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L.A. Law (1986–1994)
10/10
There's no better legal drama
19 October 2015
I grew up watching L.A. Law as a teenager in the 1980s, right through to 'Finish Line' in 1994. It had so many elements that drew me to it, including the story lines that focused both in the professional & personal lives of the characters. The acting was rock-solid and most of the characters believable, and thoroughly human. In particular, these were Michael Kuzak, Grace Van Owen, Victor Sifuentes, Benny Stulwicz (the role that earned 'Darkman' Larry Drake an Emmy), Leland McKenzie, Ann Kelsey & Stuart Markowitz. Memorable episodes included the one where Benny goes before Judge Richard Lobel (Stanley Grover) to exercise his right to vote, one in which Jonathan Rollins (Blair Underwood) cross-examines an ethically bankrupt financial adviser (Richard Masur) into a fatal heart attack, one in which Grace prosecutes a gang member for a prison guard's murder then is targeted herself, one in which the despicable Rosalind Shays (Diana Muldaur) falls to her death in an open elevator shaft, and the Earl Williams trial in which Kuzak squares off against A.D.A. Margaret Flanagan (played by Veronica Cartwright of 'Alien' fame).

In later years, some of the characters came & went (as with any series); some of the new ones (such as A.D.A. Tommy Mullaney, Jane Galloway, C.J. Lamb & A.D.A. Zoey Clemmons) were quite likable, while others (Susan Bloom, Frank Kittridge) bordered on loathsome. The original characters were what really held the series together and made it so popular. Some of today's well- known actors (Larry Drake of 'Darkman' and Dann Florek of 'Law & Order' and 'Law & Order:SVU') got their big start with supporting roles in this series.

20 years after it ended its run, L.A. Law still has a popular following. It is beginning to see a DVD release now and here's hoping we see a complete series release. If any show is deserving of a widespread DVD release, this is it.
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Heartland (II) (2007– )
1/10
'Heartland' is trash; a smarmy soap opera with nice looking horses thrown in
24 June 2014
My family is absolutely HOOKED on 'Heartland', as my young daughter rides horses. It seems this is the only show they watch right now, and they have seasons 1-6. Both my wife & daughter seem to be crazy about Ty, for reasons that escape me. Even my wife's mother thinks this show is heaven-sent. Despite my family's pleas, however, I absolutely refuse to watch it - it is nothing more than a lot of smarmy, sentimental rubbish with some nice animals & scenery thrown in. It is a long-running 'chick flick', in my wife's own words, which probably explains why I don't find anything positive about this series.

I don't find a single one of the human characters to be anyone I can identify with; I find them all genuinely dysfunctional. The horses are the only actors remotely decent in this series.

I'm not trying to change people's opinions with this review; those who love this show, REALLY LOVE it. At the other end of the spectrum are those who detest 'Heartland', and I'm one of them.
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8/10
Absolutely stunning film, a wonderful animal story
27 April 2011
Warning: Spoilers
Francis Ford Coppola was a busy man in 1979; his Vietnam War epic 'Apocalypse Now' had been released earlier that year, and he was soon at work on another project - a marvelous story about a boy and an Arabian stallion marooned on a remote island after a shipwreck. That project, of course, was 'The Black Stallion' - often considered Coppola's 'forgotten child' of 1979.

Some of Coppola's 'Apocalypse Now' crew also worked on 'The Black Stallion'; namely producers Fred Roos & Tom Sternberg and Coppola's father Carmine, who wrote the beautiful, moving score that surrounds the film. For direction, Coppola handed over the director's chair to Carroll Ballard, whose very capable hand made this film absolutely stunning.

The story is well known, from Walter Farley's classic novel - a young boy, who escapes a shipwreck off North Africa with a horse he had helped rescue, bonds forever with the animal after they are washed up on an island. After being rescued the two return to the United States, where Alec keeps the beautiful horse in his backyard. When an innocent garbage man triggers a fear in the horse's mind, the animal escapes to a farm owned by a former jockey & horse trainer, Henry Dailey. When young Alec follows the horse to the barn, he asks Dailey if there's ever a way to learn to ride him. Dailey is skeptical at first; the horse is considered wild, and no papers exist. He does, however, start teaching Alec the ways of riding, and they are soon making runs with the horse - now known as 'The Black' - on a racetrack. The day comes when Dailey shows the horse to a reporter, who promotes the animal as a 'Mystery Horse' to challenge the country's fastest Thoroughbreds in a race. Alec will ride The Black in the challenge match - to a triumphant finish...

The photography is absolutely spectacular; most of the island shots (done in Sardinia) are made with no dialogue, which some have called 'meaningful silence', with only Carmine Coppola's soundtrack in the background - piano chords as the horse kills the cobra and a spectacular trumpet fanfare as Alec looks up at The Black standing on a cliff. Great care was taken to make the city shots (done in Toronto) realistic; the racetrack shots especially reflect this. The costumes and vehicles are authentic for the period - this was especially true on race day when The Black goes up against the 2 thoroughbreds.

Unfortunately, this great work was largely ignored by AMPAS at that year's Academy Awards; this is absolutely shameful as this photography rivals that of Coppola's 'Apocalypse Now' from the same year.

All around, this is one of the finest family movies ever made. I saw it when I was around 8 in the theater and did not see it again until I was about 39, when I showed it to my little girl (who loves horses). I give it an 8/10.
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Equal Justice (1990–1991)
8/10
Another series cancelled too soon - deserves a DVD release
16 January 2011
Warning: Spoilers
'Equal Justice' was a great series that focused on the professional & personal lives of a group of attorneys in the Pittsburgh D.A.'s office. It included George DiCenzo (who is well suited to playing lawyers) as D.A. Arnold Bach, Cotter Smith as A.D.A. Gene Rogan (who ran against him), Kathleen Lloyd (Magnum, P.I.) as Rogan's wife Jessie, Jane Kazcmarek (Malcolm in the Middle) as Linda Bauer (chief of the sex crimes unit), Debrah Farentino as Julie Janovich, Joe Morton (Terminator 2, Speed) as Mike James, and a young Sarah Jessica Parker (Sex and the City) as Jo Ann Harris. It also starred Jon Tenney as a defence lawyer, James Wilder, and Barry Miller as an obnoxious A.D.A.

The show focused on themes prevalent in real life today; gang violence, drug-dealing, racism & sexism. It also showed them in a way that made them tangible & realistic to the audience. In addition to the courtroom & legal offices, it also depicted the personal lives of most of the characters, especially Chris (James Wilder) and his romance with a female police officer, Gene & Jessie Rogan's marriage, and Linda's & Jo Ann's home lives. Barry Miller plays an obnoxious attorney whose antics towards Julie (Farentino) could be considered sexual harassment today; they even could have been then.

Sadly, this great series was cancelled after only 2 seasons despite a fine cast and great stories in the episodes. Part of the problem likely was that the show was competing with 'L.A. Law', the relatively new 'Law & Order', and 'Matlock', the latter of which was far inferior to Equal Justice.

