| Photos (See all 22 | slideshow) | Videos (see all 22) |
| Jeremy Renner | ... | Aaron Cross | |
| Scott Glenn | ... | Ezra Kramer | |
| Stacy Keach | ... | Retired Adm. Mark Turso, USN | |
| Edward Norton | ... | Retired Col. Eric Byer, USAF | |
| Donna Murphy | ... | Dita Mandy | |
| Michael Chernus | ... | Arthur Ingram | |
| Corey Stoll | ... | Zev Vendel | |
| Alice Gainer | ... | Lean Forward MSNBC Anchor | |
| Prue Lewarne | ... | CNN Reporter | |
| Howard Leader | ... | MSNBC Man Analyst | |
| James Joseph O'Neil | ... | Sterisyn-Morlanta Gateman | |
| Rachel Weisz | ... | Dr. Marta Shearing | |
| Tony Guida | ... | Dr. Benezara | |
| Sonnie Brown | ... | Dr. Lieberburg | |
| Neil Brooks Cunningham | ... | Dr. Dan Hillcott | |
| Zeljko Ivanek | ... | Dr. Donald Foite | |
| Robert Christopher Riley | ... | Outcome #6 (as Rob Riley) | |
| Noel Wilson | ... | Neuro Luncheon MC | |
| Albert Finney | ... | Dr. Albert Hirsch | |
| Dennis Boutsikaris | ... | Terrence Ward | |
| Oscar Isaac | ... | Outcome #3 | |
| David Strathairn | ... | Noah Vosen | |
| Corey Johnson | ... | Ray Wills | |
| Jennifer Kim | ... | Outcome #4 | |
| Page Leong | ... | Mrs. Yun | |
| John Douglas Thompson | ... | Lt. Gen. Paulsen | |
| Adi Hanash | ... | Outcome #1 | |
| Robert Prescott | ... | Air Force Officer | |
| David Wilson Barnes | ... | Drone Spec | |
| Don Guillory | ... | Dron Pilot | |
| Patrick Vincent Marro | ... | Drone Command Guard | |
| Ali Reza | ... | Dr. Talwar (as Ali Reza Farahnakian) | |
| Gita Reddy | ... | Dr. Chandra | |
| Tom Riis Farrell | ... | Blue Lab Doctor | |
| Steve Routman | ... | Blue Lab Doctor | |
| Peter Lewis | ... | Blue Lab Doctor | |
| Anitha Gandhi | ... | Blue Lab Doctor | |
| Heather Rasche | ... | Blue Lab Doctor (as Heather Lupton Rasche) | |
| Natalie Bird | ... | Blue Lab Doctor | |
| Nilaja Sun | ... | Blue Lab Doctor | |
| Christopher Mann | ... | Lab Guard | |
| Billy Smith | ... | Lab Guard | |
| Murray Knudsen | ... | Alaska Airport Guard | |
| Susan Egbert | ... | DIA Attorney | |
| Tim Devitt | ... | FBI Honcho | |
| Brian Poteat | ... | State Investigator | |
| Clayton J. Barber | ... | Gene (as Clayton Barber) | |
| Elizabeth Marvel | ... | Dr. Connie Dowd | |
| Michael Papajohn | ... | Larry | |
| David Leitch | ... | The Driver | |
| Michael Berresse | ... | Leonard | |
| Deidre Goodwin | ... | Candent Spokesperson | |
| Laura Spaeth | ... | Walking Woman | |
| Sam Gilroy | ... | C-Team | |
| Rachel Black | ... | C-Team | |
| Sharon Washington | ... | C Team | |
| Frank Deal | ... | C-Team | |
| Rob Yang | ... | C-Team | |
| Catherine Curtin | ... | C-Team | |
| Matt Oberg | ... | C-Team | |
| Gary Lee Mahmoud | ... | C-Team | |
| Faye Yvette McQueen | ... | TSA Guard | |
| Pat Battle | ... | MSNBC Anchor | |
| Nico Bernuth | ... | Flight Attendant | |
| Jane Jameston | ... | Flight Attendant | |
| Roland Manansala | ... | Steri-M Guard | |
| John Arcilla | ... | Joseph | |
| Josh Banks | ... | Mackie's Assistant | |
| Shane Jacobson | ... | Mackie | |
| Allen Jo | ... | Guard | |
| Jonathan Eusebio | ... | Guard | |
| Jon Valera | ... | Guard | |
| Carl Villa Roman | ... | Sterival Catwalk Guard | |
| Louis Ozawa Changchien | ... | LARX #3 | |
| Madeleine Nicolas | ... | Landlady | |
| Ruby Ruiz | ... | Philippine Pharmacist | |
| Cherry Devera | ... | Crisis Translator | |
| Julienne Orindain | ... | TV Girl | |
| Antonette Garcia | ... | TV Mom (as Antonette R. Garcia) | |
| Sonny Tuazon | ... | Manila Cop | |
| Normandy Bacaltos | ... | Manila Cop | |
| Edgar Letran | ... | Manila Cop | |
| Alvin Zalamea | ... | Manila Cop | |
| Spencer Sano | ... | Manila Cop | |
| Julie Ysla | ... | Woman With the Bag (as Julie R. Ysla) | |
| Joel Torre | ... | Citrus Samaritan | |
| Ermie Concepcion | ... | Pissed-Off Guy (as Hermie Concepcion) | |
| Arthur Acuña | ... | Manila Driver | |
| Adrian Talinga | ... | Captain's Son | |
| Lou Veloso | ... | Captain | |
| Ian Blackman | ... | Landy's Attorney | |
| Joan Allen | ... | Pam Landy | |
| Jodi Applegate Kay | ... | Landy Reporter | |
| Tony Carlin | ... | Landy Reporter | |
