| Photos (see all 18 | slideshow) |
| Gretchen Mol | ... | Bettie Page | |
| Chris Bauer | ... | Irving Klaw | |
| Jared Harris | ... | John Willie | |
| Sarah Paulson | ... | Bunny Yeager | |
| Cara Seymour | ... | Maxie | |
| David Strathairn | ... | Estes Kefauver | |
| Lili Taylor | ... | Paula Klaw | |
| John Cullum | ... | Preacher in Nashville | |
| Matt McGrath | ... | Nervous Man | |
| Austin Pendleton | ... | Teacher | |
| Norman Reedus | ... | Billy Neal | |
| Dallas Roberts | ... | Scotty | |
| Victor Slezak | ... | Minister in Miami | |
| Tara Subkoff | ... | June | |
| Kevin Carroll | ... | Jerry Tibbs | |
| Ann Dowd | ... | Edna Page | |
| Michael Gaston | ... | Mr. Gaughan | |
| Jefferson Mays | ... | Little John | |
| Peter McRobbie | ... | Gangel | |
| Dan Snook | ... | Mr. Grimm | |
| Jonathan M. Woodward | ... | Marvin (as Jonathan Woodward) | |
| Greg Ainsworth | ... | Man on Street | |
| John Boyd | ... | Jack | |
| David Call | ... | Guy #1 at Party | |
| Geoffrey Cantor | ... | Director at Audition | |
| Max Casella | ... | Howie | |
| Alejandro Chabán | ... | Armand | |
| Jaymie Dornan | ... | Young Jimmy Page | |
| Teddy Eck | ... | Charlie | |
| Jack Gilpin | ... | Roy Page | |
| Dan Haft | ... | Photographer #1 | |
| Lars Hanson | ... | Detective Farrell | |
| Daniel Haughey | ... | Battle | |
| Frank Hopf | ... | Jack Kramer | |
| Ed Jewett | ... | Bookstore Owner | |
| Aaron Lazar | ... | Jake | |
| Alexandra LeClair | ... | Young Goldie | |
| Heather Litteer | ... | Model | |
| Gary Lundy | ... | Guy #2 at Party | |
| Edmund Lyndeck | ... | Father Egan | |
| Marisa Malone | ... | Drunken Woman at Party | |
| Shelly Mars | ... | Photographer #2 | |
| Christopher McCann | ... | Dr. Henry (as Chris McCann) | |
| Randy Miles | ... | Photographer #3 | |
| Molly Moore | ... | Young Bettie | |
| Joe Mosso | ... | Art | |
| James J. Pollock | ... | Court Official | |
| Naelee Rae | ... | Young Love | |
| Alicia Sable | ... | Goldie | |
| Ean Sheehy | ... | Director at Screen Test | |
| Kohl Sudduth | ... | Police Officer | |
| Ashley Terrill | ... | Marion | |
| Hans Tester | ... | Producer at Screen Test | |
| Ben Walker | ... | Jim | |
| Michael Boydston-White | ... | Choir Singer | |
| rest of cast listed alphabetically: | |||
| Delancey Birzin | ... | Acting Student (uncredited) | |
| Monica Braunger | ... | Bettie's School Friend (uncredited) | |
| Andres De Oliveira | ... | Beach Goer (uncredited) | |
| R. Brandon Johnson | ... | Billy Page (uncredited) | |
| Denis McKeown | ... | Evangelical Deacon (uncredited) | |
| Samuel Reich | ... | Church-goer (uncredited) | |
| Ej Scott | ... | Tough Guy in Alley (uncredited) | |
| John Ventimiglia | ... | Photographer (uncredited) | |
Directed by | |||
| Mary Harron | |||
Writing credits | ||
| Mary Harron | (written by) & | |
| Guinevere Turner | (written by) | |
Original Music by | |||
| Mark Suozzo | |||
Cinematography by | |||
| W. Mott Hupfel III | (director of photography) (as Mott Hupfel) | ||
Film Editing by | |||
| Tricia Cooke | |||
Casting by | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| Gideon Ponte | |||
Art Direction by | |||
| Thomas Ambrose | |||
Set Decoration by | |||
| Alexandra Mazur | |||
Costume Design by | |||
| John A. Dunn | (as John Dunn) | ||
Makeup Department | |||
| Jerry DeCarlo | .... | hair stylist | |
| Michelle Johnson | .... | key hair stylist (as D. Michelle Johnson) | |