While there are video streaming sites carrying it, these are not available to anyone outside the United States. This series deserves a DVD release. It only lasted 2 seasons so it should be possible to release the complete series on DVD.
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Rollercoaster (1977)
8/10
underrated thriller about a terrorist hitting places you don't expect!
10 February 2010
Warning: Spoilers
I remember seeing part of this little gem when it came out on TV around 1985. Unfortunately, I didn't see it again until about 1997 when I found a copy on VHS. This one isn't a true disaster film; it's more of a suspense/thriller/mystery. I was actually quite impressed with this flick about a terrorist/extortionist targeting rollercoasters and the innocent people on them.

The film opens on a pier, with a young 20-something man (the villain) watching a maintenance man walk up a roller-coaster called 'The Rocket' in Virginia. He then disguises himself as a maintenance man, and plants a bomb for remote-detonation on the tracks. Later that night, when the park opens, he re-visits the park, watching as the roller-coaster loads up. We see him stealthily take a remote detonator from his coat, then detonate the small explosive. The track is damaged on a turn, and when the roller-coaster hits the spot, horror ensues. Cars crash through the rails; bodies are thrown from the cars; and one car falls off a roof & lands upside-down on top of its passengers.

An amusement park inspector named Harry Calder, who had inspected that coaster only 2 months before, is called in to investigate. He soon discovers it was the work of a terrorist, and rules out structural failure. It isn't long before the bomber strikes again, this time in Pittsburgh, causing a fire that destroys a ride but everyone escapes safely. When the bomber threatens the owners of 5 different parks with a simultaneous attack against their rollercoasters unless his $1-million ransom is met, Harry suggests calling in the FBI, which his bosses do. Harry is also tasked by the terrorist to deliver the ransom, to be dropped at an amusement park. Led all over the park by the bomber, Harry makes the drop, but the money has been marked in defiance of the bomber's orders, and the fiend vows revenge - this time at a major park in California! Harry suspects that his target will be the Revolution roller-coaster at Six Flags Magic Mountain, and his bosses reluctantly allow him to go to the park & try to stop the bomber. The fiend places another bomb on the tracks, but the FBI discovers it & disarms the bomb. Enraged, the fiend buys a ticket for the Revolution's inaugural ride, and plants a second bomb in the last car of the train.

Harry soon catches up to the bomber, who tells him that the bomb is in the last car. Unable to stop the train (it had climbed over the hill), the FBI jams the remote frequency for the detonator, foiling the bomber's plans. The fiend tries to use Harry as a human shield, but that fails when Harry shoots him in the leg. A wild chase ensues as the bomber runs through the hills around the roller-coaster, not realizing he is going in circles that lead back to one place - Harry. The fiend climbs up on the Revolution's track, spots Harry, and freezes, not seeing the roller-coaster coming from behind. The bomber is killed on impact when he is hit by the roller-coaster.

I was quite impressed with the visual effects of the original roller-coaster crash; I've read that some of the more graphic scenes were supposedly edited out, but all the same, it did convey a chilling scene when the cars go flying out of control. The sheer terror that would be felt is unimaginable: there is no way to protect yourself, no way to stop it, and no apparent help at hand.

The story is one that isn't impossible; in fact, especially today the potential for a real-life version of this exists (even remotely). The acting isn't all that bad; the bomber (Bottoms) is especially chilling for such a simple character - he just wants MONEY, $1-million of it. Henry Fonda also turns in a stellar performance as an FBI man in charge of the investigation. Harry Guardino (best known for his roles in the 'Dirty Harry' movies) has a smaller but effective role as one of Harry's bosses.

Not a bad movie, certainly worth seeing. I give this one 8/10 for a good story & exciting visual effects (by 1977 standards).
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The Irish Rovers (1971–1975)
10/10
These guys were fantastic, let's see them on DVD
9 September 2008
I was very small when the Irish Rovers' TV show was running on the CBC, but I can still remember seeing them. Those guys knew how to put on a great show. In addition to the music, I can still remember the comedy sequences featuring Jimmy, George & Will in the guise of wily, mischievous leprechauns. Most of all I can still remember a sequence where a group of Irish dancers joined them in the studio, when Anne Murray was a guest on their show in her early days, and a show that featured them back in their home sweet home - Ireland, singing 'Lord of the Dance' in the Glendalough monastic site - a site that I visited almost 30 years later when I went to Ireland! It still looked as marvelous as it had when they filmed that episode. I also was lucky enough to see them live - at Will Millar's last appearance with them in March of 1995. Even 40 years after they started performing, I still have a special feeling for these guys & their songs. I would love to see at least 1 or 2 of the seasons released on DVD. Think about it, CBC - it might appeal to a whole new group of people!
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I Can Make You Love Me (1993 TV Movie)
8/10
Excellent, accurate retelling of a frightening true story
10 May 2008
Warning: Spoilers
I first saw this little gem in 1994 when it came out on TV. After finding it on Amazon under the title 'Stalking Laura', I read about the true story surrounding the events of this movie. Richard Thomas is brilliantly convincing as the psychopathic, unstable Richard Farley (though he looks nothing like the real Richard Farley). His performance as Farley shatters the wholesome image most people remember him for, as 'John-Boy' in 'The Waltons'. Brooke Shields is somewhat effective as his victim Laura Black; she is not a weak-kneed, helpless victim. She fights back against his harassment, first through the company, and then through the courts. For those not familiar with the story, here's a little about it.

Richard Farley is a software engineer for KEI, a Silicon Valley technical defense contractor. Laura Black is a new graduate from UC Davis who is starting work there. On her first day she meets Farley innocently while being orientated by Chris, her supervisor. Farley asks her out, and Laura turns him down. But Farley will not take NO for an answer & begins showing up everywhere - at her aerobics classes, while she is filling her car, even taunting her at company softball games. He also employs tricks to get her address, and breaks into her office to see her application for security clearance & finds out the names & locations of her family. When Laura continues to spurn him, he threatens to go after her sisters or mother. Laura goes to the company's HR division, who initially do not take her seriously until Farley threatens Laura while she is out with her girlfriends. Farley subsequently threatens the HR people & is fired. But that does not stop the harassment and Laura is forced to turn to the courts for a restraint order (as it is holding her back at work). Unfortunately, it turns out to be the trigger that sends Farley over the top. He marches into his old workplace carrying an armory of guns & ammunition, and savagely murders 7 former co-workers. Though she is wounded, Laura manages to escape, and Farley eventually surrenders after speaking to a hostage negotiator. He is now on death row in San Quentin.

This movie parallels quite closely the events of the actual case. Most of the scenes in the movie are ones that actually occurred, including Farley's threats to the HR people and the horrifying mass-murder at his old firm. Overall, a very well-made TV movie, much better than most of the TV movies popular in the 1990s.
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Halloween (2007)
7/10
Really its own movie more than a remake
25 September 2007
Warning: Spoilers
Rob Zombie's remake of Carpenter's 1978 classic 'Halloween' has screen writing that you might expect from Rob Zombie, but the way the story of Michael Myers is told in this one is considerably different from John Carpenter's.

It begins with a 10-year-old Michael Myers, growing up in a home with a stepfather who is at best neglectful & possibly abusive, a mother who works as a stripper, and a sister who despises him. Young Michael develops psychopathic tendencies early on, torturing smaller animals & photographing them. He gets into a fight at school with 2 young toughs, and the hideous photos as well as a cat corpse are discovered in Michael's schoolbag. Dr. Samuel Loomis is called in to assess Michael, who leaves the school before he can be seen.