| Karen Pittman | ... | Landy Reporter | |
| Ana Berry | ... | Landy Reporter | |
| Matthew J. Walters | ... | Landy Reporter | |
| Brian O'Neill | ... | Landy Reporter | |
| rest of cast listed alphabetically: | |||
| Martin Ballantyne | ... | Commuter (uncredited) | |
| Marie-Pierre Beausejour | ... | Lab Tech (uncredited) | |
| Robert Chang | ... | Manager (uncredited) | |
| Sheena Colette | ... | Candent Woman #2 (uncredited) | |
| Paddy Considine | ... | Simon Ross (archive footage) (uncredited) | |
| Joseph Dimartino | ... | Firefighter (uncredited) | |
| Lalaine Fabi | ... | Pharmaceutical Technician (uncredited) | |
| John Farrer | ... | Airport Passenger (uncredited) | |
| Jeff Grossman | ... | Maryland State Trooper (uncredited) | |
| Johnathan Hallgrey | ... | News Reporter (uncredited) | |
| Eli Harris | ... | (uncredited) | |
| Ed Heavey | ... | Fireman (uncredited) | |
| Sam Ibram | ... | Pharmaceutical Tech (uncredited) | |
| Julian Kim | ... | Pharmaceutical Technician (uncredited) | |
| Jeff Martineau | ... | Firefighter (uncredited) | |
| Nasser Metcalfe | ... | Phillipine Plant Manager (uncredited) | |
| Alexis Molnar | ... | Hotel Teen Girl (uncredited) | |
| Olan Montgomery | ... | FBI SWAT Team Member (uncredited) | |
| Jake Ramos | ... | Factory Worker (uncredited) | |
| Lil Rhee | ... | Pharmaceutical Technician (uncredited) | |
| Eddie Ruben | ... | Market Shopper (uncredited) | |
| Naeem Uzimann | ... | Manager (uncredited) | |
Directed by | |||
| Tony Gilroy | |||
Writing credits(WGA) | ||
| Tony Gilroy | (screenplay) & | |
| Dan Gilroy | (screenplay) | |
| Tony Gilroy | (story) | |
Original Music by | |||
| James Newton Howard | |||
Cinematography by | |||
| Robert Elswit | (director of photography) | ||
Film Editing by | |||
| John Gilroy | |||
Casting by | |||
| Ellen Chenoweth | |||
Production Design by | |||
| Kevin Thompson | |||
Art Direction by | |||
| Charlie Campbell | |||
| Stephen H. Carter | |||
| Andrew Del Rosario | |||
| Molly Hughes | (supervising art director) | ||
Set Decoration by | |||
| Leslie E. Rollins | (as Leslie Rollins) | ||
Costume Design by | |||
| Shay Cunliffe | |||
Makeup Department | |||
| Felicity Bowring | .... | makeup department head | |
| Jerry DeCarlo | .... | hair department head | |
| Sunday Englis | .... | key makeup artist | |
| Joseph Farulla | .... | makeup artist | |
| Joanne Jacobsen | .... | key makeup artist: Alberta | |
| Cristina Patterson Ceret | .... | contact lens designer/painter | |
| Björn Rehbein | .... | key makeup artist | |
| Kathe Swanson | .... | key hair stylist | |
| Sue Wyburgh | .... | key makeup artist | |
| Elizabeth Yianni-Georgiou | .... | hair stylist: Ms. Weisz (as Lizzie Georgiou) | |
| Elizabeth Yianni-Georgiou | .... | makeup artist: Ms. Wiesz (as Lizzie Georgiou) | |
| Karen Zanki | .... | key hair stylist: L.A. unit | |
Production Management | |||
| Warren Carr | .... | unit production manager | |
| Maxine De Vere | .... | production manager: Dubai | |
| Jennifer Lane | .... | post-production supervisor | |
| Steve Lionetti | .... | production supervisor: Korea and Philippines | |
| Peter J. Novak | .... | production supervisor: prep, Los Angeles | |
| Carla Raij | .... | unit production manager: second unit | |
| Daniel M. Stillman | .... | unit production manager | |
| Sean T. Stratton | .... | post production executive (uncredited) | |
Second Unit Director or Assistant Director | |||
| Robert C. Albertell | .... | first assistant director: Canada | |
| Steve E. Andrews | .... | first assistant director | |
| Dan Bradley | .... | second unit director | |
| Josy Capkun | .... | second assistant director: Canada | |
| Chris Castaldi | .... | first assistant director: second unit, Manila | |
| William M. Connor | .... | first assistant director: Manila | |
| Conor Kelly | .... | second second assistant director: second unit | |
| Cathleen McFadyen | .... | additional second assistant director | |
| Maggie Murphy | .... | second assistant director | |
| Josh Muzaffer | .... | dga trainee | |
| Kathy Ringer | .... | third assistant director: Canada (as Katherine Ringer) | |
