Reviews written by registered user
|178 reviews in total|
This late 1960's exploitation film is REALLY the bottom of the barrel.
The main plot was a good idea for this type of flick, but the results
are unbearably boring and painful to watch. The entire film is
post-dubbed which is not that unusual, but the sound and picture
quality are abysmal and the "performances" are not up to snuff, even
with this genre of film.
The lead girl is particularly horrifying. The tormented despairing souls in this do not deserve empathy or the mind-crushing symbolism hinted at by the narration of the main guy. Set in Las Vegas, you get a few nice shots of "old" Vegas, but there's nothing to recommend this tripe. Spam-tasting monotony that wears on the nerves. Forget this one!
This B/W film about a naive young woman moving to the big city is not
half-bad for this type of stuff. The main actress is boringly realistic
in her quest for a more exciting life. The first flop-house she goes to
has has incredible wallpaper in the lobby. The character of Mona is
very good and when she's wearing her wrinkled evening gown she looks
like she's about to attend an Ed Wood premiere. THe entire film is
post-dubbed and almost everyone wears wrinkled clothes.
Some decent location shots and music and it's quite the morality tale with a nice closing shot. A 4 out of 10. Minor nudity with lots of bad hairstyles and big underwear. Not bad!
Kirk Douglas is well-cast in this mid-50's color drama about V. Van
Gogh directed by Vincente Minelli. He looks remarkably like Vincent and
has the temperament to match. Anthony Quinn is right on the money as
Paul Gaugin and the film has a nice flow to it with excellent
soundtrack and cinematography.
A 7 out of 10. Best performance = Kirk Douglas. Unfortunately, Kirk would never be nominated again for Oscar (Honorary Oscar in the 90's), although he was great in LONELY ARE THE BRAVE and others after this one including PATHS OF GLORY and SPARTACUS. Most Bio-Pics are pretty shmaltzy, but this plays out with heart and passion.
Gorgeous Brigitte Bardot is perfect as the mixed-up, spoiled young
woman carrying on with an older attorney (Jean Gabin)who sets up her
own fate. Mr. Gabin has always been a marvelous actor with a
commanding presence at all times. Nice music and cinematography, but
it's Ms. Bardot who makes it worthwhile. Beside her looks and sex
appeal, her personality always shines through and she seems very
comfortable on screen, even at a young age.
A 7 out of 10. Best performance = B. Bardot. You never quite knew where this film was going to end up, but it reaches a touching ending of closure for all concerned.
This cool (1958, not 1957) bouncy fable with Mamie V. Doren & other
good actors with good rock n' roll songs and a PLOT blows away other
"exploitation" films made under Warner Bros. (B-movie) department.
Mamie doesn't even hog screen time with her cool sister, played by Lori
Nelson (the younger sister by one year), ...great dancing by actors,
great locale and set, cinematography, issues, sexy girls, corruption,
cotton-pickin', cops, black and white, an amusing cook named Pinky who
spouts philosophy, clean towels and bad pay....Lurene Tuttle (from
PSYCHO and MA BARKER'S KILLER BROOD) as a corrupt, in-love 50 yr.old
with a clean-cut son who is a good guy, AND Mamie piping out 3 songs at
appropriate times (while people rock n' roll) with keeping her threads
on and being sexier than ever AND INNOCENT OF ALL CHARGES.
An 8 out of 10, for sure. I'm very surprised of the rating of this film by the voters. Oh, well...See it again..it's a cool cat! I'm stunned and perplexed by the seemingly lackadaisical response by the IMDb public..seriously. Has geriatric boobism taken over the spines of folks watching a fun, (with relevant issues) in a undoubtedly exploitation flick of the late 50's, but the recurrence of good times is always prevalent in this very decent plot. The timing of the first song in first 20 minutes comes right out of nowhere, but the second song in the cotton field is like...OKAY. And these are the fun parts of this dramady that kicks it completely (as a B-movie). But, people should stand up for their tastes (or lack of). Once again, an 8 out of 10. Best performance = Mamie Van Doren. A cleverly written poem of Southwest Justice and all of the girls are beautiful in this movie (which helps when there's a real plot).