Here the differences in Zombie's & Carpenter's versions become clearer. Michael's first homicide is not his sister in this version but rather the lead bully, whom Michael beats to death with a tree limb. On Halloween night, it is not just Judith Myers who meets a terrible end, but also Michael's neglectful stepfather and Judith's boyfriend.

Michael is incarcerated at Smith's Grove sanitarium, and while his mother is visiting he brutally murders a nurse. Realizing her whole family is virtually gone & Michael is beyond help, his mother kills herself with a revolver, leaving her infant daughter - Laurie Strode - behind.

Fast-forward to 15 years later, when Michael savagely murders several people in his escape from Smith's Grove. The homicides are incredibly violent & brutal, more or less what you expect from Rob Zombie. Now, 3 teen aged schoolgirls - including Danielle Harris of Halloween 4 & 5 - become potential targets of Michael's homicidal rampage. Some of the scenes are almost identical to Carpenter's (Bob's impaling on a door) while others never appeared in Carpenter's version (the murders of the Strodes & Dr. Loomis).

Basically it's what one might expect from Rob Zombie although it tries to be a little more cerebral in telling the story of how Michael Myers became a walking machine of destruction & misery. Like the character of Leatherface in the Texas Chainsaw Massacre films, this one shows that you can make a child into a monster. Knowing that Halloween fans would react badly to a word-for-word-type remake of Carpenter's classic, Zombie has essentially tried to make this one its own movie, in a way comparable to Zack Snyder's 2004 remake of Dawn of the Dead.
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9/10
The return of 'Evil on 2 legs'.....and what a return it is
31 July 2007
Warning: Spoilers
I was only vaguely familiar with the storyline of 'Halloween' as I had never seen any of them when this one came out in October 1988. At age 17 I was hugely interested in it, and went to see it one day in the middle of the week at a downtown theater.

It is October 30, 1988 - 10 years after the murder of 16 residents of Haddonfield, IL by an escaped psychopath. In the middle of the night, an ambulance makes its away along the road from Smith's Grove to the Ridgemont Federal Sanitarium where Michael Myers has been housed for the last 10 years. Soon, the monster of Halloween 1 & 2 is on his way to another institute, and comes to life inside the ambulance. He brutally murders the ambulance crew & heads towards Haddonfield - again.

Young Jamie Lloyd, Myers' niece, has been adopted by the Carruthers family. She is tormented by a nightmare involving her evil uncle, in a terrifying sequence which the audience does not know is a dream (at first). It isn't long before Dr. Loomis & Dr. Hoffman, head of Ridgemont, are alerted by the state police after the ambulance is found upside-down in a river, destroyed and bloodied by Myers' homicidal violence. Loomis immediately heads for Haddonfield, and encounters Myers at a gas station where 2 other people have been murdered. After Myers blows up Loomis' car, the doctor is forced to hitchhike to Haddonfield as Myers races towards it in a stolen tow truck.

Shortly after, Jamie & her adopted sister Rachel head for a store to buy a Halloween costume. Unknown to them, Myers is already there, and he acquires his coveralls & evil-looking knife. This is a well-filmed, frightening sequence in which Jamie holds up the costume on herself in a mirror, then the image changes to that of a 6-year-old boy who killed his sister 25 years before. Suddenly a dark figure appears behind Jamie, when she turns around she sees Myers pull the frightening pale mask down over his face. Myers moves towards her but quickly retreats from sight after Jamie screams, and he goes to stalk out Jamie's home.

Loomis has reached the sheriff's office, and alerts Sheriff Ben Meeker to Myers' return. Meeker immediately puts the town into a state of curfew so the police can hunt Myers down, and then he & Loomis start looking for Myers themselves. A power failure caused by Myers forces Meeker to call the state troopers in following the savage murders of a group of officers by Myers, and a group of shotgun-toting truckers led by a man named Earl start going after Myers themselves. When the sheriff leaves to try to stop them, Myers goes after Jamie & Rachel in a deadly game of cat-and-mouse. It will end in a nail-biting confrontation between Myers & Earl's men - and the most frightening twist ending I have ever seen in a horror movie!

The late Donald Pleasance, as usual, plays the role of Dr. Loomis brilliantly - as a man who has not only seen the evil incarnate that makes up Michael Myers but also dares to confront it. Ellie Cornell as Rachel & Danielle Harris as Jamie are also excellent as the 2 young ladies who find themselves the unwilling targets of Michael Myers' homicidal mission. George P. Wilbur is seen but not heard as the stomping, savage Michael Myers - a role he plays so well because of his slow-but-deliberate, lumbering presence.

Director Dwight H. Little wanted to make this a huge return for Michael Myers following Halloween 3 (which did not feature the characters of 1 & 2), and he has succeeded! This is one of the best in the franchise.
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Titanic (1997)
10/10
A masterpiece in historical accuracy as well as screen writing
18 June 2007
Warning: Spoilers
When I saw James Cameron's Titanic on its opening day in 1997, I remember overhearing a woman explaining to her 2 daughters, 'The Titanic was a real ship and real people died on it', so they would not become totally caught up in the love story of Jack & Rose. I had first read about the legendary Titanic when I was about 10 years old, but I had no idea just how horrible the real disaster has been until reading Walter Lord's 'A Night to Remember' and seeing the 1959 B & W movie based on that book. When Dr. Robert Ballard found the Titanic's resting place in 1985 the world's interest was re-opened in the story, and Cameron's massive undertaking to retell the story of that fatal night in April 1912 was a success on any scale.

I was mostly interested in the historical aspects of the story, and was not disappointed. Cameron's research into the ship's design, the passenger list (especially 1st-class), the costumes, right down to the last detail on the 1st-class china, is minute. It was SO close to the historical accuracy as detailed by Walter Lord (and later by Robert Ballard) that one could have easily believed they were actually there.

Cameron's use of a love story featuring people at opposite ends of the spectrum (Rose, the dignified 1st-class girl and Jack, the impoverished steerage passenger) makes for an interesting element in the story. Though the story focused largely on their own experiences I don't think it detracted from the movie's historical accuracy. We often see Rose & Cal Hockley interacting with such real-life passengers as J.J. Astor, Ben Guggenheim, Molly Brown & the Countess of Rothes. It also focused well on Jack's experiences in steerage which were probably similar to those of many steerage-class passengers, who often found themselves trapped below decks in a ship that was rapidly filling with water.

Some of the more interesting historical elements were cut & later released on the deluxe DVD edition; one shows Capt. Smith calling for the boats to standby close to the ship and Q.M. Hitchens (in Molly Brown's boat) ignoring the order. Also missing was the well-known scene of Macy's Department Store owners Isidor & Ida Strauss, which showed Mrs. Strauss insisting on remaining with her husband right until the end. (They are seen while 'Nearer My God to Thee' is playing, in their cabin as water rushes in on the floor.) Another missing scene which was understandably cut showed little Cora Caldwell (Jack's dance partner in steerage) and her family trapped by a locked gate with water rising behind them.

Jack's ultimate fate was that of most steerage passengers; he died of hypothermia well before the arrival of the only rescue ship. Rose only survived because she managed to improvise a life raft on a floating piece of the Grand Staircase. She could have become one more of the small number of 1st-class women & children who did not survive (the only others were Mrs. Strauss, Mrs. H.J. Allison and her little daughter, Lorraine).