| Jennifer Roberts | .... | second second assistant director | |
| Mumtaz Robson | .... | trainee assistant director: Canada (as Mumtaz Adatia) | |
| George Max Trummler | .... | second assistant director: Dubai | |
| Marvin Williams | .... | second assistant director: second unit | |
Special Effects by | |||
| Tom Blacklock | .... | special effects supervisor | |
| Stan Blackwell | .... | on-set coordinator | |
| John Cherevka | .... | art department: Legacy Effects | |
| Anthony S. Ciccarelli | .... | special effects technician | |
| Michael Clarke | .... | special effects foreman | |
| Doug Coleman | .... | special effects technician | |
| Javier Contreras | .... | mold department: Legacy Effects | |
| Leslie Coogan | .... | special effects accountant | |
| Garry Cooper | .... | special effects coordinator: Manila | |
| Sam Dean | .... | special effects technician | |
| Garry Elmendorf | .... | special effects supervisor | |
| Damian Fisher | .... | mold department supervisor: Legacy Effects | |
| Deborah Galvez | .... | hair department: Legacy Effects (as Debra Galvez) | |
| Scott Garcia | .... | special effects foreman | |
| Santiago Gonzalez | .... | special effects assistant | |
| Ted Haines | .... | fabrication department: Legacy Effects | |
| Rich Haugen | .... | mechanical department: Legacy Effects | |
| Darcy Healy | .... | special effects crew | |
| Matt Heimlich | .... | mechanical department supervisor: Legacy Effects | |
| Jeff Himmel | .... | fabrication department: Legacy Effects | |
| Hiroshi 'Kan' Ikeuchi | .... | mechanical department: Legacy Effects | |
| Rodrick Khachatoorian | .... | electronics technician: Legacy Effects | |
| Steven Kirshoff | .... | special effects coordinator new york | |
| Jeffrey Knott | .... | special effects foreman | |
| Lindsay MacGowan | .... | studio coordinator: Legacy Effects | |
| Shane Mahan | .... | studio coordinator: Legacy Effects | |
| Mark Maitre | .... | art department: Legacy Effects | |
| Jason Matthews | .... | art department: Legacy Effects | |
| Paul Mejias | .... | hair technician: Legacy Effects | |
| Brian Namanny | .... | mechanical department: Legacy Effects | |
| Michael Ornelaz | .... | hair department supervisor: Legacy Effects | |
| Amanda Paller | .... | special effects assistant | |
| Lyndel Pedersen | .... | assistant: Legacy Effects | |
| Elia P. Popov | .... | special effects foreman | |
| John Rosengrant | .... | studio coordinator: Legacy Effects | |
| Alan Scott | .... | animatronic effects supervisor: Legacy Effects | |
| R. Bruce Steinheimer | .... | special effects: Phillippines | |
| John Stifanich | .... | special effects technician | |
| Scott Stoddard | .... | art department: Legacy Effects | |
| Christopher A. Suarez | .... | special effects technician | |
| Cole Taylor | .... | assistant: Legacy Effects | |
| Eric Vrba | .... | special effects technician | |
Visual Effects by | |||
| Joel Aguilar | .... | prep artist: double negative | |
| Shish Aikat | .... | education manager: Rhythm & Hues | |
| Erik Akutagawa | .... | digital image resources supervisor | |
| Jake Albers | .... | compositor | |
| Diccon Alexander | .... | concept artist/matte painter: Double Negative | |
| Michael Allen | .... | compositor: Double Negative | |
| Kris Anderson | .... | digital compositor | |
| Cynthia Angel | .... | vfx assistant coordinator | |
| Tolga Ari | .... | visual effects: Double Negative | |
| Andreea Babiuc | .... | research & development | |
| John Bair | .... | visual effects supervisor: Phosphene | |
| Renuka Ballal | .... | visual effects producer: Phosphene | |
| Luke Ballard | .... | prep artist: double negative | |
| George Barbour | .... | technical director: double negative | |
| Zeljko Barcan | .... | effects pre production: Double Negative | |
| Adam Barnett | .... | technology support | |
| Joel Bautista | .... | visual effects: Double Negative | |
| Katie Bell | .... | visual effects coordinator: Double Negative | |
| Stephen Bennett | .... | digital compositor: Double Negative | |
| Gloria Bernabeu | .... | digital compositor | |
