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Poseidon (2006)
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Overview
User Rating:
Director:
Writers (WGA):
Release Date:
12 May 2006 (USA)
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Tagline:
Mayday
Plot:
On New Year's Eve, the luxury ocean liner, Poseidon, capsizes after being swamped by a rogue wave. The survivors are left to fight for survival as they attempt to escape the sinking ship. full summary | full synopsis
Plot Keywords:
Awards:
Nominated for Oscar.
Another 5 nominations
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NewsDesk:
(57 articles)
Rossum Upset By Manson/McGowan Comparison
(From WENN. 13 November 2009, 11:06 AM, PST)
Movie Review: 2012 (2009)
(From Rope Of Silicon. 13 November 2009, 1:24 AM, PST)
(From WENN. 13 November 2009, 11:06 AM, PST)
Movie Review: 2012 (2009)
(From Rope Of Silicon. 13 November 2009, 1:24 AM, PST)
User Comments:
Who will Survive? NOT the audience!
more (607 total)
US TV Schedule:
Cast
(Cast overview, first billed only)| Josh Lucas | ... | Dylan Johns | |
| Kurt Russell | ... | Robert Ramsey | |
| Jacinda Barrett | ... | Maggie James | |
| Richard Dreyfuss | ... | Richard Nelson | |
| Emmy Rossum | ... | Jennifer Ramsey | |
| Mía Maestro | ... | Elena Morales | |
| Mike Vogel | ... | Christian | |
| Kevin Dillon | ... | Lucky Larry | |
| Freddy Rodríguez | ... | Marco Valentin | |
| Jimmy Bennett | ... | Conor James | |
| Stacy Ferguson | ... | Gloria | |
| Andre Braugher | ... | Captain Bradford | |
| Kirk B.R. Woller | ... | Chief Officer Reynolds | |
| Kelly McNair | ... | Emily | |
| Gabriel Jarret | ... | 1st Officer Chapman |
Additional Details
Also Known As:
Poseidon: The IMAX Experience (USA) (IMAX version)
The Poseidon Adventure (USA) (working title)
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The Poseidon Adventure (USA) (working title)
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MPAA:
Rated PG-13 for intense prolonged sequences of disaster and peril.
Parents Guide:
Runtime:
98 min | Philippines:98 min (cut) | Germany:94 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Canada:14A (British Columbia) |
Canada:13+ (Quebec) |
Canada:14A (Alberta/British Columbia/Manitoba) |
Canada:PG (Ontario) |
UK:12A |
Ireland:12A |
Singapore:PG |
Malaysia:U |
Finland:K-11 |
Portugal:M/12 |
USA:PG-13 (certificate #42617) |
Switzerland:12 (canton of Geneva) |
Switzerland:12 (canton of Vaud) |
Hungary:16 |
Australia:M |
Argentina:13 |
Netherlands:12 |
Sweden:15 |
Brazil:12 |
Norway:15 |
Germany:12 |
Philippines:PG-13 |
Hong Kong:IIA |
South Korea:12 |
Venezuela:PG-13 |
Iceland:14 |
Iceland:16 (DVD rating)
Filming Locations:
Company:
Fun Stuff
Trivia:
The interior ship shots were filmed in two separate sound stages at Warner Bros. studios in Burbank, California, one in which the ballroom set was built "right-side-up," the other where the identical set was built upside-down.
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Goofs:
Factual errors: In the scenes in the ship's ballast tanks, the characters open the valves to allow water to enter. However, since the ship is upside down, the ballast tanks should not operate normally. Where does the air in the space go?
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Quotes:
Movie Connections:
Featured in "HBO First Look: The Making of 'Poseidon' (#13.5)" (2006)
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Soundtrack:
Auld Lang Syne
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FAQ
Is this Wolfgang Petersen's last film?Does everyone consider this movie an actual remake to the original?
Even though he was gay, did Richard Dreyfuss's character form a relationship with Mia Maestro's character?
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more (607 total)
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Paul Gallico's novel, published in 1969, is not so much a disaster novel, as it is a grim character study of people caught up in a disaster. The book is gripping in it's savage brutality. The character's are stripped of all pretensions, and self delusions. They reveal more and more of their inner selves as they climbed further and further into the ship.
The 1972 film only hinted at this. The Hallmark TV film, only had conventional characters who reacted in conventional and unsurprising ways to the various challenges.
Now, Wolfgang Peterson has stripped the story of all humanity and created what amounts to a two hour film in which the audience watches a very large kinetic sculpture designed to destroy itself. The actors seem to be more like cogs and wheels in that sculpture than human beings. There is no character development and no plot.
Yes, the special effects are fantastic, especially as the wave strikes and capsizes the ship. The sets are stunning but sterile, and the action is absolutely nonstop. And THAT is all the film has going for it. Peterson seems to be catering to those with minds only developed enough to pay attention to movement and pretty lights, like a small baby watching a mobile hung over its crib.
Many of the actors are quite good. We know that because of their past bodies of work. Unfortunately, in this film they may as well have had animated wax figures playing their roles. True, the Irwin Allen film had a number of overblown and hammy performances, but those actors at least had something to bite into. A lobotomized Frances Farmer would have been able to handle these empty insignificant characters.
In interviews, Richard Dreyfuss commented that he did this film for money. I certainly understand that! He definitely didn't do it because it was a great part. He played a gay man, suicidal and depressed because his lover has left him. Unfortunately his being gay seemed rather gratuitous. Publicity for the film stated that he suddenly discovers he very much wants to live. This also seemed gratuitous.
Kurt Russell plays the role of a former NYC firefighter and mayor and seems to have fallen into the real life role of aging action hero making way for younger action hero.
Kevin Dylan plays a character named Lucky Larry, who seemed obviously patterned after computer game icon Leisure Suit Larry. His character would have been quite enjoyable had he not been so reprehensible.
As far as the rest of the cast went, you may as well have taken them like so many Barbie and Ken dolls, popped off their heads and interchanged them.
The costumes were pretty much what you might expect to see aboard ship on New Year's Eve, but nothing strikingly great. The only one that stood out was the singer (who I understand is a member of The Black-eyed Peas). It was so awful, I mistook her for a Charo impersonator. But at least it stood out.
One thing I must give the filmmakers an A+ on. The underwater shots of the ship were extraordinarily impressive. The attention to detail with all the debris and parts of the ship breaking away seemed very realistic. I do have a final question, however (and a nit-picky one at that). Do they no longer bolt down tables and other large furniture aboard luxury liners?