Aging stuntman Sonney Hooper is still on top as one of the best stuntmen in the business. But up and coming Ski is starting to do bigger and better stunts. Hooper has the experience to ... See full summary »
Phil Gaines is a bitter, cynical cop who investigates the case of a dead stripper/porno actress found on the beach. Gaines is experiencing a troubled relationship with a hooker, and things ... See full summary »
Sam Whiskey is an all-round talent, but when the attractive widow Laura offers him a job, he hesitates: he shall salvage gold bars, which Laura's dead husband stole recently, from a sunken ... See full summary »
W.W. is a happy-go-lucky crook who makes his living robbing gas stations through the drive-up windows. The Dixie Dancekings are a country music band trying to get their first big break. W.W... See full summary »
Tom Sharky is a narcotics cop in Atlanta who's demoted to vice after a botched bust. In the depths of this lowly division, while investigating a high-dollar prostitution ring, Sharky ... See full summary »
This was the first of the car stunt movies set in the American South that Burt Reynolds made during the 1970s and involved some kind of battle with a sheriff or official. This group of movies includes the Smokey and the Bandit films and this movie's sequel, Gator (1976). See more »
When the Feds give Gator his brown '71 Custom, they are driving a silver with black vinyl roof '71 Ford LTD with the small lug cover hub caps. This same car is used when Roy drives Dude's wife to the funeral. See more »
Some people renting this expecting "Gator" style silliness are probably in for a surprise. This movie had a lot more of a "Deliverence" feeling than I expected, and felt authentic to the South of the 1970s. Ok, I wasn't there at the time, so it could be completely wrong. But it was convincing.
This is what Reynolds could have been--a middleweight serious Southern Action actor, like a cornpone Marlon Brando. There's just enough meat on the script to get the old mental wheels turning, and just enough action that it doesn't turn into one of those boring intellectual films about the Bad Ol' South. All in all, a good, interesting, tight movie.
Of course, it unfortunately led to "Gator" -- a bloated mess -- a few years later. Watching them back to back, it's pathetic to watch how Reynolds declined into a buffoon. As he showed in Boogie Nights, he's quite capable of playing serious dramatic roles. Too bad he didn't follow through on the promise of White Lightning, but I'm sure the $$$ were better for the garbage films he later made.
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