| Muhittin Bilginer | .... | visual effects technical director: Double Negative | |
| Brad Blackbourn | .... | previs supervisor | |
| Vincent Blin | .... | Flame artist | |
| Kent Blocher | .... | visual effects editor | |
| Zuzana Bochar | .... | assistant visual effects editor | |
| Fabrizia Bonaventura | .... | visual effects | |
| Romain Bouvard | .... | digital compositor | |
| Ben Burt | .... | first assistant director: visual effects unit | |
| Amirah Busairi | .... | roto artist | |
| Abi Cadogan | .... | visual effects editor: Double Negative | |
| Andrea Caretta | .... | digital compositor | |
| Tom Carrick | .... | previs artist | |
| Agustín Cavalieri | .... | digital compositor | |
| Fabio Cerrito | .... | effects technical director: Double Negative | |
| Caroline Chai | .... | roto/prep lead | |
| Saptarshi Chakraborty | .... | compositor: Double Negative | |
| Cori Chan | .... | lighting technical director: Double Negative | |
| Max Chan | .... | prep/paint artist: Double Negative | |
| Thom Chang | .... | matchmove artist: Double Negative | |
| Chris Chappell | .... | compositor | |
| Ricky Cheung | .... | prep/roto artist: Double Negative | |
| Vanessa Cheung | .... | visual effects art director | |
| Celine Chew | .... | visual effects coordinator | |
| Giuseppe Chisari | .... | character rigger | |
| Myong Choi | .... | compositor: Level 256 | |
| Julian Chong | .... | digital paint lead: Double Negative | |
| Bun Yue Choy | .... | roto artist: Double Negative | |
| Shane Christopher | .... | research & development | |
| Benjamin Chua | .... | visual effects editor | |
| Kia Coates | .... | digital compositor: Double Negative | |
| Robert Connor | .... | matchmove artist: Double Negative | |
| Sean Coonce | .... | digital compositor: Rhythm and Hues | |
| Christopher Michael Coupe | .... | matchmove supervisor: Double Negative | |
| Hal Couzens | .... | visual effects supervisor | |
| Craig Crane | .... | Lidar supervisor | |
| Michael Crane | .... | compositing supervisor: Rhythm and Hues | |
| Robert Nicholas Dauphinais | .... | digital compositor | |
| Curtis Michael Davey | .... | visual effects production assistant | |
| Scott M. Davids | .... | visual effects supervisor: Level 256 VFX | |
| Robert John Davies | .... | pipeline technical director | |
| Tom Daws | .... | Flame artist | |
| Graham Day | .... | digital compositor: Double Negative | |
| Richard Deeb | .... | visual effects line producer | |
| Adam Dolby | .... | matchmove artist | |
| Nicolas Donel | .... | matte painter | |
| Gregory Duncan | .... | roto/prep artist: Double Negative | |
| Matthew Nowicki DuVall | .... | compositor | |
| Favian Ee | .... | rotoscope artist | |
| Luiz Elias | .... | visual effects artist | |
| Michael Bruce Ellis | .... | visual effects supervisor (as Mike Ellis) | |
| Stephen Enticott | .... | animation supervisor | |
| Huw J. Evans | .... | technical director: Double Negative | |
| Oliver Exmundo | .... | visual effects | |
| Tito Fernandes | .... | previs artist | |
| Petter Folkevall | .... | visual effects artist: Double Negative | |
| Calvin Fong | .... | roto artist | |
| William Foulser | .... | environment technical director | |
| Cosatti Francesco | .... | visual effects: Double Negative | |
| Judith Gericke | .... | visual effects coordinator | |
| Matthew Gilson | .... | digital matte painter: Rhythm and Hues | |
| Michelle Goh | .... | digital compositor: Double Negative | |
| Olivia Goh | .... | visual effects coordinator | |
| Daniel Gonzalez Solozabal | .... | digital compositor: Rhythm & Hues | |
| Erika Gourvitz | .... | visual effects production assistant | |
| Carl Guyenette | .... | visual effects artist | |
| Sharna Hackett | .... | visual effects line producer: Double Negative | |
| Faraz Hameed | .... | previs artist: Double Negative | |
| Ryu Harada | .... | lead technical director | |
| Benjamin Hardy | .... | software and technology: Rhythm & Hues Studios | |
| Sean Hargreaves | .... | matte painter | |
| Anthony Harris | .... | color supervisor | |
| Firdaus Hashim | .... | roto and paint artist | |
| Jeremy Hattingh | .... | additional visual effects on-set supervisor: Canada | |
