| Photos (See all 59 | slideshow) | Videos (see all 5) |
Directed by | |||
| John Moore | |||
Writing credits(WGA) | ||
| David Seltzer | (written by) | |
Produced by | |||
| David Harfield | .... | executive producer | |
| John Moore | .... | producer | |
| Jeffrey Stott | .... | executive producer | |
| Peter Veverka | .... | associate producer | |
| Glenn Williamson | .... | producer | |
| Giovanni Lovatelli | .... | line producer: Italy (uncredited) | |
Original Music by | |||
| Marco Beltrami | |||
Cinematography by | |||
| Jonathan Sela | (director of photography) | ||
Film Editing by | |||
| Dan Zimmerman | |||
Casting by | |||
| Susie Figgis | |||
Production Design by | |||
| Patrick Lumb | |||
Art Direction by | |||
| Katerina Kopicová | (as Katerina Kopicova) | ||
| Martin Kurel | |||
| Laura Pozzaglio | |||
Set Decoration by | |||
| Paki Smith | (as Patrick 'Paki' Smith) | ||
Costume Design by | |||
| George L. Little | |||
Makeup Department | |||
| Chris Burgoyne | .... | prosthetic makeup application | |
| Fiona Connon | .... | department head makeup artist | |
| Desideria Corridoni | .... | key hairdresser: Rome/Matera (as Desiree Corridoni) | |
| Aurelio Guzman | .... | prosthetic lab work | |
| Matthew Jorgensen | .... | prosthetic lab work (as Matt Jorgenson) | |
| Barbara Kichi | .... | key hairdresser | |
| Rich Knight | .... | prosthetic lab work | |
| Kris Kobzina | .... | prosthetic lab work | |
| Tomás Kuchta | .... | hair stylist (as Tomas Kuchta) | |
| Tomás Kuchta | .... | makeup artist (as Tomas Kuchta) | |
| Ryan McDowell | .... | prosthetic lab technician | |
| Matthew W. Mungle | .... | makeup effects designer | |
| Matthew W. Mungle | .... | prosthetic effects designer | |
| Gabriela Polakova | .... | key makeup artist | |
| Stephen Rose | .... | department head hair | |
| Eddie Vargas | .... | prosthetic lab work | |
| Brian Wade | .... | special effects makeup artist | |
| Barbara Kichiova | .... | hair stylist (uncredited) | |
| Aaron Koons | .... | makeup effects lab technician (uncredited) | |
| Ryan McDowell | .... | prosthetic sculptor (uncredited) | |
| Scott McGowan | .... | special makeup effects artist (uncredited) | |
| Ruzena Novotna | .... | makeup artist (uncredited) | |
| Glenn Pulliam | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Jim Behnke | .... | unit production manager | |
| Anne-Marie Curran | .... | production manager: Dublin | |
| Gabriella Di Santo | .... | production manager: Rome/Matera | |
| Aaron Downing | .... | post-production supervisor | |
| Ivan Filus | .... | unit production manager | |
| Filippo Lovatelli | .... | production supervisor: Rome/Matera | |
| Giovanni Lovatelli | .... | supervising production manager: Rome/Matera | |
| Russ Russell | .... | supervising production manager: Dublin | |
| Jeffrey Stott | .... | unit production manager | |
| Pavel Typolt | .... | production manager: second unit | |
| Veronika Finkova | .... | executive in charge of production (uncredited) | |
| Jiri Husak | .... | unit manager (uncredited) | |
| Peter Kang | .... | executive in charge of production (uncredited) | |
Art Department | |||
| Rudolf Balvar | .... | blacksmith artist | |
| June Connon | .... | props | |
| Romek Delmata | .... | conceptual designer | |
| Romek Delmata | .... | storyboard artist | |
| Jiri Dusek | .... | leadman | |
| Katerina Galova | .... | artist assistant | |
| Stanislav Glugar | .... | props | |
| Petr Grig | .... | draftsman | |
| Tomas Hais | .... | props | |
| Pavel Hemmy | .... | property buyer | |
| Klara Holubova | .... | on-set art director | |
| Mario Izevic | .... | art direction: Rome/Matera | |
| Mario Izevic | .... | art director: Rome/Matera | |
| Tereza Keilova | .... | art department coordinator | |
| Martin Kotek | .... | set dresser | |
| Katerina Koutská | .... | assistant set decorator (as Katerina Koutska) | |
| Tomás Lehovec | .... | props | |
| Jirí Matolín | .... | construction supervisor (as Jiri Matolin) | |
| Pavel Mehes | .... | set painter | |
| Stefan Mily | .... | property buyer | |
| Michal Petr | .... | props | |
