A DEA agent and a naval intelligence officer find themselves on the run after a botched attempt to infiltrate a drug cartel. While fleeing, they learn the secret of their shaky alliance: Neither knew that the other was an undercover agent.
In 2028 Detroit, when Alex Murphy (Joel Kinnaman) - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
The events in this movie take place around the same time as the events in The Bourne Ultimatum (2007). When a British reporter was writing an expose about Black Ops operations Treadstone and Black Briar, and the ones responsible for them are concerned. And when Jason Bourne, former Treadstone operative got the file on Treadstone and Black Briar and gave it to Pamela Landy who then passed it to the media. When the men behind Treadstone and Black Briar learn of this, they're concerned how this will affect other ops they have. They decide it's best to shut down all ops and make sure make everyone involved disappears. They try to take out Aaron Cross who is part of another op called Outcome, but he manages to survive. He then seeks out Dr. Marta Shearing who worked on him when he began. It seems part of the program is for all subjects to take medications but he has run out, which is why he seeks her. But someone tries to kill her. He saves her and she tells him, he should have stopped ... Written by
Edward Norton, Scott Glenn and Joan Allen have all appeared in films featuring the character Hannibal Lecter. Allen was in _Manhunter (1986), as was 'Brian Cox' who appeared in the first two films of this series. Glenn appeared in _The Silence of the Lambs (1991), and Norton appeared in Red Dragon (2002). See more »
In the climactic car chase in Manila, LARX #3 is seen driving a Manila police patrol car, a Toyota Camry. The Camry, priced as a near-luxury car in the Philippines, has never been in the fleet of the Manila police. See more »
Weisz and Renner act their assess off but not even their raw talent can save this film from Director Tony Gilroy's ego trip of a script and his lackluster directing.
This is truly a case of great actors who are left out there in the cold by a director, who essentially does not even try to respect them and the audience's intelligence by giving them something original or interesting. Tony Gilroy had written not only the first three Bourne films but the great Michael Clayton as well but here, it is obvious that he is on a destructive ego trip. Gilroy is more interested in making people see on how smart he is as a scriptwriter and filmmaker than actually try to entertain and stay true to what made the other Bourne films special. With that destructive mind set, Gilroy forgets that you need faith in your actors and the material they are working with in order to drive the movie forward. Gilroy also commits the biggest sin of all, which is to never underestimate the intelligence of your audience.
The script by Gilroy and his brother Dan tries to be cutting edge in scientific jargon and smart dialog but ends up with so many inconsistencies and flimsy characterization that you have to double back twice to see if Gilroy actually had a hand in the original "Bourne Trilogy". The characters in this film are only there to get from A to B and none of them with the exception of Rachel Weisz and Jeremy Renner (Who you can clearly see are both working beyond the call of duty to make something out of their paper-thin roles) has any real purpose at all. Poor Edward Norton is only there to bark orders and you can clearly see how frustrated he is with his role in certain scenes. The direction is not even very good, with pacing problems and a running time that excessively too long for its own good. The action scenes (The few of them in the film) do not jar well and are boring to say the least.
My advice to Universal, if there has to be a sequel, bring back Rachel Weisz and Jeremy Renner (Who both deserve medals for their efforts in making this lazy, self indulgent script work) and get rid of Tony Gilroy, who clearly does not respect anybody other than himself. You might have a better movie if you do.
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