| Richard Hayward | .... | matchmove artist | |
| John Heller | .... | visual effects supervisor | |
| Rachael Hender | .... | visual effects artist: Double Negative | |
| Suzanne Hillner | .... | data wrangler | |
| Dan Horne | .... | tech support: Double Negative | |
| Pete Howlett | .... | lead compositor | |
| Benjamin Huber | .... | CG sequence supervisor | |
| Chris Hurtt | .... | character animator | |
| Marci Ichimura | .... | visual effects artist | |
| Dhuha Isa | .... | assistant visual effects editor | |
| Adam Jhani-Stephens | .... | studio assistant | |
| Oliver Johnstone | .... | digital compositor | |
| Pete Jopling | .... | 2D supervisor: Double Negative | |
| Jose Julian Karam Lopez | .... | digital compositor: Double Negative | |
| Hussin Khan | .... | production & technical support: Rhythm & Hues | |
| Erin Eunsung Kim | .... | visual effects coordinator: Double Negative | |
| Jennifer Kitching | .... | visual effects artist | |
| Karen Klein | .... | digital compositor | |
| Seth Kleinberg | .... | visual effects producer: Level 256 | |
| Jeff Koh | .... | digital compositor | |
| Marcin Kolendo | .... | digital compositor | |
| Duncan Kuah Boon Kwang | .... | matchmove artist | |
| Terence Lam | .... | matchmove artist | |
| Victoria Lang | .... | visual effects assistant editor | |
| Tracey Leadbetter | .... | visual effects: Double Negative | |
| Tyler Lee | .... | data wrangler | |
| Max Leonard | .... | associate visual effects producer: Lola VFX | |
| Francis Leong | .... | matchmove artist: Double Negative | |
| Sky Lim | .... | compositor: Double Negative | |
| Tze Ken Lim | .... | matchmove artist: Double Negative | |
| Kevin Lin | .... | matchmove supervisor: Rhythm & Hues Studios | |
| Leah Low | .... | texture artist: Double Negative | |
| Bret Lu | .... | generalist td | |
| Alex James Macieira | .... | matchmover: double negative | |
| Garry Maddison | .... | colourist | |
| Raj Mahendran | .... | technical support | |
| Indah Maretha | .... | digital compositor | |
| Harrison Marks | .... | visual effects coordinator | |
| Giovanni Mascherpa | .... | lighting td | |
| Daniel Maskit | .... | fx artist | |
| Dan Maslen | .... | pre-visualization | |
| Chris McLaughlin | .... | lighting sequence lead: Double Negative | |
| Steven Moore | .... | modeler: Double Negative | |
| Katy Mummery | .... | visual effects coordinator: Double Negative | |
| Dennis Murillo | .... | visual effects coordinator: Level 256 | |
| Jasen Nannini | .... | CG supervisor | |
| Ross Newton | .... | visual effects artist | |
| Kieran Nicholas | .... | visual effects editor: Double Negative | |
| Gary Nolin | .... | visual effects producer: Rhythm & Hues | |
| Onesimus Nuernberger | .... | matte painter: Rhythm & Hues | |
| Michael Okuda | .... | computer screen displays | |
| Jonathan Opgenhaffen | .... | digital matte painter: Double Negative | |
| Elaine Ormes | .... | matchmove artist: double negative | |
| Elisavet Paneta | .... | prep/paint artist | |
| Chintan Parmar | .... | technical support | |
| Daniel Pastore | .... | technical director | |
| Anna-Marie Payne | .... | matchmove artist: Double Negative | |
| Victor Perez | .... | digital compositor | |
| Nick Pitt-Owen | .... | visual effects artist | |
| Jason Pomerantz | .... | production supervisor (IMAX Version) | |
| Pietro Ponti | .... | CG supervisor: Double Negative | |
| Eddie Porter | .... | digital compositor | |
| Terron Pratt | .... | digital producer: Rhythm & Hues | |
| Yosafat Prayogo | .... | matchmove artist: Double Negative (as Yosa Prayogo) | |
| Simon Pynn | .... | matchmove supervisor: double negative | |
| Greg Radcliffe | .... | digital compositor | |
| Nicholas David Reed | .... | lighting technical director | |
| Garth Reilly | .... | compositor | |
| Christopher Riemann | .... | vfx compositor: Phosphene | |
| Viktor Rietveld | .... | effects supervisor | |
| Chris Ritvo | .... | lead data wrangler | |
| Sean Rowe | .... | matchmove artist: Double Negative | |
| Olivier Ryard | .... | digital compositor | |