Depending on how one wants to see it, this movie is either a grand love story against a backdrop of imminent doom, or a historically accurate movie with a love story as the background. Either way, Jim Cameron's masterpiece will long stand as one of movie history's greatest achievements. It could have been a colossal flop, but because so much planning had gone into it to make it as historically accurate as well as creating a story people would want to follow, it has succeeded beyond even Cameron's expectations. Well done James!
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8/10
The night the unsinkable sank....
8 June 2007
I saw this at Christmas one year on TV when I was about 10 years old, and was impressed even then at Roy Ward Baker's masterpiece that told the story of the most famous shipwreck of the 20th century - the Titanic. I had read about the Titanic in a book about icebergs but had no idea at just how horrible the real-life tragedy had been until reading Walter Lord's book on which the movie is based.

The movie centers around true, factual accounts of the Titanic's passengers as interviewed by Lord when he wrote the book. The ship is launched in Belfast to a cheering crowd but what no one knows is the maiden voyage will also be the ship's last. Titanic's 2nd officer, C.H. Lightoller, is the character most closely followed. It pays close attention to the ice warning that never reached the bridge as well as the Californian's 'role' in the tragedy. J.J. Astor is mentioned but he does not have the prominent role in the movie that he did in Jim Cameron's 'Titanic' which came 39 years later.

The mad panic that seemed to surround the sighting of the berg was absent in this one; you can however see Murdoch's eyes getting bigger & bigger as the ship appears not to turn before it strikes the iceberg. It appears to just miss the berg, except for a shot on the well deck as it scrapes past. Laurence Naismith is brilliant as the Titanic's captain; he plays a more decisive captain than others have shown in various Titanic movies.

This is a masterpiece that must not be missed; anyone who has seen Jim Cameron's 'Titanic' also needs to see this one. For 1958 the special effects re-creating the sinking are incredibly realistic - remember digital effects didn't exist in 1958! And its story is entirely based on factual experiences of the ships' crew & passengers. Though Cameron's film is a masterpiece in its own way, this one also is - it is a documentary-type movie as opposed to the fictional characters set against the Titanic backdrop in the 1997 movie. See this one!
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Threads (1984 TV Movie)
9/10
Sheer terror even 23 years after
6 May 2007
Warning: Spoilers
I first saw this while on holiday in the UK in 1985 at age 14. Having never heard of it I didn't know what to expect until I was told it was the British version of 'The Day After'.

The premise is relatively similar to TDA; Sheffield residents Ruth Beckett & Jimmy Kemp are preparing for their upcoming marriage & birth of their first child. Unfortunately at the same time, the USSR invades Iran in the hopes of making it another Soviet satellite state. The U.S., U.K., and U.N condemn the Soviets, but they arrogantly defend their actions & balk at peaceful negotiations. Meanwhile, Jimmy & Ruth start making plans to move into a flat as the crisis escalates. Near Sheffield is Finningley RAF Base - a NATO air base & prime target for Soviet ICBMs. The alert status is increased after a Soviet ship is damaged in collision with a U.S. destroyer, and the Americans issue an ultimatum to the Soviets calling for a joint withdrawal from Iran. The Soviets, however, ignore the warning, and the Americans strike the Soviet base at Moshad with conventional bombs from B-52s. The Russians deploy a nuclear-tipped air-defence missile, annihilating the bombers. The U.S. strikes back with a low-yield battlefield nuclear weapon on the Soviet base, stopping the exchange.

Meanwhile the British government is preparing for the possibility that central government may be eliminated in a nuclear war, and gives local authorities instructions on how to proceed. In Sheffield, this authority is the city's peacetime chief executive, Mr. Sutton. Parliament also passes an Emergency Powers Act, resulting in closing of major roads, no fuel availability except for official vehicles, and redeployment of fire engines from their firehalls to underground bunkers. 'Protect & Survive' PSAs are broadcast repeatedly on TV & radio and guides are issued to UK residents.

May 26, 0800; The Soviets decide to launch a pre-emptive nuclear strike against UK & NATO airbases, command posts, communication centers and other military installations. In addition to targets such as the Pentagon, Pearl Harbor, and Norfolk, VA (Atlantic Fleet HQ) in the U.S., RAF Finningley, Early Warning Centers, and other outposts in the UK have become targets. NASA Space Command detects Soviet ICBMs in-flight a few minutes later, and during a briefing in the Sheffield bunker, the 3-minute warning comes; 'Attack Warning! Red! Attack Warning! Red!'. Jimmy & one of his co-workers are outside at 0830 when the air-raid sirens sound, and panic breaks out! People are running everywhere in their fight for survival. Although the RAF manages to get fighters into the air, RAF Finningley is hit at 0837 by the first ICBM. The mushroom cloud over the airbase sends Sheffield's population into a bigger panic, and Jimmy flees towards Ruth's to check on her. Unknown to him, nuclear exchanges are escalating making all major U.K. cities targets. In addition to London, Manchester, Edinburgh & Glasgow, Sheffield is also a target because of its industrial base of steel, engineering & chemical production. A second ICBM hits Crewe & the blast annihilates Sheffield, creating a massive firestorm fueled by industrial sites & ordinary combustibles. Jimmy, his brother & sister die in the blast; Ruth, her parents & grandmother escape to their basement. Jimmy's parents are caught unawares in their makeshift shelter which offers little protection. The people in the bunker are buried under the city hall. Fallout hits & begins to cause critical illness in most of the survivors, Mrs. Kemp eventually dies of it in combination with other wounds suffered in the blast. Ruth flees her shelter into a horrible, radioactive, barren world where death surrounds her everywhere. The fires are out, but nothing is recognizable. Detention camps are created to deal with looters, some of whom kill Ruth's parents but are soon caught by soldiers. They will later be executed. Mr. Kemp dies later from starvation & radiation poisoning. Those in the bunker at city hall eventually die of suffocation before a rescue team can reach them. Ruth eventually gives birth to a daughter, but she grows up emotionally, physically & mentally stunted - like most of the postwar generation. With no agrochemicals, fertilizers, and insects eating crops, many starve or freeze to death in nuclear winter. 13 years later, things are just as bleak as Ruth dies of radiation-induced cancer, and her daughter later gives birth to a deformed, stillborn infant.

The sheer horror of the attack & aftermath cannot be stressed enough. Though the acting is wooden in places, the sheer effectiveness of the special effects of the attack is stunning for its time. Digital effects did not exist and this was shot on a low budget. I remember seeing the mushroom cloud over the RAF base and thinking how real it looked. The same could be said of the blast scenes & aftermath. The portrayals by the actors of the postwar generation are quite convincing; it was an angle I hadn't thought of - growing up with no education or anyone to teach them a language. Director Jackson & writer Barry Hines did meticulous research when making this one; the credits read like a 'Who's Who' of science with names like Dr. Carl Sagan, the Home Office Defence College, and the British Medical Association.

Even after the end of the Cold War, this chilling film should be COMPULSORY viewing for all world leaders as well as high school students. It would be invaluable for them to see what threat the Cold War once posed. The threat from the USSR & eastern bloc may be largely gone, but it remains from China, North Korea, and possibly Iran as well as terrorists in the future.
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Red Dawn (1984)
7/10
Not as bad as some say.....
20 April 2007
Warning: Spoilers
'Red Dawn' is one of those movies I sometimes feel guilty seeing, but was a product of its time. Though we didn't know it, the Cold War was nearing its end, and the Berlin Wall would be history 5 years later. However, Gorbachev had not yet assumed the Soviet presidency & Americans were still nervous about nuclear war.

