Up, Agony, The Checkout and At the Movies.
She replaces Mark Hamlyn, who has resigned to return to active production after four years in the post.
.Sophia has a brilliant film and television brain, a deep respect for screen creatives and a passion for innovation", said Screen Nsw CEO Courtney Gibson.
"She will bring tremendous energy to the work we do and we.re thrilled...
- 5/24/2016
- by Staff Writer
- IF.com.au
Maleficent.s Elle Fanning will play the teenage Mary Shelley in A Storm in the Stars, a romantic drama scripted by Australian writer Emma Jensen, with Haifaa Al-Mansour attached to direct.
With a bit of luck, another of Jensen.s screenplays, Em, a comedic take on Jane Austen.s classic novel Emma, will shoot in Australia next year.
Those will be the Brisbane-based writer.s first works to be filmed. Romantic comedy Sex on the First Date, which she co-wrote with Los Angeles-based Aussie Sal Grover, was optioned by Gold Circle Films two years ago and Walt Becker (Wild Hogs) is attached to direct.
The prolific Jensen is pitching another project, the saga of actress Ava Gardner.s long-time friendship with her African-American personal assistant, which pre-dated the Civil Rights movement, at the Miff 37ºSouth Market.
Development of A Storm in the Stars was funded by Screen Nsw and Screen Australia,...
With a bit of luck, another of Jensen.s screenplays, Em, a comedic take on Jane Austen.s classic novel Emma, will shoot in Australia next year.
Those will be the Brisbane-based writer.s first works to be filmed. Romantic comedy Sex on the First Date, which she co-wrote with Los Angeles-based Aussie Sal Grover, was optioned by Gold Circle Films two years ago and Walt Becker (Wild Hogs) is attached to direct.
The prolific Jensen is pitching another project, the saga of actress Ava Gardner.s long-time friendship with her African-American personal assistant, which pre-dated the Civil Rights movement, at the Miff 37ºSouth Market.
Development of A Storm in the Stars was funded by Screen Nsw and Screen Australia,...
- 8/1/2014
- by Don Groves
- IF.com.au
Projects by Stephan Elliott, The Babadook writer- director Jennifer Kent, Ben Elton, Rowan Woods, Trent O'Donnell and Jacqueline McKenzie are among the recipients of the latest round of development funding from Screen Australia.
The agency is investing more than $550,000 in 16 feature film projects, including 11 new ones and five that get continued support.
Screen Australia.s Head of Production Sally Caplan, said, .The funding decisions made in this last quarter reflect the breadth of stories coming out of this country and the depth of talent. It is great to be able to support such a spread of genres and ideas and such a range of established and emerging writing, directing and producing talent..
Elliott.s Madams is a comedy from the writers of Easy Virtue. Kent gets funding for Interior, a revenge thriller set in Tasmania in the 1820s.
Woods. The Phobos Experiment is a thriller in which people simulate training...
The agency is investing more than $550,000 in 16 feature film projects, including 11 new ones and five that get continued support.
Screen Australia.s Head of Production Sally Caplan, said, .The funding decisions made in this last quarter reflect the breadth of stories coming out of this country and the depth of talent. It is great to be able to support such a spread of genres and ideas and such a range of established and emerging writing, directing and producing talent..
Elliott.s Madams is a comedy from the writers of Easy Virtue. Kent gets funding for Interior, a revenge thriller set in Tasmania in the 1820s.
Woods. The Phobos Experiment is a thriller in which people simulate training...
- 4/11/2014
- by Don Groves
- IF.com.au
Screen Australia has committed more than $450,000 in development funding across 19 feature films.
Of the 19 projects, six are new to Screen Australia.s developmental slate, while the other 13 will continue to receive support.
The new projects include the drama script Clive, about a privileged man whose life is transformed after a serious accident, and Em, a comedic take on Jane Austen.s classic Emma.
Clive comes from writer/director Natasha Pincus, producer Bridget Ikin and executive producer John Maynard.
Em will be set in 1950s rural Australia and comes from writer Matthew Dabner, director Kate Riedl and producers Karen Radzyner and Anna Vincent.
Psychological thriller Lonely Girl will also receive developmental support. Written by Lynne Vincent McCarthy and produced by Samantha Jennings, the project was also supported through Screen Australia.s Springboard Program.
The crime drama My Country, written by Sam Meikle and Serhat Caradee and produced by Matthew Dabner, will also receive funding.
