A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Columbian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down. Written by
When director Brian De Palma submitted the film to the MPAA, they gave it an "X rating". He then made some cuts and resubmitted it a second time; again the film was given an "X rating" (one of the reasons apparently being that Octavio the clown was shot too many times). He yet again made some further cuts and submitted it a third time; yet again it was given an "X". De Palma refused to cut the film any further to qualify it for an R. He and producer Martin Bregman arranged a hearing with the MPAA. They brought in a panel of experts, including real narcotics officers, who stated that the film was an accurate portrayal of real life in the drug underworld and should be widely seen. This convinced the 20 members of the ratings board to give the third submitted cut of the film an "R rating" by a vote of 18-2. However, De Palma surmised that if the third cut of the film was judged an "R" than the very first cut should have been an "R" as well. He asked the studio if he could release the first cut but was told that he couldn't. However since the Studio execs really didn't know the differences between the different cuts that had been submitted, De Palma released the first cut of the film to theaters anyway. It wasn't until the film had been released on videocassette months later that he confessed that he had released his first unedited and intended version of the film. See more »
After Tony shoots Hector after the chainsaw shootout scene, we hear police sirens but they never become any louder, thus indicating it's just an added sound effect and there aren't any real police cars on the way. See more »
...al esfuerzo y al heroísmo de una revolución... ¡No los queremos! ¡No los necesitamos!
[translated... to the effort and heroism of a revolution... We don't want them! We don't need them!]
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Scarface is a fiction account of the activities of a small group of ruthless criminals. The characters do not represent the Cuban/ American Community and it would be erroneous and unfair to suggest that they do. The vast majority of Cuban/Americans have demonstrated a dedication, vitality, and enterprise that has enriched the American scene. See more »
Pacino gives an amazing performance that is both comic and tragic in this remake of the 1932 classic about corruption in America.
Brian De Palma updated the original Prohibition story to the era of the Mariel boat-lift and the heavy traffic in drugs that still infest the United States. The film is an uncompromising revelation of humanity's dark side as Pacino's character learns never to underestimate the other guy's greed. He neglects to learn the other important lesson -- never get caught in the vice you are pushing on others.
Pacino's character wants the world and everything in it. That's what he gets. We are reminded to beware of what we wish for.
The film is violent but never makes drug dealing seem glamorous.
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