It begins in Colorado, when a teacher sees paratroops landing on the field of a small high school. When he goes out to investigate, he is savagely gunned down by Soviet soldiers. The soldiers then open fire on the school, sending the students running for cover. A small group, led by Jed (Swayze) & Matt (Sheen) Eckert, head for the mountains with Robert (Howell) & 2 others. After evading Soviet troops, tanks, & aircraft, they reach Robert's dad's store where they pick up camping gear, food & weapons. Escaping into the mountains, they set up camp. 2 days later, they return to the town which is under control of the Soviet Army. They learn the KGB is hunting for them, and after leaving they stop at a family friend's where they learn Robert's dad was murdered by Soviet soldiers who came looking for the guns. They also pick up the man's granddaughters, Toni (Grey) & Erica (Thompson) who are hiding in a cellar after Soviet soldiers tried to rape them. Soon after, a Soviet patrol heads into the highlands where they are hiding out, and the teens encounter them. One soldier goes after Toni in spite of warnings from the other soldiers, and is killed with his own gun. A second soldier runs into Robert, who guns him down, and the third soldier escapes back to his jeep in spite of serious wounds. The young man gasps a warning over the radio, but Jed catches up to him, and the terrified young man looks at Jed then turns away before Jed shoots him at point-blank range. This is the first hint that some in the group are humanizing the soldiers that they killed.

When the invasion's commander discovers the dead Soviet soldiers, he orders the town's residents - one of whom is the Eckert boys' dad (Stanton) to dig graves for the dead men, then savagely murders them by firing squad. One of the Eckert boys sees it happen, and they start planning guerrilla-type operations against the Soviet troops. The first involves Toni riding a bike to a fueling station where a Russian tank is being fueled, and when the soldiers take her bag it contains a grenade which kills the tank's driver. As Toni runs across an open field with the tank's crew on her heels, 3 of the boys pop up out of foxholes & gun down the men. Encouraged by their success, they continue with others, the most notable of which is an attack on a firing squad. As Russian soldiers & their C.O. line up civilians for the firing squad, the officer gives the command to aim - and then suddenly the entire firing squad is cut down by the 'Wolverines', allowing the civilians to escape.

In the dead of winter, they find a new ally in Lt-Col. Andrew Tanner (Boothe) of the U.S.A.F. Tanner, an F-15 pilot, had destroyed 4 of 5 Soviet MiG fighters before being shot down. With a military man in their midst, they find out about the extent of the invasion & Col. Tanner begins helping them plot new guerrilla operations, including rescuing political prisoners from the so-called 're-education' camps.

Soviet Colonel Strelnikov (William Smith) is brought in to hunt down the 'Wolverines' & eliminate them, but his plans soon go awry after one of his soldiers is captured & killed by the Wolverines, and an attempt to hunt them down with MiL-Mi24 helicopter gunships fails.

By now, the enraged Col. Bella (O'Neal) has become disillusioned with the invasion & plans to return home to his wife in Cuba. General Bratchenko, the Russian officer in charge of the invasion, is killed in a raid by Matt & Jed. Colonel Strelnikov manages to fatally wound both Matt & Jed, but is ambushed & killed by Jed while searching for Matt. When he spots Matt & Jed, both mortally wounded, Bella points his AK-47 at him, but decides not to shoot. Perhaps now both sides have begun to see each other as humans, not so different from each other.

Though a Soviet invasion in this way would have been near-impossible, it was a chilling alternative to 'The Day After', which basically portrayed a nuclear wasteland. 'Red Dawn' presented an equally chilling possibility to Americans - living under the iron fist of a Soviet communist dictatorship where the KGB ran your life, and the realization that insurgents could force something as powerful as the Soviet Army to retreat. Not a bad movie at all.
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Jaws Unleashed (2006 Video Game)
8/10
This game ROCKS!!!
16 February 2007
Warning: Spoilers
Awesome graphics, good game control, and terrific game play options for improving your status are what awaits in Jaws Unleashed. In this one, you ARE the shark - Jaws himself. There's very little in the open ocean that can stand up to him. In this game, you advance through stages which are only partially based on the Jaws films, though some of the side challenges & scenes you encounter do have direct connections. Most notable of these are grabbing a swimmer & ramming them into a buoy (Jaws) and the scene in the aquarium (Jaws 3). Mike Brody, son of the chief, is a marine biologist who has plans to capture & research you, while Larry Vaughan Jr. has assumed his dad's old spot as mayor of Amity. A company called Envirotech(?) is also partnering with the city & building a refinery to help the local economy. Jaws, however, does not like the idea of all these people in his hunting grounds, and plans to get rid of them. After you kill the CEO's son, he puts shark hunters after you, and Brody will capture you & put you on display. The exciting part comes when you eventually break out of your cage & start going after people. Eventually you will find yourself in a series of tanks filled with playful dolphins, noisy seals, and one containing a huge killer whale, which you must kill in order to escape. The orca is one of the only creatures who can stand up to you; it took me several tries before I got him. Do NOT go head-to-head with him; you will end up badly damaged. Once you break out into the ocean again, several side challenges await; take out the Baywatch-type lifeguards before they reach the shore; take a certain number of bungee jumpers in a time frame; defend a whale carcass against invading hammerhead sharks; kill the water-skiers as they make their jumps; and defend yourself against angry narwhals attacking you with their tusks. Your missions will take you to various parts of Amity Island & the open sea, and the water is teeming with marine life - various fish, dolphins, other sharks, stingrays, seals, and at one point you will find yourself surrounded by killer whales. Of course, the most fun lies in attacking boats & people - as you accumulate points you can cash them in for advanced attack moves such as corkscrew attack or body bomb, as well as improving health, speed, and strength.

One of the most innovative games I've ever come across in many years!
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7/10
The monster with the chainsaw is BACK!
11 October 2006
Warning: Spoilers
This creative prequel to Marcus Nispel's remake of Tobe Hooper's 1974 classic, 'The Texas Chainsaw Massacre' is actually quite well made. It is genuinely frightening & pulls no punches. I was pleased to see the return of R. Lee Ermey as the psychopathic sheriff impostor and Andrew Bryniarski in a silent role as the demented chainsaw-wielding maniac. Ermey is just as cruel & sadistic as he was with Jessica Biel, Jonathan Tucker & Erica Leerhsen in the 2003 version and Bryniarski brings a little different portrayal of Leatherface - a somewhat silent but still monstrous creep who intimidates by his physical presence as well as his loudly-buzzing saw. It was also a surprise to see Terrence Evans as 'Old Monty', whom I had always thought was Leatherface's father but apparently is not.