Of the 19 projects, six are new to Screen Australia.s developmental slate, while the other 13 will continue to receive support.
The new projects include the drama script Clive, about a privileged man whose life is transformed after a serious accident, and Em, a comedic take on Jane Austen.s classic Emma.
Clive comes from writer/director Natasha Pincus, producer Bridget Ikin and executive producer John Maynard.
Em will be set in 1950s rural Australia and comes from writer Matthew Dabner, director Kate Riedl and producers Karen Radzyner and Anna Vincent.
Psychological thriller Lonely Girl will also receive developmental support. Written by Lynne Vincent McCarthy and produced by Samantha Jennings, the project was also supported through Screen Australia.s Springboard Program.
The crime drama My Country, written by Sam Meikle and Serhat Caradee and produced by Matthew Dabner, will also receive funding.
- 11/19/2012
- by Emily Blatchford
- IF.com.au
Over $450 000 in funding will be spread across 19 feature films following an announcement from Screen Australia today.
Of the 19 projects, six are new to Screen Australia.s developmental slate, while the other 13 will continue to receive support.
The new projects include the drama script Clive, about a privileged man whose life is transformed after a serious accident, and Em, a comedic take on Jane Austen.s classic Emma.
Clive comes from writer/director Natasha Pincus, producer Bridget Ikin and executive producer John Maynard.
Em will be set in 1950s rural Australia and comes from writer Matthew Dabner, director Kate Riedl and producers Karen Radzyner and Anna Vincent.
.Pyschological thriller Lonely Girl will also receive developmental support. Written by Lynne Vincent McCarthy and produced by Samantha Jennings, the project was also supported through Screen Australia.s Springboard Program.
The crime drama My Country, written by Sam Meikle and Serhat Caradee and produced by Matthew Dabner,...
Of the 19 projects, six are new to Screen Australia.s developmental slate, while the other 13 will continue to receive support.
The new projects include the drama script Clive, about a privileged man whose life is transformed after a serious accident, and Em, a comedic take on Jane Austen.s classic Emma.
Clive comes from writer/director Natasha Pincus, producer Bridget Ikin and executive producer John Maynard.
Em will be set in 1950s rural Australia and comes from writer Matthew Dabner, director Kate Riedl and producers Karen Radzyner and Anna Vincent.
.Pyschological thriller Lonely Girl will also receive developmental support. Written by Lynne Vincent McCarthy and produced by Samantha Jennings, the project was also supported through Screen Australia.s Springboard Program.
The crime drama My Country, written by Sam Meikle and Serhat Caradee and produced by Matthew Dabner,...
- 11/19/2012
- by Emily Blatchford
- IF.com.au
Brendan Cowell
Writer and actor Brendan Cowell will make his feature film directorial debut with the adaptation of his play Ruben Guthrie - the story of a wild-boy agency creative who burns himself out.
Cowell’s project is among 19 films to receive a cut of the $450,000 development support from Screen Australia.
Cowell has teamed up with Yael Bergman, producer of I Love You Too, which starred Cowell, and executive producers Laura Waters and Andrea Denholm.
The film’s synopsis reads: “By day, 29-year-old Ruben Guthrie is the wunderkind creative at one of Sydney’s hottest boutique ad agencies; by night, he is one of Sydney’s most notorious party boys until he jumps off a hotel roof into a wading pool and nearly kills himself. Over the next 12 months, Ruben tries to build a life around AA, cups of tea, inner growth and sex with a reformed addict. His friends,...
Writer and actor Brendan Cowell will make his feature film directorial debut with the adaptation of his play Ruben Guthrie - the story of a wild-boy agency creative who burns himself out.
Cowell’s project is among 19 films to receive a cut of the $450,000 development support from Screen Australia.
Cowell has teamed up with Yael Bergman, producer of I Love You Too, which starred Cowell, and executive producers Laura Waters and Andrea Denholm.
The film’s synopsis reads: “By day, 29-year-old Ruben Guthrie is the wunderkind creative at one of Sydney’s hottest boutique ad agencies; by night, he is one of Sydney’s most notorious party boys until he jumps off a hotel roof into a wading pool and nearly kills himself. Over the next 12 months, Ruben tries to build a life around AA, cups of tea, inner growth and sex with a reformed addict. His friends,...
