The Viennale posted its full program last night. Besides this year's festival standards (Kaurismäki's Le Havre, Cronenberg's A Dangerous Method and so on), there'll be a Chantal Akerman retrospective, a strand devoted to new work by Jean-Marie Straub, another to Sasha Pirker, and another to Lee Anne Schmitt, a focus on Austrian silent films of the 1920s, another on Reinhard Kahn and Michel Leiner, tributes to Soi Cheang, producer Jeremy Thomas and Harry Belafonte, and Ulrich Seidl will screen a work-in-progress.
In A Short History of Cahiers du Cinéma (2009), Emilie Bickerton "restates the main polemical point" of her essay that originally appeared in the New Left Review in 2006, namely, as Bill Krohn puts it at Kino Slang, "that the Cahiers is dead as a doornail… As someone who has been writing for the Cahiers during the thirty-year period that Bickerton judges to have been one of steep decline, I'd better...
In A Short History of Cahiers du Cinéma (2009), Emilie Bickerton "restates the main polemical point" of her essay that originally appeared in the New Left Review in 2006, namely, as Bill Krohn puts it at Kino Slang, "that the Cahiers is dead as a doornail… As someone who has been writing for the Cahiers during the thirty-year period that Bickerton judges to have been one of steep decline, I'd better...
- 10/13/2011
- MUBI
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.