The basic storyline is similar to TCM: 2003 but it does tell the developing story of how Leatherface became the monster we saw 3 years ago. In the height of the Vietnam War, 2 young men are spending a last weekend with their girlfriends before heading out to Vietnam. One comes up with a plan to dodge the draft, but the other does not share that idea. At the same time, the old meat-packing plant that provided employment for many (which appeared in the 2003 version where Erin fights Leatherface for the last time) has closed down, out of business. Thomas Hewitt (Bryniarski) worked in the plant, and when he finds out what is happening he savagely murders the foreman. Meanwhile, a woman biker attempts to rob the 2 men & their girlfriends, but sheriff-impostor Hoyt (Ermey) shows up & blasts her with a shotgun after the boys total their truck in a collision. Hoyt then takes the 2 men & 1 girl hostage when he finds a burned draft card, but the other girl has escaped detection and hides out of sight. She enlists the aid of the biker whose girlfriend was killed by Hoyt, and leads him to the creepy-looking house where her friends are being held captive & tortured by Hoyt & Leatherface. What follows is a night of sheer terror when she stealthily gets inside, and attempts to rescue her friends...

I have to agree with what many other posters said; this one is BRUTAL, FRIGHTENING, and GRAPHIC - maybe even more so than Nispel's 2003 film. It's like the screenwriters didn't want to throw any shred of good cheer to us, as ALL the victims are gorily, brutally killed - unlike Nispel's or Hooper's films where 1 woman got away.

7/10 easily - this one is BIG on the fright scale!
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Scarface (1983)
7/10
One of Pacino's finest roles
10 September 2006
Warning: Spoilers
This one had so much about the 1980s it's hard to know where to start. I remember when this one came out & was getting rave reviews; I wanted to see it badly but my parents always said "no way" as they were very strict about these kinds of movies. However, 2 years later I was finally able to watch it for the first time with my dad. It left an impression that has stuck with me since then.

Pacino is at one of his best roles here; admittedly he is over-the-top sometimes but that is also part of the character. As others have remarked he is not playing a Corleone-type gangster here; he is playing a violent drug dealer that gradually replaced the gangster-types of Corleone & even Al Capone. The supporting cast is solid as well; Robert Loggia, Michelle Pfeiffer, Mary Elizabeth Mastrantonio & Steve Bauer are all excellent performers.

Some of the scenes, especially the infamous chainsaw scene, are disturbing, although the violence in the drug underworld is arguably more extreme than in the times of Al Capone or Michael Corleone. Oliver Stone's screenplay gets dull in places; while it does tell a good story, I got tired of hearing the F-word in almost every line. One does expect a fair amount of swearing from these characters in order to make them believable; however the extreme use of the F-word made the dialog lag in places.

Brian DePalma is a solid director; while this is not his best effort by far, it is fine work just the same. He followed up this effort with another gangster film - 'The Untouchables' - four years later, which portrayed the 'classic' images of the early 30's gangsters. Martin Scorsese's 'Goodfellas' also fit the mold of the 'crime family' gangsters. 'Scarface' certainly dispelled the traditional movie stereotypes of the gangster lifestyle; it showed that it is gritty, messy, and frequently outright savage.

This one is the movie that got me interested in Pacino's films; his finest since this one was his role on the other side of the law in 'Heat', playing an intense Los Angeles policeman.

This 1983 classic is terrific viewing for those who grew up in the 1980s. However, I would strongly advise anyone with a weak stomach or nerves to avoid it - it is EXTREMELY graphic!
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One of Her Own (1994 TV Movie)
7/10
Disturbing story apparently based on true events
11 August 2006
Warning: Spoilers
When I saw this one around the time it first aired, it was mentioned that it was based on actual events. I'm not familiar with the actual case but have no doubt that something like this goes on in many different employers.

As another reviewer said it also brought out great anger in me towards the crooked chief, captain & lieutenant who went out of their way to manufacture grounds to justify termination of Toni Stroud (Loughlin) who followed proper chain-of-command & what would be considered proper procedure. I have no doubt that in some places things like this happen; employers/colleagues suddenly turn against someone they once called 'friend' in retaliation for reporting the criminal/unethical actions of someone else. The only thing that was missing was the end result of the illegal termination lawsuit against the city, though I think she would likely have won as the department blatantly ignored due process in their haste to get her out of the way.

Lori Loughlin, as usual, is absolutely brilliant as Toni, and some of the others are genuinely chilling as the men she once called friends who turn against her, even the rapist who attempts to threaten her out of testifying against him. When he is found guilty the expression on his face says it all....'how dare you!' he seems to be saying.

There is absolutely no doubt that this kind of harassment & blacklisting goes on with any kind of employer, as Toni found out. I have personally experienced something similar to the blacklisting that she underwent, though certainly nowhere near the scale that the fictional character of Toni experienced.

This one deserves to be seen!
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Falling Down (1993)
8/10
An ordinary man at war with the everyday world....
17 July 2006
Warning: Spoilers
'Falling Down' chronicles the misadventures of William Foster (Douglas), a.k.a. D-FENS, a defense engineer who was downsized with the end of the Cold War. Stuck in traffic on a Los Angeles freeway due to road work, D-FENS angrily gets out of his car and says 'I'm going home' when another motorist protests. On his way to his ex-wife's home in Venice, he runs into several problems, starting with an obnoxious clerk in a small market who refuses to give change, then charges an excessive price for a can of Coke. D-FENS reacts angrily, smashing the store to pieces with a baseball bat he takes after overpowering the clerk. He then continues on his trek but is harassed by two gang-bangers who cite him for 'trespassing' and 'loitering'. When these would-be toughs try to take his briefcase, D-FENS fights back, hitting the gang members with the bat and driving them off. Sgt. Pendergast (Duvall) is following D-FENS's progress after the store clerk is brought to him under the mistaken pretext that it is another robbery. Pendergast is about to retire and move to Arizona, but when he finds out about D-FENS he is determined to stop him. D-FENS subsequently runs into a homeless man who tries to trick him into giving him money, but D-FENS hands over his briefcase which has nothing except food in it, and walks away in annoyance. Soon after, the gang-bangers who D-FENS had driven off earlier come looking for him, and find him at a phone booth. They make a drive-by shooting trying to kill him, but miss and their car crashes. One gang member is killed outright; the second find D-FENS standing over him, an Uzi in hand, threatening him. As the gang member begs for his life, D-FENS shoots him in the leg & walks away, picking up the bag full of guns as he does. Pendergast soon finds out about it when a gang member's girlfriend is brought in for questioning about the drive-by. Meanwhile, D-FENS enters a fast-food restaurant, only to find out he cannot order breakfast as it is after 11:30. He pulls out a submachine gun and sprays the roof with bullets, then decides to order. Yet he is again annoyed when the product he gets is incredibly small compared to the ad photo. However he walks out of the restaurant & carries on, where he sees a man on a street corner protesting outside a bank about being 'not economically viable'. D-FENS sees the man arrested by police, and as the man is driven away, he says to D-FENS 'Don't forget me'. D-FENS nods, as if he feels a connection, which he likely does. Carrying on to a surplus store, he finds out the owner is a neo-Nazi, who threatens D-FENS with arrest after D-FENS disagrees with him. D-FENS tricks the man and overpowers him, killing him with one of the guns from the bag, then leaving with a rocket launcher the man had shown him. After he tries to call his wife, a rude man at a phone booth berates him for taking too long. Angrily, D-FENS pulls the Uzi from his bag and sprays the phone booth with bullets. Pendergast, meanwhile, realizes that these incidents are connected and is determined to hunt down D-FENS. On a freeway, D-FENS discovers more obnoxious road workers and takes out their equipment with the rocket launcher. Soon, he reaches a golf course, where an unpleasant old golfer tries to run him off the course by hitting a golf ball at D-FENS. D-FENS angrily pulls a sawed-off shotgun from the bag, and the rude old man grabs his chest. After D-FENS sends their golf cart rolling into a water trap, D-FENS stands over the old man & taunts him, as his heart pills are on the cart that has rolled into the water. Venice police, meanwhile, have responded to his ex-wife's calls about D-FENS's threats, and Pendergast & his partner, Det. Sandra Torres (Ticotin) head for her home. But D-FENS is on his way there as well, and a dramatic showdown between D-FENS & Pendergast will ensue...