| Tomas Polivka | .... | graphic designer | |
| Laura Pozzaglio | .... | art director: Rome/Matera | |
| Laura Pozzaglio | .... | art direction: Rome/Matera | |
| Jaroslav Rericha | .... | draftsman | |
| Petr Richter | .... | props | |
| Chris Rosewarne | .... | conceptual designer | |
| Chris Rosewarne | .... | knife designer | |
| Chris Rosewarne | .... | storyboard artist | |
| Pavel Tatar | .... | draftsman | |
| Kurt Van Der Basch | .... | illustrator | |
| Josef Vecerek | .... | props | |
| Jiri Zucek | .... | property master | |
| Jan Zázvorka | .... | construction art director (as Jan Zazvorka) | |
| Vivian Al-Samarrai | .... | art department assistant (uncredited) | |
| Alice Bartosova | .... | graphic designer (uncredited) | |
| Tyler Gooden | .... | set dresser (uncredited) | |
| Jonathan Hall | .... | computer & video technician (uncredited) | |
| Ladislav Markic | .... | set dresser: Cro unit (uncredited) | |
| Chris McBride | .... | computer & video supervisor (uncredited) | |
| Jana Nosková | .... | draftsman (uncredited) | |
Special Effects by | |||
| Nik Cooper | .... | special effects (as Nick Cooper) | |
| David Dunsterville | .... | special effects | |
| James Ferguson | .... | special effects | |
| Alan Hawes | .... | special effects | |
| Ron Hone | .... | special effects | |
| Petr Lukavec | .... | special effects | |
| Jiri Maran | .... | special effects | |
| Martin Mottl | .... | special effects | |
| Martin Oberlander | .... | special effects supervisor | |
| Jan Petrak | .... | special effects | |
| Tomas Petrak | .... | special effects | |
| Ondrej Pryca | .... | special effects | |
| Roman Tudzaroff | .... | special effects | |
| Jirí Vater | .... | special effects | |
| Jakub Vit | .... | special effects | |
| Ian Wingrove | .... | special effects supervisor | |
| Chris Fitzgerald | .... | animatronic sculptor (uncredited) | |
| Jan Holub | .... | special effects crew (uncredited) | |
| Lukas Jaromersky | .... | special effects technician (uncredited) | |
| Otto Requette | .... | prosthetic assistant (uncredited) | |
| Steve Reverand | .... | assistant prosthetic effects artist (uncredited) | |
| Steve Reverand | .... | blood effects (uncredited) | |
Visual Effects by | |||
| Joe Arnold | .... | 3d artist: Cinesite | |
| Dave Bannister | .... | digital compositor: Cinesite | |
| Karel Benes | .... | visual effects producer: Prague | |
| Mike Bryant | .... | digital i/o: Cinesite | |
| Warwick Campbell | .... | digital compositor: Cinesite | |
| Laurent Cordier | .... | 3d artist: Cinesite | |
| Aimee Dadswell | .... | visual effects producer: Cinesite (as Aimee Dadswell-Davies) | |
| Jose Fernandez de Castro | .... | digital compositor: Cinesite (as Jose Fernandez De Castro) | |
| Keith Devlin | .... | digital compositor: Cinesite | |
| Dave Early | .... | matte painting: Cinesite (as David Early) | |
| Guy Elson | .... | digital compositor: Cinesite | |
| Julia Frey | .... | visual effects producer: Los Angeles | |
| Matt Johnson | .... | visual effects supervisor: Cinesite | |
| Simon Maddocks | .... | 3d technical director: Cinesite | |
| Jon Miller | .... | 3d artist: Cinesite | |
| Jonathan Neill | .... | cg supervisor: Cinesite | |
| Artemis Oikonomopoulou | .... | 3d artist: Cinesite | |
| Chris Perschky | .... | technical services: Cinesite (as Christian Perschky) | |
| Glen Pratt | .... | digital compositor: Cinesite | |
| David Richardson | .... | technical services: Cinesite | |
| Gillian Roberts | .... | production: Cinesite (as Gillian Roberts-Howe) | |
| Alexander Savenko | .... | 3d technical director: Cinesite | |
| Marc Stevenson | .... | 3d artist: Cinesite | |
| Courtney Vanderslice | .... | production: Cinesite | |
| Karen Wand | .... | digital compositor: Cinesite | |
| Kathy Wise | .... | digital i/o: Cinesite | |
| Ian Abbott | .... | technical services: Cinesite (uncredited) | |
| Andrew Bardusk | .... | visual effects: Chains (uncredited) | |
| Keith Barton | .... | production support: Cinesite (uncredited) | |
| Jamie Baxter | .... | digital artist (uncredited) | |
