Directed by
| Boris Sagal | ||
Writing Credits
| Ernest K. Gann | ... | (novel) |
| Joel Oliansky | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| George Eckstein | ... | producer |
| Arnon Milchan | ... | supervising producer: Israel |
Music by
| Jerry Goldsmith | ||
Cinematography by
| Paul Lohmann | ... | director of photography |
Editing by
| Edwin F. England | ||
| Peter Kirby | ||
Casting By
| Weston Drury Jr. | ||
| Mark Malis | ||
Production Design by
| Jack Senter | ... | (as John H. Senter) |
Art Direction by
| George Renne | ||
| Kuli Sander | ||
Set Decoration by
| Edward M. Parker | ||
| Joseph J. Stone | ||
Costume Design by
| Vittorio Nino Novarese | ... | (as Nino Novarese) |
Makeup Department
| Del Acevedo | ... | makeup artist |
| Terri Cannon | ... | hair stylist |
| Irene De'Atley | ... | hair stylist |
| Albert Jeyte | ... | makeup artist |
| Chris Taylor | ... | hair stylist (as Christopher Taylor) |
Production Management
| Ben Bishop | ... | unit production manager |
| Richard Irving | ... | executive in charge of production |
| Robert G. Stone | ... | unit production manager |
| Roni Ya'ackov | ... | production manager: Israel (as Rony Yacov) |
Second Unit Director or Assistant Director
| Jim Gardner | ... | first assistant director |
| Dov Maoz | ... | assistant director: Israel |
| Mark R. Schilz | ... | second assistant director |
Art Department
| Robert Harold Branham | ... | storyboard artist |
| Richard Dinieri | ... | property master (uncredited) |
Sound Department
| James R. Alexander | ... | sound (as Jim Alexander) |
| Brian Marshall | ... | sound |
| Kendrick Sweet | ... | sound effects editor (as Ken Sweet) |
Visual Effects by
| Bill Taylor | ... | matte photography |
| Albert Whitlock | ... | special visual effects |
Camera and Electrical Department
| Kenneth J. Withers | ... | camera operator: second unit (as Ken Withers) |
| Jerry Sandler | ... | focus puller cam b (uncredited) |
Costume and Wardrobe Department
| Alex D'Alessio | ... | costume supervisor |
| Eddie Marks | ... | costume supervisor (as Edward Marks) |
| Lambert Marks | ... | costume supervisor |
Editorial Department
| John Bloom | ... | editorial consultant |
Location Management
| Danny Ben Menahem | ... | location manager (as Danny Ben-Menahem) |
Music Department
| Robert Mayer | ... | music editor (as Robert E. Mayer) |
| Larry Bunker | ... | musician: drums, percussion (uncredited) |
| Jerry Goldsmith | ... | conductor (uncredited) |
| Ralph Grierson | ... | musician: piano (uncredited) |
| Tommy Johnson | ... | musician: tuba (uncredited) |
| Arthur Morton | ... | orchestrator (uncredited) |
| Richard Nash | ... | musician: trombone (uncredited) |
| Uan Rasey | ... | musician: trumpet soloist (uncredited) |
| Emil Richards | ... | musician: drums, percussion (uncredited) |
| Jim Self | ... | musician: tuba (uncredited) |
| Chet Swiatkowsky | ... | musician: keyboards (uncredited) |
| Louise Di Tullio | ... | musician: flute (uncredited) |
Additional Crew
| Marge Champion | ... | dialogue coach (as Marge Champion Sagal) |
| Nora Eckstein | ... | mime consultant (as Nora Morgan) |
| Claude Hudson | ... | production coordinator |
| Ian Lewis | ... | production coordinator |
| Nora Morgan | ... | mime consultant |
| Vittorio Nino Novarese | ... | technical advisor (as Nino Novarese) |
Thanks
| William Sackheim | ... | acknowledgment |