This movie has some fine performances from Douglas & Duvall, but even more than that, in D-FENS, it gives us a character that many of us can sort of empathize with. Douglas's character is one who has felt the frustrations & setbacks of so many things that people in the 90's dealt with; corporate 'downsizing' or 'right-sizing'; crime; the excesses of near-absolute free enterprise; divorce & marital issues. Many of us think criminal thoughts; we just don't act criminal acts, as D-FENS does. Undoubtedly so many of us have imagined ourselves as a D-FENS kind of person.

8/10
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Family Sins (1987 TV Movie)
7/10
a very sad film about a form of abuse too often overlooked
21 May 2006
Warning: Spoilers
I saw this when I was a teenager myself. It was so disturbing that I didn't see it again until I was in my 20s.

The premise of this movie is incredibly sad; James Farentino is brilliant as Gordon Williams, a man whose views of what boys should do - playing sports & outdoors - fits a very narrow stereotype. Only one of his sons, Keith, fits his father's mold. The older son, Brian, is more at home absorbed in a book or computer than in sports - and despite his father's attempts to make him fit this mold, Gordon soon finds it's like trying to fit a square peg in a round hole. Mr. Williams makes no secret of his favoritism towards Keith, and despite his wife Kate's (Jill Eikenberry of L.A. Law) attempts to defend Brian, Gordon presses on with his mission to force Brian to fit his rather narrow standards. Brian is gradually revealed as a boy with very serious emotional problems (the death of the pet rabbit, running away from home), but his father continues to show a blatant favoritism towards Keith. It will end in the ultimate tragedy. On a holiday, Keith is drowned after falling from a canoe. Kate & Gordon are devastated, as is Brian, who I think actually loved his brother but resented his dad's blatant favoritism towards Keith. The local sheriff interviews Brian about the accident & discovers a horrifying truth - that Brian deliberately acted too slow to rescue Keith. Brian is charged with voluntary manslaughter after his admission to the sheriff (perhaps he saw his life as having already ended). When the sheriff informs Kate of these facts, she is horrified - and confronts her husband angrily about his obvious favoritism. Gordon defends his behavior, and Kate states that she no longer wants to be married to him if he continues to act this way. It appears that a father's rigid, narrow mindset have set in motion a tragic chain of events that have obliterated a family.

The issue of emotional abuse is not often raised today, as physical & sexual abuse are the criminal acts that are raised in the media. Although not a crime, emotional abuse can scar its victims for life, particularly when it comes from a parent. This movie raised that tragic issue for however a short time. It is a very sad but all-too-realistic portrayal of what CAN happen when emotional abuse is allowed to continue in a family.
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Poseidon (2006)
7/10
A thrilling ride!
12 May 2006
Warning: Spoilers
With so many remakes being made of 1970's classics today, I was a little suspect of this one when I walked in, despite having been impressed by the theatrical trailers. However, I was pleasantly surprised at what they'd done with this one based on Paul Gallico's novel & Irwin Allen's screenplay 'The Poseidon Adventure'.

As anyone who has seen the original knows, the story is based on a huge cruise ship - the Poseidon - that is knocked over at midnight on New Year's Eve by a giant rogue wave. Most of the crew & passengers are killed outright, but a few remain alive in the ballroom. Of these survivors, a handful decide to try to make their way to the surface - which is now the hull of the ship - against the captain's admonishments. They must fight their way past flash fires, falling debris, unclimbable stairs, and the ever-present threat of flooding. Eventually the passengers & crew who remain behind will drown, as the windows, with hundreds of pounds of water pressure against them, give way & flood the ballroom where the party was being held. Will the handful of people who escaped death in that ballroom manage to get to the surface? Conspicuous by their absence are several characters from the original, most notable Rev. Scott, the Rogos, and the Rosens. However, this did not detract from the film - in fact, I think this movie tried more to be its own film than strictly a remake of Irwin Allen's. Also, such technologies that didn't exist at the time of the original had to be integrated into this one - such as GPS tracking.

I'm often skeptical of remakes of the 1970's classics, but I did find more & more that these films try to be their own, rather than a true remake. This makes them stand out from the ones that inspired them. This one is worth seeing at least once, but I will likely see it again.
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6/10
Not bad, could have been better
13 April 2006
Warning: Spoilers
First off, I have to admit my own bias because the original is one of my favorites. I'm also a male figure skater myself so that likely factors into it. Overall, this wasn't a bad movie but is much more like a remake than a sequel. I would have loved to see D.B. Sweeney & Moira Kelly reprise their roles from the original, but Stepfanie Kramer of 'Hunter' TV fame did a respectable job as Kate 20 years down the road. I have to agree somewhat with other writers that Christy Carlson Romano wasn't great as Jackie, though admittedly the character is a bit complex and some of the dialog wasn't great. She is, however, somewhat believable in the role. Alex's girlfriend was not a great character to include; the movie could just as easily have done without her. I liked it when Alex dumped her in favor of Jackie after she locks Jackie out of the suite while pretending to be Alex, then claims it was the maid - at 7 a.m! While this one didn't have all the spectacular skating routines of the original, at least Jackie & Alex's long program was at least somewhat possible although I would question whether it would be legal or not. Admittedly it would be a long shot. I would have liked to have seen more of Doug's role in it, since throughout the original he grew to love skating with Kate and his passion showed. I would have thought that passion would have stayed with him.

This is a decent film that tries hard; I think if it had had Paul M. Glaser at the helm again and D.B. Sweeney & Moira Kelly back in the leading roles, it could have been successful at the box office rather than going straight to DVD.
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9/10
One of the best....
3 April 2006
Warning: Spoilers
This makes great watching even 14 years after it was made! The story is well written and the characters are at least believable. I can't imagine what the logistics of making this must have been like, since camera angles would have been used not only to 'disguise' the skating doubles but also show the footwork that led to complicated moves such as the jumps, lifts & throws.

The story is not entirely impossible, though in places it's a bit far-fetched; an Olympic hockey player, Doug Dorsey (Sweeney) with NHL potential suffers a career-ending injury during the 1988 Calgary Games, while pairs skater Kate Moseley (Kelly) loses her chance at a gold medal when her partner drops her during a lift. Her sharp tongue and bad attitude have driven possible partners away in droves. Now, her coach makes 1 last attempt at finding her a partner - and decides to try with Doug. Although a bit apprehensive at first, Doug agrees to try, and they head for Kate's practice ice on her father's magnificent Connecticut estate. Kate is less than thrilled about this arrangement and tries to run Doug off the way she has the rest of her partners. But Doug has no intention of leaving as this may be his only chance of any kind of career on the ice, and he puts up with Kate's sharp-tongued insults from the start to work their way back to U.S. Nationals - the stepping stone to the Olympics. As their skating blossoms so does the growing romance between them...which leads to Kate dumping her boyfriend on the eve of U.S. National Championships, and the two of them securing a place on the 1992 U.S. Olympic team. With their coach, they start planning a spectacular yet dangerous move for the long program in the hopes of beating the heavily favored Russians, Smilkov & Bruskin (real-life skaters Christine Hough & Doug Ladret), who had won the European championships with perfect across-the-board scores. Kate's announcement that she plans to retire following the Olympics leaves Doug stunned and a bit disillusioned, until she tells him he will find another skating partner easily. When the time comes for their long program, they will bring the arena to its feet...