| Nicki Ledermann | .... | key makeup artist (as Nicki Lederman) | |
| Evelyne Noraz | .... | makeup artist | |
| Jeffrey Rebelo | .... | hair stylist | |
| Colleen Wheeler | .... | background hair supervisor | |
| Diane Maurno | .... | makeup artist (uncredited) | |
| Julie Teel | .... | additional makeup artist (uncredited) | |
Art Department | |||
| Gary Boesch | .... | carpenter (as Gary Bosch) | |
| Jeff Butcher | .... | first assistant props | |
| Emily Gaunt | .... | charge scenic artist | |
| Katie Kemsley | .... | scenic artist | |
| Kevin Kropp | .... | set decorator: Miami | |
| Tom LaVecchia | .... | set dresser | |
| Tammy S. Lee | .... | art department assistant (as Tammy Lee) | |
| Izrael Nazario | .... | set dresser | |
| Marc Newman | .... | lead man | |
| Celia Parker | .... | camera scenic artist | |
| Donna Paul | .... | set dresser | |
| Ralph Perry | .... | construction grip | |
| Pierre Rovira | .... | construction coordinator | |
| Elizabeth Schlitten | .... | property master | |
| Philip Schneider | .... | property master: Miami (as Phil Schneider) | |
| Diane Soffian | .... | on-set dresser | |
| Larry Steinberg | .... | construction grip | |
| Roxy Toporowych | .... | set dresser | |
| Sylvia Trapanese | .... | scenic foreman | |
| R.J. Wilson | .... | set dresser (as Robert J. Wilson) | |
Visual Effects by | |||
| Jan Cilliers | .... | digital compositor: Big Film Design (restoration) | |
| Chris Halstead | .... | digital artist: Big Film Design | |
| Janos Pilenyi | .... | optical effects supervisor | |
| Ariel Enriquez Saulog | .... | optical effects artist | |
| Diane Wright | .... | digital asset manager: Laser Pacific | |
Stunts | |||
| Michael Russo | .... | stunt coordinator (as Mike Russo) | |
Camera and Electrical Department | |||
| Michael Berg | .... | camera operator | |
| Michael Berg | .... | director of photography: second unit | |
| Timothy Berg | .... | gaffer | |
| Charles Casillo | .... | grip | |
| Joe Casillo | .... | grip (as Joseph Casillo) | |
| David Flanigan | .... | second assistant camera | |
| Abbot Genser | .... | still photographer | |
| Lisa-Marie Gleeson | .... | electrician | |
| Dan Hersey | .... | first assistant camera | |
| Tom Hocking | .... | dolly grip | |
| Laura Hudock | .... | camera loader | |
| Greg Kasper | .... | key grip: Miami | |
| Tom Kerwick | .... | key grip (as Tom Kerwick Jr.) | |
| George McCabe | .... | grip | |
| Martin Nowlan | .... | best boy electric | |
| Thomas O'Connor | .... | electrician | |
| Alfred Padilla | .... | electrician (as Alfred Padolla) | |
| Rusty Pouch | .... | gaffer: Miami | |
| Jim Riley | .... | grip | |
| William M. Weberg | .... | best boy grip (as Billy Wieberg) | |
Casting Department | |||
| Sharon Blythe | .... | extras casting associate | |
| Deborah Maxwell Dion | .... | casting associate: Los Angeles | |
| Lori Eastside | .... | extras casting | |
| Sondra James | .... | voice casting | |
| Paul Schnee | .... | casting associate: New York | |
Costume and Wardrobe Department | |||
| Stephanie Biear | .... | seamstress | |
| Gail A. Fitzgibbons | .... | costume supervisor (as Gail Fitzgibbons) | |
| Rebecca Hofherr | .... | costume production assistant | |
| Dain I. Kalas | .... | tailor (as Dain Kalas) | |
| Lisa Padovani | .... | assistant costume designer | |
| Meredith Markworth Pollack | .... | costume production assistant (as Meredeth Markworth-Pollack) | |