- 11/19/2012
- by Colin Delaney
- Encore Magazine
Michael Wrenn is to join the Sydney office of Arclight Films, the company established by La-based Australian Gary Hamilton. Wrenn recently produced, with Karen Radzyner, director/writer Miro Bilbrough.s debut feature Being Venice but has spent most of his film career in sales, distribution and exhibition. Wrenn brings several films with him to Arclight.s library according to the statement announcing the appointment. These include Ivan Sen.s Mystery Road, which goes into production in July with David Jowsey producing, Zoe Laband.s Pinky Pinky produced by Jeremy Nathan, and The World Made Me Straight, an adaptation of the Ron Rash novel of the same name to be directed by David Burris and produced by Todd Labarowsky. Wrenn has worked in financing and world sales for such companies as Celluloid Dreams and Maximum Films and has held very senior roles at several distribution companies including Electric Pictures and Alliance...
- 5/24/2012
- by Sandy George
- IF.com.au
Two Australian films will feature in competition at the Sydney Film Festival, while five local features will get their world premieres.
Dead Europe, directed by Tony Krawitz, and Lore directed by Cate Shortland will compete In Competition, which carries a $60,000 prize.
For both films the festival will be their world premiere, along with other local features Not Suitable For Children, Mabo and Being Venice.
Krawitz’s Dead Europe is written by Louise Fox, adapted from a Christos Tsiolkas novel of the same name. It is produced by Liz Watts of Porchlight Films and Oscar-winner Emile Sherman of See Saw Films. The film is about an Australian photographer who visits his ancestral homeland of Greece after his father’s death. It will be Dead Europe’s world premiere.
Also in competition is Lore, Cate Shortland’s first film since debut Somersault. Again produced by Liz Watts, the film is an adaptation...
Dead Europe, directed by Tony Krawitz, and Lore directed by Cate Shortland will compete In Competition, which carries a $60,000 prize.
For both films the festival will be their world premiere, along with other local features Not Suitable For Children, Mabo and Being Venice.
Krawitz’s Dead Europe is written by Louise Fox, adapted from a Christos Tsiolkas novel of the same name. It is produced by Liz Watts of Porchlight Films and Oscar-winner Emile Sherman of See Saw Films. The film is about an Australian photographer who visits his ancestral homeland of Greece after his father’s death. It will be Dead Europe’s world premiere.
Also in competition is Lore, Cate Shortland’s first film since debut Somersault. Again produced by Liz Watts, the film is an adaptation...
- 5/9/2012
- by Colin Delaney
- Encore Magazine
Zephyr Films founder Chris Curling is one of many UK producers taking part in this year.s Ausfilm Week London and, as one of the producers on Death Defying Acts, has already experienced the particular needs of UK/Australian co-productions.
The mid-May pre-Cannes event is designed to develop co-productions between Australia and the UK -- both feature film and high-end television series . through a series of networking events and panel discussions aimed at familiarising delegates with the funding and production landscape of their potential partners.
Also on the list of attendees is Carlo Dusi, head of business and commercial affairs at Ridley and Tony Scott.s production company Scott Free. Ridley Scott cast Cate Blanchett and Russell Crowe in his 2010 action adventure Robin Hood.
Others include Carola Ash, one of the two people heading 2B Pictures, the production arm of the finance-focussed Future Films Group, and Alison Meese, who is...
The mid-May pre-Cannes event is designed to develop co-productions between Australia and the UK -- both feature film and high-end television series . through a series of networking events and panel discussions aimed at familiarising delegates with the funding and production landscape of their potential partners.
Also on the list of attendees is Carlo Dusi, head of business and commercial affairs at Ridley and Tony Scott.s production company Scott Free. Ridley Scott cast Cate Blanchett and Russell Crowe in his 2010 action adventure Robin Hood.
Others include Carola Ash, one of the two people heading 2B Pictures, the production arm of the finance-focussed Future Films Group, and Alison Meese, who is...
- 5/2/2012
- by Sandy George
- IF.com.au
The Hunter has lead the Aacta Awards with 14 nominations including best film.
The film, by Daniel Nettheim, is also up for best direction, adapted screenplay, cinematography, sound, production design, costume, original music score, and visual effects. Meanwhile, Willem Dafoe, Frances O’Connor, Sam Neill and Morgana Davies are all up for acting awards.
The film has currently made just over $1m at the local box office.
It’s the first year for the re-launched AACTAs, formerly the AFI awards.
The technical awards will be given out at a luncheon on 15 January at the Sydney Opera House, with an evening ceremony for the more ‘public-friendly’ awards held at the Opera House on 31 January.
