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Overview
User Rating:
Director:
Writer (WGA):
Ebbe Roe Smith (written by)
Release Date:
26 February 1993 (USA) more
Tagline:
The adventures of an ordinary man at war with the everyday world. more
Plot:
An unemployed defense worker frustrated with the various flaws he sees in society, begins to psychotically and violently lash out against them. full summary | full synopsis
Awards:
1 win & 2 nominations more
NewsDesk:
(70 articles)
Film School 101: Protagonists
(From Atomic Popcorn. 1 November 2009, 4:57 AM, PST)
Amorphous Androgynous: 'Liam loved remix'
(From digitalspy. 28 October 2009, 8:30 AM, PDT)
User Comments:
An Unusual Performance for Douglas...But a Good One!!! more (311 total)
Cast
(Cast overview, first billed only)| Michael Douglas | ... | William 'D-Fens' Foster | |
| Robert Duvall | ... | Detective Prendergast | |
| Barbara Hershey | ... | Elizabeth 'Beth' Travino | |
| Tuesday Weld | ... | Amanda Prendergast | |
| Rachel Ticotin | ... | Detective Sandra Torrez | |
| Frederic Forrest | ... | Nick, The Nazi Surplus Store Owner | |
| Lois Smith | ... | Mrs. Foster / William's Mother | |
| Joey Hope Singer | ... | Adele Foster-Travino | |
| Ebbe Roe Smith | ... | Guy on Freeway | |
| Michael Paul Chan | ... | Mr. Lee | |
| Raymond J. Barry | ... | Captain Yardley | |
| D.W. Moffett | ... | Detective Lydecker | |
| Steve Park | ... | Detective Brian | |
| Kimberly Scott | ... | Detective Jones | |
| James Keane | ... | Detective Keene |
Additional Details
Also Known As:
Chute libre (France)
more
MPAA:
Rated R for violence and strong language.
Parents Guide:
Runtime:
113 min
Language:
Color:
Color (Technicolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Netherlands:12 | Iceland:16 | Singapore:NC-16 | South Korea:18 (original rating: 1994) (cut) | South Korea:18 (re-rating: 1997) (uncut) | Philippines:R-18 | Brazil:16 | Argentina:16 | Australia:M | Canada:16+ | Finland:K-16 | France:-12 | Germany:16 | Peru:14 | Spain:18 | Sweden:15 | UK:18 | USA:R
Filming Locations:
1000 N. Crescent Drive, Hollywood, Los Angeles, California, USA more
Company:
Fun Stuff
Trivia:
The stripper for Prendergast (Robert Duvall) is named "Suzie". When she starts dancing, someone says "Susie Q", a reference to the Creedence Clearwater Revival song used in Apocalypse Now (1979), which also featured Duvall. more
Goofs:
Continuity: The window in D-fens' car at the beginning can't roll down, but he steers the car off the road by pushing the car and putting his hand through the window onto the wheel. more
Quotes:
Sergeant Prendergast:
Get a positive ID on the gym bag.
Captain Yardley:
Prendergast, what do you think this is?
[Holds up his own gym bag]
Sergeant Prendergast:
A gym bag.
Captain Yardley:
Does this mean you're putting me under arrest?
more
Movie Connections:
Referenced in Batoru rowaiaru (2000) more
Soundtrack:
LA SCHMOOVE more
FAQ
Is this film based on a true story?more
more (311 total)
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Falling Down (1993)
Tagged as `the adventures of an ordinary man at war with the everyday world,' Joel Schumacher's `Falling Down' tells the tragic tale of William Foster aka D-FENS, a now unemployed defense worker who finds himself trapped on a hot summer day in bumper-to-bumper Los Angeles traffic. Having been pushed past the brink of sanity, Foster loses it and storms out of his car, walking around town and trying desperately to see his little daughter for her birthday, a daughter who is untouchable because of a court order against him by his estranged wife. Along the way, Foster will run across character types we've all come across: the 'war veteran' bum who is really just a lowlife looking to score some quick cash, an irate Korean grocery store owner, a homophobic neo-nazi army retail store owner, a crusty elitist country club golf player, super friendly fast food workers, young Hispanic thugs, and so forth. And each one will chip away at what remains of his patience and tolerance for stupidity, fueling a rampage.
Up against this anti-hero is Prendergast, a veteran cop who has felt many of the same pains as Foster, but who serves as sort of a foil to him. Foster has lost everything, and while Prendergast has lost quite a bit (his wife is a basketcase, his little daughter died years ago under mysterious circumstances), he still retains some optimism, calmness, and dignity. As Prendergast, who is on his last day on the job, begins to put together the pieces of the mysterious crime spree plaguing the city (he seems to be the only one smart enough to figure out it's all the doing of one man!), it pits him in an inevitable confrontation between him and Foster.
Michael Douglas, playing Foster / D-FENS plays an incredibly complex character. On the one hand, you know much of what he does is so wrong, but at the same time there's immense satisfaction at seeing him lash out at those deserving of it. And while he tries to stay calm, he finds himself constantly provoked by those who have 'wronged society.' In fact, many of the things he does could so easily have been avoided if the 'victims' were not so positively despicable. You can't help but feel at the end of the day, when Foster gets his due, that he's, in some small way, made Los Angeles a better place despite the carnage he's unleashed.
And this is perhaps what is so strange about the movie. There seems to be no clear message. Who was right? Who was wrong? It becomes a very blurry line over the approximately 2 hours of the movie's run. I've seen it now several times and I still can't give any definitive answer. Perhaps this is a strength, that different people will view this movie in different ways. Some will see this as the story of a noble, decent man who modern society has beaten down and crushed, and who desperately tries to struggle against the tyranny and betrayal. Others will see Foster as a lunatic who needed to be put down. No one, I think, will find that Foster doesn't warrant some sympathy.
Personally, I think Foster got the wrong end of the stick. His wife's anger and fear of him seems somewhat unwarranted, and though it is clear that Foster (and not just society itself) has brought many of his problems upon his own head, he is tired and angry and rightfully resentful at the course his life has taken. He feels he has nothing to live for, so he takes it out on anyone who crosses his path. I recommend this movie because the performances are all-around great, it delivers a solid cast, and as the portrayal of one man's journey down the path of madness, few have done better.
Grade: A-