| Michelle Elaine Teague | .... | set costumer (as Michelle Teague) | |
| Julia Van Vliet | .... | costumer | |
| Rose Wells | .... | key costumer (as Rosalie A. Wells) | |
| Peter White | .... | wardrobe supervisor: Miami | |
| Michelle Elaine Teague | .... | costume fitter (uncredited) | |
Editorial Department | |||
| Susan Lazarus | .... | consultant: post-production | |
| John F. Lyons | .... | associate editor | |
| Lisa Melodia | .... | post-production intern | |
| Kevin O'Connor | .... | colorist | |
| Noëlle Penraat | .... | negative cutter (as Noelle Penraat) | |
| David Pultz | .... | color timer | |
| Matthew Shapiro | .... | post-production assistant | |
| Lori Taffet | .... | post-production coordinator | |
| Alexandra Torterotot | .... | post-production coordinator | |
| Adriaan van Zyl | .... | post-production intern | |
| Harry Muller | .... | color timer (uncredited) | |
Music Department | |||
| P.J. Bloom | .... | music supervisor | |
| Joseph S. DeBeasi | .... | choir arranger | |
| Joseph S. DeBeasi | .... | composer: choral music | |
| Don Fleming | .... | music researcher | |
| Evyen Klean | .... | music consultant (as Evyen J. Klean) | |
| Suzana Peric | .... | music editor | |
| Ted Spencer | .... | music mixer | |
| Ted Spencer | .... | music recordist | |
| Mark Suozzo | .... | conductor | |
| Mark Suozzo | .... | music producer | |
| Mark Suozzo | .... | orchestrator | |
Transportation Department | |||
| David Boyde | .... | driver | |
| Jim Buckman | .... | transportation captain (as James S. Buckman) | |
| David Chacon | .... | driver (as Dave Chacon) | |
| Larry Crenshaw | .... | transportation coordinator: Miami | |
| Kenneth Garrison | .... | driver | |
| Robert Johnson | .... | transportation co-captain (as Robert L. Johnson) | |
| Dennis Kelly | .... | driver | |
| Dermot Mackin | .... | driver | |
| Daniel Palmer | .... | driver | |
| Luis Rodriquez | .... | driver | |
| W.J. Speranza | .... | driver | |
Thanks | |||
| Bunny Yeager | .... | thanks | |
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I saw this movie at the 2006 Palm Springs International Film Festival and it is a movie and not a film since it apparently was shot by HBO to be shown on their cable network sometime this year. This movie presents Page as a bondage and discipline fetish pinup and B&D stag film actress who had enough talent to become a real actress. Page was a little more than that and the film touches on some of her other roles in modeling but not enough to balance out the career of the 50's pinup icon. This film is supposedly based on the book "The Real Bettie Page" by Richard Foster. It's shot in black and white for that 1950's nostalgia feel. I have the book called "Bettie Page The Life of a Pinup Legend" that has a lot of great photos chronicling the career of Page and I must say that this movie reproduces on film, with Gretchen Mol as Page, many of those famous photo's very accurately. Mol herself with the Bettie Page black wig and brown contact lenses is Bettie Page. Not only does she have the Bettie Page look but she has the smile and characteristics of her personality that came through the camera down perfect. And her body is as close to a replica of Page's as possible. Terrific casting. The story is kind of thin and tabloidesque and certainly could have been a lot better. But this is a pretty good TV movie. I would rate it a 7.0 of a scale of 10 and recommend it's viewing when it comes on TV.