On one last road trip before they're sent to serve in Vietnam, two brothers and their girlfriends get into an accident that calls their local sheriff to the scene. Thus begins a terrifying experience where the teens are taken to a secluded house of horrors, where a young, would-be killer is being nurtured.
When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
A group of friends whose leisurely Mexican holiday takes a turn for the worse when they, along with a fellow tourist embark on a remote archaeological dig in the jungle, where something evil lives among the ruins.
In August, 1939, a worker goes into labor while working in a slaughterhouse and dies after a complicated labor, though the deformed child survives. The possibly orphaned baby is dumped in a garbage container and found by a beggar later, who brings him home. Along the years, the mentally retarded and disturbed boy called Thomas is raised by the Hewitt family in spite of having psychological problems as well as suffering from an unnamed skin disorder, later working in a meat packing plant. In July, 1969, when the facility is closed, the inhabitants move to other places, but the deformed, mentally childlike Thomas flies into a rage after being insulted and kills the foreman. His deranged brother (considered his uncle due to their age difference) executes the sheriff that is going to arrest Thomas, and assumes his identity, wearing his clothes,driving his car though the roads in Texas and entitling himself as Sheriff Hoyt. Meanwhile, the brothers Eric and Dean are traveling in a Jeep with... Written by
Claudio Carvalho, Rio de Janeiro, Brazil and Nicole Moore, Detroit, Michigan
According to producer Brad Fuller, the film was given an NC-17 by the MPAA, and a total of 17 scenes had to be edited in order to get an R rating. See more »
When Bailey is tied under the kitchen table "mother" starts to wipe the blood off her face. The camera the focuses on "mother" as she sing and cuts back to Bailey, and her face is bloody again. See more »
You don't like playin' with me anymore 'cause I'm a pussy, that's what you said. Well my nephew Tommy ain't no pussy, maybe you wanna play with him for a little while.
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"All Right Now"
Written by Paul Rodgers and Andy Fraser
Performed by Free
Courtesy of Universal-Island Records Ltd.
Under license from Universal Music Enterprises
Copyright 1970 (Renewed) Fairwest Music USA (BMI)
o/b/o Blue Mountain Music, Ltd. See more »
Impresively taking "Texas Chainsaw" back to its roots, horror fans and cinema-goers alike should definitely give this prequel to the daring 2003 remake a chance. Although the remake in 2003 was excellent and had a tighter, more involving plot than this film, it breaks a barrier because rather than directly approaching the style of the remake and trying to live up to its success, this equally grisly thriller ignores all of the gloss, cinematography, pacing and story that it was inspired from. Instead, it goes back to the film style which made the nightmare in 1974, a more direct homage to the in your face horror that started it all.
This story is in 1963, right before the events of the 2003 film which took place in the early seventies. Jordana Brewster plays Chrissie, who is on a fun road-trip across Texas with her friends, Eric, Dean, and Bailey, played well off of each other by Matthew Bomer, Taylor Handley and Diora Baird.
Shortly after the terrifying, recognizable psycho Leatherface commits his first murders, a cross story involving an encounter with some nasty bikers throws the doomed teenagers flipping across the road in a surprisingly brutal accident.
After Sheriff Hoyt arrives (R. Lee Ermy in another chilling performance), to take control of the scene, the nightmare begins for Chrissie's friends as she watches them get taken away in his police car, unknowingly headed for the house which would become a place of torment and nightmares for years to ensue.
Appropriately gory and no-holds barred, Jonathan Liebesman creates a tight, slick and sadistic thriller in the eyes of Chrissie as she endlessly attempts to rescue her friends from a demented madman's clutches. This is a highly worthy and satisfying entry in the horror series that will make an indelible mark on your imagination, if not already done by the seemingly endless spew of remakes and graphic horror films.
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