| Gia Sadhwani | .... | visual effects artist | |
| Olov Samuelsson | .... | compositor: Double Negative | |
| Lui Sanchez-Fontillas | .... | paint/prep artist: double negative | |
| David Schott | .... | roto/prep artist | |
| Shaun Scott | .... | lead texture artist: Double Negative | |
| Naveen Shukla | .... | digital compositor | |
| Andrew Simmonds | .... | digital compositor | |
| Brad Smith | .... | render i/o administrator | |
| Phil Smith | .... | digital compositor: Double Negative | |
| Daniel Smollan | .... | technical director: Double Negative | |
| Sean Stranks | .... | compositor | |
| Mary Stroumpouli | .... | digital compositor: Double Negative | |
| Mohinder Subramaniam | .... | visual effects: Double Negative | |
| Yanti Suryati | .... | matchmove artist: double negative | |
| Nicholas Symons | .... | animator (as Nick Symons) | |
| Hantong Tang | .... | research & development | |
| Mark Joey Tang | .... | digital compositor (as Joey Tang) | |
| Ben Taylor | .... | systems operations and render I/O coordinator: Rhythm and Hues | |
| Will Telford | .... | digital effects supervisor | |
| Chris Tomkins | .... | 3D support | |
| Shahin Toosi | .... | senior compositor: Double Negative | |
| Nick van Diem | .... | 3D support: Double Negative | |
| Tim Van Horn | .... | digital compositor | |
| Sarah Vinson | .... | visual effects coordinator | |
| Nigel Wagner | .... | technical director: Double Negative | |
| Victor Wagner | .... | effects sequence lead: Double Negative | |
| Mengdi Wang | .... | fx artist | |
| Joe Wehmeyer | .... | data wrangler/photographer: Los Angeles | |
| Huw Whiddon | .... | technical support | |
| Stephanie Whitmarsh | .... | matchmove artist: Double Negative | |
| Michael Wilbourn | .... | matchmove artist | |
| Amber Wilkins | .... | matchmove artist | |
| Scott Winston | .... | digital compositor | |
| Lionel Wong | .... | roto/prep artist: Double Negative Singapore | |
| Patrick Woo | .... | fx technical director | |
| Jd Yepes | .... | digital compositor | |
| Eric Andrusyszyn | .... | digital compositor (uncredited) | |
| Daniel Caffrey | .... | technical support: Double Negative (uncredited) | |
| Tommaso Corona | .... | digital compositor: Double Negative (uncredited) | |
| Prerana Jaiswal | .... | roto/paint artist: Double Negative Singapore (uncredited) | |
| Tyler Lee | .... | visual effects artist (uncredited) | |
| Taz Lodder | .... | technology support manager: Double Negative (uncredited) | |
| Manuel Messerli | .... | screen graphics artist (uncredited) | |
| Greg Notzelman | .... | senior technical director: DNEG Singapore (uncredited) | |
| Ann Podlozny | .... | visual effects producer: Double Negative (uncredited) | |
| Sukumaran Lalithambika Vijin | .... | roto/paint artist: Double Negative Singapore (uncredited) | |
Animation Department | |||
| Lai Lok Chau | .... | animator | |
| Alessandro Ciucci | .... | animator | |
Casting Department | |||
| Melissa Braun | .... | background casting: New York | |
| Amanda Confavreux | .... | casting coordinator | |
| Amelia Rasche McCarthy | .... | casting associate (as Amelia McCarthy) | |
| Kate Sprance | .... | casting assistant | |
| Grant Wilfley | .... | extras casting | |
Costume and Wardrobe Department | |||
| Danielle Cadorette | .... | head tailor | |
| Jordan Carper | .... | wardrobe assistant | |
| Dawn Climie | .... | personal costumer: Mr. Renner | |
| Scott T. Coppock | .... | key costume ager/dyer | |
| Wendy M. Craig | .... | costume supervisor: second unit | |
| Kate Edwards | .... | costume supervisor | |
| Jeffrey Fayle | .... | costume set supervisor: Canada | |
| Sandi Figueroa | .... | set costumer | |
| Arianna Gallo | .... | costume coordinator | |
| Sue Gandy | .... | assistant costume designer | |
| Nicole Greenbaum | .... | set costumer | |
| Candy Reyes | .... | assistant costume designer (as Candice Reyes) | |
| Loren Shaw | .... | costume production assistant | |
| Ashley E. Singer | .... | ager/dyer | |
| Wade Sullivan | .... | costume production assistant | |
| Mitchell Travers | .... | assistant costume designer | |
Editorial Department | |||
