The story of the 1912 sinking of the largest luxury liner ever built, the tragedy that befell over two thousand of the rich and famous as well as of the poor and unknown passengers aboard the doomed ship.
George C. Scott,
A successful attempt at an even-handed portrayal of the White Star Line's (later part of Cunard) luxury liner R.M.S. Titanic's sinking from the standpoint of 2nd Officer Charles Herbert Lightoller, himself the most senior of the ill-fated ship's Deck Officers to survive the disaster. (Lightoller later went on to distinguish himself as a line British Naval Officer during the First World War and served as a Senior Naval Staff Officer (convoys) during WWII. Between wars he owned and operated a successful family business producing pleasure craft.) His own survival of the sinking, along with several others, is shown atop one of the liner's two "collapsible" lifeboats which was capsized in floating off the liner as it sank. The picture depicts then known facts (c1958) as reported after the sinking; such as the woeful lack of adequate lifeboats, the ship's band playing true to the very end, White Star's co-owner Bruce Ismay's somewhat less than chivalrous departure from the sinking vessel -... Written by
Well what can I say? What can you say? I know what my 16 year old cohorts would say; "it's rubbish, there's no sex and drugs etc". Well to them I say grow up, there's more to film than that. A red-headed friend at school is talking with Channel 4 about doing a documentary on ginger people, and while everyone else says "oh god not another awful waste of disk space", I say good luck. Back to the film, It is brilliant. It puts a lot more emphasis on the crews actions to save that wonderful ship than Camerons and the actor who played Molly "unsinkable" Brown was credible, believable and so what if the designer, Thomas Andrews, had somehow lost his Irish accent. It was awful for me having to watch as he lent so casually by the fireplace, and adjusted the clock to time, only for it to be frozen in that position for all time. And when E J Smith calls for everyman for himself, and the sense of the ship plunging into the abyss beneath everyone, the atmosphere is tense, and you really start siding with characters, I personally sided with Lightoller, who was portrayed as the brave, professional seaman that he was. Cameron's Lightoller; "GET BACK OR I'LL SHOOT YOU ALL LIKE DOGS", was awful and I personally resented that cowardice portray-el of the real hero of the Titanic story. The model is pretty good for its day, and although the smoke stacks are a bit too tall the ship is still identifiable as Titanic, so no need for computer graphics there. The sinking was very well executed and although films don't upset me much, when the old boy with the little kid on the ships fantail are huddled together, with the old man reassuring that he will see his mother in a couple of minutes, that sent a chill through a my body, and I feel really upset as I write this.
In short, its a very good film, and does not resort to stupid love stories, and really is quintessentially British!!!!!!
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