The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Columbian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down. Written by
The beer that one of the two assassins drinks in the Babylon Club before the shootout is Bavarian Löwenbräu. The brewery is located in Munich, Germany, and was founded around 1383. Also, the box seen in the money-counting scene, where Tony Montana wants the money to be counted a second time, is a Löwenbräu box. Löwenbräu translates into English as "lion's brew". See more »
When Tony and the guys are following the white car outside the United Nations building to blow it up remotely, there are two beer cans and two food containers on the dashboard of their car. In the exterior shots of Tony and the guys in the car, the beer can closest to Tony is partially crumbled. But in the interior shots of Tony's point of view, the crumbled beer can is perfectly straight and not crumbed. The beer can is crumbled in the exterior shots and undamaged in the interior shots. See more »
...los que no se adapten... al esfuerzo y al heroísmo de una revolución... ¡No los queremos! ¡No los necesitamos!
[in subtitles: They are unwilling to adapt to the spirit of our revolution. We don't want them! We don't need them!]
[Translation word-for-word:... the ones that won't adapt... to the effort and heroism of a revolution... We don't want them! We don't need them!]
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We see a proverb at the beginning of the movie that says: "Enjoy yourself, every day above ground is a good day." ANONYMOUS, MIAMI 1981 See more »
Ya know when one looks at this Brian DePalma film today, I'm sure there has been allot of criticism about how dated it is. Also, about the violence. When I looked at this film on VHS when I was 20, I thought it was ulta-violent and gritty as well. But I didn't get 'it'.
A few decades go by and man, how I know how much I didn't get in this film!! This is a remake of an excellent film which was done back in the 30's/40's. How can you improve upon a classic? Ya don't. But you tell a tale that is brought up to date through the eyes of the "new immigrants" during the most greed ridden decade, the over indulgent 80's. DePalma, Stone and the gang present an ambitious, disturbing and darn right good film.
Yes....Disco was dying and New Wave/Punk were taking over but these immigrants from Cuba who had to make a new home in Florida couldn't tell the difference. It was exciting, it was what they wanted but how to get it???? To these immigrants, there was only one way to get it in Florida where they were..by having lots of money and to get the money, you had to take over running a drug empire.
Al Pacino was fantastic to me as Tony Montana, the "little train that could". What an amazing way to have your lead character look at America: to fight, kill, steal. lie, cheat all to get -- "the money, the women and the power."
That's what Tony saw as the American dream.
He wanted it, he wanted to live it and in his circle saw nothing wrong with how he went to get it. Tony Montana's command of the English language was heavily saturated with the "f" word but what did you expect, Emily Post's finishing school for him and his co-horts? Look at how they CAME to America, what they knew, what they were exposed to. This is the way Tony and his crew chose to "be all they can be in America." It was all about the power. Tony Montana would and did ANYTHING to achieve it..it all its violent, lying, stealing, crooked, thieving glory.
The part of the film that personified the 1980's to me, is the money laundering. Tony's crew bringing sacks of drug money to the bank. Did those around Tony and his crew care? At the clubs where he spent and drank? Nope. Money was money and with money, you get the power. Tony was living high off the hog. He and his pretty blond American trophy he married played well by Michelle Pfieffer.
After Tony Montana's rise to power, he finds out its really crappy up there. He's riddled with doubt, he's drug addicted, he's paranoid, he's surrounded by those who want to take him on in a bloody take-over, his trophy 80's American blonde drug addicted wife he finds out is a bore, he needs to keep atop of his empire because...he's going down. And down he goes in a horrific violent fashion, but again I ask, what do you expect?
This is the quintessential 1980's film telling you a warped tale of how some misunderstand the American Dream...to obsession. It's violent, bloody, overly so..but it drives the point disturbingly home. Not all Cubans thrown out of Cuba who landed in Florida in the 80's were anything like Tony Montana. Give me a break. But the showing of how miserable the 1980's were with its emphasis on greed and money as the only measures in the USA to "be somebody" and have power took its tool on these poor characters and their lives in America.
Makes you wonder -- has anything from then -- been learned today?
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