The final twists and turns of the final 1/2 hour shows why Elvis' post-Army color movies were all BAD. Anyway, I'm sure I'm babbling now, but give this one a shot; you won't be disappointed even if you're not into Mamie Van Doren or this style of analytic form about late 50's pseudo-exploit-low budget W. Bros B-movies. Try to find this movie...it's really nice.
Although Misty Ayers (burlesque stripper) is certainly attractive as
the blonde lead, this flick is just an excuse to let her strip down to
her underwear a few times (no nudity in 1954 when this film was made;
The guy who hires her to work in a whorehouse resembles Bud Abbott of Abbott & Costello. Most of the other woman are unattractive, and the drunken woman is semi-amusing in a creepy way.
A 2 out of 10. Ms. Ayers has a curvacious physique, but you can't judge any acting talent because the ENTIRE film is post-dubbed. Some of these "exploitation films", usually made later than this one, are interesting in some way, but this is really a bore fest. Sid Melton (MAKE ROOM FOR DADDY) directed. There are some Samurai-like facial expressions and interesting apartments, but there's really NOTHING here.
This mid-60's potboiler has some interesting scenes and SOME of the
dialogue is great. The best thing about this flick is the presence of
the incredible Ms. Lobato (whose husband directed it). She's a gorgeous
creature who's great when she's angry or in a bikini. The ending was
quite a surprise. A 5 out of 10.
Best performance = Ms. Lobato. The dopey good-guy husband is well-cast and the cinematography by Ray Steckler is great. All of the attorney scenes are a bore-fest. Interesting musical score. But Nelida Lobato makes it all worthwhile. I wish she'd made more films. Apparently she was a singer as well.
Burt Reynolds should have stuck to movies like this! A typical redneck,
crooked-cop hillbilly flick, it flows nicely with perfect casting,
including the neglected Jennifer Billingsley, Matt Clark, and Bo
Hopkins. A 6 out of 10. Best performance = Jennifer Billingsley. There
was a sequel (GATOR) a few years later.
Although Burt was good in DELIVERANCE, this was more his fare (distinctly different that SMOKEY AND THE BANDIT) and he excelled at this type of character. Ms. Billingsley was also great in LADY IN A CAGE in the mid-1960's. Ned Beatty and R.G. Armstrong offer decent support in this Bogan County tale.
This early "roughie" directed H.G. Lewis is average, but has some
interesting dialogue. The main actress is SO TERRIBLE she actually
seems to be this naive girl! Otherwise, well-cast and shot. A 4 out of
10. A great final shot! It's a bit long but the second half tension
improves the conglomerate of bad taste. A definite morality tale.
Herman Hesse would be tickled!
This must have been fascinating to see on it's release in 1963. The photographer with the strange-colored hair seems pretty realistic and I can't imagine where they found the lead girl. It's almost as if she was coached to be the complete amateur with bad timing and unbelievable pauses between lines of dialogue, but somehow she makes it work. Worth seeing.
Nice locations and decent "daytime" cinematography in La Jolla, but a
terrible low-grade exploitation flick..YUCK! Lots of booze bottles and
tacky paintings in this movie. The father and son look to be the same
age. The cross-dressing psycho is completely idiotic..he has such a
pretty wife. What's his problem? Best line of dialogue - "People go
crazy...every day people go crazy". What is John Ireland doing in this
one? I know he made some bad flicks, but this is too much. Some nudity.
A 2 out of 10. Best performance = Beverly Bain. Ms. Bain plays the
attractive and very normal wife of the crazy. Elena Verdugo from MARCUS
WELBY, M.D. has a small role as does Liz Renay from John Waters flicks.
The Good Deed Mission guys are right out of the Bowery Boys. Not much to recommend here with the acting low-grade and repellent passivity of most of the characters, especially Mr. Ireland as the world-weary detective. Terrible!
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