Running against The Hunter for best film is Red Dog, Mad Bastards, The Eye of the Storm, Snowtown and Oranges and Sunshine.
The Eye of the Storm, was second in the nominations race with 12, of which six are...
The film, by Daniel Nettheim, is also up for best direction, adapted screenplay, cinematography, sound, production design, costume, original music score, and visual effects. Meanwhile, Willem Dafoe, Frances O’Connor, Sam Neill and Morgana Davies are all up for acting awards.
The film has currently made just over $1m at the local box office.
It’s the first year for the re-launched AACTAs, formerly the AFI awards.
The technical awards will be given out at a luncheon on 15 January at the Sydney Opera House, with an evening ceremony for the more ‘public-friendly’ awards held at the Opera House on 31 January.
Running against The Hunter for best film is Red Dog, Mad Bastards, The Eye of the Storm, Snowtown and Oranges and Sunshine.
The Eye of the Storm, was second in the nominations race with 12, of which six are...
- 11/30/2011
- by Colin Delaney
- Encore Magazine
Seventeen feature films have received support for development by Screen Australia, with a spend totalling $500,000.
The productions include projects involving Emile Sherman, Johnathan Teplitzky, Helen Pankhurst and Jan Sardi.
Martha Coleman, Screen Australia’s head of development, said: “I’m proud of our association with this compelling group of feature projects by such talented filmmaking teams. The quality and range of projects we are seeing is hugely inspiring and our development team care passionately about assisting the filmmakers we are working with to achieve the best possible version of their story. This is a very exciting time.”
Projects include:
Tim Winton’s best selling surfing story, Breath will get an adaptation by Simon Baker producing with Jamie Hilton and Mark Johnson and written by Peter Duncan. Four comedies have received funding including Ali’s Wedding, written by Osamah Sami and Andrew Knight will be developed by producers Helen Panckhurst, Michael McMahon...
The productions include projects involving Emile Sherman, Johnathan Teplitzky, Helen Pankhurst and Jan Sardi.
Martha Coleman, Screen Australia’s head of development, said: “I’m proud of our association with this compelling group of feature projects by such talented filmmaking teams. The quality and range of projects we are seeing is hugely inspiring and our development team care passionately about assisting the filmmakers we are working with to achieve the best possible version of their story. This is a very exciting time.”
Projects include:
Tim Winton’s best selling surfing story, Breath will get an adaptation by Simon Baker producing with Jamie Hilton and Mark Johnson and written by Peter Duncan. Four comedies have received funding including Ali’s Wedding, written by Osamah Sami and Andrew Knight will be developed by producers Helen Panckhurst, Michael McMahon...
- 10/14/2011
- by Colin Delaney
- Encore Magazine
<p><a href="http://www.encoremagazine.com.au/wp-content/uploads/2010/06/The-Sapphires.jpg"><img class="size-thumbnail wp-image-3055 alignright" title="Farmer and Anu in the current stage version of The Sapphires" src="http://www.encoremagazine.com.au/wp-content/uploads/2010/06/The-Sapphires-150x150.jpg" alt="Farmer and Anu in the current stage version of The Sapphires" width="150" height="150" /></a>Screen Australia announced its last investment round for 2010, with almost $18m for five features, three drama series, two low budget TV dramas, a children’s TV series, and 17 docos.</p> <p>The films include the musical <em>The Sapphires </em>(dir. Wayne Blair),<em> The King is Dead!</em> (dir. Rolf de Heer), <em>Dead Europe</em> (dir. Tony Krawitz), <em>Venice </em>(dir. Miro Bilbrough) and <em>Summer Coda</em> (dir. Richard Gray).<span id="more-6142"></span></p> <p><em>Summer Coda </em>was released in October, and today’s announcement by Screen Australia refers to a September decision that provided the film with post-production funding.</p> <p>The projects are:<br /> Feature Drama<br /> <strong>Dead Europe</strong><br /> See Saw Films Pty Ltd<br /> Producers Emile Sherman, Iain Canning<br /> Writer Louise Fox<br /> Director Tony Krawitz<br /> Sales and Distribution Cross City Sales, Wild Bunch International Sales, Transmission Films<br /> Synopsis Isaac, a late 20s Greek Australian, spirals out of control when he’s forced to confront<br /> his own family’s cursed legacy on his first trip to...
- 12/2/2010
- by Miguel Gonzalez
- Encore Magazine
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