Jessica, whose father was a serial killer, is a police officer. While investigating a murder, she finds herself in the centre of her own investigation, when her former lovers start dying around her at a furious pace.
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Louis Gossett Jr.
At the offices of a Japanese corporation, during a party, a woman, who's evidently a professional mistress, is found dead, apparently after some rough sex. A police detective, Web Smith is ... See full summary »
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Samuel L. Jackson,
Jessica Shepard is an on the rise police officer of San Francisco's esteemed police department, after having solved a big case about a serial killer. Her mentor John Mills is proud of Jessica as a father would be of his daughter, since Mills was the partner of Jessica's late father. With a newly established promotion, Jessica finds that she might once again have to prove herself in a department that takes no prisoners. Not to mention a new partner named Mike Delmarco, who might be Jessica's next closest thing to a confidant. However, a man has been found dead and the two officers are brought into the investigation. What they find is a surprise when the dead in question was a man Jessica slept with, he being part of a list of one night stands that Jessica has engaged in. Now under suspicion and a terrible drinking problem gnawing at her, Jessica will have to prove to her superiors and to her skeptical partner that she's not the one behind the murders and Mills is one of the few people ... Written by
'Mark Pellegrino' and Titus Welliver costar in this movie, both on the same side of law enforcement. Later, they would costar in the television series Lost (2004), where they would play opposing sides in the island's good and evil mythology as Jacob (the man in white) and The Man in Black. See more »
In the last scene of the movie, Jessica's lipstick changes from a pale pink to a deeper shade of rose and back several times. See more »
[knife to her neck]
I can hear your heart beating. Sounds like you've got an animal in your chest, trying to get out. Sounds like blood. Sounds like flesh.
[starts unzipping her jacket]
What's this? *What* *is* *this*?
It's my gun.
[suddenly overpowers him and he's on the ground]
Don't hurt me!
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I just saw a great film noir called TWISTED. I saw some negative comment on your site saying that the film was not a film noir by someone who is obviously unfamiliar with the meaning of the expression. Here's a great definition that a friend of mine who is a noir expert dug up: "...Film noir is a crime story in which characters in the grip of urgent appetites (sex, money and revenge are the most popular) are driven to perform extremely dangerous, complicated and often morally dubious acts, and in which the prevailing mood--a mixture of fear, desire and desperation--is intensified by both a single-minded economy of narrative and almost oppressive formality of graphic design..." TWISTED stars Ashley Judd as a tough cop who picks up guys in bars and has wild sex with them. The only problem is, the guys she sleeps with end up dead! I guess some of the guys are a little uptight about sex and /or women being cops, but that's their problem. What is different about this film from say, SILENCE OF THE LAMBS, is that in TWISTED, Jess (Ashley's character) comes to believe that she might be the killer she is looking for. This is her best role ever and I think there's something liberating about seeing a woman cop kick some ass and be truly feminine at the same time. She is strugggling with her capacity to kill. At the end, the film answers the question of "whodunit' in a truly shocking and unexpected way.
If pressed, I would say that this film is a noir thriller, though it's so much more. There's a great love story here too (actually there are many kinds of love stories in the film and one really twisted one-thus the title). The direction, the camera-work and acting are all great.
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