| Dan Beresford | .... | production support (uncredited) | |
| Kevin Campbell | .... | software developer (uncredited) | |
| Martin Caulton | .... | computer and video technician (uncredited) | |
| Rick Cortes | .... | inferno artist (uncredited) | |
| Tiffany Cullum | .... | 3d manager: Cinesite (uncredited) | |
| Richard Kratt | .... | digital compositor (uncredited) | |
| Steven Lawrence | .... | 3d artist: 11: 11 MediaWorks (uncredited) | |
| Christopher Learmonth | .... | visual effects editor (uncredited) | |
| Tom Martinez Jr. | .... | visual effects (uncredited) | |
| Denisa Mrackova | .... | visual effects: previz (uncredited) | |
| Karen M. Murphy | .... | visual effects producer (uncredited) | |
| Robert Nall | .... | digital artist (uncredited) | |
| Roger Nall | .... | digital compositor (uncredited) | |
| Guy Nesfield | .... | digital i/o (uncredited) | |
| Daniel Pettipher | .... | production manager: Cinesite (uncredited) | |
| Rasha Shalaby | .... | visual effects artist (uncredited) | |
| Jeff M. Sharar | .... | visual effects artist (uncredited) | |
| Thom Wickes | .... | render/data wrangler: Cinesite (uncredited) | |
| Aviv Yaron | .... | 2d technical director: Cinesite (uncredited) | |
Stunts | |||
| Jakub Berdich | .... | stunts | |
| Pavel Cajzl | .... | stunt coordinator | |
| Frantisek Deak | .... | stunts | |
| Zuzana Drdacka | .... | stunts | |
| Pavel Dvorscik | .... | stunts | |
| Rene Hajek | .... | stunts | |
| Petr Hnetkovský | .... | stunts (as Petr Hnetkovsky) | |
| Jindrich Klaus | .... | stunts | |
| Pavel Kratky | .... | stunts | |
| Jiri Kraus | .... | stunts | |
| Ladislav Lahoda | .... | stunt supervisor | |
| Robert Lahoda | .... | stunt rigger (as Robert 'Robin' Lahoda) | |
| Miroslav Lhotka | .... | stunts | |
| Jan Loukota | .... | stunts | |
| Ivan Mares | .... | stunts | |
| David Mottl | .... | stunts | |
| Jan Petrina | .... | stunts | |
| Jaroslav Psenicka | .... | stunts | |
| Jan Schmied | .... | stunts | |
| Tomás Tobola | .... | stunts | |
| Karel Trojan | .... | stunts | |
| Miroslav Valka | .... | stunts | |
| Karel Vávrovec | .... | stunts (as Karel Vavrovec) | |
| Kamila Zenkerová | .... | stunts | |
| Radek Bruna | .... | stunts (uncredited) | |
| Jan Petrina | .... | stunt double: Liev Schreiber (uncredited) | |
Animation Department | |||
| Peter Elliott | .... | animated extras | |
| Nik Williams | .... | animated extras | |
Casting Department | |||
| Nancy Bishop | .... | casting: Prague | |
| Ann Goulder | .... | casting: New York | |
| Jessica Horáthová | .... | casting: Prague (as Jessica Horathova) | |
| Jirí Hrstka | .... | extras casting | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Shaila Rubin | .... | casting: Italy | |
| Deborah Maxwell Dion | .... | casting: Los Angeles (uncredited) | |
| Isabella Hyams | .... | casting assistant (uncredited) | |
| Christian Kaplan | .... | executive in charge of casting (uncredited) | |
| Matthew Lessall | .... | casting executive (uncredited) | |
Costume and Wardrobe Department | |||
| Zuzana Bursíková | .... | set costumer (as Zuzana Bursikova) | |
| Stefano De Nardis | .... | wardrobe supervisor: Rome/Matera | |
| Bela Friedlová | .... | set costumer (as Bela Friedlova) | |
| Gabriela Horská | .... | assistant costume designer (as Gabriela Horska) | |
| Maria Hubackova | .... | set costumer | |
| Claudio Manzi | .... | key costumer: Rome/Matera | |
| Carlane Passman | .... | assistant costume designer (as Carlane Passman Little) | |
| Patricie Soptenková | .... | set costumer (as Patricie Soptenkova) | |
| Dita Valentinova | .... | costume coordinator | |
| Sarka Zvolenska | .... | costume supervisor | |
| Gracie Cox | .... | costume production assistant (uncredited) | |
| Jirina Eisenhamerova | .... | costumer (uncredited) | |
| Mary Lou Reinbold | .... | costumer (uncredited) | |
| Adam Watt | .... | additional costume production assistant (uncredited) | |
Editorial Department | |||
| Roger Ames Berger | .... | digital conform and opticals (as Roger Berger) | |
| Gary Burritt | .... | negative cutter | |