Choreographed by Robin Cousins, a former men's champion himself, the skating sequences are mostly spectacular save for the Pamchenko move, which would be highly illegal and dangerous. In addition the logistics of making it would be almost impossible. After making the throw Doug would have to perfectly gage where she would land in order to make the spectacular catch that he does in the film, and also, the throw itself defies logic as he would end up throwing her sideways - not up - in which case her head would likely either hit the boards or ice. Although the skating is mostly done by the doubles the camera angles give the audience an idea of the work that goes into some of the moves, in particular the jumps which require some very tough footwork. One thing that others have correctly pointed out is that the real Olympic & Nationals arenas are not darkened for the performances - they are very well lit. This is true of figure skating shows, including the finale at the Olympics, but not for the actual competitions.

While this was made well before I started figure skating myself, I love to watch it even just to see the moves and be able to recognize them! A great movie for anyone who's into figure skating and/or romantic comedy. I could watch this one a hundred times.
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Spider-Man (1967–1970)
A great classic series
25 February 2006
Warning: Spoilers
I grew up watching this series when it was airing in the early 1980's. Now, watching it 20 years later, one wonders what some of the artists were doing when they created some of the backgrounds for it - namely the purple-yellow-red colored skies that Spidey often swung across. Understandable in some episodes, but they appeared in most of them. Some of the villains, such as the Green Goblin, Rhino, & Doc Oc came from the comics, but it was some of the more unconventional villains I was especially impressed with - ones such as the Radiation Specialist, the Skymaster, and Pardo (the weird thief with the giant cat).

No doubt my favorite was the psychopathic radiation specialist - a very human villain, unlike some of the others. He could have been a member of the Atomic Energy Commission, who was fired for his grandiose ideas. This maniac appeared in 2 episodes: 'Swing City', where he is referred to as the 'Master Technician', and 'Specialists & Slaves'. The latter was more chilling as this creep revealed his grandiose plans to make Manhattan his 'kingdom' after being thwarted by Spidey earlier. He sends a wave of low-dose radiation across Manhattan, brainwashing everyone, including the police - traditionally Spidey's friends - into unquestioning loyalty. Again, he lifts Manhattan into the sky, and Spidey, undeterred by his threats, comes after him. But the specialist triggers a number of earthquakes to send Spidey falling into the streets, where he is soon captured. Only Captain Stacey, whose strong mind has immunized him against the specialist's radiation, comes to Spidey's help. Playing both sides of the fence to avoid detection, he manages to help Spidey escape the prison hospital. Spidey heads to the reactor for a showdown with the specialist, who discovers that Spidey has escaped and lets him into the reactor for the confrontation. The specialist tries to turn Spidey into a slave with high-dose radiation, but by force of will, Spidey resists the radiation & kicks the specialist in the face. The specialist, enraged at his failure, fires a ray at Spidey, which misses Spidey & hits the controls sustaining the anti-gravity ray. Manhattan starts to fall and Spidey overpowers the specialist, trapping the madman with his webs. Spidey lowers the island safely & shuts off the reactor, stopping the brainwashing radiation.

This had to be one of my favorite episodes. The specialist shows some of the traits we see so often in criminals today - especially an over-exaggerated sense of self-importance.

The series has some cheesy moments, but what series made in that time didn't have them? And the 'cheesy' factor makes it that much more fun to watch now, almost 40 years after it was made.
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When He's Not a Stranger (1989 TV Movie)
7/10
sad but very realistic story of what can happen to rape victims
5 January 2006
Warning: Spoilers
I rented this on VHS several years ago and after seeing some news stories on shows such as 20/20 and NBC Dateline, I was disturbed to see so many parallels between the real situations of date-rape victims and this film.

Annabeth Gish is an excellent actress; she was very effective as Lyn, a stand-up pre-med student who is determined to assert her rights despite the pressures of her best friend, the school's athletics department, and even its administration! John Terlesky was also effective as the loathsome Ron - a man who genuinely seemed to have no conscience. Annabella Price was good as ADA Rumson, who decides to prosecute Ron to send a message to the university that they cannot protect rapists on campus.

Several aspects of this TV film were especially disturbing because of the parallels I had learned about through the news. The most glaring was that the university administration leaped to the defense of its star athlete, even taking disciplinary action against Lyn on frivolous grounds to exact revenge for bringing a complaint against their football star. What was even more appalling was when Lyn's dad met with the university chancellor, and he hinted that unless Lyn dropped the complaint, she would not receive favorable references to medical school! Another thing that made my skin crawl was the football coach trying to bully Lyn into silence, and then perjuring himself in court when questioned about it.

This TV film shows just what 'date rape' can really be about. It should be required viewing for senior high-school & college students.
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Hunter (I) (1984–1991)
8/10
One of my favorite TV shows as a teenager
30 December 2005
Warning: Spoilers
I loved this show when I was in high school. Hunter was a kick-ass, take-no-prisoners kind of cop, even in the first 3 seasons where only a few suspects were actually killed when confronted by Hunter & McCall. In the last few seasons more and more of the suspects Hunter tried to arrest for murder pulled weapons on him and ended up dead. That made it a little tiresome although I never tired of seeing Hunter confront criminals.

The idiotic, bleeding-heart approach to law enforcement - especially the 'warning-shot' policy issued by Hunter's captain (Michael Cavanaugh) in the pilot episode - really annoyed me in the first two seasons. John Amos was somewhat likable as Hunter's captain save for his hatred of Hunter's methods and what seemed to be his personal mission to get rid of Hunter. The character of Sgt. Terwillegar (James Whitmore, Jr) was as dumb as they come; a blustering buffoon who appeared more suited to teaching at a university than as a homicide detective. Commander Cain (Arthur Rosenberg) was even more loathsome; he was a man who was a politician first and a policeman second. Captain Devane (the late Charles Hallahan) was probably the most likable of all of their superiors, though he was a strictly by-the-book cop. Some of Hunter's earlier superiors reminded me of Dirty Harry's superior, Captain Briggs (Bradford Dillman of 'The Enforcer & 'Sudden Impact') who was on a single-minded crusade to get rid of Harry.

Most of the stories centered around Hunter & McCall's cases - usually homicides; one episode that made my skin crawl was one that appeared in Season 2 where McCall is raped by the son or a foreign diplomat, who then insists his psychopathic son is a saint and shields his son from answering for his criminal behavior behind diplomatic immunity. That particular one made me sick. I am hoping that Seasons 3 & 4 will be released on DVD - these were the ones that I thought were the best times for the show. Captain Devane was in charge, Hunter & McCall were strictly working homicides, and there was no subplot about the nefarious plans of Hunter's superiors to can him - except in a couple of episodes featuring Cmdr. Cain (Rosenberg).

Bring on Seasons 3 & 4!!
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