| Ian Blume | .... | assistant editor | |
| Robert Ellison | .... | editorial production assistant | |
| James W. Harrison III | .... | first assistant editor | |
| Scott Jacobs | .... | apprentice editor | |
| Joe Ken | .... | digital intermediate editor: Company 3 | |
| Andrew Leven | .... | apprentice editor | |
| Gunnar McGrew | .... | post-production assistant | |
| Jim Passon | .... | color timer | |
| Stefan Sonnenfeld | .... | digital intermediate colorist | |
| Michael Struk | .... | additional assistant editor | |
| Matt Sweat | .... | assistant editor | |
| Taylor Williams | .... | dailies production assistant | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Pete Anthony | .... | orchestrator | |
| Jon Aschalew | .... | ambient music designer | |
| Jeff Atmajian | .... | orchestrator | |
| Belinda Broughton | .... | orchestra leader | |
| David Channing | .... | scoring editor | |
| Robert Danzey-Persaud | .... | synth programmer | |
| Sandy DeCrescent | .... | music contractor | |
| Clay Duncan | .... | composer: additional music | |
| Sven Faulconer | .... | composer: additional music | |
| Alex Kharlamov | .... | music designer | |
| Jon Kull | .... | orchestrator | |
| Katherine Gordon Miller | .... | assistant music editor (as Katherine Miller) | |
| Shawn Murphy | .... | scoring mixer | |
| Victor Pesavento | .... | music preparation | |
| Peter Rotter | .... | additional music contracting | |
| Pamela J. Sollie | .... | scoring coordinator | |
| John Ashton Thomas | .... | orchestrator | |
| Stuart Michael Thomas | .... | additional arrangements | |
| Joseph Trapanese | .... | conductor | |
| Joseph Trapanese | .... | orchestrator | |
| Joseph Trapanese | .... | synthesizer programming (as Joe Trapanese) | |
| Matthew J. Ward | .... | additional score recordings | |
| Matthew J. Ward | .... | synth programming | |
| Sunna Wehrmeijer | .... | technical score advisor | |
| Gina Zimmitti | .... | music contractor | |
| Marc Bonilla | .... | musician: electric guitar (uncredited) | |
Transportation Department | |||
| Dwight Beard | .... | transportation | |
| Michael Brinkley | .... | action vehicle assistant coordinator | |
| Ian Clarke | .... | picture vehicle workshop supervisor | |
| Rupert Cole | .... | transportation dispatcher | |
| Mickey Davie | .... | picture vehicle senior technician | |
| Ravi Dube | .... | transportation coordinator: Manila | |
| Roy Fortier | .... | driver | |
| Fred Herndon | .... | transportation | |
| Michael Hyde | .... | transportation captain | |
| Jay Immersi | .... | picture car coordinator | |
| Jay Immersi | .... | transportation co-captain | |
| Ron Irvine | .... | transportation captain: Canada | |
| Graham Kelly | .... | action vehicle supervisor | |
| Antonio Molina | .... | transportation | |
| Cyril O'Neil | .... | picture car consultant | |
| Michail Purenok | .... | assistant transportation coordinator: Manila | |
| Tom Rebber | .... | transportation coordinator | |
| Tim Sisson | .... | transportation captain: reshoot | |
| Owen Holland | .... | driver: camera car (uncredited) | |
Thanks | |||
| Noynoy Aquino III | .... | thanks (as Pres. Benigno Aquino III) | |
| Alfredo Lim | .... | thanks | |
| Francis Tolentino | .... | thanks | |
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| The Bourne Ultimatum | Bad Company | The Bourne Identity | The Foreigner | Licence to Kill |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Questionable follow up to the Bourne trilogy that has the right pieces in place but lacks the conviction to justify its existence. Taking place almost at the same time of the climax of the third Bourne film (Ultimatum), this film deals with the fall out of the exposure of "Operation Blackbriar" and how an another agency with in the government is trying to cover up their program in order not to be caught up with the coming scandal create by Jason Bourne. "Outcome", the program in question is an offshoot of both "Treadstone" and "Blackbriar" but with a huge difference, they are tabbing into science to create super agents that are faster and stronger than any other agent before them.