| Emily Calederone | .... | editorial assistant: Los Angeles (as Emily Calderone) | |
| Tzarina V. Edillon | .... | first assistant editor | |
| Skip Kimball | .... | digital film colorist | |
| Michal Krumpar | .... | editorial assistant: Prague | |
| Jim Passon | .... | color timer: Deluxe | |
| Chris Regan | .... | color timer: Deluxe | |
| Gerard Ward | .... | telecine colorist: high definition | |
| Dirk Westervelt | .... | first assistant editor | |
| Adrian Kays | .... | trailer editor (uncredited) | |
| Vít Komrzý | .... | post-production (uncredited) | |
| Zara Park | .... | digital intermediate producer (uncredited) | |
Music Department | |||
| Pete Anthony | .... | orchestra conductor | |
| Pete Anthony | .... | orchestrator | |
| William Boston | .... | orchestrator | |
| Matt Franko | .... | music preparation | |
| Alex Gibson | .... | music editor | |
| Kevin Globerman | .... | digital recordist | |
| Isobel Griffiths | .... | orchestra contractor | |
| Dave Hage | .... | music preparation | |
| John Kurlander | .... | score mixer | |
| John Kurlander | .... | score recordist | |
| Richard Lancaster | .... | digital recordist | |
| Dana Niu | .... | orchestrator | |
| Victor Pesavento | .... | music preparation | |
| Buck Sanders | .... | electronic score producer | |
| Marcus Trumpp | .... | orchestrator | |
| Gavyn Wright | .... | orchestra leader | |
| Marco Beltrami | .... | music arranger (uncredited) | |
| William Boston | .... | music arranger (uncredited) | |
| Jeff Carson | .... | preview music editor (uncredited) | |
| Chris Cozens | .... | auricle control systems (uncredited) | |
| Mike Knobloch | .... | music executive (uncredited) | |
| Roy Prendergast | .... | music editor (uncredited) | |
Transportation Department | |||
| Jiri Husak | .... | transportation coordinator | |
| Jan Kuzel | .... | picture vehicle coordinator | |
| Pavel Voracek | .... | transport captain | |
| Václav Kocman | .... | driver (uncredited) | |
| Massimiliano Rocchetti | .... | transportation coordinator: Italy (uncredited) | |
| Lada Vacik | .... | driver: camera truck (uncredited) | |
| Tony Vizina | .... | driver: cast (uncredited) | |
Other crew | |||
| Andrea Alunni | .... | location manager: Rome.Matera | |
| Cecilia Alvarenga | .... | production coordinator: Rome/Matera | |
| Ivan Andrijanic | .... | special operations | |
| Peter Arpesella | .... | voice actor (as Pietro Arpesella) | |
| Iris Bahr | .... | voice actor | |
| Lauren Barnhart | .... | assistant: Liev Schreiber | |
| Michaela Berková | .... | assistant: Glenn Williamson (as Michaela Berkova) | |
| Milena Bono | .... | assistant production coordinator: Rome/Matera | |
| Vanna Bonta | .... | voice actor | |
| Max Burkholder | .... | voice actor | |
| Andrea Bystrá | .... | location assistant (as Andrea Bystra) | |
| Lorenzo Caccialanza | .... | voice actor | |
| Valentina Castellani | .... | voice actor | |
| Vera Cerbara | .... | dialogue coach | |
| Vera Cerbara | .... | translator: Italian | |
| Karolina Cerna | .... | payroll accountant | |
| Sarka Cimbalova | .... | accommodation coordinator | |
| Nando de Stefano | .... | voice actor | |
| Neil Dickson | .... | voice actor | |
| Hana Duplinska | .... | assistant: John Moore (as Hanka Duplinska) | |
| Michal Engrth | .... | first assistant accountant: Cz | |
| Janette Evans | .... | first assistant accountant | |
| Jakub Exner | .... | location assistant | |
| Sam Feuer | .... | voice actor | |
| Veronika Finkova | .... | production services: Czech Republic, Etic Films | |
| Maria Fiorito | .... | production accountant: Rome/Matera | |
| Stephen French | .... | special operations | |
| Luca Gagliardi | .... | location liaison: Rome/Matera | |
| Jean Gilpin | .... | voice actor | |
| Tamaron Greene | .... | dailies film assistant: Prague | |
| Nicholas Guest | .... | voice actor | |
| Alexander Gurlich | .... | office production assistant | |
| Yasmine Hanani | .... | voice actor | |
| Stána Hosková | .... | script supervisor: second unit (as Stana Hoskova) | |
| Jiri Husak | .... | unit coordinator | |
