The familiar tragic story of Vincent van Gogh is broadened by focusing as well on his brother Theodore, who helped support Vincent. The movie also provides a nice view of the locations which Vincent painted.
This character study joins the painter at the height of his fame in 1642, when his adored wife suddenly dies and his work takes a dark, sardonic turn that offends his patrons. By 1656, he ... See full summary »
Tom Lee is a sensitive boy of 17 whose lack of interest in the "manly" pursuits of sports, mountain climbing and girls labels him "sister-boy" at the college he is attending. Head master ... See full summary »
A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.
Vincent Van Gogh is the archetypical tortured artistic genius. His obsession with painting, combined with mental illness, propels him through an unhappy life full of failures and unrewarding relationships. He fails at being a preacher to coal miners. He fails in his relationships with women. He earns some respect among his fellow painters, especially Paul Gauguin, but he does not get along with them. He only manages to sell one painting in his lifetime. The one constant good in his life is his brother Theo, who is unwavering in his moral and financial support. Written by
John Oswalt <email@example.com>
Kurt Douglas as Vincent Van Gogh is absolutely amazing. He captures the frenetic passion with which Van Gogh painted. The movie has all the main influencing factors of his life and all of the master's difficulties, trials and illnesses.
The film shows Van Gogh's love of painting. He once wrote to his brother that it was impossible to see the world and not want to paint it. He saw the goodness of the simple people and showed his sympathy for them. Van Gogh's style showed the energy of nature and the toil of the poor. Van Gogh comes through as a man desperately trying to paint enough of the beauty he saw, at one moment bristling with positive energy and at the next unsure of himself and afraid of being always alone.
I was touched by Lust for Life and could not help finding sympathy with Van Gogh despite hs arguing with other painters and and falling in love with an ill prostitute and his societal awkwardness and so on. He came through not as a misfit really, but as one who was not meant for society, and a man to whom society wore upon.
The movie is excellent and moving and the end is truly beautiful in its tragedy. It is impossible to mention all the aspects of the movie I liked but this movie can be seen based on Douglas's performance alone.
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