In order for me to tell you what is good about this movie, I have to explain what is wrong with it and that is the fact that you get the feeling fifteen minutes into the film that there is no reason for it to exist. The last film (Bourne Ultimatum) pretty much closed the book on the series, with little to no wiggle room for an encore. This movie feels like a studio trying to milk dried what was good from the original trilogy in order to make more sequels. The bad part is that they did it in the most unbelievable way, so much so that you really need to forget what you saw in the last three films in order to believe what was going on in this movie. Tony Gilroy (Who wrote the first three movies) directs and writes this one but falls flat on his face with halfhearted explanations that try to justify this movie's existence. Not to mention the fact that the villain of the movie is a lightweight compared to what came before him plus the glaring fact that Edward Norton's performance as the heavy is pretty much phoned in. He does not have the confidant arrogant swagger that Chris Cooper's character had in the first film nor the desperate menace of that Brain Cox's character brought to the second. Norton's character is more in line with the villain of the third, who was played by David Strathaim (who has a cameo in this film). However, Strathaim's character had a sense of justifiable menace that drove him, while Norton's character just seems like a man trying to justify his actions for the greater good, making him more of a government shill than a villain. The science fiction angle that comes up is insulting to what the last three films were, not to mention the fact that the direction here lacks the kinetic energy that Paul Greengrass brought to the last two movies of the series. Say what you may about the shaky camera work but he knew how to stage a thrilling action piece of pop art. Gilroy's motorcycle chase towards the climax is decent but lacks kinetic spark. He is however very good in staging small intimate moments within this movie but that is more a compliment to the A + cast (Mainly his two lead actors) than the terrible script that they are forced to working with.
Jeremy Renner is a talented actor with serious range and complexity. However, the character he plays is not much of a character and the script that he has to work with is riddled with cliché after cliché. He can do anything a secret agent can do but better but the character is not very compelling or interesting to say the least. Jason Bourne was a compelling character that needed to find himself and through that journey in the original trilogy, we saw complexities that were compelling and thoughtful. He was a conflicted man whose drive was dictated by an inner sense of redemption. The character of Aaron Cross is a cartoon character compared to Jason and that is the main problem of the script for this movie. It is though Renner's efforts as an actor that we care about the character of Aaron Cross and that is one of the few bright spots this film has. Renner injects likability and vulnerability to this character and because of it, we want him to succeed in beating the bad guy and save the girl but Renner is working with a script that goes against itself and we are left with a half fast story that deals with supermen than a human story about survival. It is through Renner's efforts as an actor that we see humanity and conflict in this character while the script itself does not give that sort of detail and Renner is working overtime to accomplish that. Renner would have done wonders with a compelling character like Jason Bourne, unfortunately that is not found with the character of Aaron Cross.
Rachel Weisz is one of the most versatile, gifted and complex actors working today. An actor's actor in every sense of word but like Renner, she does not have much of a character thanks to the cliché script they both have to work with. Her character is on the run with Cross through out the film and acts as his doctor and object of protection. It is through Weisz's amazing strength and range as an actor that we are able to witness levels of complexity and humanity in the character of Dr Marta Shearing that we really do not get from the script. Because of that, we are not only able to care and identify with her but Weisz actually makes her character more complex and interesting than Aaron Cross himself. You can tell that Weisz was working overtime in achieving that and her efforts pay off ten fold, which is a blessing considering that most of the characters outside of her and Renner come across as cardboard cutouts.
It is a shame because Renner and Weisz try their best and for the most part succeed despite all odds but they like the fans deserved better.