| Frank Isles | .... | voice actor | |
| Mark Ivanir | .... | voice actor | |
| Barbora Jurkovicova | .... | location manager | |
| Petr Kavalek | .... | assistant production coordinator | |
| Alice S. Kim | .... | assistant: Jeffrey Stott | |
| Karel Kubis | .... | set production assistant | |
| Kym Langlie | .... | unit publicist | |
| Eric Layne | .... | financial controller | |
| Martin Mares | .... | animal wrangler: Fauna & Film Praha | |
| Lenka Marsalkova | .... | production coordinator | |
| Natalie Mathes | .... | post-production accountant | |
| Petr Matuscak | .... | location assistant | |
| Caitlin McKenna-Wilkinson | .... | voice actor (as Caitlin McKenna) | |
| Petr Moravec | .... | production services: Czech Republic, Etic Films | |
| Dina Morrone | .... | voice actor | |
| Joey Naber | .... | voice actor | |
| Lanny Nenicka | .... | cashier | |
| Paula J. Newman | .... | voice actor (as Paula Jane Newman) | |
| Kamila Ostra | .... | production assistant | |
| Kamila Ostra | .... | set production assistant | |
| Kevin Owers | .... | voice actor | |
| Paul Pape | .... | voice actor | |
| Ori Pfeffer | .... | voice actor | |
| Nada Pinter | .... | script supervisor | |
| Lucie Pokorná | .... | assistant: Jeffrey Stott (as Lucie Pokorna) | |
| Marketa Poruba | .... | production secretary (as Marketa Porubova) | |
| Denisa Pugliova | .... | assistant: John Moore | |
| Moira Quirk | .... | voice actor | |
| Eda Raban | .... | key caterer | |
| Francesco Romano | .... | voice actor | |
| Ian Ruskin | .... | voice actor | |
| Alya Sako | .... | voice actor | |
| Sam Sako | .... | voice actor | |
| Brian Schornak | .... | assistant: Glenn Williamson | |
| Jan Seidl | .... | key office production assistant | |
| Alan Shearman | .... | voice actor | |
| Andy Stephens | .... | aerial operations manager | |
| Vera Trousilová | .... | key accountant: Cz (as Vera Trousilova) | |
| Rita Zohar | .... | voice actor | |
| Bostic Beard | .... | clip researcher (uncredited) | |
| Stephen French | .... | consultant: internet (uncredited) | |
| Stephen French | .... | documentary filmmaker (uncredited) | |
| Stephen French | .... | newsreel sequences (uncredited) | |
| Christina Hwang | .... | title producer (uncredited) | |
| Zarko Ivkovic | .... | location manager: Cro unit (uncredited) | |
| Vladimir Kesl | .... | computer technician (uncredited) | |
| Alice Kheilova | .... | interpreter (uncredited) | |
| Sharon Milton | .... | tutor (uncredited) | |
| Cristiano Sebastianelli | .... | cashier (uncredited) | |
| Faujja Singh | .... | armorer (uncredited) | |
| Charline St. Charles | .... | clearances coordinator (uncredited) | |
| Valerio Stano | .... | set production assistant (uncredited) | |
| Andy Stephens | .... | aerial operations manager: Flying Pictures Ltd. (uncredited) | |
| Michael Swan | .... | location manager: additional unit (uncredited) | |
| Barney Wrightson | .... | aerial operations assistant: Flying Pictures Ltd. (uncredited) | |
Thanks | |||
| Richard Donner | .... | special thanks | |
|
|
|
|
|
| The Omen | Religulous | Omen III: The Final Conflict | The Order | The Professional: Golgo 13 |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
I really liked the original Omen. It didn't need to be re-made. There is nothing that modern film-making has brought to this film to make it stand out against the original. It's not as scary, not as honest or raw. The original film is genuinely disturbing -- from the dogs, to the nanny, to Damien... this modern remake just isn't as convincing. It has it's moments, and isn't that terrible, but there's an annoying distance, or separation between the subject matter and the film. It's too clean, too polished... it just isn't evil enough.
The music is not as good, the deaths are not as disturbing. But should we judge this film on its own merits? No, because it's a carbon copy remake. There is very little new material worth mentioning.
The only positive thing to say is that for anyone who hasn't seen the original, it's worth a look -- on DVD. But even then I'd recommend the original.