A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Colombian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down. Written by
Despite the title, Tony Montana is called "Scarface" only once throughout the movie, and in Spanish at that ("Cara de cicatriz"). See more »
The amount of bubbles in the bathtub Tony lies in diminishes as he talks to Manny and Elvira. But as soon as Manny leaves the room, the tub is suddenly full of fresh suds. See more »
...los que no se adapten... al esfuerzo y al heroísmo de una revolución... ¡No los queremos! ¡No los necesitamos!
[in subtitles: They are unwilling to adapt to the spirit of our revolution. We don't want them! We don't need them!]
[Translation word-for-word:... the ones that won't adapt... to the effort and heroism of a revolution... We don't want them! We don't need them!]
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We see a proverb at the beginning of the movie that says: "Enjoy yourself, every day above ground is a good day." ANONYMOUS, MIAMI 1981 See more »
In the tradition of the Godfather films, director Brian DePalma has brought Oliver Stone's creation Scarface to the big screen. It is the archetypal `rags to riches' story of a young Cuban refugee named Tony Montana. Al Pacino more than fulfils this role as he conveys the ruthless nature of Montana and likewise the ruthless nature of Miami's Cocaine underworld. Although Montana's ultimate position in life is morally wrong, he is a character with unequalled resolve. DePalma brings the audience not only into the inner recesses of Montana's world, but also the reality of the world that he has built.
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